[00:01] in Blackbird you can really see the advantage of these small voicings I'm talking about this section [Music] here what Paul MC is doing there is implying a sequence of chromatic chords
[00:16] that sequence is C major C Shar diminished D Major D Shar
[00:28] Major D Shar diminished and then E minor voicings it would sound like [Music]
[00:45] this and that sequence of chords there if we play it a little hand around but also there's something that just feels too busy too cluttered
[00:59] there's too many notes there's too much [Music] information that's so clean and elegant and leaves so much space so now that
[01:11] voicings in action the question is as a songwriter how can you integrate them songwriter how can you integrate them into your own songwriting process