[00:02] to the open strings being activated around this little twoot note shell. And this is exactly what Paul McCartney was doing with Blackbird. He's not doing a pinching the notes. He's actually flicking the strings with the back of
[00:18] his fingers and activating some of the strings, the open strings around those little twoot note shells. So we can take this idea and start trying open strings around these two note shapes. And in some keys this creates a really
[00:32] to the key of [Music] E, what I'm going to do is activate the B and the E strings, the two top
[00:44] strings, and let them ring around that chord shape because both the E and the B belong to the key that we're in. [Music]
[01:13] And you'll find as you do this more and more, it fundamentally changes the way you look at your guitar as a songwriting instrument. Women.