[0:00] I'm going to draw a manga. I'm going to
[0:02] do it. How hard can it be?
[0:06] >> This is a lot harder than I thought.
[0:09] What have I done? This is insane.
[0:12] >> But first, I need supplies. And in
[0:15] Japan, I am very spoiled with them.
[0:22] >> Which is your favorite color?
[0:27] could
[0:27] >> first I need to think of a story which I
[0:30] had luckily had already done. I realized
[0:33] I need a story board otherwise this is
[0:35] going to be impossible like I need this
[0:36] to go to paper. So today I am working on
[0:40] the story board which I think will be
[0:42] very important and I'm realizing I'm
[0:45] going to have to draw a lot more because
[0:47] this is already like 9 12 13 and this is
[0:51] not the story has not even begun. So,
[0:55] let's not worry about scale right now.
[0:57] Let's get the all the all the things I
[0:59] want to get out and then I can cut it
[1:01] down if I want to. That's my plan. I
[1:04] have never written a story before. Out
[1:06] of all things, this actually turned out
[1:07] to be the easiest bit. I don't know why.
[1:10] There it is. I finished the storyboard.
[1:13] Finished. First version is done. No
[1:15] spoilers. I was originally thinking like
[1:18] 14, but this is looking more like uh
[1:21] like 50. I don't know. 50 52 54. It
[1:25] feels super exciting, though. I think it
[1:27] has a lot of soul. The art might be
[1:29] really bad, but uh I love I love the
[1:32] story. As you can tell, there's not
[1:34] going to be any uh speaking. There's not
[1:36] going to be any dialogue because I I I
[1:37] just prefer it that way. I think it's a
[1:39] simple story, but I also wanted to leave
[1:41] it to the interpreter, you know, like it
[1:43] make it feel like your story. You can
[1:45] make what you want out of it. That's the
[1:46] goal. Now, I think I should just start
[1:49] drawing. Honestly, I have a lot of
[1:51] drawing to do.
[1:52] >> It dawned on me very quickly that this
[1:54] project is going to take a very long
[1:56] time. My goal was to finish within a
[1:58] month. And in order to keep that goal, I
[2:00] have to start drawing.
[2:08] >> I had 20 minutes. Got to make it count
[2:10] when you're dead.
[2:12] >> I cannot dillydattle. I got to start
[2:14] drawing. I got to start drawing. We got
[2:17] three different types of paper. This
[2:19] one's a little thicker. If you don't
[2:21] draw, maybe you're like, "Uh, it doesn't
[2:22] matter." But it does matter. Okay. So,
[2:24] I'm going to test test it out, see which
[2:26] one I prefer, and just commit to that
[2:28] one. Maybe I'll draw the same thing. The
[2:30] black is not transferring well at all on
[2:33] this paper as opposed to on this paper.
[2:36] I feel like uh the black is more
[2:38] blackish. So, I think I need to do some
[2:40] research how how actual manga artists do
[2:42] it. I feel like I'm not trying to be a
[2:44] perfectionist or anything, but I think
[2:46] if I do some research now, I will save
[2:49] myself a lot of issues later. And I also
[2:51] don't like how white this paper is. This
[2:54] is the paper I like, but also this paper
[2:56] is going fast cuz Bernie is throughout
[2:58] this process. I had many, many mental
[3:00] breakdowns. I thought this thing would
[3:03] be fun. I'm just going to draw a little
[3:05] bit.
[3:05] >> I'm running out of time already.
[3:08] I'm starting to sketch out all the
[3:11] things a bit more detail, but I realize
[3:13] like, oh, actually, I want this here.
[3:15] And then I realize, oh, actually, I want
[3:16] this there. So, I'm just laying it out
[3:18] now. And I'm already going to change all
[3:20] this, but I kind of need to get going.
[3:23] So, I'm just I'll fix it later. We'll
[3:24] keep going. This is a lot harder than I
[3:27] thought.
[3:30] I think it's just getting it right. like
[3:32] getting the flow like going from one
[3:34] place and then transitioning and then
[3:37] timing the pages. It's supposed to be a
[3:39] boy, right? But I I'm so used to drawing
[3:42] adults. So like I have to redraw every
[3:44] time. I'm like it doesn't look like a
[3:46] child. Like now he's tall all of a
[3:48] sudden. I just got to I got to get in
[3:50] the zone. I got to get in the zone and
[3:52] just draw. Stop asking me. Everything
[3:55] was just harder than I thought. Just
[3:56] drawing line work. I've never really
[3:59] traced my own sketches before and I know
[4:01] this from my anime studio. Just tracing
[4:04] that's in itself is such a skill and I
[4:06] was failing miserably. I also bought the
[4:09] wrong brushes. I bought watercolor ones
[4:11] which messed me up so bad. This place is
[4:13] probably the most fun one to look at
[4:15] because it has so many different shades.
[4:17] But the blending of the it's horrible.
[4:21] Like horrible. This is not what I wanted
[4:24] at all. I think the feet in the water
[4:26] looks great, but like I ruined it. And
[4:29] like the sky is supposed to be even and
[4:31] it's just like this paintbrush thing.
[4:33] Like the brush [ __ ] me basically is
[4:36] what I'm saying. This stupid brush. So I
[4:39] might redo this one if I have time. I'm
[4:41] going to put this in like if I have time
[4:43] when I finished everything pile. Why did
[4:45] I have to draw all these? Why did I
[4:48] decided that to be a good idea? Huh?
[4:51] Don't worry, I'm actually not upset. Me
[4:54] and Mar said we're going to the store
[4:55] now to buy more paper. I'm out of paper
[4:56] and there's like one store in Yokohama
[4:59] that sells the And I'm going to look for
[5:01] pens like gray pens. Why? I don't want
[5:04] it to blend. I want smooth.
[5:07] >> And then we went back to the art store
[5:08] for the 500th time because I needed more
[5:10] supplies.
[5:11] >> Okay, so I brought the whole dang thing
[5:13] because they have this selection of
[5:15] cutouts. So I hope that I can uh I'm
[5:18] hoping I can just like match so I get
[5:20] exactly what I need basically.
[5:23] I need a lot of paper.
[5:26] That's glue.
[5:28] That's also glue. Putting on that. Glue.
[5:31] Also glue. Glue. Glue. Put it glue.
[5:39] Oh, what's this? Today's sponsor.
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[7:02] sponsoring this video. Since I decided
[7:04] to do this project with paper and ink, I
[7:07] wanted to of course use these shading
[7:09] tones. I had never used these before and
[7:12] of course it was way harder than I
[7:14] thought. Okay, so I'm going to just do a
[7:16] test. So I'm cutting through. It's not
[7:20] very satisfying to cut. I'm not going to
[7:22] lie. Okay, just for now we'll do here.
[7:30] Is that enough?
[7:36] Wow. Okay. Well,
[7:40] then you're supposed to just
[7:43] Oh, it just attaches. That's actually
[7:45] very satisfying. And you can't see it at
[7:48] all. Okay. Well, now you can. That's
[7:50] kind of cool, actually. Got to make sure
[7:51] you don't get bubbles. Actually, this is
[7:53] just a test. I'm not keeping it. That's
[7:55] kind of interesting. I'm not hating. But
[7:58] at some point, it clicked. I was finally
[8:00] enjoying this process. Just enjoying
[8:03] drawing. Okay, so progress so far. This
[8:06] will be the cover. This is the name of
[8:08] it. I'm calling it cow. So, it'll be
[8:10] like mountain. And then it kind of like
[8:12] zooms in on the boy. I am going to
[8:14] change this one. I don't really love
[8:16] this, but we're going with it. I don't
[8:17] have time to change. So, he's going to
[8:19] climb up. Then there's going to be like
[8:20] a breathing room kind of quiet and then
[8:23] boom, what is that? Big reveal of Tiger.
[8:26] Tiger growls in his face. Boy again,
[8:28] it's just like whoa. And uh that's all I
[8:31] got so far. All right, another day
[8:34] today. My goal is to finish finish the
[8:37] draft. I think I'm like uh maybe halfway
[8:41] 2/3. So I'm going to finish the draft
[8:43] today or a rough draft. I'm just going
[8:45] to have to work hard, not overthink it.
[8:49] I laugh because I always do. The only
[8:52] text in the story is in Japanese, so
[8:55] therefore, official manga. Y'all
[8:58] semantic nerds can beat it. It's made in
[9:00] Japan and it's in Japanese.
[9:04] I actually really like the story. Can I
[9:07] Am I allowed to like my own story? I
[9:09] think it's great. I'm so happy how it's
[9:11] turning out. I can't wait for you guys
[9:13] to read it. But I got to nail the
[9:15] ending. The ending it's a little weak
[9:17] right now. It's just so fun. It's like a
[9:19] manga, but it's not really your cliche
[9:22] kind of manga. So, I I think it'll be
[9:24] fun. Anyway, let's keep hustling.
[9:30] That's a beefy boy. I'm out of paper.
[9:33] What have I done? What have I done? I
[9:35] have so much work to do. This is insane.
[9:39] I'm going to ink all this. What? What
[9:42] was I thinking? I haven't even finished
[9:44] the Oh my god. Why did I do so many
[9:48] pages? I just couldn't stop. Now I pay
[9:51] the price. This is not good. Oh, I'm
[9:54] sorry. Am I Am I being too loud? Am I
[9:57] being too loud? It's been like a week
[10:01] and a half, maybe two weeks. So, uh,
[10:03] spoilers. I did not finish in time.
[10:05] Doesn't matter for you, but uh I had the
[10:08] goal of uploading this month. It's not
[10:10] going to happen. Uh, I have not even
[10:12] finished the draft yet. I'm working on
[10:14] the like I need to draw this and this
[10:17] page feels very empty. There's still
[10:19] work to do. I'm hoping inking will just
[10:22] be a breeze. I know that's not the case,
[10:24] but I can still hope. Okay, I'll just
[10:26] fly through the inking. It'll be no
[10:28] problem. But yeah, despite popular
[10:30] belief of every time I do something, I
[10:33] don't have infinite time. Okay, I have
[10:35] other stuff I need to work and other
[10:36] projects. Uh but uh I am like excited
[10:39] about this and I'm looking forward to
[10:41] finishing this. I do feel like I am
[10:43] never gonna be a mangaka because this is
[10:45] such hard work, man. I thought I'd be
[10:48] drawing like ah drawing. It's so fun to
[10:51] draw. It's like ah
[10:53] it's not relaxing. I'm I'm do I seem
[10:56] relaxed? No. Okay, I'll chill. I'll
[10:59] chill. I'll chill and get this done.
[11:06] I have spent all day drawing and I made
[11:09] barely any progress. Inking is killing
[11:12] me. Why? Every time I do something, it's
[11:15] like, "No, I got to do more." It's like,
[11:19] "No, I'm not going to draw digital. I'm
[11:22] going to draw with ink.
[11:24] No, I'm not going to do 14 pages. I'm
[11:28] going to do 30 billion pages, actually."
[11:31] So, this will be the cover. I have not
[11:33] inked it yet. Then, we have uh the first
[11:36] panel, which I think turned out really
[11:38] nice. You see him there? And then he'll
[11:40] be like, I think he needs more detail.
[11:43] Maybe I'll make him gray. I haven't used
[11:45] any grayscale yet. I know. Then look at
[11:47] him there. He's all [ __ ] tall and
[11:49] [ __ ] I can't fix that. So, that's
[11:51] awesome. But he's going to walk through.
[11:53] This will be nice with grayscale, too. I
[11:55] think I only have uh this pen, which is
[11:58] 0.3. It's a great pen, but if I want to
[12:01] do details on the face, it's very hard.
[12:05] Don't look too close. I got this manga
[12:07] cup pen, but I am not I'm not using
[12:09] this. It doesn't draw when I wanted to
[12:11] draw. I'm like trying. Nothing's coming
[12:14] out.
[12:16] Ah. Okay. So, I wanted to show you what
[12:19] stuff I actually ended up using. This
[12:22] turned out to be my favorite paper, if
[12:24] it matters to anyone. Uh, for sketching,
[12:27] I use this pen. It's so cheap and it's
[12:30] so good and I love it. It's got some
[12:31] nice weight to it. 0.3. Very good. You
[12:35] need an eraser, obviously. Then I only
[12:38] use these three. I probably could use
[12:40] one more. 0.03, 0.3, 0.5. Super duper
[12:45] slim lines, my average lines, and my
[12:48] beefier lines. Then the king of this
[12:51] manga that probably saved this entire
[12:53] project is these pen. The ink is inside
[12:57] this, and this is soft. So basically,
[12:59] you squeeze out the ink by bending it. I
[13:02] don't know if you can see it, but you
[13:03] see it. Basically, uh, what's great
[13:06] about this pen is that it's very cheap
[13:08] and I don't have to dip ink all the time
[13:11] and I can draw very slim lines. Slim,
[13:15] slim, slim, slim. And then you can
[13:18] progress and then press harder and then
[13:20] boom, you got thick lines. Super
[13:23] versatile. This thing saved my life. I
[13:25] love this pen so much. I've seen masters
[13:29] use this pen, too, and it's just so cool
[13:31] and inspiring. I love this. These are my
[13:34] goats basically. Then of course I use
[13:36] the the leader toner and then I use this
[13:39] two tools to cut it out. And this is to
[13:41] attach basically you just rub it. That
[13:44] pretty much covers 99%. Like these are
[13:46] my goats. I need these. So I'm out here.
[13:49] I'm inking. I'm spinking. I'm testing. I
[13:52] don't know if you can see. I'm testing
[13:54] out like the layers. It's just test.
[13:56] We're just testing. We're just chilling.
[13:58] There's no stressing. Am I stressed? Do
[14:00] I look stressed? I redrew this one and I
[14:02] think it turned out way better. So, I'm
[14:04] happy. And I realized I want to be happy
[14:07] with what I'm making. I'm not gonna say
[14:09] like, oh, but it's just I'm a lot
[14:10] happier with this one. And I decided
[14:13] what I'm going to try to do is I'm going
[14:15] to half draw, half ink one and just
[14:18] experiment and then I'll ink that on top
[14:21] of that one properly. Because what's
[14:23] happening right now is that I don't
[14:24] really have like a finalized draft. I
[14:27] kind of did like a half draft, like a
[14:29] sketch, you know? It's not really
[14:31] finished. And I realize with the inking,
[14:32] I also realize I'm talking too much and
[14:34] you don't care. But like I I'm just
[14:36] going to experiment. I feel like I'm I'm
[14:38] drawing like this. Like, okay, imagine
[14:40] your paper.
[14:51] That's not fun. That's not fun for
[14:53] anyone. Like, I'm so scared of messing
[14:55] up that there's no creativity. There's
[14:57] no funness. So, I'm just gonna draw
[14:59] twice and [ __ ] up the first one on
[15:01] purpose so that I maybe find something
[15:03] interesting about it because I think a
[15:05] lot of these in the beginning is just
[15:08] boring and bland. I did this challenge
[15:11] for myself because I wanted to get back
[15:13] into drawing. I honestly had kind of
[15:14] fallen off a little bit. I'm keeping the
[15:17] Bible next to me as I'm drawing and I'm
[15:19] just like, "Holy [ __ ] dude. This is so
[15:24] sick. I'll never be that good. This is
[15:28] my favorite manga
[15:30] wrote it and I read it as a teenager or
[15:33] like young 20s and it blew my mind. And
[15:36] then recently when I started to practice
[15:38] drawing, I was looking up different
[15:40] mangas to copy and uh draw just for fun
[15:42] and I found this one called Ningo Nakuni
[15:45] and I was like, "Oh, I love the style of
[15:47] this one. Like the style is so sick." It
[15:49] was in Japanese. I didn't really read
[15:50] it. I just I just drew it. And then I
[15:52] realized, oh, it's Sutomani, but he just
[15:55] reinvented his style. How insane is
[15:57] that? Even though his style is so
[15:59] different, I still love it. And I had no
[16:01] idea. Like zero bias. That is so crazy
[16:03] to me. This whole thing is so so
[16:06] inspired by his style. Like I just love
[16:09] it. I think he he's like my biggest
[16:11] inspiration with this manga. Maybe not
[16:13] the story, but the well, yeah, the
[16:15] elements of the story, too, actually. Or
[16:17] the storytelling, rather. See, if you
[16:19] haven't checked out his work, I
[16:20] recommend it.
[16:21] Why did I think this was a good idea? I
[16:24] have one, two, three, four, five, six.
[16:30] Stop. Seven.
[16:32] Eight. And I want to redo at least
[16:34] three.
[16:37] And I haven't post-processed 95% of
[16:41] them. My last video was so intense.
[16:44] Releasing Adysius. It was supposed to be
[16:46] like an in between video, so I have time
[16:48] to work on this video. It was not an in
[16:50] between video at all. It sucked
[16:53] everything out of me and I have to be
[16:55] sucked again. But I do it all to myself.
[16:57] I have no one to complain. I think I can
[17:00] do it. I think I can do it. Just got to
[17:02] keep drawing. I hate this photo, but
[17:05] it's finished. I thought it'd be funny
[17:08] that this scene comes back cuz the the
[17:11] hunter leaves and the boy is kind of
[17:13] left like and then the hunter is going
[17:15] to have the same emotion. But like
[17:17] drawing this [ __ ] thing six times is
[17:21] not It's
[17:23] Why did I have to get so many details in
[17:25] there? Can I I have not used my brain
[17:28] whatsoever. I probably redrawn this the
[17:31] most out of all and I don't even like
[17:33] it. But here we are. Isn't that great?
[17:35] Some are coming in quite nice though.
[17:38] Like that's kind of cool. I bet you're
[17:40] wondering what the hell this door is
[17:42] about. Well, just wait and see. I'm
[17:44] hoping like my bad framing someone will
[17:48] see it and be like, "Yes, he let the
[17:50] lines flow downwards towards the end and
[17:53] not because he's lazy and he [ __ ] up
[17:56] and doesn't want to redo the stupid. I
[18:00] don't even want to draw a frame TO BEGIN
[18:01] WITH. WHY DID I HAVE to do what I
[18:04] have a proper stupid ruler?" I've been
[18:07] screaming a lot this video. I I realize
[18:09] that now actually. So, I'm going to stop
[18:11] doing that now. I'm sorry.
[18:13] Hello. I am in a car. I am entering the
[18:16] phase where I'm almost wrapping up. Oh,
[18:19] you're now looking at the steering wheel
[18:21] instead. I'm entering the phase of
[18:23] almost wrapping up and I feel like I am
[18:27] not happy with where it's going. And
[18:30] whenever that happens, I don't know if
[18:32] you guys can relate to this, but my
[18:34] brain just self folds. It goes, "Hey,
[18:38] actually, I didn't care anyway, so I'm
[18:41] just gonna give up whatever." What I
[18:43] wish my brain would do is just be like,
[18:46] "Hey, we're almost finished. Just focus
[18:49] and and do your best." It's like a
[18:51] coping mechanism that I do so I can look
[18:54] back at it and say, "Actually, I didn't
[18:56] try my hardest, so that's why it turned
[18:59] out shit." I am aware of it and I'm
[19:01] feeling it. So, I hope I can uh break
[19:03] through, basically, is what I'm saying.
[19:05] I am starting to feel hope. I have so
[19:08] many pages now. Ah, that one's not
[19:10] finished.
[19:12] And these are not postprocess or
[19:14] whatever. I don't know what to call it.
[19:15] It's going to be a story. I see it now.
[19:18] As long as I don't look at anyone else's
[19:20] work, I feel pretty good about it.
[19:23] No spoiler obviously, but like I hate
[19:26] this [ __ ] page. I redrew it so many
[19:29] times. Stupid idiot. Horses. I have to
[19:32] draw three horses. Try and draw one
[19:34] horse. Okay, they suck. I redrew this
[19:37] one as well. Feel like it was worth it.
[19:39] This one was actually worth it. It's
[19:41] quite moody. I will show you the entire
[19:43] manga now, but I actually have more work
[19:45] to do because I want to add more um
[19:49] gradients and [ __ ] like that cuz I think
[19:51] it adds a lot of depth. Focus, smokers,
[19:54] hocus pocus. The manga is done. It took
[19:56] me three months instead of one, but it
[19:59] is done. To be fair, the products became
[20:02] three times as long. So, I think I did.
[20:05] Okay. I have this idea that I cannot do
[20:08] a manga. Okay. I have to draw for at
[20:10] least 6 years. I have to be a master at
[20:14] all these different elements, then I can
[20:17] draw a manga. It's kind of like the
[20:18] sushi chef, right? Like he he only gets
[20:20] to wash rice for the first 10 years. I
[20:22] don't know. I also heard analogies like
[20:25] you shouldn't do hard things because if
[20:27] you go to the gym and you try and lift
[20:28] the heaviest weight, it's not going to
[20:30] work. Okay? You need to work your way
[20:32] up. I don't do that.
[20:35] If you want to do a gym analogy, yeah,
[20:37] you go to the gym, you lift the heaviest
[20:39] weight. You're going to know that
[20:40] doesn't work immediately. Okay? That's
[20:42] great feedback. You need to try things
[20:44] in order to learn. You need to fail in
[20:47] order to learn. And again, I am Mr.
[20:50] Failure. Okay? I fail constantly. I
[20:52] learned more from this 3 months of
[20:54] drawing than probably an entire year of
[20:56] drawing because it forced me to
[20:57] challenge myself in doing different
[20:59] things I don't want to do and realizing
[21:01] my flaws and weaknesses and and learning
[21:03] from it cuz I I think you have these
[21:05] ideas that you can't do certain things
[21:07] like you have to do this first. But I I
[21:09] feel like what what's just try it worst
[21:12] case you fail, right? I would actually
[21:15] consider this manga a failure. There's
[21:17] just too much mistakes. There's too many
[21:18] things I messed up. I would not publish
[21:20] this manga. But regardless, I did it and
[21:23] I can look at it and still be kind of
[21:26] proud of it. But without further ado, I
[21:28] want to show you guys the manga. Okay,
[21:31] here we go. Feel free to mute me, but I
[21:34] will yap inevitably. I'm a YouTuber. So,
[21:37] title, Gal. I realize now it says cow.
[21:43] Gal.
[21:45] We didn't make it far, did we? All
[21:47] right, here's the first shot. I imagine
[21:49] this like anime super highive wind
[21:52] ambience like
[21:56] you get the whole landscape and then you
[21:58] kind of go into the boy and it zooms in
[22:01] and then it gets quiet like everything
[22:03] gets quiet for a second then we start
[22:06] walking. I made a mistake here where
[22:08] initially I wanted to read this way but
[22:10] I think it's going to read this way so
[22:13] I'm just going to do that even though
[22:14] technically these should swap places. So
[22:17] yeah, he's walking. We get some epic
[22:19] scenery.
[22:22] He doesn't have a face. Don't worry
[22:24] about it. So he's climbing up. He's
[22:27] looking at something. Some nice view.
[22:29] Again, these should swap places. This
[22:31] should be the last thing you read on
[22:33] this anyway. And then you get the full
[22:36] spread, the double looney.
[22:42] It was going to be Yeah. So I I imagine
[22:44] it like a two-pager, you know. It It was
[22:46] cooler in my head, but I do think um I
[22:48] think the toning kind of messed me up a
[22:50] little bit.
[22:52] More walking. We get to see the main
[22:54] character more clearly for the first
[22:56] time. Maybe it wasn't obvious that it
[22:57] was a boy until now. I don't I don't
[22:59] know, actually. And we see that he's
[23:02] approaching the city.
[23:06] Still not at the city, but he's down
[23:07] from the mountains. And this is the
[23:09] page, if you remember, that I said I was
[23:11] going to redraw. I'm not doing that.
[23:14] It's not happening. It does serve some
[23:16] purpose, but I probably could cut this
[23:18] actually. It still looks okay. He's
[23:21] walking up to the walls, the city walls.
[23:24] It should be more wet here, I think. But
[23:25] what can you do? I do really like the
[23:27] contrast here of the bright and dark
[23:29] coming in. I think that turned out
[23:30] really nice.
[23:32] Uh, this is the inside the city. I
[23:35] redrew this a lot of times and I'm very
[23:37] happy I did because I feel like I'm
[23:39] there with the boy looking at this.
[23:40] Like, this looks this looks nice. You
[23:43] see the hooves? Some riders are riding
[23:45] in. And we get a quick shot of the boy.
[23:47] Kind of wish this page was like this to
[23:49] be honest. Like I feel like this was so
[23:51] unnecessary. Anyway,
[23:54] and the first introduction to our
[23:56] antagonist. I redrew this like four
[23:58] times. It looks like a girl every time,
[24:01] but then I'm like, it doesn't matter. It
[24:03] can look like a girl. It doesn't matter.
[24:04] The antagonist is looking down on the
[24:06] boy. They're having this sort of moment
[24:08] meeting eye to eye or blank face to
[24:10] blank face. I try to redraw the face and
[24:12] then I use this like thing that I can't
[24:15] draw on. So, it's faceless.
[24:18] The writer rides off. He's sort of
[24:21] supposed to see something happening
[24:22] behind the boy as he's sort of looking
[24:24] after the turning his way and we see the
[24:26] paw. Our other character shows himself
[24:29] for the first time or herself. Go
[24:34] surprise. It's a tiger. So, the tiger
[24:37] doing something. The boy is uh looking
[24:39] at it.
[24:42] We're moving on. And then
[24:46] the hunter is back looking like a male
[24:48] this time. Nailed it. Throws his spear
[24:51] at the tiger. Tiger's like, "Uh,
[24:55] Mar's like, the tiger looks weirdly
[24:56] sexy." I'm like, "He's not supposed to
[24:58] look sexy. Supposed to look angry and
[25:01] pissed off." So, Tiger supposed to take
[25:03] off. Boy is looking like, "Okay."
[25:07] Grabs on to Tiger on top of Tiger. Tiger
[25:10] be like, "Bruh." Again, up on the tiger.
[25:15] Tiger takes off
[25:18] running through the city walls. It's
[25:20] very cute, actually. Maybe I don't hate
[25:22] this manga. I I kind I quite like this.
[25:28] And then we have the same as before, but
[25:30] this time it's the hunter that is sort
[25:32] of frozen. He goes, But yeah, not a not
[25:36] a second tiger is going to come out.
[25:38] spoilers.
[25:40] They uh leave the same gate if you
[25:42] remember and then they run down the same
[25:44] way if you remember. And then again,
[25:46] white face boy cuz I messed it up.
[25:50] But they're running across the fields.
[25:52] You you you get the point.
[25:55] And then we're back at the lake. Tiger
[26:00] gets an idea, jumps in the lake.
[26:05] The idea was that tiger gets the idea to
[26:07] shake off the boy basically, but they're
[26:09] both having a good time. So, the tiger's
[26:12] noticing that the boy is actually
[26:13] enjoying himself that I'm explaining the
[26:16] story here, but whatever. So, gets
[26:19] another idea to make epic jump. Wish I
[26:22] had a sound effect here or something
[26:24] like
[26:25] I guess we have the do
[26:29] and then we get this epic shot in the
[26:31] sky. Go. If you grew up in Sweden, same
[26:34] year as me, then maybe you know this
[26:36] reference or why. But
[26:39] anyway, boy is like, whoa, Tigerlands
[26:42] have this epic moon shot.
[26:46] I envisioned this so early. It's kind of
[26:48] funny seeing it now. I was like, it's
[26:51] going to be cool with the tiger is in
[26:53] front of the moon. Everyone loves that.
[26:56] Yeah, it's heading back and we see that
[26:57] it's darker now. And they're both just
[27:00] happy.
[27:02] And we're back at the river for the
[27:05] third time for a little resty. Tiger is
[27:08] tired now after a long night. Boy gets
[27:10] to enjoy just having a moment, a quiet
[27:12] moment, stroking the fur. And then
[27:16] is that a page turner or what? Hunter
[27:19] back.
[27:30] We see that the hunter is back.
[27:33] Tiger has been pierced.
[27:37] Hunter goes in for the kill.
[28:26] That's the story.
[28:32] Bro, what just happened? I've just been
[28:35] working too much and I'm tired. Uh,
[28:37] that's the story. I hope you guys
[28:38] enjoyed it. It was a really fun project.
[28:40] I'm glad it's over.
[28:43] The last thing when I did my anime tour,
[28:46] I got criticism on my art by a
[28:48] professional and their feedback was,
[28:50] "You finished your drawing, so that's
[28:52] good." And I laughed and I internally I
[28:54] was like, "That's not feedback. That's
[28:56] just something."
[28:58] But actually, I am super proud that I
[29:01] actually finished this project. It is an
[29:04] amateur's attempt at making a manga. It
[29:06] has so many issues, mistakes and quirks
[29:10] and weird and too much similarities to
[29:13] my idols and all this stuff like but I'm
[29:17] still proud of myself for finishing it.
[29:20] You know, I'm trying to think positive
[29:21] here. A positive end of this. Hope you
[29:23] guys enjoyed it in the next one. So,
[29:27] here's the thing. I built Odysius
[29:29] because I believe in privacy and
[29:31] self-hosting all these companies. It may
[29:34] not seem like a big uh thing and I
[29:36] agree. It's it's not like oh no all this
[29:39] private stuff, all these secrets. It's
[29:42] not even about that. It's about the
[29:44] principle. If maybe you don't care about
[29:46] your private data, the reality is these
[29:49] companies abuse it. Your private info,
[29:51] your address, your phone number, your
[29:53] relatives, a scary level of information
[29:57] is stored about you and it's traded
[29:59] between companies. If you get spam phone
[30:01] calls, it's likely that your data has
[30:04] been taken by it and sold to these
[30:06] company to try and scam you or sell you
[30:08] stuff. They can open credit cards in
[30:10] your names and it's like, "Hey, hey,
[30:12] look at me. I'm I'm big tech right now.
[30:14] Oh no. Oh, we leaked everyone's data
[30:17] again. Oh no." Anyway, you just clearly
[30:20] can't trust them with it. So that's why
[30:23] Odysius and self-hosting just makes
[30:25] sense. But what about all the data that
[30:27] is already out there? What about that?
[30:30] That's where this today's sponsor comes
[30:31] in, Incogn. Because the good news is
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