[00:01] laid out, we then want to play around with some interesting movement between changing up the order so it doesn't sound like we're just running a scale. We want to find some interesting chord sequences. And whilst we're doing this,
[00:16] way we're activating these chords with the right hand. So far, I've been avoiding using any kind of rhythmic picking pattern because I'm trying to represent these 10th intervals as clearly as possible. But now that we're
[00:29] starting to look at them in the context of songwriting, we can certainly bring this hand into play. And because these intervals are actually stretching across strings that aren't being used, strumming them doesn't really work. It
[00:43] kind of defeats the purpose. What we want is a lovely clear sound, an strumming and playing all of those other strings, it really gets muddy very quickly. So this G chord for example, if I'm just pinching it with these two
[00:59] fingers, we get that lovely clear sound. If I strum it, we get all of those other strings resonating and it becomes a mess. So the technique we're really employing with these kinds of chords is this pinch kind
[01:13] these kinds of chords is this pinch kind of method with the right hand.