[0:00] [Music]
[0:00] foreign
[0:11] last time we went over math forms and
[0:14] the mouth opening so if you want to
[0:16] check out that video before this one
[0:18] feel free to there are some tips there
[0:20] that I am gonna use in this video but
[0:22] that goes for all my other Ricky videos
[0:25] So today we're gonna work on head angles
[0:29] we're going to be doing angles X Y and Z
[0:31] and I will also be going over augmented
[0:34] physics now if you don't know what
[0:36] augmented physics are it's basically
[0:38] movement physics for your model that
[0:40] gives you a little more life there are
[0:42] different ways to add these physics in I
[0:45] do an easier way that I think looks
[0:47] cleaner but it does take away some of
[0:50] the rigging I will explain that later
[0:52] just follow along and we'll figure it
[0:55] out together so first of all just like
[0:58] the mouth rigging video we're gonna look
[1:00] up a guide I feel like the head angles
[1:02] for a model can really set apart a good
[1:04] rig from a bad rig maybe even more so
[1:07] than the mouth a good model that has
[1:10] good angles can really show the depth of
[1:12] the model and make it look more 3D
[1:14] rather than 2D if you're an experienced
[1:16] artist and you regularly draw head
[1:19] angles like three-fourths looking up
[1:21] looking down this will be a lot easier
[1:23] for you if not as I said we're gonna
[1:25] look up a guide so you can just go on
[1:27] Google and just Google up head angles
[1:29] but if you want to be more specific you
[1:32] can look up head angles live 2D I think
[1:34] a couple good guides will show up that
[1:36] you can use as reference I will say I
[1:38] think the hardest part about making head
[1:40] angles look really good are the corners
[1:43] and we'll be going over that hopefully
[1:45] it will make sense and then once you
[1:47] have your guide let's get into live TV
[1:49] okay as I mentioned in my first video I
[1:52] do have my angle separated differently
[1:54] as you can see here in my inputs
[1:56] parameter folder I have all the default
[1:59] angles that come with life today my
[2:01] angle X Y and Z and also body X Y and Z
[2:03] basically these are what you're
[2:05] inputting into your program when you
[2:08] move your head to the left and right
[2:10] that's angle X if you're moving your
[2:12] head up and down it puts it into angle y
[2:14] so that's why I put these into inputs
[2:16] and then over here in angles is where I
[2:19] have my head ankles so I named these
[2:21] angle X Y and Z physics but you can name
[2:24] these whatever you want whatever makes
[2:25] easier for you so you can just press new
[2:27] parameter make a new one this is my
[2:29] angle X physics parameter so my name is
[2:31] just Anglo X physics ID doesn't really
[2:33] matter and my ranges go from negative 30
[2:36] to 0 to maximum 30. and then once you're
[2:39] done with that do that for each of these
[2:41] angles so these parameters are going to
[2:43] be our physics parameters obviously so
[2:45] when we input angle X when you look to
[2:48] the left and right it's going to come
[2:49] out as these physics so we're going to
[2:52] start with the face so let's take away
[2:54] all of our hair over here in Parts
[2:56] you're probably going to have a ton of
[2:58] warps that you see in Parts if you go up
[3:00] to here you can actually hide it with
[3:02] the green button and the red button if
[3:04] you have any rotation warps so you can
[3:06] just see all the layers here
[3:08] just so we have our bald little face
[3:10] here hopefully your face is symmetrical
[3:12] and nice and shiny I know a lot of
[3:15] people like to have bald toggles so if
[3:17] you rig your head nice you won't look
[3:19] too weird when you take off all your
[3:21] hair so going over to my face I have all
[3:24] of my face are under one warp to make it
[3:27] easier for myself and we're gonna put in
[3:30] the mesh for our face so if you follow
[3:32] my guide you should have a face line and
[3:35] face skin we're going to add in mesh
[3:38] okay so I have my face line and my face
[3:40] skin here and usually I would manually
[3:42] mesh this but I want to focus on
[3:44] something else I'm just going to
[3:45] automatically mesh this these manually
[3:47] mesh this if you can I'm gonna start
[3:48] with the face kit I'm gonna deform it
[3:50] heavily so it's gonna look something
[3:51] like this and then for the face line if
[3:54] you do it with a heavy deformation it's
[3:56] gonna look like this which is not what
[3:58] we want because actually we're going to
[4:00] use glue to connect the face line to the
[4:03] face skin so we're gonna take the face
[4:04] skin and go into manually mesh and we're
[4:07] actually going to select all of the
[4:09] little vertices on the face control copy
[4:11] check out then we're going to switch
[4:13] over to the Face line manly mesh that
[4:14] we're going to select all of those
[4:16] vertices hit delete and then Ctrl V to
[4:19] paste it and this will put the same
[4:20] exact mesh that we put on the face skin
[4:22] onto the face line so now we can select
[4:24] both the face light and the face skin
[4:25] and then if we go into the manual mesh
[4:27] editor you see that these red lines are
[4:29] now green well they're usually red this
[4:32] is because the meshes are perfectly
[4:34] overlaying on top of each other so now
[4:36] if we select all the vertices here this
[4:38] selects both the face line and the face
[4:40] skin versus and then you can hit Ctrl G
[4:42] and this will put a green box around all
[4:44] these red boxes and this means that
[4:46] these vertices are glued together so the
[4:48] face line and face skin are completely
[4:50] glued together this is like a little
[4:52] intro to glue I will explain glue better
[4:54] in another video but I'm not the best at
[4:56] glue honestly so this basically just
[4:58] makes it so that the face line and the
[5:00] face skin whenever one of them moves the
[5:03] other will follow along with it for
[5:04] example if I take all the vertices here
[5:07] with a brush tool it will move both the
[5:09] face skin and the face line although I'm
[5:11] only selecting the face line right now
[5:12] so it just keeps it nice and neat when
[5:14] you're deforming them of course as I
[5:16] said if your face is just one layer you
[5:18] don't have to do this but there are a
[5:20] lot of benefits to separating your face
[5:21] line from the face skin okay this is my
[5:23] third time recording this section but
[5:26] hopefully the last time so let's get two
[5:30] minion warps and rigging the head so
[5:32] first of all I'm going to open up my
[5:36] face warp folder I'm gonna grab my face
[5:39] line my face Shadows my blush and my
[5:44] face skin and put that all under one
[5:46] angle X Y War now it's gonna
[5:49] automatically put a box around
[5:50] everything but you can actually edit
[5:52] this if you hold down control and then
[5:54] you can warp the green points or the red
[5:56] points holding that all to do both sides
[5:59] at the same time usually like to like
[6:01] usually I like to square in on the face
[6:04] this way just to make sure it's all good
[6:06] and well also you're gonna make sure the
[6:09] warp is in the middle of the face
[6:10] example here mine is not really in the
[6:14] middle it's over to the left a little so
[6:16] I'm gonna grab the right side and bring
[6:17] it out a little bit until it's right
[6:20] there next we're gonna put in three key
[6:23] forms on angle X and we're going to turn
[6:25] this all the way over to positive 30.
[6:28] the key form that's the rightmost side
[6:30] is going to be when your model looks to
[6:32] the right and then the one obviously all
[6:35] the way to the left your model is going
[6:36] to look to the left so going back to the
[6:39] right key form we're going to start
[6:40] deforming the head take away the red box
[6:42] now holding on shift I'm going to grab
[6:44] these green corners and drag them over
[6:46] to the side I'm working at and you'll
[6:48] notice that we're forming that face
[6:50] that's looking to the side make sure you
[6:52] have your reference picture on hand so
[6:53] you can copy shape of the face to what
[6:55] you want or just freehand it like I'm
[6:57] gonna do and then it's gonna look more
[6:59] and more like returning to the side now
[7:01] your face here is not going to move
[7:02] since we're not warping it so it's gonna
[7:04] look a little awkward when you're
[7:05] turning to the side and it's just
[7:07] staying there you can hide if you want I
[7:09] usually don't because I like to use as a
[7:11] guideline but I think it'll be easier to
[7:13] see if I just get rid of all these for
[7:15] you guys so let me just make those
[7:17] disappear okay so now I got this little
[7:19] mushy head over here and we're going to
[7:22] want to deform it a little more we want
[7:24] to edit it really well so it gives the
[7:26] illusion that the face is looking over
[7:27] to the side so we're gonna add more of
[7:30] these green Corners to edit by going
[7:32] into the bezier division number and
[7:34] changing the height usually I could
[7:35] change the height into five or six for
[7:37] the face this adds more green Corners
[7:39] vertically so we can edit these a little
[7:41] more now with the forehead jutting out
[7:44] the head will go back a little and your
[7:46] face sinks a little on your eyes goes
[7:49] back out on your nose and everything
[7:50] obviously it's gonna look a little wonky
[7:52] we need to add more of these gray Dots
[7:55] here to edit it at a more detailed level
[7:56] so we're gonna go to the number of
[7:58] conversion divisions by default it's
[8:00] five by five usually I could go up by 10
[8:02] for the face maybe less maybe more
[8:04] depending on what I'm editing but now I
[8:06] have more that we can edit it's a little
[8:08] awkward because all these gray dots are
[8:11] warp being not as smoothly as they
[8:13] should be especially for the face that's
[8:15] supposed to be something soon we need to
[8:17] go to bezier edit type and by default
[8:19] it's retain control structure but we're
[8:21] going to change it to smooth all so now
[8:23] if we click on these green Corners it's
[8:25] going to smooth out those gray dots into
[8:28] more curves and just make it a lot
[8:31] smoother now of course we only edited
[8:33] the middle of the face so I'm going to
[8:34] go ahead and edit the side over here
[8:36] because we really need that to pop out
[8:39] to show the dimensions of the face when
[8:41] turning
[8:42] I'm gonna add one more to my height
[8:46] [Music]
[8:48] and now it's looking a little more
[8:50] dimensional now this is just a base
[8:53] sketch rig of the face you could say we
[8:55] just want to get a general movement of
[8:57] the face for everything on here so I'm
[8:59] gonna reflect the motion over and now
[9:01] we're looking left and right
[9:04] next we're going to actually edit the
[9:06] face line and the face skin specifically
[9:08] so we can really get the right curves
[9:11] for the face so if you select both your
[9:13] face light and your face skin you can
[9:15] put a path to former around the edge I
[9:18] already have here because that is my
[9:21] third time recording this but if you
[9:23] want to follow me it's a little hard to
[9:24] see but as always you can start with
[9:27] less path deformers and add more when
[9:29] you need to add more details so after
[9:31] you have that finished we can actually
[9:33] with both Face line and face get
[9:35] selected put in angle X physics key
[9:37] forms turn over to the right now we can
[9:40] edit the face more usually I have to
[9:42] hover over Pat the former hide all my
[9:44] mesh and actually edit that way so it's
[9:46] a little easier to see everything
[9:47] [Music]
[9:49] foreign
[9:54] lumpy Parts like I do especially over
[9:57] here you can actually fix these pretty
[9:59] easily with Pat deformers just delete
[10:01] some at the area you want to fix and
[10:04] then you're gonna put Pat the former
[10:05] dots at the peaks of your awkward spots
[10:08] for example mine are here and here and
[10:11] then make sure you have little anchor
[10:12] points in between so since I have one at
[10:15] this peak here I need one here and one
[10:17] right in the middle here and the same
[10:19] for this one I need one in the middle
[10:20] here and one over here
[10:23] so after playing those path of formers
[10:25] in you can just edit those dots and
[10:27] smooth those out you might have to lower
[10:29] your path to form a distance depending
[10:32] on how crazy your Peak is
[10:36] [Music]
[10:38] and then once you have those smoothed
[10:40] out you can actually just get rid of
[10:42] those path of formers and put them all
[10:45] on a nice straight line again or a
[10:47] curved line I guess and then you just
[10:48] keep detail editing each little bit of
[10:50] the face until you have something you're
[10:52] satisfied with
[10:53] [Music]
[10:55] you can also just use the brush tool if
[10:58] there's larger areas you want to edit
[11:07] and then once you have something you're
[11:09] satisfied with just reflect it over
[11:10] horizontally and Bam you have it looking
[11:13] left
[11:14] all right
[11:15] now of course you can make this turn
[11:17] more extreme depending on how far you
[11:19] want your model to look when you're
[11:21] looking over to your left and right it's
[11:22] all up to personal preference
[11:25] now if you have blush or any Shadows on
[11:27] your face like me they're probably gonna
[11:29] look really whack because you're
[11:31] focusing on just the face skin for now
[11:33] honestly you can just hide those for now
[11:35] I do use my blush as a guideline for
[11:38] where I'm placing my eyes and my brows
[11:40] and everything so I'm gonna take
[11:42] everything under my blush I have my
[11:44] blush marks separated from my blush so
[11:46] I'm going to add a web deformer a little
[11:49] X Y on that and since this is a child
[11:52] deformer under our parent the former the
[11:55] original angle X Y warp deformer it's
[11:57] gonna have the same busier settings so
[12:00] if you want to edit those you can I
[12:02] would because I don't need this much
[12:04] editing for my blush I'm Going to center
[12:06] it on my blush and then add key forms
[12:09] and edit my blush into where I want it
[12:12] to look
[12:13] foreign
[12:19] let's actually start working on angle y
[12:23] some people like to do all their X
[12:24] angles first and then doing their y's
[12:27] and then do the corners personally I
[12:29] just like do x y and the corners of X Y
[12:32] all together so that's what we're doing
[12:35] in this tutorial so going back to our
[12:37] original X Y deformer on this entire
[12:40] face we're gonna add three key forms to
[12:43] angle Y and then positive angle Y is
[12:46] going to be when you're looking up and
[12:47] negative angle Y is when you're looking
[12:49] down it should be pretty easy to
[12:51] remember so going up to positive y we're
[12:54] going to make our face look up and it's
[12:56] going to be a little hard with all of
[12:58] these right down the middle with all of
[13:01] these green Corners right down the
[13:02] middle because we have to move each bit
[13:04] individually up and up so I just like to
[13:07] lower it down to like three and then
[13:10] start editing the face looking up from
[13:12] there foreign
[13:13] [Music]
[13:15] saying yours might look a little
[13:17] different from mine if you're
[13:18] freehanding it like me you should always
[13:20] think of the face as a ball someone
[13:23] looks up it's going to be curved upwards
[13:25] so it has that little Bend here same
[13:28] thing for when it goes down it's going
[13:29] to curve down
[13:32] now I always feel like looking up and
[13:34] down is pretty tricky for some riggers
[13:37] that aren't too used to how to make the
[13:39] illusion of looking up and down so it
[13:41] might be something you have to practice
[13:42] with but as I said using a reference
[13:45] really helps with how to make your model
[13:47] look like it's actually looking up and
[13:48] down
[13:51] okay now that we have that done I'm
[13:55] going to okay now that we have that done
[13:57] we're gonna work on the corners for the
[14:00] rig quote unquote sketch the face so
[14:02] there's a couple ways you can do this
[14:04] obviously since it moves like in a
[14:06] circle pattern you can link both and
[14:09] synthesize the corners but this will
[14:11] make it a little awkward because if we
[14:13] look up and to the side our head is
[14:16] going to be jutting out like crazy over
[14:19] here now if we look down it's still
[14:21] going to look kind of weird
[14:23] now this goes back into my little ball
[14:26] analogy if the ball is turning in this
[14:29] direction this part of the ball would
[14:32] disappear behind it that makes any sense
[14:35] so this head would actually be going in
[14:37] like that instead of joining out so I'll
[14:39] make solution that you're looking over
[14:41] to the side and up a little better
[14:43] obviously I'm just freehanding it if you
[14:45] have reference look at your reference
[14:47] and see how the head looks when it turns
[14:49] to the side at these angles same thing
[14:51] for this side it would be squished in a
[14:54] little and that side
[14:56] now you can do it that way you can also
[14:58] just take your angle x copy this form
[15:02] paste it on the corners and edit it from
[15:05] there it's all the personal choice on
[15:07] how you think you could rig yours the
[15:09] best but since this is a bit of a lazy
[15:12] easy tutorial synthesizing the corners
[15:14] and squeezing in the corners of the
[15:16] faces a little bit easier and then once
[15:18] you do the corners for one side you can
[15:20] just reflect it horizontally so once you
[15:23] have all those refracted over you can
[15:26] test your face and see if it looks
[15:27] alright
[15:28] obviously it's still gonna look a little
[15:30] rough you can edit the sketch more if
[15:32] you'd like I don't know why my head went
[15:33] back I must have control Z too much
[15:37] [Music]
[15:42] I don't think my head goes down my neck
[15:44] enough to really have that rotational
[15:47] effect so I'm gonna change that
[15:51] damn man it's looking a little better if
[15:53] you just did the same way I did and hit
[15:55] all the mesh and just use the brush tool
[15:57] you can go back in and shift the green
[16:01] Corners a little bit to smooth
[16:02] everything out
[16:03] foreign
[16:06] obviously since I deformed it a lot with
[16:08] the brush tool it's gonna have to smooth
[16:09] out a lot so it will change a lot from
[16:12] me and you if you copied me when you
[16:15] click on the green Corners so if you
[16:17] don't like how it looks after smoothing
[16:19] it out you can just go back and edit it
[16:20] or you can add more divisions here if
[16:23] you go change the width so that you can
[16:25] edit the sides here more
[16:28] and then once we have the little sketch
[16:30] done you can edit these Corners when you
[16:33] go into your face line and face skin
[16:35] just add the key forms to angle y you
[16:37] can edit the looking up and looking down
[16:39] [Music]
[16:41] looking at the corners
[16:45] [Music]
[16:52] [Music]
[16:57] and I'm going to reflect those over to
[17:00] the left and double check
[17:03] [Music]
[17:04] we have our face rotating on our X Y
[17:08] axis hopefully yours looks nicer than
[17:11] mine I'm probably gonna go and edit it
[17:13] more a little later but it's good enough
[17:15] for now now that we have the base of our
[17:17] face finished let's get into rigging the
[17:21] rest of the face onto angle X and Y so
[17:24] I'm gonna start putting my eyes on and
[17:29] going over to my eye warp I'm gonna put
[17:32] those under an angle X Y warp and then
[17:35] same thing as I did for the face make
[17:38] sure the warp is centered on the face it
[17:41] looks pretty center to me I think and
[17:43] then add angle X turn over to the right
[17:47] and just start wringing it in
[17:50] foreign
[17:54] [Music]
[18:03] mostly because of my blush placement so
[18:07] I'm probably going to move my blush a
[18:09] little later on
[18:10] [Music]
[18:28] all right it looks good enough to me
[18:31] I'm just gonna quickly edit my blush to
[18:33] match
[18:35] okay now I'm gonna go over and do my
[18:39] eyebrows
[18:40] [Music]
[18:49] something that really helps with giving
[18:51] the illusion of head turning is adding
[18:55] anything that makes it look more 3D for
[18:57] example where your eyebrows are I
[18:59] usually you have a little bump so I put
[19:02] my visual division width to four so I
[19:05] can have green corners on right in the
[19:08] middle of my eyebrows and this may look
[19:10] like it's jutting out a little bit if
[19:13] that makes any sense a lot of doing the
[19:15] angle X Y for the face is really trying
[19:17] to make all these little things add up
[19:20] until looking like the head is turning
[19:23] so put in a lot of detail and care when
[19:26] editing your face foreign
[19:31] [Music]
[19:45] next I'm gonna do my nose so the nose is
[19:49] another object on the face that if you
[19:52] rig it pretty well when it turns left
[19:54] and right it really adds more onto the
[19:58] illusion of looking left and right I'm
[20:00] sorry I keep saying that but it's all I
[20:02] can use right now depending on the kind
[20:04] of nose you make you might have to do a
[20:06] lot of effort into rigging it but since
[20:08] I'm just doing a basic anime girl with a
[20:11] little dot nose it's a lot easier I do
[20:13] have a little more layers for some more
[20:15] details in the future if you have like
[20:17] an Eco men face with like an actual
[20:19] defined longer nose I will try to do a
[20:22] tutorial about that in another another
[20:25] little series but for now simple little
[20:28] anime nose and take everything on my
[20:30] nose put it in its own ankle X Y web
[20:33] deformer and I'm gonna Center the award
[20:35] and like I did it for the rest put in
[20:37] key forms for angle X
[20:39] I'm gonna start raking it
[20:41] [Music]
[20:46] and I usually for anime characters
[20:48] facing forward they have a little dot
[20:50] for their nose most of the time but when
[20:53] they turn they're gonna have a little
[20:55] line
[20:57] that usually looks like this
[20:59] or something that looks a little better
[21:01] than that so usually as I just showed I
[21:05] would first manually put in my mesh for
[21:08] the nose I'm probably going to want to
[21:09] make it a lot nicer than this but that's
[21:11] what we're going with and we'll put two
[21:13] and we'll put three path to former dots
[21:15] right along the middle of it so when you
[21:18] turn it to the side don't put your key
[21:20] forms you can stretch out what little
[21:22] color there is on this layer to give
[21:25] more of a nose illusion again little
[21:27] detailed edits you can do after the base
[21:30] warp can really add more life into your
[21:33] rig I'm gonna go in and edit my angle X
[21:36] where I know shine since it's a little
[21:37] wonky on let's get trick
[21:41] and there we go we got the nose looking
[21:44] a little more dimensional I'm gonna do
[21:47] my angle line out
[21:49] [Music]
[21:59] okay I think I'm done nose
[22:02] [Music]
[22:13] okay I just edited some more parts of
[22:17] the face I was looking weird when I was
[22:19] looking around so it looks a little
[22:21] better now but anyway we're gonna go
[22:23] into the next part which are the ears
[22:26] sometimes I like to do the front hair
[22:28] before I do the ears depends depends but
[22:31] I think right now we'll do the ears
[22:32] first and we can edit it later now for
[22:34] the ears I'm gonna explain more about
[22:35] how to use clipping masks so for example
[22:39] on some rigs if you can even see their
[22:41] ears they turn to the side their ear
[22:43] might pop out right on top of their head
[22:45] some people use draw order to do this
[22:48] and I know when I was first learning
[22:50] live today there are a lot of tutorials
[22:52] out there that really emphasize draw
[22:54] order obviously if you've watched
[22:56] through all my tutorials I haven't
[22:58] touched on that yet but I almost never
[23:01] use it so you're not on the right
[23:03] channel if you want to learn how to use
[23:04] draw order but this is how I do that ear
[23:07] popping out technique for my models so
[23:09] first of all my ear art is under my face
[23:12] as you can see here I'm gonna put my
[23:14] ears over my face obviously it is gonna
[23:16] look really weird especially if you have
[23:19] a lot of your ear poking out onto your
[23:21] face so we can actually use clipping
[23:24] masks to hide the sides of the ears when
[23:27] we're facing forward I'm going to teach
[23:29] you guys how to use the invert mask
[23:31] option so with my ears on top of my face
[23:34] I'm actually going to go into my face
[23:36] and take my face skin actually copy
[23:38] paste that also make sure your face skin
[23:40] is actually under all your ears that'll
[23:41] be a little easier to understand and
[23:43] then when you copy paste your face skin
[23:45] it's going to be in the same folder
[23:46] where your original face skin is keep it
[23:49] there because we want it to work the
[23:51] same way as the face and then let's
[23:53] rename this into ear clip or whatever
[23:56] else it's easier for you to understand
[23:58] so first let me just organize my ears
[24:01] until left and right since I have a lot
[24:03] of accessories on them
[24:04] okay so taking the ear clip layer which
[24:08] is our face skin just copied we're going
[24:10] to take the ID copy that select
[24:13] everything on your ears paste it into
[24:15] your clipping ID and then click invert
[24:17] mask so this makes it so that the ears
[24:19] look like they're behind the skin this
[24:21] is because everything of the ears or
[24:23] everything we just clipped will show
[24:25] except for whatever touches the face
[24:27] skin and then if we take the ear clip
[24:29] layer and turn the opacity to zero we
[24:31] won't be able to see all the face skin
[24:33] on top but it will still clip onto the
[24:36] ears like this so we'll still hide the
[24:37] ear when we move it so I'm gonna hide so
[24:40] I'm gonna hide the ear clip layer just
[24:41] so I can see the ears on top first I'm
[24:43] going to take both ears and add an angle
[24:46] X Y to former and then we do the same
[24:48] process I did with the other things on
[24:50] the face and rig them on
[24:53] for this other ear here I'm going to
[24:55] tuck it behind the face obviously it
[24:57] doesn't look like I'm tucking it because
[24:59] you can still see the ears and
[25:01] everything and tuck it in there and
[25:02] double check that looks good enough I
[25:04] think I'm just gonna reflect it
[25:05] horizontally now I'm going to turn back
[25:07] on the ear clip our ears are behind
[25:09] everything and then turn it over to the
[25:12] right and I just realized we already
[25:15] have key forms on this because it copies
[25:17] the key forms of the face skin this is
[25:19] an issue because we only put the opacity
[25:21] zero on one key form so we would have to
[25:24] put opacity zero on all these key forms
[25:25] or else it will pop up again you can
[25:27] turn each little key Point into zero if
[25:30] you'd like I'm just gonna set another
[25:31] warp let's call this ear clip I'm going
[25:34] to set this warp deformer to opacity
[25:37] zero and that will make everything in
[25:38] that warp opacity zero I don't see it at
[25:41] all and I'm gonna go back into my ear
[25:43] clip layer and get to editing so I look
[25:46] to the right I want my ear to pop out so
[25:48] I'm going to grab my brush tool and push
[25:50] the ear clip over so I can reveal my ear
[25:52] it looks kind of weird on my blush but
[25:55] I'll have my hair covering that anyway
[25:56] they can play around with that and see
[25:58] what works for you and then since our
[26:00] ear clip is just copy of the face it's
[26:02] already perfect on this side and will
[26:04] hide this ear
[26:05] as you can see here and I'll just
[26:07] reflect that horizontally and then it'll
[26:09] be the same on this ear and then having
[26:12] the ear on top gives it a little more
[26:14] dimension for the face turns so I think
[26:17] it's a nice touch might move the ears
[26:18] back a little more though so I'm going
[26:20] to hide my ear clip again and just rig
[26:22] my angle X Y for my ears and all the
[26:25] corners and everything
[26:28] foreign
[26:32] [Music]
[26:34] once my ears are done I'm gonna pack the
[26:37] ear clip and I'm gonna do Each corner
[26:39] and everything for these
[26:41] [Music]
[26:46] and voila we've got ears moving back and
[26:50] in front of her head
[26:51] [Music]
[26:53] hello it's a new day for me so um I have
[26:57] no idea what I just did I think I just
[27:00] got finished rigging the ears so next
[27:02] we're gonna fill up our bald little head
[27:05] and usually I like to start with the
[27:06] front hair so I'm just going to turn on
[27:08] all the front hair and it's going to be
[27:10] mostly the same process as everything
[27:12] else we've ripped on the face just you
[27:14] know getting it to look right at each
[27:15] angle except hair is also one of the big
[27:20] factors in really making a rig look like
[27:23] they're actually looking to the left and
[27:25] right and down and up because the hair
[27:28] you know it encapsulates your head so
[27:30] when your head turns your hair is gonna
[27:33] turn pretty drastically too I'll explain
[27:35] it as I go but I have my front hair here
[27:39] and I've kind of separated my fringes
[27:42] into different sections okay so usually
[27:46] for hair I like to tackle each section
[27:48] section by section but I think an easier
[27:51] method is to group everything and then
[27:55] edit each one individually you can
[27:57] obviously do this for each part that
[27:59] you're rigging I probably already put
[28:01] notes in the video for this but for
[28:03] example if you wanted to put your eyes
[28:04] and your brows your nose and your mouth
[28:06] all in one General angle XY rig and then
[28:10] rig each of them individually to fit
[28:12] them into different spots or different
[28:14] angles that would be good for keeping
[28:16] everything pretty consistent and hair
[28:18] gets pretty tricky so I do like to do
[28:21] that with hair so I'm just going to
[28:23] select everything on my front hair and
[28:25] put it into an XY warp again make sure
[28:28] everything's meshed correctly for my
[28:31] hair I usually like to do an automatic
[28:32] mesh
[28:33] um for heavy deformation usually for my
[28:37] lazy self that's good enough but if it's
[28:39] a pretty particular piece of hair I will
[28:42] manually mesh it so it's up to your
[28:44] personal choice
[28:45] since the hair does get pretty warped up
[28:49] when we rig in the physics you might
[28:52] want to make it pretty detailed but
[28:55] we'll handle that when we get to hair
[28:57] physics and everything so having our
[28:59] warp selected I'm just going to do the
[29:01] same thing I did for the face and make
[29:03] it smaller with control and ALT
[29:07] so we're gonna start with ankle X turn
[29:09] this over to the side now to put on your
[29:12] hair now depending on your hair you
[29:14] might want to rig it differently it's
[29:15] all up to personal choice and of course
[29:17] how your hair works and how you want to
[29:19] work with it but as a general rule of
[29:21] thumb I like to actually just grab
[29:23] everything here and shift it over a
[29:25] little bit and then I will bump this out
[29:28] I'm gonna add more conversion divisions
[29:31] and bezier divisions
[29:33] just down the middle like I did for the
[29:36] face I'm gonna more fit like I said the
[29:39] face is kind of like a ball so I want my
[29:41] hair to Puff that a little over here and
[29:43] then I'm going to tuck the hair on the
[29:46] side in
[29:49] A good rule of thumb is to also note
[29:51] where the center of your head is or
[29:54] where your hair is sprouting from for
[29:56] example mine is pretty much on the
[29:58] center
[29:59] so I turn my head it's Gonna Keep onto
[30:02] the center here really helps with the
[30:04] illusion of turning left and right and
[30:06] I'm just going to reflect it
[30:07] horizontally
[30:08] now for me this is a pretty decent
[30:11] sketch rig so I'm just gonna go into the
[30:13] hair and do a more detailed edit on the
[30:17] angle X as I said earlier hair really
[30:19] helps with the illusion so what I want
[30:21] to do is I have a lot of mid hair here
[30:24] for example this Fringe here is like my
[30:26] front hair and these two over here like
[30:27] my mid hair so when I turn I want these
[30:29] to kind of jut out a little bit like
[30:32] this so it really shows more depth into
[30:35] my turn and send it symmetrical on both
[30:37] sides I'm just going to select each
[30:39] piece pair them together with their own
[30:41] warp on and then just break in the angle
[30:45] X
[30:46] [Music]
[30:53] foreign
[30:53] [Music]
[30:59] decent to me right now I'll probably do
[31:02] more detailed edits since I have a lot
[31:04] of separation for my hair example I have
[31:06] this here and I have little flicks here
[31:08] I'll probably do that later now that I
[31:10] have that done I'm now just gonna go
[31:12] back into all those angle X Y warps I
[31:15] just did and do angle Y and then do the
[31:18] corners
[31:20] foreign
[31:22] [Music]
[31:31] obviously I will go back and do some
[31:33] more detailed editing after I record but
[31:36] just some little tips or I mean you can
[31:39] take them if you like them but whenever
[31:41] I look down I do like to make the hair
[31:43] go over my face a little more it kind of
[31:47] gives the illusion that your hair is
[31:49] hanging over your face so gives more of
[31:52] that looking down look but maybe I have
[31:55] it too much I'm probably gonna squish it
[31:57] up a little bit but
[32:02] foreign
[32:07] with this for now next I'm gonna move on
[32:10] to my mid hair obviously we so this is
[32:14] my humid hair which is my hair tied back
[32:16] so it's basically the shape of my head
[32:19] so I'm gonna mesh all this is some crazy
[32:22] looking mesh but it'll work I guess I'm
[32:25] gonna select everything on my
[32:28] mid hair give it a warp I'm gonna Zone
[32:32] in on everything
[32:34] and then I'm just gonna do my sketch rig
[32:41] if your hair only has like two layers
[32:44] like the front and the back it's really
[32:46] too too dimensional you're going to want
[32:48] to add some sort of mid layer that will
[32:50] usually be hidden when you're just
[32:52] facing forward like this but it will
[32:54] reveal itself when you turn your head
[32:55] something to keep in mind for a better
[32:57] looking rig in my opinion at least
[33:09] okay ignore my wonky looking rig I'll
[33:12] probably show my finished product at the
[33:15] end of the tutorial we're just trying to
[33:17] get in um the general rig right now
[33:19] Wally Style just do it better than me
[33:22] okay I'm gonna rig in my little flicks
[33:25] here really quick
[33:30] okay this is decent enough now I'm gonna
[33:33] add the pigtails which are just pretty
[33:35] easy honestly
[33:40] another good thing to note when you're
[33:42] rigging hair or anything else for when
[33:45] you're looking up and down is how they
[33:47] move up and down respectively to your
[33:50] face imagine you have a ponytail on the
[33:52] back of your head just just imagine and
[33:54] then you look down it's gonna look up
[33:56] then when you look up it's gonna be
[33:58] pointing down something to keep in mind
[34:02] [Music]
[34:04] I'm sorry my Ray's getting sloppy and
[34:06] sloppy as we go I know this tutorial is
[34:09] going to be a bit longer too so I'm
[34:11] trying to speed things up I just want to
[34:12] teach you guys how to do it and then you
[34:15] guys can perfect it on your own there
[34:18] are some things here I do want to fix
[34:19] the face like for example in this corner
[34:22] I kind of want to smush these in more so
[34:24] I don't have too much of this showing
[34:26] here just some little things I gotta go
[34:28] back when I find back and forth back and
[34:31] forth anyway I'm gonna find this and
[34:33] then I'll be back for ankle Z see you in
[34:37] a second okay so I did a little bit of
[34:39] touch up I fixed the hair a bit it looks
[34:43] a little better obviously as I go
[34:45] through I'm gonna fix it more I fixed up
[34:47] my drop it I fixed this on my face a
[34:50] little bit
[34:51] um I especially fixed up my eyes here on
[34:54] the original angle X Y rig for the eyes
[34:57] they're pretty concave going this way so
[35:00] they they look pretty flat against the
[35:02] face so I just put another orb deformer
[35:06] on top of the eye that just pushes it
[35:08] out more when it looks to the side here
[35:09] as you can see here just to get more
[35:12] Dimension I especially did it on the
[35:14] pupils here so they look like they're
[35:16] rounded against a surface so just little
[35:19] things there you can obviously do as
[35:21] much as you want unless you're on the
[35:23] free version so touch up as much as
[35:26] needed I am gonna go more into how to
[35:29] use inversion masks to up your rig if
[35:33] you've been paying close attention to my
[35:35] layers you'll notice I already have a
[35:37] neck clip layer here turn that on it's
[35:40] invisible right now it's just this
[35:42] little purple circle it doesn't really
[35:43] matter what color since you know it's
[35:45] going to be invisible but I'm going to
[35:46] use this to fade my face line when I
[35:49] look up so it really gives more illusion
[35:52] of me looking up so that's why I like to
[35:54] separate my face line from my face skin
[35:56] there's also other benefits to doing
[35:58] that but this is one of my favorites of
[36:00] course if if you don't have a neck clip
[36:02] or anything to use you can take your
[36:05] pupil and just copy paste it and warp it
[36:07] into a shape you want to use or just use
[36:10] your face again just make it small in
[36:12] the beginning after I take all the key
[36:13] forms out there's plenty of ways to
[36:15] reuse stuff if you do copy and paste
[36:17] apart from your model it does save some
[36:20] space on your texture Atlas so just a
[36:21] heads up so to do with this I'm going to
[36:24] automatically mesh my little neck clip
[36:27] and I'm just going to bring it up to my
[36:30] face and parts and I'm going to grab the
[36:33] ID and then grab my face line and paste
[36:36] it into the clipping ID and then hit
[36:37] invert mask then I'm going to turn my
[36:40] net clip back to zero so can't see it
[36:43] I'm gonna hide the face line so first of
[36:45] all it's kind of awkward right here
[36:47] because this is just our default looking
[36:49] position and we don't really want our
[36:51] neck to fade here I mean you can if you
[36:53] want but I'm gonna move it here and
[36:55] since we have no key forms on it it's
[36:57] going to be its default position as well
[36:59] as with opacity zero all the key forms
[37:01] we make now will start at zero and this
[37:03] position I'm going to start with angle y
[37:05] since this is mostly just for looking up
[37:07] at three key forms I'm gonna look up now
[37:10] right now it's actually fine as you can
[37:13] see it's giving more of that illusion I
[37:15] am gonna have to extend my face more and
[37:17] do more editing to really make it look
[37:20] not awkward but all you gotta do is warp
[37:23] it a bit and get looking right
[37:27] once you have the angle lie up all
[37:30] rigged up you can add in your angle X
[37:32] physics so you can edit how it looks
[37:34] when you turn to the side while looking
[37:35] out behind my hair
[37:37] and voila it just gives a little more of
[37:40] that illusion you might want to fix the
[37:43] default position here if it looks
[37:45] awkward at certain angles example I turn
[37:48] here the side it's going to make my jaw
[37:51] disappear but if you like it you can
[37:53] keep it if you don't you can move it I'm
[37:55] going to move it just a little bit I
[37:57] actually like the little hidden part
[37:58] when looking to the side although I
[38:00] might change it later but yeah just
[38:02] something to use and keep in mind to um
[38:05] edit it to however you want it to look
[38:07] I'm going to just quickly fix my face
[38:09] from when I look up
[38:13] okay it's a little better when we look
[38:15] up your Chin's gonna be tilted up so you
[38:17] don't really see it facing forward so I
[38:20] tucked my chin in a bit I have a goofy
[38:22] looking up little face but yeah you can
[38:24] play around with that obviously you can
[38:26] use inverse clipping for a lot of other
[38:28] things so it's something to keep in mind
[38:29] when you're drawing your model and
[38:31] trying to figure out how you're going to
[38:32] read certain things all right next we're
[38:35] gonna finally do angle Z so angle Z is
[38:38] just when your head tilts from side to
[38:39] side so it's pretty easy honestly we're
[38:42] just gonna grab everything on our head
[38:44] and we're gonna use a rotation deformer
[38:48] which is the one next to the warp
[38:49] deformer here the one with the circle
[38:51] and the point if you've been following
[38:52] my tutorials only we have not used these
[38:55] yet another thing you'll see but these
[38:58] deformers are as it's labeled they're
[39:00] rotation points so ever is at the point
[39:03] it will rotate from that point so I'm
[39:06] going to hit Ctrl and shift to shift
[39:08] this down to the neck now depending on
[39:12] where you place it depends on you know
[39:14] where your head hinges from so just find
[39:16] a place you like that looks okay when
[39:18] your head turns I know some people like
[39:21] to put it directly on their chin I like
[39:23] to put like a little Bob really depends
[39:26] on how you like the look now we're just
[39:28] gonna add three key forms and you'll see
[39:30] and positive angle C is going to be over
[39:34] leaning to the right ah just pick a
[39:37] place you like honestly I kind of like
[39:38] it when there's a lot so I think I'm
[39:41] gonna go here is that too much I guess
[39:44] we'll see and then I'll just reflect the
[39:46] motion over and there we go and then you
[39:49] can also link angle X and Y and then as
[39:52] you're tilting your head you can see how
[39:54] it looks at that angle they're obviously
[39:56] gonna look a little funky because we
[39:57] haven't done anything to the neck here
[39:58] but now I kind of avoid using rotation
[40:02] deformers so you won't see me using them
[40:04] too much if you use the wrong
[40:06] combination of rotation and work
[40:08] deformers it will mess up your regular
[40:11] bit so I just for now if you don't
[40:14] really know how they work too much
[40:15] together just try to avoid using too
[40:18] many rotation deformers so now that we
[40:20] have the head done we can do the neck so
[40:23] go over to your neck I have mine and its
[40:25] own award folder here with a shadow I'm
[40:28] going to Auto mesh them and then I'm
[40:31] just going to grab both of them and put
[40:33] them into an angle Z the former put
[40:36] three key forms on that and now we're
[40:38] gonna go all the way positive angle C
[40:40] and morph the neck to suit the head now
[40:44] I know some people don't like to rig the
[40:46] neck for angle Z for whatever reason so
[40:49] if you like this look you can just keep
[40:51] it like that
[40:52] um you are gonna have to edit these
[40:54] though so what I like to do is with my
[40:57] pointer tool just actually click and
[41:00] drag to select some Dots here and I'll
[41:03] just rotate it here and then try to find
[41:05] a good spot on the neck and you can play
[41:07] around this now it looks pretty decent
[41:10] obviously looks like our neck is broken
[41:11] so I'm going to add more there's your
[41:15] divisions and smooth them out
[41:18] I also like to expand the top a little
[41:21] like this that's like sprouting out it's
[41:24] really up to you because I like it's a
[41:26] little thicker over here near the head
[41:28] just makes it look like it's more
[41:30] balanced and then don't forget to make
[41:32] sure your neck down here looks the same
[41:34] you can actually go to right here at the
[41:37] default select some of those gray dots
[41:40] and then you can hit Ctrl shift C and
[41:42] then go over here to control shift V and
[41:45] that will paste the form here in a
[41:47] second you can also do that obviously it
[41:49] looks a little weird with the shoulders
[41:51] here honestly I will edit the neck later
[41:54] when I get to the body so honestly this
[41:57] for now is fine gonna reflect the motion
[41:59] check the angles now for now the angle
[42:03] is all together look fine yours might be
[42:06] a little awkward and if it is you can
[42:09] actually adjust with angle X and Y
[42:11] always combined once you have your angle
[42:13] Z completed you can hit the add three
[42:15] key forms here and I'll add all key
[42:17] forms here the like just like precisely
[42:19] edit each Little Dot so like for example
[42:22] if yours look messed up here you can
[42:24] edit this a little and then switch over
[42:26] to the other side and edit that a little
[42:27] and then lean your head over and fix
[42:31] this a little and that's basically how I
[42:33] would do angle Z for the neck now
[42:35] obviously when you're using angle Z and
[42:37] your head's tilted to the side you're
[42:38] gonna want your hair to also fall over
[42:41] on that side I'll do one section just as
[42:44] an example and then I'll speed through
[42:46] me doing it to the rest of the hair but
[42:48] I'm going to take my little pigtail here
[42:51] and put these in their own warp deformer
[42:53] add three keyframes turn over to the
[42:56] side and then I'm gonna use this tool
[42:59] here that grabs multiple dots as a brush
[43:02] and I'm gonna rotate all these as if
[43:05] they're falling over to the side
[43:06] position knot now when we're leaning
[43:09] over to the side it's going to fall that
[43:10] way I'm gonna make it tilt this way for
[43:12] this side a little bit it's really up to
[43:14] you how much you want it built I'm just
[43:16] gonna copy that pigtail and paste on the
[43:18] other side now for angle Z you are going
[43:21] to want to reflect these parameters so
[43:23] keep that in mind and now my pigtails
[43:25] are falling to either side when I'm
[43:27] counting my head I'm just going to
[43:29] quickly do that for everything else on
[43:31] my head
[43:36] okay so I think that's all the hair I
[43:39] want to do that to I think it just makes
[43:41] it a lot cuter now we've basically got
[43:44] all the face angles done Yahoo and now
[43:47] we can test it out in the physics menu
[43:50] so going over to modeling you can open
[43:52] up your physics settings now this is the
[43:54] fun part I already have my presets in if
[43:57] you watch the first ranking video but
[43:59] I'm going to show you how to make your
[44:01] own for the easy augmented angles so
[44:04] you're just going to hit add and then
[44:05] you can name this the same name as
[44:08] whatever you named your new angle
[44:10] parameters as all of mine are named
[44:12] physic angle XYZ so I can just name it
[44:15] whatever you want and then just hit OK
[44:17] and then you should get links late I'll
[44:19] go through my physic angle excellent
[44:21] first and then you guys can just do the
[44:22] same for for Y and Z so on our input
[44:25] settings you're going to want to hit add
[44:27] and then find your angle X you're going
[44:29] to add that as an angle so the
[44:31] difference between position and angle is
[44:38] I don't know if I can explain this well
[44:39] but just follow along and then once you
[44:42] add your angle X angle you're going to
[44:45] want to put the effect to a hundred I'll
[44:47] explain how the effect changes how your
[44:51] physics look and then for output
[44:53] settings you're going to want to add
[44:54] your angle X physics parameter that you
[44:57] made that's not your angle X input and
[45:00] then once you have that in you're going
[45:02] to want to make your physics settings so
[45:04] this is mine duration 10 shaking point
[45:07] eight reaction one overall acceleration
[45:09] one and then once you have your input
[45:11] output and your physics done you should
[45:13] be able to just use your cursor and
[45:14] click and drag across your model or you
[45:17] can go over to the angle X slider and
[45:20] look left and right now you'll see the
[45:22] augmented physics here obviously when we
[45:24] look to the right there's a little
[45:25] bounce
[45:26] it adds a lot more life to your model
[45:28] trust me and you'll notice that it will
[45:32] follow your angle X physics here but not
[45:34] completely so if you go all the way over
[45:35] to your max of X your angle X physics is
[45:38] not actually going to reach the end of
[45:40] what you rate because it needs it to
[45:42] balance here so this is what the angle
[45:44] does if we change it to position you'll
[45:46] see here that it goes back to the
[45:48] default position after a bit also it's
[45:50] kind of awkward right now since we
[45:51] changed it but that's the difference
[45:52] between position angle you can play with
[45:54] that and then effect is how much turning
[45:57] to the right for angle X is going to
[46:00] affect our angle X physics so if we turn
[46:02] this down to 50 it's going to be more in
[46:05] the middle here so not as effective
[46:07] that's why we want this all the way up
[46:09] to 100
[46:12] so we get as most as we can out of this
[46:15] so we won't completely get the max we
[46:18] rigged here because we're doing my lazy
[46:21] augmented version of augmented physics
[46:23] but yeah so you just do that for angle X
[46:26] Y and Z they're all going to be the same
[46:27] thing
[46:28] I have the same physics settings for
[46:31] most of them
[46:32] you can change the shaking or the
[46:34] duration for some of them if you want to
[46:37] play around with how each thing works so
[46:39] once you have all those physics in you
[46:41] should be able to just play around with
[46:42] your model and everything should be
[46:44] moving for your angle X Y and Z physics
[46:46] and then if you want to test the
[46:48] clicking and dragging with angle Z you
[46:50] just go to preview settings of the
[46:52] cursor tracking and then find your angle
[46:55] Z input and then set that to whatever
[46:57] Mouse button you want and then once it
[46:59] happens
[47:00] you can click and drag and test it out I
[47:03] think I'm gonna change my angle C to 100
[47:05] and yeah we got the head all rigged in
[47:07] it looks okay I think I'm gonna hit some
[47:10] random poses obviously after playing
[47:11] around with it in the physics settings
[47:13] you might want to change some parts
[47:16] um I definitely am I know I've been
[47:18] saying it this entire time but I am
[47:19] always going back to edit stuff because
[47:21] I'm always messing up so don't be afraid
[47:24] to go back and edit your stuff guys but
[47:26] yeah we successfully completed the head
[47:28] with augmented physics that are pretty
[47:30] easy trust me you should keep them they
[47:33] make the models really nice and less
[47:35] stiff unless you like stiff models then
[47:37] that's but that's okay but I don't like
[47:40] stiff models I like bouncy models so I
[47:43] hope I was able to teach this okay I'm
[47:47] sorry I was like all over the place and
[47:50] I think the way I do it it's kind of
[47:51] complicated but hopefully you learned
[47:53] something I do try to incorporate new
[47:55] tools each time I do a tutorial like
[47:57] starting off really simple and then
[47:59] slowly building up the tools you guys
[48:02] know how to use I hope that helps a lot
[48:04] but you know I just want to make it more
[48:05] easy to digest as I've been saying doing
[48:08] the face angles is kind of tough for
[48:11] models if you want to make it look a
[48:13] certain way but the next video I will
[48:15] finally start doing hair physics and
[48:17] then we'll get to the body so I hope you
[48:19] guys are ready for that I just want to
[48:21] say again thank you guys for all the
[48:22] love and support recently even though
[48:24] I've been gone for like a month
[48:26] basically especially on Twitter I see
[48:28] you guys on there tagging me and stuff
[48:30] and I'm so happy you guys are actually
[48:33] learning stuff for my tutorials yeah
[48:35] that's about it I'll see you guys in the
[48:37] next video good bye
[48:39] [Music]