[00:02] intimate two note voicings instead of the fuller, richer options that we hear in most songs? Well, as you can hear, these two note voicings are very uncluttered. You get a lot of clarity because we can hear each of the two
[00:14] notes ringing out very clearly. And this clarity and lack of clutter has some the ease with which we can get our fingers into position to play these chords makes them very movable. Secondly, the openness of the sound and
[00:28] the lack of clutter leaves a lot of space for other musical elements. So, if you're creating a chord sequence using these two note voicings, there's a lot of room left for rhythmic elements, lyrical and melodic elements, or any
[00:42] other kind of arrangement that you want to create because the space hasn't been filled entirely with all of this harmonic information. And if we look at you can really see the advantage of these small voicings. I'm talking about
[00:55] this section [Music] here. What Paul McCartney is doing there is implying a sequence of chromatic is implying a sequence of chromatic chords. That sequence is C
[01:09] major, C sharp diminished, D major, D sharp diminished, and then E minor.