[0:00] start streaming
[0:04] what's up everyone
[0:05] man i haven't done a live stream here in
[0:07] front of the whiteboard in
[0:09] about six months or so
[0:12] i kind of uh
[0:14] thought okay i've done a lot of
[0:16] whiteboards i'm going to take a break
[0:18] and there's probably
[0:22] a couple i don't know 100 and something
[0:23] 200 000 new people since i last did a
[0:27] uh one of these presentations maybe 300
[0:29] 000 new new people
[0:31] so welcome to all you new subscribers
[0:33] and people following the channel
[0:35] um
[0:36] i'm going to bring out because i'm going
[0:38] to talk about a simpler way i've thought
[0:40] a lot about this lately about a simpler
[0:43] way to teach theory because i always
[0:44] talk about things that you don't
[0:46] necessarily
[0:48] use
[0:50] in the
[0:51] basic
[0:52] music theory analysis that you need to
[0:54] know this is stuff that you really need
[0:56] to know i'm not going to talk about
[0:58] augmented or diminished chords maybe
[0:59] just for a second but
[1:01] uh but i have a sale for today
[1:04] which really
[1:05] this is all connected with and it's my
[1:07] biato book bundle that the last time we
[1:09] sold it was about five months ago uh for
[1:12] black friday uh back in november
[1:15] if you go to beautobundle.com
[1:18] all of my educational products my piano
[1:20] book
[1:22] uh bundle my ear training program my
[1:26] i'll just tell you what each has the
[1:28] biato ear training has 80 video lessons
[1:31] hundreds of interactive training modules
[1:33] that you can use to practice in your
[1:35] browser and a 27-page booklet i never
[1:38] tell people this stuff here this is
[1:39] what's in them the biato book 4.0 is a
[1:42] 500 page music theory book which i wrote
[1:45] 20 years ago but i've revised four times
[1:48] uh the pdf this uh the bundle is
[1:51] actually 700 pages right then there's a
[1:53] quick lessons
[1:55] pro guitar course which is a five hour
[1:57] video course where i break down my quick
[1:59] lessons
[2:00] that i do on instagram and now i'm
[2:01] putting on shorts so if you go to to my
[2:04] shorts that i've done
[2:06] some of these are uh actually on there i
[2:09] haven't put out that many shorts but
[2:10] some of the quick lessons are in there
[2:12] if i say quick lessons you hear that
[2:14] five hours of video content midi
[2:16] notation or music going to indicate
[2:18] musical notation guitar and tab
[2:21] pdfs and guitar profiles for those and
[2:23] then 90
[2:25] transcription pdfs
[2:27] that go with that too so these are part
[2:29] of that of the biato book bundle too
[2:31] these 90 pdfs there's four separate
[2:33] things that are part of this bundles for
[2:35] 99 bucks
[2:36] which is
[2:37] the best discount that you'll get so if
[2:40] you want to if you're on the fence about
[2:42] getting something this is the time to
[2:43] get it that's my ad
[2:45] for the uh for the live stream here
[2:47] now
[2:48] the um
[2:51] so i was thinking about this what is
[2:52] really the easiest way to teach people
[2:54] about music theory without starting with
[2:57] a circle of fifths because you guys know
[2:58] i always start with the circle of fifths
[3:00] so i thought
[3:02] how do you teach just basic major and
[3:04] minor chords to start we're going to
[3:05] talk about those about inversions and
[3:07] things like that and i thought okay
[3:09] what are the three
[3:11] chords
[3:12] try major triads that have no sharps or
[3:15] flats well they happen to be the ones
[3:16] from the key of c that's c major
[3:20] f major
[3:21] and g major right they have zero sharps
[3:23] or flats
[3:25] c major is the notes c e g
[3:29] f major are the notes f a c c no sharps
[3:34] or flats
[3:35] and then g major
[3:36] is g b
[3:39] d okay
[3:40] these are all
[3:41] white notes here so you get c major
[3:44] right you've got f major
[3:47] and you have g major you notice they are
[3:50] three note chords
[3:53] all white notes
[3:54] then it's like okay well what are the
[3:56] chords that have one
[3:58] sharp
[3:59] well
[4:01] anybody know okay it's actually it takes
[4:03] way too long to do this if i said does
[4:05] anyone know
[4:06] d major
[4:08] a major
[4:10] e major
[4:11] these each have one sharp d major has
[4:14] the notes d f sharp a
[4:18] a major
[4:19] a c sharp e
[4:22] and e major has e
[4:24] g sharp
[4:26] b what do you notice about these
[4:29] the sharp note is in the middle of the
[4:31] chord it's the third of each of these
[4:33] chords right so here's d major billy
[4:34] everybody can hear everything
[4:37] d major d f sharp a
[4:39] a major a c e
[4:42] and e major is e
[4:44] g sharp
[4:45] b
[4:46] okay
[4:48] um so those all have one sharp well are
[4:50] there chords with two sharps yes b major
[4:53] that triad
[4:55] has
[4:57] so this is
[4:58] zero sharps or flats this is one sharp
[5:02] and b major has the notes b
[5:04] d sharp
[5:06] f sharp
[5:07] okay
[5:08] this one has two sharps
[5:11] all right b major would be this
[5:13] here's the two sharps right d sharp and
[5:16] f sharp
[5:18] okay
[5:19] i think this is actually pretty easy to
[5:20] memorize to be honest with you if you
[5:22] think about this right c f g d a e b
[5:27] and then we have f sharp major
[5:30] that has three sharps f sharp
[5:33] a sharp
[5:35] c sharp
[5:36] so it's gonna be all black keys right so
[5:38] that's three sharps
[5:42] f sharp a sharp c
[5:44] right there you guys can see that right
[5:47] so you have your three
[5:48] chords
[5:50] with no sharps or flats they're all
[5:51] white notes then you have your three
[5:53] chords
[5:54] that have only a
[5:56] one sharp which is in the middle of the
[5:58] chord so it'd be d
[6:00] a
[6:01] e
[6:02] then you have your chord that has two
[6:04] sharps b major
[6:06] and chord with three sharps
[6:08] f sharp major okay let's talk about
[6:10] chords with flats
[6:11] so
[6:13] um
[6:14] there's
[6:15] a b flat major
[6:20] this has two flats so b flat
[6:23] i'm this i'm sorry this is one flat b
[6:25] flat d f okay so this is one flat
[6:31] we only have one chord that has one flat
[6:33] in it okay so then we go to e flat
[6:37] a flat
[6:39] d flat each of these have
[6:43] two flats okay it's kind of like this
[6:46] right
[6:49] if you look at it
[6:51] it's actually the same letters right you
[6:54] get d
[6:55] a e
[6:56] flat
[6:57] you have d a e just in reverse so it's
[7:00] easy to remember okay so this one is
[7:04] e flat g
[7:06] b flat what do you notice here on this
[7:09] one the natural is in the middle right
[7:11] instead of the sharp
[7:13] and the a flat is
[7:15] a flat c e flat once again
[7:18] the white note's in the middle
[7:20] natural note
[7:21] and then d flat major is
[7:24] d flat f
[7:25] a flat same thing
[7:27] natural note is in the middle okay
[7:31] then it's like okay well what else do we
[7:32] have here do we have uh is there any
[7:34] other ones well you could say
[7:37] let me put this in here
[7:39] that's one flat this is two flats
[7:42] and then there is one with three flats g
[7:44] flat which is the same as f sharp
[7:47] okay s has uh
[7:49] just enharmonically different
[7:51] g flat
[7:52] b flat d flat that has three flats
[7:56] okay so that would be this same as f
[7:58] major they just have different names
[8:00] instead of f sharp b a sharp c sharp you
[8:03] have g flat b flat
[8:05] d flat these are and harmonically the
[8:08] same
[8:09] now somebody that's playing a different
[8:11] instrument other than piano say no they
[8:12] sound different
[8:14] g flat's lower than f sharp well that
[8:17] may be the case but on the piano right
[8:19] now that's not the case
[8:21] okay so these
[8:23] are how you memorize your major triads
[8:26] you memorize them in groups you just
[8:27] write them down
[8:29] cfg boom d-a-e boom
[8:33] b
[8:34] f-sharp okay and you just memorize what
[8:36] these sharps and flats are once you know
[8:38] the notes that are in these chords
[8:41] to get to the minor chords it's very
[8:43] simple okay
[8:45] all you do
[8:47] to make these chords minor any of these
[8:49] chords every one of these chords
[8:52] right is you lower
[8:55] the middle note by a half step okay
[8:59] so c minor
[9:01] would be this
[9:02] e flat c minor
[9:05] f minor make that an a flat g minor put
[9:08] the b to b flat that's g minor the minus
[9:10] means minor okay
[9:12] i'll show you so here's c major
[9:15] if i lower the middle note a half step
[9:17] to e flat that's c minor here's f major
[9:21] i'm going to lower the middle note
[9:24] to
[9:25] a flat
[9:26] that's f minor and then g major g minor
[9:29] lower the middle note
[9:31] same thing here
[9:32] except when you have a sharp you just
[9:34] remove the sharp make it a natural so
[9:36] these
[9:38] are now going to be all minor
[9:39] okay so it's going to be d minor a minor
[9:42] e minor
[9:43] this one
[9:44] b minor is going to be with just a d
[9:47] and f sharp minor the a a sharp goes to
[9:50] a
[9:52] same thing as with the flats
[9:54] so to make these uh minor d flat goes to
[9:58] b uh d goes to
[10:00] d flat here's b flat major
[10:03] b flat minor
[10:07] major minor okay
[10:09] same thing here with these
[10:11] g flat c flat f flat and those give you
[10:14] the minor chords of those right
[10:16] same thing with this
[10:18] but we're not going to talk about g flat
[10:20] we don't need to know about g flat it
[10:22] makes it too confusing okay
[10:25] these are how you memorize all the major
[10:27] and minor chords
[10:30] seems pretty simple right it's just a
[10:31] little memorization it's actually easier
[10:33] than learning the circle of fifths
[10:35] but
[10:37] um
[10:39] if you get my biato bundle here with my
[10:42] ear training course with my biato book
[10:45] with my quick lessons pro guitar course
[10:47] and with my pdf bundle
[10:50] for the price of less than my ear
[10:52] training course if you're going to do it
[10:54] now this is the time to do it
[10:56] this will teach you all of this stuff
[10:59] plus
[11:00] way more okay
[11:02] but i'll teach you
[11:04] how to memorize this stuff
[11:06] okay
[11:07] now i want to talk about inversions
[11:09] because if you're going to figure out
[11:11] songs by ear first of all you have to be
[11:13] able to hear whether a chord is major or
[11:15] minor
[11:16] uh and that takes some ear training okay
[11:19] that's c major
[11:22] this is g minor
[11:24] f major
[11:28] then c major
[11:30] oh
[11:31] what is this
[11:33] it's called an inversion i have e c
[11:36] i'm sorry e g c
[11:39] that is a first inversion c major chord
[11:41] so inversions work like this
[11:44] 11 versions and versions make your voice
[11:47] leading and
[11:48] make music way more interesting
[11:50] inversions are are
[11:52] one of the most important things to be
[11:55] able to hear and understand okay if you
[11:57] have a c major chord
[12:00] in root position c e g
[12:03] in first inversion which would be c over
[12:06] e meaning c with an e in the bass
[12:09] then it's
[12:10] e
[12:12] g c
[12:15] or it could be either it could be e c g
[12:19] as well
[12:20] right these actually don't have root
[12:22] position just means that that it's um
[12:25] that the things are consecutive like
[12:26] that and this is the best way to
[12:28] practice hearing inversions right is to
[12:29] do them this way
[12:30] next way is c with a g in the bass so
[12:33] that would be g c e okay easier to
[12:37] actually see it on the keyboard
[12:39] root position c e g now if i take the c
[12:42] note move it up the octave
[12:44] start with the middle note the third c g
[12:47] c uh i'm sorry e g c
[12:50] that is a first inversion major chord
[12:52] and then g
[12:54] c
[12:55] e is the second version
[12:56] [Music]
[12:58] and those keep repeating right doesn't
[13:00] matter what order you blame it
[13:05] they all are c major
[13:10] any order that i play those notes in
[13:14] right if if c is in the bass
[13:16] it's a root position
[13:18] chord
[13:25] doesn't matter if i'm playing inversions
[13:26] in the right hand as long as i have c in
[13:28] the bass
[13:30] it's in root position but if i moved e
[13:32] in the bass
[13:35] first inversion if i put g in the bass
[13:39] then it's a second inversion major chord
[13:41] okay
[13:43] same thing goes with minor chords you do
[13:44] the same same thing if i make if i make
[13:47] this a minor what i do i make this
[13:49] e flat move it down becomes c minor
[13:52] same thing here though i got to make
[13:53] this e flat
[13:55] so it's going to be c over e flat
[13:57] and then c minor over e flat and this c
[13:59] minor over g so i take this e flat and
[14:01] do this right so
[14:04] here it is
[14:05] root position c e flat g then e flat g c
[14:09] first inversion and then g c
[14:12] e
[14:13] flat um
[14:16] why are inversions good inversions are
[14:19] good
[14:20] if you have songs like um
[14:34] like um
[14:35] i was going to play a song that would
[14:36] demonetize me and i kind of stopped
[14:38] myself from
[14:45] so this is c major
[14:48] g
[14:49] in first inversion g with a b in the
[14:51] bass
[14:52] root position b flat major
[14:55] then
[14:56] f major in first inversion
[14:59] then i could go down to a flat
[15:03] and i could get down g minor and c
[15:07] okay i actually played g minor seven
[15:08] there
[15:09] um so those inversions are really cool
[15:12] because instead of i could go
[15:14] g
[15:16] i'm sorry c
[15:18] then down to g
[15:21] like that my base motion going like that
[15:23] but it's
[15:24] if i go
[15:27] knows the bass line is going
[15:32] it just gives it a more interesting
[15:34] sound inversions make your music more
[15:37] interesting okay and you want to be able
[15:39] to hear those things this is why in my
[15:41] ear training course i have a whole thing
[15:44] on inversions
[15:47] you got to be able to recognize all
[15:48] types of triads including diminishing
[15:50] augmented
[15:53] you have to be able to recognize all of
[15:55] their inversions but you also have to
[15:56] recognize other chords diminished and
[15:58] augmented chords
[16:00] and suspended chords suspended chords
[16:03] are really common in pop music they're
[16:05] in every song from the beatles to uh any
[16:08] contemporary thing like
[16:10] uh
[16:11] charlie puth
[16:12] it doesn't matter
[16:14] everybody uses suspended chords right
[16:16] sus chords as we call them
[16:17] so um
[16:19] if i take a c
[16:21] c sus4
[16:24] or c sus2
[16:27] c sus4 is you take the middle note so
[16:29] here would be a regular c major
[16:32] so one three five
[16:34] and you make that middle note the fourth
[16:37] note of the scale
[16:39] c f g so it's one four five right of the
[16:42] chord so here's c e g
[16:44] a c major this is
[16:46] c sus4
[16:49] it's called the suspended four because
[16:51] it
[16:52] in classical music wants to resolve down
[16:55] the sus two is you take the middle note
[16:57] so c e g here's a c major triad take
[17:00] that middle note move it down to the
[17:02] next scale degree which is d
[17:04] and you have one two five
[17:07] that's a sus two so here's c major
[17:10] and i move the middle note down a step
[17:13] to the next scale degree down which is
[17:15] the note d so that's c sus two
[17:18] now obviously these
[17:21] have inversions
[17:26] right those seven versus well one of the
[17:28] inversions of c sub two
[17:33] is actually g sus4 they're related
[17:36] that's g sus4
[17:38] g major
[17:41] g minor
[17:42] okay these sus chords are are very
[17:44] important to know because they're really
[17:47] common in music that you would
[17:50] be learning okay
[17:52] the next thing to do to understand
[17:55] are
[17:56] seventh chords okay so seventh chords uh
[18:00] if you take a c triad c major
[18:06] if i add so i've got one
[18:09] three five these notes refer to the
[18:11] notes of the of the major scale one
[18:15] three
[18:16] five
[18:18] right so the first note of the scale
[18:20] second the third note of the scale fifth
[18:22] note of the major scale this is c major
[18:24] scale i'm playing
[18:28] um that's a c major scale all white
[18:30] notes
[18:31] take the root the first note of the
[18:32] scale third note fifth note
[18:35] okay
[18:36] now if i go
[18:38] if i put a seventh on there that's
[18:40] called the major seventh that's c major
[18:42] seven that would be the note b
[18:45] okay
[18:46] this equals c major seven
[18:52] you hear that in
[18:54] you'll hear that in pop music
[18:57] not as much as you as you would in the
[18:59] 70s but you hear in pop music
[19:01] and then you have um
[19:03] if i
[19:04] flat the seventh
[19:08] this note make it flat this is a c7
[19:11] chord like you're in blues and things
[19:12] you're in rockier and beetles under it
[19:14] and
[19:15] motown here and everything
[19:17] c7 right so this is one three five flat
[19:21] seven
[19:22] so
[19:23] one three five major seven one three
[19:25] five flat seven
[19:27] that's a c7 chord
[19:30] right
[19:33] right that would be using let's say in
[19:34] the key of f a five one cadence that
[19:37] would be your dominant chord okay
[19:41] um
[19:42] now if i flat the keep the flat seven
[19:46] and i flat i mean there's other
[19:48] variations here if i make these minor
[19:51] then you get if i take this and i flat
[19:54] the third and go like this
[19:56] this would be c
[19:57] minor major seven
[20:00] and if i flat this
[20:02] this would be c minor seven
[20:05] okay so here's c major seven
[20:08] this is c
[20:10] minor major seven
[20:12] you'll actually hear that in songs like
[20:14] stairway to heaven that has minor major
[20:15] seventh chords in it or
[20:17] tons of songs something by the beatles
[20:20] very common in the 60s and 70s uh here's
[20:23] c7
[20:25] i'm gonna flat the third
[20:27] c minor seven really common your minor
[20:29] seven chords in all these songs the dua
[20:31] lipa song that i talked about this week
[20:34] that is uh very similar to this other
[20:37] song
[20:38] has three minor seventh chords in it b
[20:41] minor seven right
[20:43] what uh b minor seven
[20:45] what was it billy f short minor seven
[20:48] and e minor seven
[20:50] so the song progression is three minor
[20:53] seventh chords right so b minor seven
[20:56] f sharp minor seven
[20:59] and e minor seven
[21:02] okay so really common you're all the
[21:03] time in pop music songs are on the radio
[21:05] or on spotify at the top of the charts
[21:07] or on apple music top of the charts
[21:08] whatever
[21:10] minor seven chords are really really
[21:11] common there's another type of seventh
[21:13] chord that we can have you can actually
[21:14] have suspended
[21:18] uh seventh chords right
[21:21] give you an example i taught the uh the
[21:23] song
[21:24] um
[21:27] josie by steely dan in a video recently
[21:29] and they use a lot of
[21:31] sus two major sevenths so let's see if c
[21:34] sus2
[21:37] uh so that would be c d g
[21:40] so one two five
[21:43] and then
[21:44] with a major 7. i know this is this
[21:47] sounds really crazy
[21:50] and um and this would be with a b
[21:54] so that would be this here's c major 7.
[21:59] this is c
[22:00] major seven
[22:01] uh i'm sorry c yeah c major seven sus
[22:04] two or c sub two major seven i'd call it
[22:05] c major seven sus two but most people
[22:08] would call this
[22:09] as i called it
[22:12] these three notes
[22:14] are g major chord
[22:16] [Music]
[22:19] right
[22:24] so i would call that g
[22:26] because this is uh g major in
[22:29] second inversion here i would call it g
[22:32] over c
[22:34] easier to write it that way than to say
[22:37] c major seven sus two but that's what it
[22:39] is to the ear okay if you're going to
[22:41] learn these songs
[22:46] beautiful
[22:47] sounds
[22:52] love that love that sound if i had a
[22:57] that's a g major seven subs two but i
[22:58] put an e in the bass
[23:00] gives you a beautiful
[23:02] e uh e minor nine with the eleventh
[23:06] i just it's great i mean it's great
[23:10] if i were to play it over g but it's
[23:13] really
[23:14] cool i can actually play it over
[23:16] c and pick up c major uh 13 with a sharp
[23:21] 11
[23:22] great sound right
[23:28] you build a song off that just with that
[23:30] one chord voicing right
[23:32] okay you can also have sus 4 major 7 c
[23:36] major seven i'm going to call it c major
[23:38] seven sus four
[23:40] c
[23:41] i'm gonna do c major seven
[23:44] but i'm gonna make the sus four there f
[23:46] g b so one four five
[23:49] set major seven
[23:51] here's your c sus4
[23:54] so that would be here's c major seven
[23:57] c major seven sub four
[23:59] would that be that
[24:01] that's really more in modern
[24:06] you hear that more
[24:08] from people like me that would play that
[24:10] or more jet jazz harmonies or something
[24:12] like that you might hear that charlie
[24:14] puth though
[24:15] or jacob collier people like that
[24:19] but that
[24:20] concept structure c major seven sus4 you
[24:23] give c dominant seven sus four
[24:26] so it'll be one four five flat seven
[24:29] you could have um
[24:31] uh
[24:33] you really do do this with any of these
[24:35] suspended chords right you have major
[24:37] seven or
[24:38] uh flat seven with a suspension because
[24:42] you have the
[24:44] you
[24:44] you have c um
[24:47] sus2 with a flat 7 right c dominant 7
[24:50] sus2
[24:52] same kind of thing now
[24:54] why do you need to know these things
[24:59] because
[25:00] ultimately
[25:04] if you can pick these things out you can
[25:06] learn anything by ear any song by ear if
[25:08] you can recognize the chords you can
[25:10] recognize the melodies and how the
[25:12] melodies are constructed
[25:14] and this is through repetition this is
[25:16] what my ear training course does okay
[25:19] it teaches you the interval
[25:21] relationships if i go
[25:26] now i don't need perfect pitch to know
[25:29] that i was going to play that note e you
[25:31] can see it on the screen and if i go ba
[25:34] and i go duh
[25:36] i know what those notes are going to
[25:38] sound like before i play them because i
[25:40] know what the intervals are
[25:42] c e g b flat
[25:45] god i'm a bad singer
[25:49] that would be a c7 chord i recognize
[25:51] that
[25:53] what i've developed and what you
[25:54] developed through using the ear training
[25:56] course and my biato book learning theory
[25:58] is you develop a
[26:00] vocabulary you've heard me say this
[26:02] before and here of recognized sounds
[26:05] right
[26:06] and eventually this vocabulary is is
[26:10] becomes huge
[26:11] if i hear a sound like this uh so i hear
[26:14] this something like
[26:16] when i hear that i'm like oh that's a
[26:18] dominant 13 flat 9 chord
[26:21] i just know the sound of it
[26:23] i may not know it's a g
[26:25] 13 flat 9
[26:28] but i know it's a dominant 7 with a 13
[26:31] and a flat 9.
[26:34] right i might say oh that's like e major
[26:36] over g
[26:37] [Music]
[26:47] so that's part of my vocabulary of
[26:48] recognized sounds but in my vocabulary
[26:51] of recognized sounds there are thousands
[26:53] of chords maybe not thousands there's
[26:55] hundreds of chords because there's not
[26:56] that many different chords
[26:58] but like when i was figuring out josie
[27:00] here it's weird so i make this video on
[27:02] the steely dance song i've been
[27:03] listening to for 46 years or whatever
[27:06] i never figured the song out because the
[27:09] thing about music theory is that you
[27:10] just use it when you need it right
[27:13] otherwise i just enjoy music i don't
[27:15] analyze music
[27:17] i never figured that song out before i
[27:19] made the video and when i made the video
[27:21] i was like
[27:23] i just needed to turn on my brain
[27:26] and then i could hear
[27:29] those intervals of how the beginning
[27:31] worked of where the voicings were what
[27:33] order the notes were in
[27:35] on the guitar some of the voicings
[27:38] like uh if it was um
[27:41] uh like
[27:43] if it was
[27:45] the um
[27:47] i'm trying to think what
[27:49] what was one of the chords here
[27:52] oh it'd be like d
[27:54] d over a so
[27:56] it would be like
[27:58] they have a lot of voicings like that
[28:02] that's kind of what what larry carlton
[28:04] would play on the guitar this is more of
[28:06] a guitar voicing this would be the fifth
[28:07] fret
[28:08] the
[28:10] second fret on the uh
[28:12] on the a string or on the d string then
[28:15] that would be this the third fret uh
[28:17] second fret on the g string
[28:19] and second fret on the b string
[28:22] i'm trying to picture the chord in my
[28:23] brain but that right so that's how the
[28:26] chord sounds when i listen to it i was
[28:28] like oh that's a major seven sustain
[28:31] quarter that's a
[28:33] uh with the
[28:34] i could hear the root
[28:37] and the fifth of the chord
[28:40] a major second apart i could hear this
[28:43] or
[28:44] in this register right
[28:46] [Music]
[28:48] but i never that never occurred to me
[28:50] when i was
[28:51] listening to the song for 46 years it
[28:53] came out in 77 how many years is that
[28:56] 7 45 years 45 years
[29:00] 45 years i listened to the song and i
[29:02] never figured it out
[29:04] right so this stuff you should be able
[29:05] to turn on and off i don't always
[29:08] analyze songs i just analyze them when i
[29:10] have to teach them to you on here
[29:12] uh but it's incredibly
[29:15] great practice and being able to
[29:17] recognize interval relationships right
[29:20] being able to recognize triads being
[29:23] able to record recognize seventh chords
[29:26] all of these things are so important to
[29:29] becoming a great musician
[29:32] to becoming an adequate musician even
[29:34] right this is why i'm selling my bundle
[29:37] this is why i created these educational
[29:39] products i created my beyotto book
[29:43] back when i was teaching at ithaca
[29:44] college because i needed a theory book
[29:46] that talked about things like suspended
[29:48] chords and suspended with major sevenths
[29:50] and suspended with dominant sevens and
[29:52] lydian triads lydian triad
[29:54] that'd be one sharp four five i didn't
[29:56] even get into that yet but these are
[29:58] things you would you will encounter in
[30:00] the book one sharp four five
[30:03] that's like a suspended
[30:05] chord but with a suspended sharp four
[30:07] right one sharp four five
[30:10] um these are things that were never in
[30:12] books so i wrote my own book that
[30:14] included all these things
[30:16] and my ear training course includes
[30:17] these things you don't find ear training
[30:18] courses to tell you how to teach you how
[30:21] to hear lydian triads or phrygian triads
[30:24] that would be a c phrygian triad
[30:27] uh and why are those things important
[30:29] because they're actually parts of other
[30:31] chords right this lydian triad
[30:34] if i put
[30:36] a in the bass
[30:38] then you get like an a with the uh you
[30:41] got minor
[30:42] then you have the six
[30:43] and the flat seven
[30:45] great sound
[30:48] cool sound see lydian over g
[30:51] oh
[30:53] see lydian over e
[30:55] it's like an aeolian sound you have the
[30:57] flat six there
[30:59] you got the nine and the third with the
[31:01] root
[31:02] love those sounds beautiful sounds very
[31:04] moody sounds
[31:06] and i can recognize them
[31:08] like that
[31:10] right
[31:11] it just
[31:12] i hear it's like yeah
[31:13] [Music]
[31:15] one sure four or five as soon as i hear
[31:18] that i recognize what the interval
[31:19] combinations are i don't even have to
[31:21] think one sharp four five i'm just like
[31:23] oh that's a lydian triad
[31:25] why because it's part of my vocabulary
[31:28] of recognized sounds that's why
[31:31] so if you want to learn all this stuff
[31:34] about music theory check out my biato
[31:36] bundle go to beyottobundle.com
[31:39] the sales only going to midnight on
[31:41] monday or tuesday it's only for four
[31:43] days there's a countdown timer on it you
[31:46] can get all of my products for 99 bucks
[31:48] everything that i've ever made
[31:50] um and i only make music educational
[31:53] things i don't do ad reads i don't do
[31:55] anything anyways this is how i support
[31:57] my channel
[31:59] um
[32:00] and
[32:02] you guys are amazing enjoy the rest of
[32:03] your sunday thank you so much for
[32:05] watching and uh check out my latest
[32:07] videos tears for fears my do a leap a
[32:09] lawsuit video my aldemiola interview
[32:12] which is amazing if you don't know al
[32:14] check it out it's fascinating ellen's
[32:16] one of the greatest guitarists of all
[32:18] time
[32:19] uh i got some other videos too and watch
[32:21] me on shorts check out my shorts all
[32:23] right
[32:25] everybody have a great rest of your
[32:26] weekend take care bye