[0:02] He's in the closet. He's in the closet.
[0:04] >> Jesus. We got to go. Go, go, go,
[0:06] >> go, go, go, go, GO.
[0:07] >> OH MY GOD. I WAS LIKE waiting for ages
[0:10] like I think Evelyn has to do something.
[0:12] Oh, he's coming. Go, go, go, go, go.
[0:20] >> Boobs.
[0:22] Ah, new game.
[0:25] >> Whoa.
[0:26] >> Cool.
[0:27] >> I'm Marcus.
[0:28] >> Ready up. Stinky gab
[0:31] ears to fathom together. Oh, episode
[0:35] one. Scratch crack. Oh, can she not hear
[0:38] me anymore?
[0:41] April 30th. Oh, maybe we have to find
[0:43] each other.
[0:45] To whoever is reading this, pardon my
[0:47] writing ability. My girlfriend Tess
[0:49] recently played your game. We couldn't
[0:50] help but notice the chilling
[0:51] similarities between one of the episodes
[0:52] and what happened to us. She persuaded
[0:54] me to write to you from my perspective
[0:56] as well as it would increase the chances
[0:58] of the dev noticing this story. I'll try
[1:00] to keep the information about our
[1:02] personal lives to a minimum. Back in our
[1:04] early days when we were living together,
[1:05] I had a job offer which I initially
[1:07] thought I would have to turn down since
[1:09] it required me to move to another state,
[1:10] but Tess was adamant that I accept the
[1:13] offer knowing how hard I had worked for
[1:15] it. She was ready to move out with me.
[1:17] We did not have much furniture, which
[1:20] meant it was a one-way drive with the
[1:22] trailer. Other survivor is still
[1:24] reading. I guess I'm pretty epic. Oh,
[1:32] where are you? Hold to spray. Whoa.
[1:34] What? Why is it stuck in my head? What
[1:37] the [ __ ]
[1:39] Spray my car. G to throw.
[1:43] Oh, well that's not connected.
[1:48] Okay. Makes your car a truck.
[1:51] makes our house a home. Wait, do I have
[1:54] to find Evelyn? Is that her?
[1:58] No, that's just a guy.
[2:01] Evelyn.
[2:04] She can probably hear me in real life
[2:06] more than she can hear me in the game.
[2:14] >> Hey.
[2:15] >> Oh, there you are.
[2:17] >> I heard someone.
[2:17] >> F to converse.
[2:20] >> All right. Car is done.
[2:22] >> [ __ ] finally looks like it's not from
[2:24] 03.
[2:26] >> Well, I know it sound like that.
[2:27] >> You ready to start loading?
[2:29] >> I didn't say that.
[2:30] >> Yeah,
[2:32] >> let's not
[2:34] couch, TV, big boxes in the hall so we
[2:37] can balance the weight in the trailer.
[2:39] We'll toss in the lighter stuff last.
[2:41] >> Okay.
[2:42] >> Damn, it's so smooth.
[2:43] >> We got two maybe 3 hours of good light
[2:46] left. Should be enough time if you move
[2:48] quick,
[2:49] >> Marus.
[2:51] Six.
[2:52] >> Yeah,
[2:54] >> we were supposed to leave this morning.
[2:55] >> We were supposed to leave this morning.
[2:57] >> I know. Washing the car took longer than
[2:59] I thought.
[3:00] >> We'll make up time on the road.
[3:03] >> I'm just going to text Dad and see if we
[3:05] can leave tomorrow morning.
[3:06] >> Tess, please don't do that. I
[3:08] >> I'm just saying it might be easier to
[3:11] >> Oh, we're already behind.
[3:12] >> You're such a smart.
[3:14] >> Tomorrow we lose the whole day.
[3:18] >> Okay.
[3:18] >> Okay. Yeah,
[3:20] >> ask him if that makes you feel better.
[3:21] But I know what he's going to say.
[3:24] >> I'm just going to point out
[3:27] >> in a game about us being the voices and
[3:30] having proximity chat, why not let us
[3:32] read it out?
[3:34] >> That's true. Oh. Oh, Jesus. I saw the
[3:37] inside of your head.
[3:38] >> Whoa. What's in there? Nothing. I got no
[3:40] ideas.
[3:41] >> Can I put the box down?
[3:43] >> G.
[3:44] >> If you hold right click, it highlights
[3:46] stuff.
[3:46] >> Press G.
[3:48] Uh, so me and dad are texting
[3:50] >> and I say, "I'm finally I'm going to
[3:52] finally do it when we're settled up
[3:54] there." That's all I get.
[3:56] >> Uh, it's a big step. I told you. This is
[3:58] Dad saying, "I told you I didn't expect
[4:00] you to be the one doing the asking."
[4:01] >> Oh, so I'm going to Oh, should I tell
[4:03] you this?
[4:05] >> Oh, I mean, yeah.
[4:09] >> I mean, I could keep it a secret.
[4:10] >> Does it Oh, that's clever. Is it saying
[4:13] [ __ ] about me? Does dad not like me?
[4:16] Do you not like me? Not not a lot, but
[4:20] it looks like I'm planning something for
[4:22] when we get there. But it's a secret.
[4:24] >> Oh, dad's like, "Why are you moving in
[4:26] with that bumbass bitch?"
[4:31] Whoa.
[4:33] >> Well, that's not a bad thing.
[4:34] >> It makes you nervous.
[4:35] >> Here, I have a table.
[4:38] >> You picked the whole table.
[4:39] >> I think we have to move them. I think we
[4:40] have to move our [ __ ]
[4:42] >> Feels like a fresh start. Like we're
[4:43] building something together.
[4:46] Do I? Oh, yeah.
[4:50] Howdy neighbor.
[4:52] My name's Marcus. What's your name?
[4:55] EVELYN, HELP. I'M BEING ATTACKED.
[5:00] >> NO, you're actually doing it.
[5:03] >> Yeah, had to happen sometime, bro.
[5:05] >> I've been busy.
[5:06] >> I thought you two were supposed to leave
[5:07] this morning, though.
[5:08] >> Shut the [ __ ] up, Nate.
[5:14] Little behind.
[5:15] >> Uh,
[5:16] >> how do I reply?
[5:17] >> Ran a little behind. He was washing the
[5:20] car.
[5:21] >> I clicked it in the air. I think
[5:23] >> you know how mornings go.
[5:25] >> Yeah, Nate. You know how mornings be.
[5:27] >> How much more you got?
[5:28] >> Almost done. Just started the loading.
[5:31] >> You guys good?
[5:35] >> Um,
[5:36] >> getting there.
[5:37] >> Yeah. Yeah. Ready to go.
[5:39] >> Just want to get moving at this. It's
[5:42] getting late.
[5:43] >> He said the painting crew is the first
[5:45] thing to modeling.
[5:46] >> We need to clear everything out.
[5:49] >> I figured he would shoot it down.
[5:53] >> I mean, yeah, if people coming to paint
[5:55] everything then
[5:56] >> let's start with the couch and bigger
[5:57] boxes and work our way to the back.
[6:00] >> Why are you just hanging out here?
[6:01] >> Last night was fun, man. We got to do
[6:04] that again.
[6:05] >> Um, if you haven't noticed, we're moving
[6:07] to a different state.
[6:09] He was just like, "Oh, you're finally
[6:10] moving. We got to do it again."
[6:13] >> Thanks, though.
[6:13] >> Yeah.
[6:14] >> Bye, Nate.
[6:15] >> See you. Bye.
[6:17] >> Okay. Couch.
[6:19] >> Oh, we both have to lift.
[6:20] >> Gears boxed up in the basement. Can't
[6:22] forget that.
[6:22] >> Grab.
[6:26] >> Oh.
[6:26] >> Oh my god.
[6:27] >> Wait.
[6:28] >> You're all like bent over.
[6:31] >> Yay. You're being super weird.
[6:34] >> Wait, how how do we fit it
[6:35] >> through here? You
[6:36] >> just got to turn. PIVOT.
[6:39] >> PIVOT.
[6:40] >> PIVOT.
[6:41] >> PIVOT.
[6:44] >> WAIT, what am I stuck on?
[6:45] >> Oh, we have to go out. We have to go out
[6:46] the front door.
[6:48] >> Oh, really?
[6:49] >> It's locked.
[6:53] >> I unlocked it.
[6:55] >> Okay, I'm ready to go.
[6:56] >> Okay, hold on.
[7:02] >> Okay, I'll back up and then you back up.
[7:05] >> Got it.
[7:06] >> Oh, yeah. and pivot.
[7:07] >> Oh, yeah.
[7:10] >> Okay, it's good. Start with the bulky
[7:12] things first.
[7:13] >> We've moved furniture before.
[7:16] I mean, that's what he said. Start with
[7:17] the couch and the bigger boxes.
[7:20] >> Oh, is that what he said?
[7:22] >> Yo, my guy just be talking. He's not me,
[7:24] though.
[7:26] >> What?
[7:27] >> He He keeps talking for me.
[7:30] >> Oh,
[7:30] >> I want some bodily autonomy.
[7:33] >> What y'all doing? What y'all doing?
[7:38] [ __ ]
[7:39] >> it just kind of like lets go every now
[7:41] and my back.
[7:42] >> You like how I put the table in there?
[7:47] >> So stupid looking.
[7:49] >> Oh, wait. Should I like get in the truck
[7:51] and then
[7:52] >> I GUESS WHO BEEPING? [ __ ] YOU. WE'RE
[7:54] MOVING. GO AROUND. THERE'S ROOM.
[8:00] >> What the [ __ ] Is it the table in the
[8:02] way? I'm
[8:02] >> going to [ __ ] kill him.
[8:04] Oh. Oh, yeah. Likely story, [ __ ]
[8:08] >> Okay, I'm ready.
[8:12] >> Here we go. Moving on up.
[8:15] >> Why are you bringing this couch? It's
[8:16] [ __ ] ugly.
[8:18] >> Yeah, maybe it's a family heirloom.
[8:21] Honestly, it's impressive that he
[8:22] programmed like the character models
[8:24] holding all of it.
[8:25] >> Yeah,
[8:26] >> it's a lot to take in. Converse, I don't
[8:28] want to talk to my girlfriend.
[8:30] I don't want to talk to my girlfriend.
[8:32] I'm busy talking to my girlfriend.
[8:35] Wait,
[8:37] >> wait, wait, wait. Let's try and talk.
[8:38] How do you do it?
[8:41] >> It doesn't say to me like
[8:43] >> let's keep it moving.
[8:45] >> Hey,
[8:45] >> so I think only you could have initiated
[8:47] that.
[8:47] >> Evelyn, let's keep it moving.
[8:51] >> That's what he sounded like.
[8:52] >> You sound sleepy when you do that.
[8:55] >> Hey, I'm sleepy.
[8:57] What's that do?
[9:00] Hey, what's up, neighbor? WHAT YOU
[9:02] DOING? HE'S GOT A GUN. HE'S GOT A GUN.
[9:07] >> OH, HEY.
[9:09] >> You're going to trip over the hose.
[9:12] >> Wait, pick up the hose. Does it do it
[9:14] for you? It's bugged.
[9:17] >> Is it bugged?
[9:18] >> Pick up the handle.
[9:19] >> What do you mean?
[9:23] >> Is it like up over your head?
[9:26] >> Really? Oh, I'm holding it normally for
[9:28] me.
[9:28] >> Well, the the hose part, the tube.
[9:32] OH.
[9:33] >> OH, WE HAVE SO MUCH [ __ ] to move.
[9:36] >> I know. Turns out this is the whole
[9:38] game. This is the horror part. We have
[9:40] to work.
[9:41] >> We have a creepy basement.
[9:42] >> Oh, basement. Do we have a flashlight?
[9:45] >> No.
[9:46] >> Is there like a light switch somewhere?
[9:48] >> There's a body down here.
[9:51] >> Why is it so creepy?
[9:55] >> This one we have to do. Both of us. Do
[9:57] not drop audio stuff. Marcus,
[9:59] >> what?
[10:01] >> I need you.
[10:02] >> Marcus, big box.
[10:04] >> What's up,
[10:05] >> Marcus? Baby.
[10:06] >> Uh, this one.
[10:08] >> Got to be careful with this one. Let's
[10:10] go. Whoa.
[10:12] >> Whoa. Whoa.
[10:16] >> Let's go. Interdimensional moving.
[10:18] >> You good over there? You good over
[10:20] there? No.
[10:21] >> It looks so funny.
[10:25] >> The way you're dancing with THAT BOX.
[10:28] HERE I GO.
[10:32] >> OH, what was that?
[10:33] >> Difficult to climb stairs. That was the
[10:35] static in my head.
[10:37] >> Yeah, sound of static.
[10:38] >> What's in this?
[10:39] >> You look He looks so funny.
[10:42] >> Why?
[10:44] >> You like vent over the box.
[10:46] >> Oh, it's audio stuff. Oh, we got some
[10:49] [ __ ] bombass speakers.
[10:52] >> Maybe we're going to like record things.
[10:54] >> We got some cool Oh, do we have a
[10:55] podcast?
[10:58] Oh cringe.
[11:01] I'm I mean cool.
[11:06] >> The way you're walking.
[11:07] >> Well, I had to look behind me.
[11:11] >> OKAY.
[11:11] >> WHOA. WHOA. I'M OUTSIDE.
[11:15] >> You went through the wall.
[11:18] >> We're terrible movers
[11:21] >> or interdimensional travelers.
[11:22] >> Yeah.
[11:24] Okay. Hey, there was one more box
[11:25] downstairs, I think.
[11:28] Yes.
[11:28] >> Oh, there more stuff in the kitchen.
[11:31] >> Yeah, we have so much [ __ ] to move. Why
[11:33] didn't we hire movers?
[11:37] >> Stuck in the hose.
[11:42] >> Just throw that [ __ ] in anywhere.
[11:45] >> How was it? Cabone.
[11:46] >> Cabbron.
[11:53] Whoever moves more boxes eats more
[11:55] tonight.
[11:58] >> Damn. Okay.
[12:00] >> Chicken parmesan for me
[12:04] >> and dirt for you.
[12:09] >> Well, how much dirt we talking?
[12:11] >> As much as you can eat. A Samsung
[12:13] fridge.
[12:15] >> It doesn't say 67 on it. It says 78.
[12:22] Oh, that didn't go that far.
[12:25] >> Damn, that [ __ ] look he handy.
[12:27] >> I'm a [ __ ] strong boy. Look at me.
[12:28] Look at my muscles.
[12:31] >> Where you going to put it?
[12:35] >> Right there. That looks good. Damn,
[12:37] girl. You ain't got no ass.
[12:40] >> Wow. Thanks.
[12:41] >> I'm sorry, but
[12:43] you don't. What? Poster. Whoa. Whoa. Fix
[12:47] itself. Whoa. Oh, cuz we're done.
[12:49] >> That's everything. That's nice.
[12:53] >> Okay.
[12:53] >> Is it though?
[12:55] >> Your character still acting like you're
[12:56] holding something. You're all bent over
[12:59] in the garage. I'll grab it and toss it
[13:00] in the trunk.
[13:01] >> Okay.
[13:02] >> OH MY GOD.
[13:04] >> OUR PASSPORTS and documents.
[13:06] >> Already in the trunk.
[13:10] >> You put it in.
[13:11] >> You're [ __ ] mutant.
[13:12] >> This morning.
[13:14] >> Okay. I'll get the suitcase.
[13:18] >> Oh, I'm sorry. I didn't pay attention to
[13:20] anything he just said.
[13:23] >> I mean, they're packing. It's not that
[13:24] hard.
[13:24] >> Is that the suitcase?
[13:27] >> Suitcase would have been safer in the
[13:28] trunk. Oh, trunk of the car.
[13:30] >> Oh, do I have to drive the car and put
[13:31] the trailer on?
[13:33] >> Oh,
[13:37] I put the suitcase in the trunk.
[13:38] >> You're good to go.
[13:43] >> Oh, yeah.
[13:44] >> I hate to say it, but I feel like I
[13:46] sound a little high maintenance.
[13:49] Then I'm fine.
[13:50] >> She's just worried.
[13:51] >> Been off. Don't tell me it's nothing.
[13:53] >> My god, you're driving.
[13:55] >> Why? I'm [ __ ] epic. Look at this. I
[13:57] lined it up perfectly.
[13:59] >> Test.
[14:00] >> No, I didn't.
[14:01] >> I said I'm fine, Marcus.
[14:03] >> Look, I already told you what I said.
[14:06] How did I not came out wrong?
[14:08] >> That's not how I meant it. I need you to
[14:09] talk to
[14:10] >> We good.
[14:11] >> There's nothing to talk about right now.
[14:13] >> Is it nice?
[14:14] >> Because if it is, Listen, you don't have
[14:16] to.
[14:17] >> [ __ ] you. It's my job. It's my thing. If
[14:19] you're not ready,
[14:20] >> stop.
[14:22] >> Couldn't have driven with the trailer
[14:23] door wide open. Close that door.
[14:25] >> Stop.
[14:27] >> It's closed.
[14:27] >> Then what is it?
[14:28] >> The door of the trailer.
[14:29] >> Can it just not be right now?
[14:31] >> Oh, hold on.
[14:33] >> Okay.
[14:34] >> I'm sorry everyone at home. I'm not
[14:36] paying attention to anything they're
[14:37] saying because I'm too busy having fun.
[14:43] >> Yeah, it's close now. I think having
[14:44] them speak vocally is not a smart
[14:48] decision cuz I just want to chat all the
[14:50] time.
[14:51] >> Your arms look so short when you're
[14:53] sitting like that.
[14:54] >> How dare you?
[14:54] >> You just have fun at the steering wheel.
[14:58] >> I don't know how to drive.
[15:03] >> It's not moving.
[15:04] >> You're checking all your egg. Is it on
[15:07] the Is there a handbrake?
[15:10] >> No, it moved earlier. Oh,
[15:13] hey, baby. I got some music.
[15:17] How do I What the [ __ ]
[15:20] >> You moved it earlier.
[15:22] >> Yeah. And I'm doing the same thing, but
[15:24] now not working.
[15:28] >> There we go.
[15:29] >> Oh, there you go.
[15:30] >> I just had to reset.
[15:31] >> Just had to get out and in.
[15:33] >> Where am I going? Left or right? Uh,
[15:35] make a decision.
[15:38] >> [ __ ] I'M DRAGGING THIS TRAILER
[15:39] EVERYWHERE.
[15:42] KILLED a family of five just now.
[15:50] >> Three days later. Oh, that was a [ __ ]
[15:52] drive.
[15:56] >> Whoa.
[15:58] This is impressive though.
[15:59] >> What if I just crashed and killed us?
[16:02] >> That would be a short game then.
[16:05] >> 4 hours.
[16:07] >> Whoa. You sounded so muffled. 4 hours
[16:11] somewhere.
[16:12] >> Stay on the 205 for two miles.
[16:15] >> I have I have set.
[16:16] >> Whoa. Whoa. Whoa.
[16:19] >> Is this the right way? I don't know.
[16:21] There was a turn off.
[16:24] >> No. No. It said stay on the 205. Should
[16:26] be good. I wasn't looking where the 205
[16:28] was.
[16:29] >> Me neither. Is this good? Um, you've sat
[16:31] nav. Are we dead?
[16:33] >> No. No. We're good. Yeah. Stay on this
[16:35] for another 1.5 miles.
[16:37] >> Okay. We're going to be in this [ __ ]
[16:39] car for 4 hours. We got to figure out
[16:41] something to do.
[16:42] >> See there? Left Warren 205. So, take the
[16:45] left lane.
[16:45] >> Text message from dad.
[16:48] >> How do I Oh, I can do it.
[16:50] >> For legal reasons, I did not indulge in
[16:52] texting and driving.
[16:55] >> Um,
[16:58] maybe I got a text from Ellie. Last
[16:59] night was Amaze Balls. Good luck with
[17:01] the move. Let me know if you need any
[17:03] help.
[17:03] >> Amaze Balls. Whoever says Amaze Balls
[17:05] can't be your friend. By the way, the
[17:08] new has a decent kitchen apparently.
[17:11] >> The guy
[17:12] >> That's a decent kitchen. You cook,
[17:13] right? You're a woman.
[17:14] >> That's good.
[17:15] >> Oh, take exit 5 in6.
[17:18] >> More counter space.
[17:19] >> Yeah, it looked nice.
[17:22] >> I thought we could use the second
[17:24] bedroom to make an office,
[17:26] >> you know, like a real one.
[17:27] >> We'll set up this I shouldn't have done
[17:30] this.
[17:31] >> I know it helps you when you're writing.
[17:32] >> Go, go, go.
[17:34] >> Okay. Yeah. Take take 12 to five.
[17:38] >> Oh, balls. So,
[17:39] >> oh Jesus.
[17:40] >> Looking at PCs.
[17:41] >> Oh my god. Go.
[17:42] >> I've killed us something decent.
[17:45] >> You were looking at PCs.
[17:46] >> It's two lanes though.
[17:47] >> Yeah. Nothing crazy.
[17:49] >> Nothing crazy for both of us.
[17:51] >> Maybe.
[17:51] >> Okay, now stay on the five for 40 miles.
[17:54] >> Why are you looking at PCs?
[17:56] >> Oh, you know, just here and there.
[17:58] >> This is so chaotic.
[17:59] >> I know. I'm I feel so bad for anyone
[18:01] watching. There's too much to take in.
[18:04] Oh,
[18:06] where the wind blows sweeping down a
[18:08] plane.
[18:13] >> Traffic's not too bad, honestly. The
[18:14] road's not that busy.
[18:15] >> This is why I couldn't drive in real
[18:16] life because I would just be looking out
[18:18] the window, get distracted, being like,
[18:20] "What's that car over there?" Whoa.
[18:21] What' you say?
[18:23] >> Well, you're a good driver.
[18:26] >> In real life,
[18:28] >> you would be. Oh, interstate congested.
[18:30] Heavy traffic ahead.
[18:33] We can reroute.
[18:34] >> We're going to reroute, baby.
[18:35] >> Reroute my ass.
[18:38] >> Take the exit to Cascade in 0.9 miles.
[18:41] >> I'm over here driving. You're playing
[18:42] [ __ ] Game Boy. Like, help.
[18:46] >> Yeah, I am helping. 0.9 miles. Take the
[18:49] exit.
[18:49] >> Stop fighting.
[18:55] >> Nice. Good job. Good job.
[19:01] It's the exit's probably coming up now.
[19:03] >> Says you're using your phone right now.
[19:05] Oh, now you're not.
[19:07] >> Cascade Highway. Yeah, that's it.
[19:09] >> What if I just
[19:13] >> Whoops.
[19:13] >> Do you Do you think all the cars would
[19:15] stop behind us? Yeah. Start honking.
[19:17] >> Ooh, creepy exit. Let's go.
[19:18] >> Is this where I'm going
[19:21] >> now? We're playing a horror game.
[19:22] >> Detour ahead. Yeah, I sure hope it does.
[19:27] >> Now this road will just follow for 22
[19:29] miles.
[19:30] cows.
[19:31] >> Oh, a cow crossing.
[19:33] >> Yes.
[19:34] >> Oh, I made it. I crashed everywhere and
[19:36] killed us both, but we made it.
[19:41] And I was thinking that tomorrow when I
[19:43] get up and I'm going to like eat steak
[19:45] for breakfast and it's going to be
[19:46] delicious and then I'm going to put it
[19:49] inside my ass. And
[19:52] what was the first thing you heard?
[19:58] I don't even know. It ended with inside
[20:00] my ass.
[20:01] >> Rock Mountain Trail. You want to get out
[20:03] and just
[20:03] >> We
[20:05] can We
[20:07] >> Oh, look. I'm dancing.
[20:10] We ain't moving.
[20:14] >> Was there Oh, yeah.
[20:16] >> I wonder if it'll let us.
[20:17] >> Mountain Trail. I think there's probably
[20:20] gonna be
[20:23] >> What?
[20:27] >> What' you say?
[20:28] >> Don't you think so?
[20:29] >> I can't see you.
[20:31] >> Did I think it's probably going to be
[20:33] like there's a road block up ahead and
[20:35] then it sends us back to this
[20:36] >> invisible wall.
[20:38] >> Oh, okay.
[20:39] >> Oh, man.
[20:43] >> It's dark out. Should I drive for a bit?
[20:45] >> Are you allowed?
[20:48] Uh, I know I'm a woman, but that was
[20:50] kind of insensitive.
[20:51] >> Are you sure you're able?
[20:54] Ah, passenger princess. Yay.
[20:57] Now I can talk to my dad.
[20:59] >> Now,
[21:00] >> my dad said, "Keep me updated, Marcus."
[21:02] Wow, he loves me.
[21:08] OH, DAD TAKES ME AGAIN. YOUR UNCLE still
[21:09] owes me $40, by the way. Your
[21:12] Sorry, pops. Interstate had a blockage,
[21:14] so we're taking a detour through
[21:15] Roseberg. let you know once we get back
[21:18] to the main road.
[21:20] >> Yes.
[21:21] >> Sorry, Dad. We're going to die in
[21:23] Roseberg.
[21:24] >> Stay on Old Cascade Highway for 1.8
[21:27] miles.
[21:29] >> Oh, look at these creepy houses.
[21:31] >> Where? Oh,
[21:33] >> on the side of the road.
[21:35] >> Texas Chainsaw.
[21:36] >> What does that
[21:38] >> said? Okay. What does that sign say?
[21:40] >> Dad said, "Okay, thumbs up."
[21:42] >> Okay, cool. Dad, thanks.
[21:45] So, do you not have a dad? Is that why
[21:47] you're texting my dad? Like,
[21:49] >> what?
[21:51] >> A [ __ ] Here we go again.
[21:54] >> F to you. Okay.
[21:55] >> Oh.
[21:57] >> Do you think we'll be able to lift it
[21:58] like furniture?
[21:59] >> I'm okay.
[22:00] >> All right.
[22:03] >> No, we wouldn't be.
[22:04] >> What do we do?
[22:05] >> Oh, there's a house on the left.
[22:08] >> We move it.
[22:10] >> Both of us.
[22:12] It's not that big. Between the two of
[22:14] us, we can shift.
[22:15] >> Oh my god. You're right. Okay.
[22:16] >> My god. My god. You don't even
[22:19] >> I'm strong.
[22:22] >> You don't even need me. Where do I grab
[22:24] it? The other end,
[22:27] >> guys. Leave her. Fulcrum. What if we
[22:29] both just lifted this end and turned?
[22:36] THIS IS RIDICULOUS.
[22:38] Where are we moving it? Back up.
[22:42] WE'RE SO FAR AWAY FROM EACH OTHER, YOU
[22:43] CAN'T EVEN HEAR US.
[22:46] >> That tree was so big, we couldn't hear
[22:47] each other.
[22:49] >> We're so [ __ ] strong. What the [ __ ]
[22:52] >> Why do I hear the ocean over here? What
[22:54] if I hid? She'll never find me.
[22:58] I'm hiding. You're never going to find
[23:00] me. Oh no. No. I'm scary.
[23:08] >> What are you doing?
[23:12] I'm being scary.
[23:13] >> It says our trailer door IS OPEN.
[23:15] >> SOMEONE GOT IN.
[23:18] >> I can't see though. It's pitch black.
[23:20] Oh, there it is. Yeah,
[23:22] >> I'm scared.
[23:23] >> Do we really not have a flashlight?
[23:25] >> Nope. We are stupid.
[23:27] >> So, I'm so blind.
[23:30] >> I'm so deaf to horror.
[23:35] >> Okay, so someone in the back. You can
[23:38] honk my horn.
[23:39] >> Oh, I can do more than that, baby. I'm
[23:41] your boyfriend. I can honk whatever I
[23:42] want. Squeeze squeezing your titties
[23:45] right now.
[23:46] >> Hong Kong, honk, honk, honk, honk, honk,
[23:48] honk honk honk honk.
[23:52] >> Ooh, a gas station.
[23:54] >> Oh,
[23:56] whiffy indie train.
[23:58] >> This is really cool.
[23:59] >> Yeah, this is so atmospheric.
[24:01] >> This must have been so much work.
[24:03] >> Crash. drive into
[24:06] >> Oh, maybe next time.
[24:07] >> We could have killed a family of four.
[24:09] That would have been epic.
[24:11] >> You know, I live my life a quarter mile
[24:14] at a time.
[24:16] Doesn't matter if you win by an inch or
[24:18] a mile. Losing is losing. Um, turn right
[24:22] on Roseberg Road in 0.1 mile.
[24:25] >> Roseberg Road. So, here.
[24:32] >> Okay.
[24:34] Stay on Roseberg for 2.5 miles.
[24:37] >> Thank you.
[24:37] >> Hey, no problem.
[24:42] >> How do I honk?
[24:43] >> Uhoh.
[24:44] >> Oh,
[24:44] >> what's that? What is that?
[24:45] >> Oh, check engine light
[24:47] >> on the dash came on.
[24:49] >> What?
[24:50] >> Uh-huh.
[24:50] >> Uh-oh.
[24:52] Uh-oh. The car is struggling.
[24:54] >> Oh, is our car? Yeah.
[24:56] >> I can feel the car struggling on the
[24:57] hill.
[24:58] >> Oh, I thought that tree was going to
[24:59] fall on us.
[25:02] Oh,
[25:03] >> [ __ ] off.
[25:04] >> He's going to drive us off the road.
[25:08] >> I wasn't the best at driving. I know. I
[25:10] should have let Marcus drive. No, I can
[25:13] drive.
[25:13] >> Don't doubt yourself.
[25:14] >> Me, dude.
[25:15] >> What is this guy doing?
[25:19] >> He's going to kill us.
[25:20] >> God, I would hate this is a nightmare.
[25:24] >> Go around, dumb nuts. Oh, there's a
[25:26] motel.
[25:27] >> Just go around, idiot.
[25:28] >> We can make it to the motel.
[25:30] Yeah. Honestly, if that happened to me,
[25:33] I would just stop and then wait for them
[25:34] to pass.
[25:35] >> Yeah, I think most people would.
[25:37] >> Holy.
[25:41] >> Oh,
[25:41] >> I can't.
[25:42] >> I think we hit like a invisible thing.
[25:45] >> Yeah.
[25:45] >> Go between the cones.
[25:48] >> Oh. Oh. Whoa.
[25:50] >> Jesus.
[25:51] >> Okay.
[25:52] >> What was the deal?
[25:52] >> What an [ __ ]
[25:53] >> For real.
[25:55] Like, relax, [ __ ] Damn.
[25:58] >> Damn. Relax, [ __ ] Damn.
[26:00] >> Okay. Um, the light. What do we do?
[26:04] >> It could just be the hill. The engine
[26:06] gets hot.
[26:07] >> So, it'll go away.
[26:09] >> Maybe once we're over the top and it
[26:10] levels out.
[26:11] >> Nope.
[26:12] Wait.
[26:15] Maybe it'll go away. Once we're over the
[26:17] top and it levels out. Maybe
[26:22] it didn't go away. Oh, no. She drove for
[26:24] a few more minutes before we accepted
[26:26] the car wasn't going to fix itself. I
[26:27] found the only shop in the area on GPS.
[26:31] Damn,
[26:33] >> it's GPS.
[26:36] >> So much faster reading than you are.
[26:42] >> Okay.
[26:45] >> Where the [ __ ] are we? This is bum [ __ ]
[26:47] nowhere.
[26:48] >> Oh, GPS.
[26:50] >> Yeah.
[26:50] >> No route selected. Cool.
[26:52] >> Oh, cuz it said that you looked up uh
[26:55] Oh, yeah. Using
[26:57] that you would look up a repair station.
[26:59] >> Ah, must be this place. Then pull in.
[27:01] Pull in on the left.
[27:05] >> Dad said your mother was asking where
[27:07] are you two at now? The damn car
[27:09] overheated. Not sure what we're going to
[27:11] do. We found a service station. Going to
[27:12] see about getting the car fixed.
[27:16] >> Nothing could prepare us for what came
[27:17] next is what my subtitles say.
[27:19] >> You're going to have a baby.
[27:23] >> Hello.
[27:24] >> Yeah. Hello.
[27:27] Don't trust locks in the light and
[27:29] stuff. That's cool. Cool details.
[27:32] >> Where? Oh. Oh,
[27:34] >> yeah.
[27:36] Oh.
[27:37] >> Whoa.
[27:38] >> What?
[27:40] >> Yeah.
[27:41] >> Hello.
[27:41] >> Good. Right. It's cool.
[27:44] >> Hello.
[27:45] >> Hello. Anyone?
[27:47] >> Hello?
[27:48] >> That's what I said.
[27:50] >> Employees only.
[27:52] >> Oh,
[27:54] >> no one.
[27:54] >> Oh. Anybody here?
[27:57] >> There's someone in the back there.
[27:59] >> This is like wrong turn or [ __ ] house
[28:01] of wax or something like that.
[28:03] >> Be around here.
[28:06] >> This place smells weird.
[28:09] >> I don't need a path. I make my own.
[28:13] >> Never mind.
[28:13] >> I can't go up there.
[28:18] >> Ah, [ __ ] Yeah, I made it.
[28:22] >> Hello.
[28:26] Where'd she go?
[28:30] Evelyn,
[28:33] where'd she go?
[28:38] >> What?
[28:38] >> I'm up here.
[28:39] >> Whoa.
[28:42] I see no god up HERE EXCEPT FOR ME.
[28:45] >> OH, JESUS.
[28:45] >> HOLY [ __ ]
[28:48] >> They made me take out my phone and I
[28:49] spelled was.
[28:52] Howdy do.
[28:54] >> Jesus Christ.
[28:57] >> Expect him to tinker in the morning
[28:58] though.
[29:00] >> [ __ ] you, bro.
[29:02] >> Man, we're good on the gas. Look, we
[29:04] were driving and a red light came on the
[29:06] car dash about 20 minutes back. We were
[29:08] hoping someone here could take a look.
[29:11] >> Temperature light,
[29:13] >> maybe. I honestly couldn't tell you.
[29:18] >> You folks ain't from around here, huh?
[29:22] Yeah,
[29:23] >> we were just passing through.
[29:29] >> Why'd you ask?
[29:33] >> Ah, no reason.
[29:34] >> He's looking at you.
[29:35] >> I can see a lot of of uh
[29:39] well, nothing. Scratch creeks a lot.
[29:42] >> Are you saying that cuz my character's
[29:44] black?
[29:44] >> Could have been headed.
[29:46] >> Oh,
[29:46] >> YOU A RACIST [ __ ] BOOK. I'll [ __ ]
[29:49] >> All righty.
[29:51] You a dick.
[29:54] >> Okay, follow me.
[29:55] >> Thank you so much. Cars in the front.
[29:58] This way.
[30:00] >> This way. I mean, he knows where cars
[30:03] come to a shop.
[30:08] >> Well, where's my manners? My name's
[30:10] Harold.
[30:11] >> Harold Sween. Call me Harry, though.
[30:14] >> Only mama calls me Harold.
[30:16] >> Marcus.
[30:17] >> Mama.
[30:18] >> This is my girlfriend, Tessa.
[30:21] Hey, what's up? My name Marcus. This is
[30:23] my girlfriend Tas.
[30:28] >> Interesting match.
[30:29] >> He is racist.
[30:30] >> Brave of you. Really?
[30:32] Don't see many girls within a
[30:34] >> Wait, what the [ __ ] was this here
[30:36] before?
[30:37] >> Oh,
[30:37] >> [ __ ] you, dude. What do you mean step
[30:39] outside our circle?
[30:41] >> I don't know where he went now. He just
[30:43] got here. That's his truck right there.
[30:47] >> Wait, who? What? What? By the way, just
[30:49] so you know, didn't mean to scare you
[30:51] back there. I was just doing some
[30:52] scraping work.
[30:54] >> You did scare me.
[30:57] >> He scared me so hard it opened the phone
[30:59] and I was I pressed W.
[31:01] >> So, tell me how two people
[31:05] different as you get together.
[31:07] >> Dude, I don't like this.
[31:09] >> What's that supposed to mean?
[31:13] I mean I I was just curious is all I
[31:16] think it's
[31:17] >> and ask us how we met like a normal
[31:18] person.
[31:19] >> Yeah. What do you mean people like you?
[31:24] >> I don't like you, bro. I'll shut this
[31:26] [ __ ] hood on your head.
[31:29] >> Think I found the problem.
[31:31] But just a second.
[31:33] >> Think I found the problem as well. It's
[31:35] racism.
[31:38] >> Do you think he heard me?
[31:40] That's what I figured.
[31:42] >> What? What is it?
[31:44] >> Harry, tell us.
[31:44] >> I can help you out.
[31:46] >> Can you find it?
[31:48] >> That's my man.
[31:50] >> So, what?
[31:51] >> Whoa. You're high.
[31:53] >> Looks like a coolant leak.
[31:55] >> You can see it puddling up under the
[31:57] car. I can see it dripping from the
[31:58] radiator hose.
[32:00] >> The clamp may
[32:01] >> Where the hose at?
[32:02] >> But could be the hose itself.
[32:05] >> Either of you notice anything before it
[32:06] died on you?
[32:08] Yeah, it started struggling on the hill.
[32:11] The temperature needle shot up out of
[32:12] nowhere.
[32:13] >> Yep, that lines up.
[32:15] >> All righty. I'll get you back on the
[32:17] roof.
[32:17] >> Harry,
[32:18] >> who the [ __ ] are you on up here?
[32:21] >> Yes.
[32:21] >> I really wish we had flashlights.
[32:24] >> Y'all stay right here.
[32:27] >> Why'd you say it that way? Creepy.
[32:28] Evelyn, they're going to kill us. Hey,
[32:32] >> I want to make sure the thing was still
[32:33] closed.
[32:33] >> We're going to [ __ ] die here.
[32:38] Who's texting?
[32:38] >> Oh, Dad texted me.
[32:42] >> You two left the garage door open. Oh,
[32:45] >> no, we didn't.
[32:46] >> Did we?
[32:46] >> Oh, yeah. We
[32:47] >> Oh, we did. We just drove off. Our car
[32:50] broke down, but we're okay. Mechanic's
[32:52] looking at it right now.
[32:54] >> Where'd they go?
[32:54] >> Oh, Ellie texted me as well.
[32:58] >> Oh, no.
[32:59] >> Hello.
[33:03] >> They probably went into the back, right?
[33:04] >> Oh, there he is.
[33:05] >> Yeah. Howdy.
[33:08] What y'all doing?
[33:12] I don't like their footsteps.
[33:15] >> Dad wants to come down.
[33:17] >> They're freaking me out.
[33:23] >> Oops.
[33:25] >> Yeah. So, um, I took another look
[33:29] >> and
[33:30] >> we can't fix the car.
[33:33] >> Dude has a little band-aid on his head.
[33:35] What? You said you could fix it?
[33:37] >> Yeah, the engine's in worse shape than I
[33:40] thought.
[33:41] >> It looks like the head gasket is about
[33:42] to go out.
[33:44] >> Whole thing's kind of messed up.
[33:46] >> Sure, buddy.
[33:48] >> Damn, man. What are we going to do in
[33:50] the middle of nowhere?
[33:52] >> It'll be all right, folks. Buck is going
[33:55] to call his old pal, Bill. He used to be
[33:56] a mechanic here,
[33:58] >> but retired a few years back.
[34:01] >> Fella still does some work at his house.
[34:08] his house. You got a tow truck or
[34:10] something? Take it any further.
[34:14] >> We should We should talk down here.
[34:16] >> Man's told you we can't help. Ariel will
[34:20] do a little patch job.
[34:21] >> A little patch job.
[34:23] >> That'll get you as far as Bill's house.
[34:27] But if you try to get back on the
[34:29] highway,
[34:31] >> you're looking at a catastrophic engine
[34:39] now.
[34:40] >> Gotcha, boss.
[34:42] >> I don't think that's boss related.
[34:43] >> I think that's dad.
[34:45] >> Yeah, I was going to say dad and son.
[34:48] >> It does hear your daddy. It says manager
[34:50] on his shirt, but I think it should say
[34:52] father.
[34:54] >> It's the cat food again. Minmo.
[34:56] A missing turtle named Squirtle.
[34:59] >> No.
[35:02] >> Oh, if you zoom in with right click, you
[35:05] see more.
[35:06] >> Oh, you put your hand above your eyes.
[35:09] >> Yeah.
[35:10] >> Wait, stand stand next to this guy. I
[35:12] need a thumbnail.
[35:15] >> Y'all need some?
[35:19] >> Okay.
[35:21] >> Or what about this?
[35:21] >> Got to hit the bathroom before bathrooms
[35:24] for customers. You ain't customers.
[35:30] >> Customers. We ain't the customers. I buy
[35:32] I buy something.
[35:34] >> Aren't you fixing our car? Is it doesn't
[35:36] to make us a
[35:36] >> customer
[35:38] head down the road to your first ride.
[35:40] [ __ ]
[35:41] >> Can't miss Bill. Now you all best get in
[35:44] the car and go. We're all done here.
[35:46] Looks like.
[35:48] >> Okay. Okay.
[35:50] >> Goodbye.
[35:50] >> Thanks.
[35:51] >> I'll drive.
[35:54] See you. See you later. What' you guys
[35:56] think of this?
[35:56] >> We're out of here.
[35:58] >> How do you honk?
[36:01] >> There you go. You're doing it
[36:02] >> just like that.
[36:04] >> Oh, you lean over to do it. Whoa.
[36:06] >> Oh, yeah.
[36:11] [ __ ] game rules.
[36:14] >> Okay. See you later.
[36:16] Natty B. Natty Bit.
[36:18] >> I thought that was also a Fierce Father.
[36:22] >> Father. Yeah, the lookout one, I think.
[36:25] You got savv.
[36:28] >> Um,
[36:30] no route selected cuz I think he said
[36:32] something about like
[36:34] >> go take a left blah blah and then it'll
[36:36] take you somewhere. Bill's house.
[36:38] >> Did I take the wrong road?
[36:40] >> That's fine. I think it'll auto correct
[36:42] probably.
[36:43] >> Dad text me, but for legal reasons I
[36:45] didn't text and drive.
[36:48] >> Yeah, dad's asking where we are.
[36:50] >> That's it. That's your dad, not my dad.
[36:53] Yeah, that's what I was thinking. Like,
[36:54] is it Are we texting the same dad?
[36:57] >> No.
[36:58] >> Dad, they're freaky. Send. No, I can't
[37:00] send it.
[37:05] >> God, the card is not going to fix it
[37:07] all, did it?
[37:07] >> No.
[37:10] Piece of [ __ ]
[37:14] >> You think the other guy has plans for
[37:16] us?
[37:17] >> There he goes.
[37:18] >> Oh,
[37:19] >> car couldn't take the clam anymore. or I
[37:21] had to reverse back to Bills. Oh, I knew
[37:22] it.
[37:23] >> Oh, so we so we passed bills probably.
[37:25] >> I was wondering if it was that red light
[37:27] area.
[37:29] What? [ __ ] you. Go around, dick.
[37:35] >> Where?
[37:37] >> Oh my god, it
[37:42] does. The characters not work anymore.
[37:44] >> Is [ __ ]
[37:48] >> My god. I'm like, is it
[37:50] >> where
[37:50] >> is it?
[37:53] >> Oh, there it goes.
[37:54] >> There's a light a red light here on the
[37:55] left. I was like, should I go down that
[37:57] way?
[37:59] >> Yeah. Yeah. Yeah.
[38:01] >> Oh, [ __ ]
[38:04] Jesus.
[38:05] >> Watch out.
[38:12] 420 blaze.
[38:16] Oh, sad music.
[38:22] Dad texted. Kiddo, don't leave me
[38:24] hanging. We found a mechanic shop. Get
[38:26] it looked at, but they sent us to some
[38:28] different mechanic. We're driving to him
[38:30] right now.
[38:30] >> Your dad should be texting you
[38:34] like he should be protecting you and
[38:35] telling you that you're a dumbass for
[38:36] doing this.
[38:40] >> Hey, what's up? Are you Bill?
[38:42] I got a car that needs affixions.
[38:45] Dad says, "Let me know what the mechanic
[38:47] says. Don't interact with people you
[38:49] don't have to."
[38:52] >> Hello.
[38:58] >> The music's all creepy.
[39:00] >> The music is very um insidious.
[39:03] >> Yeah.
[39:05] Tried to opening the door, but it was
[39:07] locked. Oh.
[39:08] >> Isn't it literally insidious?
[39:09] >> It sounds like insidious music. Yeah.
[39:16] Hello.
[39:17] >> Hello.
[39:18] >> Are you still hearing the other music as
[39:19] well?
[39:20] >> Yeah, I have like creepy violins and sad
[39:23] violins.
[39:25] >> Yeah.
[39:30] Oh, there's a Confederate flag outside.
[39:32] This is not good.
[39:40] Oh, the music stopped now, though.
[39:44] Can we some windows?
[39:51] >> I ain't interested. I hear another word
[39:56] of your nonsense.
[39:58] >> They're coming.
[39:58] >> Oh, hello.
[40:00] >> The morning star sees the lies you
[40:02] spread and his wrath will find you in
[40:05] the end. and I will be the instrument of
[40:09] his wrath myself if you don't get off my
[40:12] porch.
[40:13] >> Ma'am, we're not Jehovah's Witnesses or
[40:15] anything.
[40:15] >> Ma'am. Ma'am, I think you got the wrong
[40:18] idea.
[40:19] >> You're not from the New Temple.
[40:21] >> New temple?
[40:22] >> No.
[40:23] >> The guy from the gas station sent us
[40:25] here to talk to one of his friends.
[40:28] >> Whale then? What then?
[40:30] >> We won't build.
[40:32] >> Look, we were just passing through. Our
[40:34] car's got a problem.
[40:37] We were looking for a guy named Bill.
[40:42] >> He's eating human flesh in the other
[40:44] room.
[40:45] >> Someone's needing you at the door.
[40:48] >> At the door,
[40:50] >> can we get in? No.
[40:52] >> Oh, I can push her slightly. What's up,
[40:54] Margaret? [ __ ] you,
[40:55] >> Billy. Boy,
[40:58] >> heard you the first time, Charlotte. I'm
[41:00] coming. Charlotte.
[41:02] >> The the newspaper article says a new son
[41:05] is
[41:06] >> Buck warned me about.
[41:08] >> Hi.
[41:09] >> Yeah, he called. Sent some folks were
[41:11] stranded and heading my way.
[41:13] >> Hey, what's up? Hey, Bill. Can you fix
[41:15] my car, please?
[41:16] >> I'm guessing that' be you.
[41:18] >> Yes,
[41:19] >> Buck sent us your way. The man at the
[41:21] station told us it was probably a
[41:23] coolant leak right here and backed out
[41:24] and wouldn't fix it.
[41:25] >> You know, I'm going to up the brightness
[41:26] a little bit.
[41:27] >> Please take a look, sir.
[41:28] >> Smart.
[41:34] this a little better.
[41:35] >> No, he's right clicking.
[41:38] >> Do I have screen tearing? Oh, [ __ ]
[41:42] >> The damn thing ain't made to haul a
[41:44] trailer. Engine's hot as hell.
[41:47] >> If you're hot as hell coolant leak,
[41:50] >> if you ain't, it's a blown head gasket
[41:52] and your oil's turning into soup.
[41:54] >> Either way, nothing we can fix tonight.
[41:57] >> What? We don't have to stay at your
[41:59] house, do we? At least take a look
[42:01] first sir.
[42:02] >> I've been fixing engines longer than
[42:04] y'all been alive. I know what I'm
[42:06] looking at.
[42:06] >> Damn.
[42:07] >> I can take a look in the morning.
[42:10] >> Sir, we don't have anywhere to go. What
[42:12] do we do tonight?
[42:13] >> I ain't running a motel here.
[42:16] >> I would sleep in the car.
[42:18] >> You're welcome to sleep in your car out
[42:19] here.
[42:22] >> Yeah, I wouldn't trust to be in your
[42:23] house.
[42:24] >> They ain't sleeping in no car.
[42:27] >> I would feel safer sleeping in my car
[42:28] than with you guys. wouldn't have sent
[42:31] you here if we weren't meant to take
[42:33] care of you.
[42:35] >> And that is all I need to hear. I will
[42:36] be in the car.
[42:37] >> You ought to be.
[42:38] >> Right when you ought to be. Miss Julia's
[42:42] got rooms open at her bed and breakfast.
[42:44] She'll take you in.
[42:45] >> Who? What?
[42:48] >> Where is her place? Actually, I'm not
[42:51] sure if this car should even move
[42:52] anymore. Your friend Buck told us it'd
[42:54] be a catastrophic engine failure. Now,
[42:57] >> you won't be needing your car to get
[42:59] there. Take this little trail behind the
[43:01] house.
[43:04] It winds up the hill and leads straight
[43:06] to her parsonage. We'll let her know of
[43:09] your arrival.
[43:10] >> She'll be waiting with a warm room.
[43:14] >> She'd be waiting with a warm room and a
[43:16] [ __ ] pitchfork in her hand.
[43:18] >> You hear me? Don't step off it. Not even
[43:21] once. You won't like what happens if you
[43:23] do.
[43:24] >> Oh, Bill, stop scaring them.
[43:28] You'll be fine if you just follow the
[43:30] path. Miss Julius let folks walk it
[43:33] plenty of times.
[43:34] >> Do you guys have flashlights? I need a
[43:35] flashlight.
[43:36] >> Great shot. You'll know it when you
[43:37] reach there.
[43:38] >> Why don't you lend Miss Julia's guest a
[43:41] flashlight for
[43:42] >> Isn't that like the bad racist flag or
[43:44] like
[43:45] >> that's what I said? Confederate flag.
[43:47] >> Ah, hold on.
[43:51] >> If you see the Confederate flag, this is
[43:52] a bad time.
[43:55] What's up, Charlotte?
[43:58] You good, Charlotte?
[44:01] Your face looks like it's made out of a
[44:03] leather chair.
[44:07] >> She's not shy contact.
[44:10] >> Ah, yes. Do we both got one
[44:12] >> here? Battery's good. Don't drop it.
[44:17] >> All right, that's enough. Trail's back
[44:19] there. Goes right up the hill. Don't
[44:21] waste time. You're like holding it up by
[44:24] your [ __ ] head all awkward.
[44:26] >> Come on now, Charlotte. Missing our
[44:28] program, you folks.
[44:29] >> We're missing our stories.
[44:30] >> Do you want the flashlight? I could
[44:31] probably drop it.
[44:32] >> No, you go here.
[44:34] >> Wait, you should at least
[44:35] >> I do want to see you hold it.
[44:36] >> Where'd you put it?
[44:37] >> Oh, I threw it there. I can't. I'm
[44:40] stuck. Oh, I'm on a branch.
[44:44] >> Oh, that's not too awkward.
[44:46] >> Am I holding it up like next to my head?
[44:48] Kind of.
[44:49] >> Shoulder height? Yeah. No shoulder
[44:51] height.
[44:54] >> Okay, let's go.
[44:55] >> Yay, let's do it.
[44:57] >> Follow the trail. Follow the trail to
[45:00] our death.
[45:03] This is some Resident Evil 7 [ __ ]
[45:05] >> We're not going up there.
[45:07] >> What else are we,
[45:08] >> Marcus? Look at this place. Look at all
[45:10] of this.
[45:12] >> It's just a trail that leads to a bed
[45:13] and breakfast. Do you think it's like
[45:15] we've never heard of it?
[45:16] >> Oh, this would be a movie of spoiler,
[45:17] but like get out where I'm actually
[45:19] orchestrating the whole thing.
[45:21] >> Sleep in the car.
[45:23] >> That would be kind of cool.
[45:24] >> Maybe. Yeah, maybe that's better.
[45:27] >> Listen,
[45:28] >> cuz I was planning something with my
[45:29] dad.
[45:29] >> That lady. I don't know, Bill. I don't
[45:31] know that hairy suitcase.
[45:34] >> These people and neither do you.
[45:36] >> These people are [ __ ] weird.
[45:38] >> Don't you see it, Marcus?
[45:41] >> Oh, she running.
[45:42] >> Small town, boo. People are different.
[45:44] Small town, boo.
[45:46] >> You're seriously fine with this? Two
[45:49] strangers we just met pointing us down a
[45:51] dark trail, and you're just you're
[45:54] you're fine with that.
[45:55] >> I'm not fine with it. I just don't see
[45:58] another option right now.
[45:59] >> You're too trusting.
[46:00] >> There's always another option.
[46:03] >> You just never want to look for one.
[46:05] >> Damn. Ice cold.
[46:07] >> What is that supposed to mean? It means
[46:09] you just decide and expect everyone to
[46:12] follow. That's what you do.
[46:15] >> Damn.
[46:15] >> Everyone.
[46:17] Hold on. Is this about last night again?
[46:20] You've been carrying this all day.
[46:22] >> Like a suitcase.
[46:23] >> What did we do last night?
[46:24] >> I told Jake and everyone at the table
[46:26] about the new place, the job, the
[46:28] apartment, your studio.
[46:30] >> Hey, it's that dog.
[46:33] >> I I got this job. I found this place.
[46:36] I'm moving to Washington.
[46:40] >> Tessa,
[46:41] >> you talked about it like I wasn't even
[46:42] there. Like this was something you were
[46:44] doing and I just happen to be coming
[46:46] along.
[46:49] >> That's so I mean God.
[46:51] >> Yeah.
[46:52] >> I don't know. I don't want to feel like
[46:54] I'm along for the ride. That's all I'm
[46:57] asking.
[46:57] >> I didn't even realize that it was such a
[46:59] big deal. I thought everyone was
[47:01] laughing and so were you.
[47:03] >> Nope. On paper, things look pretty bleak
[47:05] for us.
[47:06] >> Pretty bleak for us.
[47:07] >> You're not along for the ride. And
[47:08] >> stop making decisions like I am.
[47:10] >> I hear you. Okay. Hey, it's that dog.
[47:13] But
[47:13] >> right now, right now, we need to make a
[47:16] decision together. So, I'm asking you,
[47:18] not telling you what do you want to do.
[47:23] >> She already told you, didn't she? She
[47:25] doesn't want to go here.
[47:27] >> Yeah.
[47:27] >> Get the suitcase. Oh.
[47:29] >> Oh, we're like way ahead of you, game.
[47:35] Okay. Well, awkward.
[47:38] >> Yeah. Like you guys are H.
[47:43] >> You sure you want to make a big move
[47:44] like this?
[47:45] >> Yeah.
[47:45] >> But that's like the stuff you get mad
[47:47] about.
[47:48] >> Scratch Creek.
[47:52] >> I'm sorry about last night. I didn't
[47:54] think about how that sounded.
[47:57] >> We were just talking about it.
[48:01] Your your arm is like stabilizing really
[48:04] weirdly.
[48:05] >> It's like a chicken head.
[48:06] >> Yeah.
[48:07] >> Oh, do you think we'll hear a loon?
[48:10] >> Oh, I hope so.
[48:16] >> Oh, what was that?
[48:17] >> Oh, that a freaking bear.
[48:20] Could fight a bear.
[48:20] >> Something weird.
[48:21] >> I'll fight a bear. I'll [ __ ] him up.
[48:24] >> Throw my
[48:25] >> Okay, it's a deer and I'm scared.
[48:28] >> Maybe I won't fight a bear. Throw my
[48:29] suitcase at it.
[48:32] >> Throw the suitcase and run.
[48:33] >> There's a bed and breakfast up here. I'm
[48:36] sorry. You should have listened to your
[48:37] girlfriend. This is [ __ ] stupid.
[48:40] >> Yeah, especially I don't know. They seem
[48:42] racist from the get-go. I wouldn't trust
[48:44] it.
[48:46] >> Oh, there we go.
[48:48] >> Yeah, this ain't looking good. This is
[48:50] looking pretty bad for us.
[48:53] 9:58 p.m.
[48:56] Now
[48:56] >> 10 p.m.
[48:57] >> Now is no time.
[49:02] >> Your character sounds an awful lot like
[49:03] a toilet flushing.
[49:06] >> Okay, let's go.
[49:08] >> Yeah, hold on.
[49:09] >> Oh,
[49:10] >> the way you're holding the suitcase.
[49:13] >> What if I do this?
[49:18] >> Honestly, it'll protect you.
[49:20] >> Heavy.
[49:22] My friend's making me carry this
[49:24] suitcase.
[49:25] >> Look, this flashlight's really
[49:26] difficult. The old house in the other
[49:28] side of the road.
[49:31] >> That was cool.
[49:33] >> Oh.
[49:34] >> OH, WATCH OUT.
[49:36] >> OH, IS that for you? Look bigger than we
[49:39] expected. The truck or the house?
[49:43] >> Stay with us.
[49:51] Oh [ __ ]
[49:53] Oh [ __ ]
[49:58] Oh no. I'm coming. I'M COMING BACK.
[50:03] I'M ON MY WAY.
[50:06] EMILY,
[50:08] I got taken away.
[50:12] Help.
[50:15] Oh god. But I can't go back.
[50:18] Oh, [ __ ] Um.
[50:26] Hi.
[50:28] Can you hear me?
[50:30] >> Down the road. No, I couldn't.
[50:32] >> Uh,
[50:33] I got stuck to the car and it dragged me
[50:35] off and now there's an invisible wall
[50:36] and I can't get back.
[50:38] >> Oh [ __ ] Okay, we could probably
[50:42] um h maybe try throwing the flashlight.
[50:47] >> Wait, if another car comes this way, I
[50:49] might be able to trick it.
[50:51] Oh, this [ __ ] sucks.
[50:53] >> Maybe throw the flashlight
[50:56] and then maybe like crouch and or is
[50:59] this Oh, yeah. I'm on the other side of
[51:00] the invisible wall. Oh, I see. No,
[51:02] you're not going to get through that.
[51:04] >> Oh, I broke it.
[51:06] Oh, this is what I get from messing
[51:08] around.
[51:10] >> Yeah, you probably can't jump it, can
[51:12] you?
[51:13] >> If I disconnect and just reconnect, will
[51:15] I be able to? I'll try.
[51:17] >> Yeah, try that. Try that first.
[51:21] >> Um,
[51:29] it kicked us out.
[51:32] >> Miss Julius, I guess it'll just start us
[51:34] there.
[51:35] Yeah, it should be okay.
[51:39] >> My bad.
[51:41] >> No, it's okay. That's probably funny.
[51:45] >> It was funny until it broke.
[52:02] Okay,
[52:03] >> cool.
[52:04] >> There we go.
[52:07] >> Okay. No, I just had a checkpoint, so
[52:09] that's fine.
[52:09] >> Whoopsy daisies.
[52:11] >> Didn't really miss anything.
[52:12] >> It's cuz I got stuck at the car and then
[52:15] when I jumped I tried to jump on top of
[52:17] it to be like, "Oh, look at me. Funny."
[52:19] And then it just took off with me.
[52:23] >> Yeah. I was standing here like, "Where'd
[52:24] he go?"
[52:26] >> Yeah. And I was screaming the whole
[52:28] time.
[52:29] >> Yeah. I couldn't hear you.
[52:30] >> You should hire me to bug test your
[52:32] games.
[52:34] >> Oh, cool house.
[52:36] >> Yeah, it's very cool. I like it.
[52:38] >> Do you think there's a bug lady named
[52:39] Margarite in there?
[52:41] >> After a long hike, I really had to pee.
[52:44] >> Bed and breakfast.
[52:46] >> Move, Max, Texas.
[52:47] >> Julius,
[52:49] what?
[52:49] >> We have to be there by 10:00 a.m.
[52:51] tomorrow. That's when you have to put
[52:52] back the trailer.
[53:03] >> Hey,
[53:04] >> such a sweet woman, isn't she?
[53:08] >> Yeah.
[53:09] >> You poor things.
[53:11] >> Car giving you trouble on a night like
[53:13] this.
[53:13] >> I hate her.
[53:14] >> Come in. Come in. You must be exhausted.
[53:17] Mercy now. Ah, nice living room. You
[53:21] look like you haven't eaten.
[53:23] >> Eating anything you make.
[53:25] >> Thank you.
[53:28] >> I'm Miss Julia, by the way. I don't
[53:31] think Charlotte mentioned. So, quick
[53:33] check. What's your opinion on black
[53:34] people?
[53:35] >> Yes.
[53:37] >> Tessa, what a lovely name. You're going
[53:40] to feel right at home here, my dear.
[53:46] >> Uh, this is beautiful. You must be a
[53:51] busy land lady. Oh, bless your heart.
[53:54] >> Why she keeps running away? Isn't she?
[53:56] Old homes like this.
[53:58] >> I think she's stuck behind. You should
[53:59] probably give her more space.
[54:00] >> Please, I'm an inkeeper. Dear land lady
[54:04] is just so crude.
[54:07] >> Okay.
[54:08] >> This used to be a parsonage for the
[54:11] pastor and his family who preached at
[54:13] the old scratch temple behind the house.
[54:15] After they congregation decided to turn
[54:18] it into a bed and breakfast to help the
[54:20] church coffers chosen
[54:23] a roof over my head and helps the old
[54:26] temple at the same time.
[54:29] >> You'll hear most of the locals talk
[54:31] about the temple, but mind you, there
[54:34] are two here in our little town. Some of
[54:36] the younger folks split away and started
[54:39] new scratch temple up the hill. But we
[54:42] don't worship the same as the youngans.
[54:45] Okay.
[54:46] >> They call it progress, but I call it
[54:48] >> You want to go up to the better ways?
[54:53] >> Oh, invisible wall here.
[54:54] >> Um, so what's the difference between old
[54:57] scratch temple and the new church?
[55:01] >> They worship to say
[55:04] >> the youngans are awfully impressionable
[55:06] and I think gossip and cruel tongues got
[55:08] into their minds. They let non-believers
[55:11] twist their minds away the true path. I
[55:13] don't know if she's broken or not.
[55:15] >> Younger folks started treating us.
[55:16] >> I think she's like
[55:18] >> like wherever I look, she walks into my
[55:20] view.
[55:21] >> Some of our more traditional beliefs
[55:23] thought they could start a better
[55:25] church.
[55:28] >> Do you run this place by yourself?
[55:31] >> Oh, heavens no.
[55:32] >> COULD YOU
[55:34] ALL ALONE? I've got a few hired hands.
[55:37] Folks from the church also check in.
[55:40] >> How much do we owe you for the room?
[55:43] Depends on how long you'll be staying at
[55:45] the suitcase.
[55:47] >> Your bill said he can fix this
[55:50] >> for the night. It's 95. Breakfast
[55:52] included, of course. But don't you worry
[55:54] about that now, sweetheart.
[55:56] >> $95 for bread and breakfast in the
[55:58] middle of [ __ ] nowhere.
[56:00] >> Sorry. Could we get to our room, please?
[56:04] >> We're both really tired.
[56:06] >> Oh, of course you are.
[56:07] >> I'm really scared.
[56:08] >> Must have been a long night. I forget
[56:10] myself sometimes, but I do love to chat.
[56:14] >> There better be a lock on that door.
[56:16] >> Okay, now have a seat, sweetheart. Make
[56:18] yourself comfortable. I'll go check on
[56:21] your room and be right back.
[56:23] >> Okay. Okay.
[56:24] >> Um, excuse me. Is there a restroom I
[56:27] could use?
[56:28] >> Yeah, it's in the back by the kitchen.
[56:30] >> I appreciate it.
[56:31] >> I'm going to piss. If I'm not back in 5
[56:33] minutes, just wait longer.
[56:36] >> Good luck.
[56:38] In the back by the kitchen. Oh, I hate
[56:40] this place. Oh, hell no.
[56:43] >> Wait, wait. I want to see. Oh, I
[56:46] >> Oh, you're you're not allowed cuz you
[56:47] don't have to piss. Pissers only.
[56:50] >> Damn.
[56:51] >> There's a statue of Mary and there's a
[56:52] statue of a lady over there and I don't
[56:54] like it.
[56:55] >> Oh, I want to see.
[56:58] >> Hey, what's up, Mary?
[57:00] Oh, now I'm playing my own game. Miss
[57:02] Julia told me the restroom was in the
[57:04] back. The [ __ ] is this? She's doing the
[57:07] like the Jesus pose.
[57:11] That's how Jesus be posing in pictures.
[57:13] He was like, "What's up? I have
[57:15] suffered."
[57:20] Oh god. Oh god. Oh god. This is creepy.
[57:30] Oh yeah.
[57:33] Woo!
[57:35] >> Oh, I needed that. Holy [ __ ] I was
[57:38] about to bust.
[57:46] >> What?
[57:51] Hi.
[57:54] It's like someone had taken their
[57:55] batteries out. What?
[57:58] What? Who the [ __ ] were they?
[58:03] Where's he going?
[58:05] >> I took a piss. THERE WAS TWO GUYS BACK
[58:07] THERE.
[58:08] >> OH,
[58:09] >> there was a dude who just ran off.
[58:12] >> Yeah, black guy.
[58:13] >> He was back there.
[58:15] >> No, no, this dude came from upstairs.
[58:17] There was a dude who was like,
[58:19] >> "Tell that [ __ ] upstairs. She's crazy.
[58:21] Whatever you guys are doing here, I'm
[58:23] out." And then he just ran off.
[58:25] >> Oh.
[58:28] So, should we leave?
[58:30] >> Uh, yeah. Okay, get your suitcase.
[58:34] >> I've got the flashlight. Let's go.
[58:36] >> Hey, Ken.
[58:37] >> Hi, Julia. It seems that you are running
[58:39] a bed and breakfast and racism.
[58:47] >> Okay,
[58:48] >> I think the room's ready.
[58:50] >> Sorry to keep you waiting, my dear. Your
[58:52] room's all ready now, and I think you're
[58:55] going to love it. I went ahead and put
[58:57] you in our majestic suite.
[59:00] But before I take you up, I'd love to
[59:03] show you the parsonage. The grand tour,
[59:05] if you will.
[59:06] >> I don't want your [ __ ] tour.
[59:08] >> Respect for this majestic. I can see
[59:10] this.
[59:11] >> Actually,
[59:14] >> okay.
[59:15] >> This person's study. Everything here
[59:18] belonged to someone who worked or prayed
[59:21] under our roof. These books collected
[59:24] over generations. Most of them are out
[59:27] of print.
[59:29] She hidden the Jesus pose.
[59:30] >> We got history older than anything, my
[59:33] dears. Feel free to browse the shelves
[59:35] if you'd like a good read. H
[59:38] >> I don't think they'll have the types of
[59:39] books that you like to read.
[59:41] >> No.
[59:44] >> What kind of horror you got?
[59:45] >> You got any bathroom?
[59:47] >> Yeah, I wasted in there.
[59:49] >> Oh,
[59:52] >> this place is played a little pipes.
[59:55] Best not to drink from the taps. The
[59:58] water cooler safe.
[60:01] >> I can get it to sit in her head. Watch.
[60:03] >> Well then, pardon me. It's time to get
[60:05] you two settled.
[60:08] >> This way. She moved.
[60:11] >> [ __ ] that would have been so sick.
[60:14] >> Oh, and this one stays closed.
[60:16] >> It's staff only down there.
[60:18] >> Locked from the inside.
[60:20] >> There's some dead people down there for
[60:22] sure.
[60:25] Maybe it's like uh like one of those
[60:26] they keep people hostage there chained
[60:29] up.
[60:30] >> We're going to wake up in there. We're
[60:31] going to go to bed and we're going to
[60:32] wake up in there.
[60:33] >> What if What if the food they serve is
[60:35] human meat?
[60:36] >> Yep.
[60:38] >> Warm meals.
[60:39] >> Yep.
[60:41] That's what I said at the other place. I
[60:42] was like, "Bill's in the other room
[60:43] eating human flesh."
[60:45] >> Some butt stew.
[60:48] Oh, careful now.
[60:54] Oh, who's this? Why are you in here?
[60:56] This is our majestic suite. I hope it's
[60:59] to your liking. The heat
[61:00] >> the [ __ ] is the eye on the wall?
[61:02] >> Comfortable temperature.
[61:03] >> Feel a chill tonight. The staff put in
[61:06] extra effort this evening to prepare for
[61:08] your arrival. So, I hope everything
[61:10] meets your expectation.
[61:12] >> Explain yourself.
[61:13] >> Oh, big bathroom.
[61:14] >> Oh, and if you need anything at all,
[61:16] press zero on the telephone. So, we ask
[61:19] Borders to reserve late night calls for
[61:22] emergencies only.
[61:24] >> Does look really nice.
[61:25] >> Sure. We'll call if we need anything.
[61:28] >> Well, then, my dears, I'll leave you two
[61:31] to it. Make yourselves at home.
[61:33] >> Thank you.
[61:35] >> Oh,
[61:35] >> ew.
[61:36] >> Hivirus.
[61:37] >> Get out of here.
[61:38] >> Oh, and let's behave ourselves tonight.
[61:41] All right.
[61:42] >> I'm going to [ __ ] my girlfriend louder
[61:44] than the [ __ ] horns and Gondor,
[61:46] [ __ ] for each of you. Folks at Old
[61:48] Scratch Temple like to make sure people
[61:51] keep themselves pure.
[61:53] >> Ew.
[61:54] >> I'm sure you understand.
[61:56] >> I do.
[61:57] >> Of course. What's all the rules?
[62:02] >> Oh, sorry. Do you mind if we get the
[62:04] room?
[62:05] >> Oh, sweetie.
[62:07] I'm afraid a house this old doesn't
[62:09] have.
[62:10] >> [ __ ] you.
[62:11] >> Just so you know, the door locks itself.
[62:14] But if we both get locked out, we'd need
[62:16] to come by with the skeleton key. We do
[62:19] charge $20 for the trip. Happens more
[62:22] than think.
[62:23] >> So figure in the charge.
[62:26] >> Extortion. Racism and extortion.
[62:29] >> The skeleton key then.
[62:30] >> My word. I can't give you the skeleton
[62:33] key. It unlocks every door in the house.
[62:35] >> Check out.
[62:36] >> I don't like this.
[62:37] >> Not that you two would go snooping, but
[62:39] you can never be too careful.
[62:41] >> Oh, I would so snoop. I mean, it's fine.
[62:44] Yeah, we're just crashing for a few
[62:46] hours.
[62:46] >> That reminds me, before you two turn in,
[62:50] would one of you be so kind to step
[62:52] downstairs and sign the guest book?
[62:54] Everyone has to. It's a tradition, you
[62:57] know. You kids don't seem like the kind
[62:59] who would break a fine old tradition.
[63:03] >> Oh,
[63:05] >> L to lock, L to unlock. Oh,
[63:09] >> we can look.
[63:09] >> I can hide under the bed. Wait, wait,
[63:11] wait. Look at this.
[63:14] >> Hide.
[63:14] >> Am I gone?
[63:16] >> Yeah. Where'd she go?
[63:17] >> From under the bed.
[63:19] >> I know. You're completely gone.
[63:21] >> Oh, but you can hear me, right?
[63:24] >> Yep. Oh,
[63:26] >> now you can. Are you under the bed?
[63:28] >> Yeah.
[63:29] >> Oh, yeah. I can see you.
[63:30] >> You're laying flat.
[63:32] >> Yeah.
[63:33] >> Oh, we're going to have to hide for
[63:35] sure.
[63:36] >> And be quiet. Oh, no. The biggest
[63:39] challenge.
[63:40] >> Okay, I'll go. Oh,
[63:41] >> we peek out the window, too.
[63:43] >> I had to go sign the book.
[63:45] >> Oh, it's a graveyard out back.
[63:48] >> Oh, [ __ ]
[63:51] >> I think I need a bath. I feel disgusting
[63:53] after.
[63:54] >> I need to sleep.
[63:55] >> Yeah.
[63:55] >> Where did I drop the flashlight?
[63:57] >> I'll go after you.
[63:58] >> It's over to the other side of the bed.
[64:01] >> Oh,
[64:01] >> I dropped it. What the Here.
[64:04] >> Look at the Wait, where is it?
[64:06] >> By the door.
[64:07] >> Look out the window. Crouch by the
[64:09] window.
[64:09] >> Oh, [ __ ]
[64:11] Right.
[64:12] >> In a church and a graveyard.
[64:14] >> I can't shoot past the the the
[64:17] roof.
[64:18] >> Hey, we going to [ __ ] die here.
[64:23] >> We going to [ __ ] [ __ ]
[64:25] >> You need a bath. Get your titties out.
[64:31] Get the titties out. Let the rubber
[64:33] ducky watch.
[64:34] >> Ran the hot water for a bath. ran a hot
[64:37] lucky
[64:38] >> body for a bath.
[64:40] >> Fell asleep, son. Sorry. Did you two get
[64:42] the car running? No dice on the car
[64:44] fixed tonight. Bill's wife set us up at
[64:45] the bed and breakfast. We just got here.
[64:48] >> I wanted to sit on the toilet, but it
[64:49] says I can't do it with him in there.
[64:52] Like, yeah, you can
[64:53] >> with me.
[64:55] >> Okay.
[64:56] >> Mark's getting things taken care of. We
[64:58] >> Are you pissing?
[65:01] >> WHAT DOES IT LOOK LIKE? WHAT COLOR IS
[65:03] IT?
[65:04] >> OH, I am on the bathroom, though. Oh my
[65:06] god. Oh,
[65:09] >> YOU GOT YOUR TITTIES OUT.
[65:11] >> I WANT TO SEE.
[65:13] >> I can hear it.
[65:19] >> Done.
[65:20] >> Oh,
[65:22] >> I didn't flush though.
[65:30] >> I washed my hands.
[65:34] >> What? You're doing like a pose that I
[65:37] would do in real life.
[65:39] >> Wait, do it.
[65:45] >> Just like full arms out.
[65:48] >> Yeah, like you're praising the water.
[65:51] >> Hey, out.
[65:53] >> What?
[65:53] >> Oh my god, you're a couple.
[65:56] >> I'm pretty sure this breaks like half of
[65:59] her rules already.
[66:00] >> I [ __ ] break rules for you.
[66:02] >> My girl's sinfree.
[66:05] What?
[66:07] >> Can't say the same about me, THOUGH.
[66:09] >> OH, BAD BOY.
[66:15] >> All right, I'm leaving. Hey, if I'm
[66:17] dead, just remember what I look like
[66:20] naked.
[66:21] >> I will.
[66:22] >> Are you nude?
[66:24] >> I'm bathing.
[66:26] >> She was in there. It says,
[66:29] "What the [ __ ] am I supposed to do?"
[66:31] Oh, a light went on on the tower in the
[66:34] distance.
[66:35] >> Oh, outside.
[66:37] >> Yeah, like there's a church in the
[66:38] background.
[66:39] >> Oh, I see. Oh, it's a red light. WE'RE
[66:41] SO [ __ ] DEAD.
[66:44] >> I can text you.
[66:47] >> Boo. No towels in here. Can you call
[66:49] Miss Julia? Ask if says Oh, [ __ ] Miss
[66:53] Julia,
[66:58] >> am I naked right now?
[67:03] I can't. She needed towels. Oh, I have
[67:05] to call on the phone.
[67:08] >> Zero. Yeah.
[67:09] >> Hey, Julia. She [ __ ] naked and she
[67:11] ain't got no towels.
[67:17] >> Hi. Um, sorry to bother you, ma'am. My
[67:20] uh girlfriend's in the bathroom and
[67:22] there doesn't seem to be any towels in
[67:23] there. So,
[67:25] >> I see.
[67:27] Bobby must have forgotten again.
[67:30] That boy.
[67:31] >> I was wondering if someone could bring
[67:32] some up.
[67:33] >> Oh,
[67:35] the staff's called it a night, I'm
[67:37] afraid.
[67:38] >> They've had a long night already, my
[67:40] dear. I'd hate to wake them for anything
[67:43] short of an emergency.
[67:45] >> Right. I understand. But
[67:47] >> and a missing towel wouldn't qualify,
[67:50] I'm afraid.
[67:51] >> But what do I do?
[67:52] >> I'm insisting.
[67:54] >> I understand, but my girlfriend's
[67:56] already in the bath. If it's something
[67:58] you need right now, you'll have to help
[68:01] yourself.
[68:01] >> Uh-oh.
[68:02] >> All the laundry for the parsonage and
[68:04] church is kept in the basement of the
[68:06] temple just out back.
[68:08] >> The church.
[68:09] >> Why the [ __ ] WOULD YOU HAVE TOWELS
[68:10] THERE?
[68:11] >> IF you head out through the back door to
[68:12] the church and go down to the basement,
[68:15] you'll find clean towels folded on the
[68:17] rack. That's where all the laundry is
[68:19] done.
[68:20] >> Sorry, babe. You're uh you're just going
[68:22] to have to be wet tonight.
[68:23] >> If you'll excuse me, it's getting late.
[68:27] I mean, there is a little hand towel
[68:28] here. I'll just use that.
[68:31] >> Dad was always such a drag.
[68:36] >> She needed towels. Well, I don't have a
[68:38] [ __ ] death wish. She's not even IN
[68:40] THE [ __ ] BATH ANYMORE.
[68:42] >> WHO?
[68:42] >> OH, I'm standing in.
[68:44] >> Yeah.
[68:46] >> I got to go downstairs to grab towels.
[68:48] I'll be right back.
[68:49] >> Right now?
[68:50] >> Yep. Right.
[68:51] >> She said everyone's asleep. It's the
[68:53] only option. Just
[68:56] don't worry about it. I'll air dry.
[68:58] >> It's fine. I got it. Just give me 2
[68:59] minutes.
[69:01] >> Please be safe.
[69:04] >> Oh,
[69:06] wait here then.
[69:06] >> Also, when you came close to the door, I
[69:09] could see your arm and you're wearing
[69:11] clothes.
[69:12] >> Oh,
[69:15] >> okay. Well, I got to go. That means
[69:16] you're not going to hear me for a while
[69:18] and you're just going to be bored in
[69:19] there.
[69:20] >> Yeah, go on. Get
[69:21] >> Oh, you might see me out the window.
[69:22] Okay. See you later. Bye. I'll go get
[69:24] out now.
[69:25] >> Okay, I'll look out THE WINDOW.
[69:28] >> AH, IT'S SCARY OUT HERE. AH,
[69:33] >> I hear someone like creeping around the
[69:35] apartment.
[69:36] >> Oh, now I'm locked out.
[69:42] >> So, I said not to drive out today. All
[69:43] right, get some rest. We'll do. Okay.
[69:45] Oh, [ __ ] Oh, I'm so [ __ ] dead.
[69:50] She could have air dried. Why did I
[69:52] decide to do this? This is stupid.
[69:56] Go back into the [ __ ] church.
[70:00] Thor's locked from inside.
[70:02] I'm inside.
[70:06] Go out this way. Oh god, this [ __ ]
[70:08] house is creepy.
[70:14] Oh no. Oh no. Oh no.
[70:22] Can you see me?
[70:27] Evelyn, can you hear me? Oh, my
[70:29] microphone doesn't work anymore cuz
[70:31] we're not in that. Oh, [ __ ]
[70:35] This is so stupid.
[70:40] Why the [ __ ] would I do this?
[70:45] Listen to the music, Marcus. LOOK AT THE
[70:47] LIGHT. IT'S RED. IT'S A CHURCH. THEY'RE
[70:50] RACIST. YOU'RE GOING TO [ __ ] DIE for
[70:53] towels.
[70:56] I guess people have died for less.
[71:02] Oh, my girlfriend's back there and she's
[71:04] naked.
[71:06] Could have been having so much fun. I
[71:08] should have brought the flashlight with
[71:09] me. [ __ ]
[71:13] Oh, I can't see anything. Oh, for the
[71:15] love of God. Oh, for the love of God.
[71:20] Oh, I literally can't see anything. This
[71:22] is stupid.
[71:24] Oh, this is stupid.
[71:27] I've always had a fear of basement since
[71:29] I WAS A KID. YOU'RE AFRAID OF BASEMENTS
[71:31] AND YOU'RE GOING INTO ONE TO GET TOWELS.
[71:36] For [ __ ] sake.
[71:44] Uh-oh.
[71:46] Uh-oh. Uh uh. Take the jackhammer.
[71:52] What? What? Who?
[71:55] Oh [ __ ]
[72:00] No. THAT'S HOW THEY ALWAYS GET YOU WITH
[72:02] THE TOWELS. THAT'S HOW THEY KILL YOU.
[72:10] OKAY. See more paranormal.
[72:16] What do I do? Jackhammer the door open.
[72:20] Okay, I can't go any further. Invisible
[72:22] wall. Do I have to flashlight the door
[72:24] open?
[72:26] The towels. The towels will open the
[72:28] door.
[72:32] I'm locked in the basement. What the
[72:33] [ __ ] What the [ __ ] Can you ask for
[72:36] help? No network. Oh, balls.
[72:40] Can you read this, bro?
[72:43] What's the cow?
[72:50] What? Oh, I can play Cookie Clicker.
[72:54] WOW.
[72:59] That's cool. I guess.
[73:07] Okay. Can I not auto click anymore?
[73:11] Does it autoclick? Oh, yeah, it does.
[73:16] Oh, hell yeah. Mr. Clicker times one.
[73:19] What is that one? I'm sorry, Tessa. Your
[73:21] towels are going to have to wait. I'm
[73:23] busy clicking cows.
[73:27] [ __ ] yes. Rules.
[73:29] Oh, why are clicker games so satisfying?
[73:35] Okay, I'm up to a thousand. I got to get
[73:36] all the auto clickers I can.
[73:40] Oh, that's so satisfying. Oh, that's so
[73:43] satisfying.
[73:50] Okay.
[73:52] Okay, that'll just keep clicking on its
[73:53] own. Okay, I need to figure out to get
[73:55] out.
[73:57] Oh, Tessa messaged me. I hear knocking.
[73:59] Creepy white guy at my door. We can
[74:00] manually text. Should I open the door?
[74:03] No.
[74:05] send you a manual text to the other
[74:07] survivor.
[74:27] Top of the morning to you ladies. My
[74:32] name is Jack Sept the Guy and welcome
[74:38] back to Happy Wheels.
[74:53] Oh, [ __ ] yeah. That rules.
[75:00] Wait.
[75:04] Uh, text Tessa.
[75:07] There's a cow clicker game on my phone.
[75:11] Might be not on hers.
[75:14] Is it on yours?
[75:17] Oh.
[75:22] What?
[75:25] Why wasn't that messaging?
[75:28] Okay,
[75:29] maybe she'll save me.
[75:32] She'll figure out a way to save me.
[75:34] That's actually kind of cool.
[75:39] Okay,
[75:41] check. All right, now I can go in here.
[75:45] Oh,
[75:47] [ __ ]
[75:58] [ __ ]
[76:00] Can I text her when I go back up here?
[76:04] Oh [ __ ] I'm so [ __ ] dead.
[76:10] Yeah.
[76:34] Oh [ __ ]
[76:36] Well, she's getting killed by some
[76:39] [ __ ] white dude up there.
[76:43] Oh, this is stupid. And I'm going to run
[76:46] into like Lisa Trevor down here.
[76:54] Bro, when I was in LA, I was staying at
[76:57] an Airbnb that had a door that opened
[77:00] into like the side of the ground. So, it
[77:04] was like the ground and then the house
[77:06] built on it. And the creepy door looked
[77:08] exactly like this underneath it. And
[77:10] that was right next to where the bedroom
[77:11] was. And I went to see Obsession on my
[77:13] own one night when I came out. And then
[77:15] I came home and I was like, I can't
[77:16] sleep in this bed. I had to go sleep
[77:18] somewhere else because it was scaring
[77:20] the [ __ ] out of me. Hello.
[77:25] Oh, hell no.
[77:32] THIS IS STUPID. MARCUS, YOU'RE STUPID.
[77:41] OH, my [ __ ] air conditioner is making
[77:43] noise behind me and it's scaring me.
[77:47] Marcus was never seen from again. His
[77:49] body was found in the mines, but at
[77:52] least he had towels on him.
[77:55] Maybe I can kill someone with a towel.
[77:57] Wait, does this open up back up into the
[77:59] house?
[78:01] Maybe that's the secret door.
[78:08] What the?
[78:10] >> Anybody there?
[78:13] Oh, [ __ ] no.
[78:22] Oh, [ __ ] no.
[78:26] Yes. Consaw
[78:30] can cut concrete with that.
[78:34] Evelyn, do I still have no network?
[78:42] Oh.
[78:46] Oh,
[78:52] I'm back. YES.
[78:56] [ __ ]
[78:59] What
[78:59] >> the hell were you doing down there? I
[79:01] >> [ __ ]
[79:03] >> doing down there. Maybe fix your doors
[79:05] before blaming me. I was stuck getting
[79:07] the towels. Had to make my way out.
[79:10] Okay.
[79:13] >> Tessa. Tessa.
[79:15] Tessa. Evelyn.
[79:18] Who's knocking?
[79:24] Mcroom says not not to tell Tessa
[79:27] everything. What?
[79:29] She would want us to get out of here
[79:30] immediately. We should. Evelyn,
[79:34] >> WHAT DOES THAT SOUND?
[79:35] >> EVELYN.
[79:36] >> OH. OH MY GOD.
[79:38] >> I'M BACK. THE CREEPY GUY IS LEAVING.
[79:40] >> OH, GOOD.
[79:41] >> Let me in.
[79:48] Lucky. Man, I I went into a creepy
[79:51] basement and went really deep and there
[79:52] was a bunch of it there was a mine down
[79:54] there and then there was a bunch of
[79:56] coffins and then I came back up to the
[79:57] secret door that said staff only at the
[79:59] other side of the house.
[80:01] >> Oh, cool. I literally didn't do
[80:03] anything. I was just waiting.
[80:05] >> Anyway, you want your towels? Are you
[80:06] dry?
[80:08] >> I guess I'm dry now.
[80:09] >> What the [ __ ] Scary.
[80:13] Figured a bath might help take the edge
[80:15] off. Am I taking a bath now? Oh, we have
[80:18] two flashlights now.
[80:19] >> Oh, you're sitting in the cook chair. Do
[80:22] you want to see You want to see your
[80:23] wife get [ __ ] in front of you?
[80:28] >> Wait, you
[80:29] >> get too far.
[80:29] >> Were you just hiding under the bed?
[80:32] >> Um, for a little while. Yeah. And I was
[80:34] under the bed playing the cow game.
[80:36] >> Wait, what's my cows up to? 421.
[80:41] >> But I was
[80:42] >> 19.
[80:43] >> I was I was clicking away. I have so
[80:46] many upgrades. under thing.
[80:50] >> Yeah, every click for me now is like 50.
[80:53] >> Yeah. Why?
[80:55] >> You texted me.
[80:57] >> Oh, yeah. Um, the signal down there is
[80:59] terrible.
[81:00] >> Yeah,
[81:00] >> I thought the door was jammed for a
[81:02] second. It opened with a little bit of
[81:03] effort. I mean, you do see these biceps.
[81:07] >> So, where
[81:08] >> did you find towels?
[81:11] >> Yeah, let me put them in the bathroom.
[81:13] Also, on my way back up.
[81:15] >> Dressed, aren't I? On my way back up, he
[81:17] was like, "Oh, my instincts told me not
[81:20] to tell Tessa anything. She would have
[81:21] wanted to leave immediately." And I was
[81:23] like, "You [ __ ] suck."
[81:26] >> What?
[81:27] Yeah, you should leave.
[81:29] >> Oh,
[81:32] whoops.
[81:32] >> What?
[81:34] >> I'm washing my hands.
[81:35] >> Oh, yeah. The towel rack is this thing.
[81:41] >> But I I'm already closed, aren't I? Yep.
[81:49] >> Well, now I'm dry, I guess.
[81:51] >> Huh.
[81:53] I almost died for that.
[81:57] >> A guy came up and gone.
[81:59] >> Boo.
[82:00] >> Who came up?
[82:01] >> You my boo.
[82:02] >> One of the workers or something.
[82:05] >> And he just
[82:09] >> he just
[82:10] >> Oh my god.
[82:11] >> Did you open the
[82:12] >> the inside of the face?
[82:13] >> What? Oh, okay.
[82:14] >> Of course not.
[82:15] >> Go inside your face.
[82:17] >> It was [ __ ] weird. Boo. Miss Julia
[82:20] said that everyone was asleep.
[82:23] >> Oh, man.
[82:24] >> What?
[82:25] >> There was two guys.
[82:26] >> I forgot to sign the guest book she
[82:28] asked for.
[82:28] >> I did see you um
[82:30] >> run to the church.
[82:31] >> Oh, really?
[82:31] >> Right.
[82:32] >> Yeah.
[82:32] >> Yeah. The microphone stopped working.
[82:34] >> Okay. Okay. I'll go real quick
[82:36] >> cuz I did hear people walking around,
[82:38] but that might have been you.
[82:39] >> Oh, now you have to leave.
[82:41] >> You catching a cold again? I can go get
[82:44] it.
[82:44] >> No, I'm It's okay. I just need some
[82:47] water.
[82:47] >> I'll go. You just got out of the bath.
[82:50] >> Please, just go freshen up.
[82:54] >> I'm
[82:55] >> Are you sure?
[82:57] >> I got it.
[82:58] >> Do I need to find the Oh, God. Okay.
[83:00] Bye.
[83:04] >> Okay. See you later. Oh, the microphone
[83:06] stopped working again immediately.
[83:09] Okay, finally she's gone. And I could I
[83:13] ran the hot water for a bath. The
[83:15] [ __ ] water was there. It might have
[83:18] been a little cold. You could have
[83:19] emptied some and topped it up with hot
[83:21] water. Why are we doing it again?
[83:25] This is stupid. Oh, the door was wide
[83:28] open. I got to I got to wash my little
[83:31] balls.
[83:34] Lulu, I got some apples. Lulu, you got
[83:36] some, too. Lulu.
[83:39] The devil's out there. The devil's out
[83:42] there and he's watching us. The devil's
[83:45] watching me take a bath.
[83:47] Oh, they say God is everywhere as well.
[83:49] So, technically, he's watching me take a
[83:50] bath too.
[83:53] Perverts. Perverts. The lot of them.
[83:55] Takes a while to take a bath.
[83:59] I got to pee in real life again. And
[84:01] this sound isn't helping.
[84:03] You know what? I should invent some sort
[84:05] of streamer piss system where it's like
[84:07] a catheter or something you just like
[84:09] hook onto your junk, whatever type of
[84:12] junk you got, and it just suctions
[84:14] there. And then while you're sitting
[84:15] here in your plane, you can just piss
[84:16] all you want and it goes down a tube
[84:18] like out into your bathroom.
[84:21] Or you just pee in a bottle, I guess.
[84:24] I don't have a bottle around. I do have
[84:25] an empty glass. Imagine I imagine I did
[84:28] that. I'm just sitting here playing a
[84:30] game and I piss into a glass and you
[84:32] guys don't even realize.
[84:35] I would never do that.
[84:38] I bathed.
[84:41] And now it can dry because of the scary
[84:43] ass towels that I got that time.
[84:51] Damn, we're like drying in real time.
[84:59] Hello.
[85:02] Hell no.
[85:04] Hell no.
[85:11] Now what do I do? Do I just jerk it
[85:12] until my girlfriend comes back?
[85:19] Hello.
[85:23] Okay.
[85:26] Scary.
[85:29] I really got to pee.
[85:32] Should I hide and go pee?
[85:36] I'm going to hide and pee. Something
[85:38] happens. Whoops.
[85:56] What happened?
[86:01] >> Hello.
[86:07] >> Oh [ __ ]
[86:08] >> On this episode of Kitchen Frights, we
[86:10] fly over to Cincinnati, Ohio, where an
[86:12] old couple has begun to notice that
[86:15] people are starting to complain about
[86:16] the quality of food.
[86:18] >> Okay, this kitchen has broken. every
[86:20] health code in the book.
[86:21] >> I don't say anything wrong with it.
[86:24] >> Ryan rat in this sandwich.
[86:28] >> No, there isn't.
[86:30] >> Yes. Yes, there is. It's right here.
[86:32] Clear as day. Is
[86:33] >> he supposed to be Gordon Ramsey?
[86:34] >> Does not know what you are talking
[86:36] about.
[86:37] >> You're feeding people rats. THIS IS
[86:39] CRAZY, MAN. YOU'RE INSANE.
[86:41] >> Sometimes I just think people don't know
[86:44] a good thing when they see it. You know,
[86:46] they just like to complain and complain
[86:49] and complain. Ain't that right, honey?
[86:51] >> Yes.
[86:54] >> Okay. There is sewage coming from these
[86:56] sinks. Have you checked your plumbing
[86:58] yet?
[86:59] >> Yes, I did. I fixed it myself.
[87:01] >> This looks like [ __ ] You can't be
[87:04] washing dishes here.
[87:05] >> Wait, am I Am I supposed to be doing
[87:08] something else?
[87:13] Oh, never mind. I'm drying again.
[87:17] Is Evelyn doing something else? What's
[87:19] she up to?
[87:26] Oh, I was done bathing. Can I pull out
[87:30] to stop her then?
[87:32] Wait, maybe I can text her.
[87:37] Oh, I heard her in the other room. She's
[87:39] getting scared by something.
[87:42] I got a new keyboard. So, it's all it's
[87:45] smaller than my old one, so I can't type
[87:46] on it.
[87:50] What are my cows up to?
[87:58] Oh yes.
[88:00] Look at all those [ __ ] cows.
[88:03] 13 cows per second.
[88:06] [ __ ] yeah.
[88:12] H
[88:15] what's she up to? They scared [ __ ] out
[88:17] of me.
[88:19] Lauo
[88:22] old ladies
[88:25] be doing that.
[88:29] I'm playing cows.
[88:32] I can hear her phone
[88:36] when I text. I can hear downstairs.
[88:41] Oh, hell yeah. Oh, hell yeah.
[88:47] Oh [ __ ] I didn't realize it's both
[88:50] clicks. Mr. Clicker.
[88:52] Wait, 198. Oh, both. What is the Mr.
[88:56] Clicker times 38?
[88:59] Oh my god. I 50,000.
[89:04] >> Oh, hello.
[89:06] >> I'm back.
[89:07] >> Well done.
[89:08] >> She scared the [ __ ] out of me. Lock it.
[89:10] >> You were gone a while.
[89:12] >> I was reading the whole guest book.
[89:14] >> Oh, I was playing cows.
[89:17] >> She knew you went into the basement.
[89:19] Someone
[89:20] >> I have 60,000 cows.
[89:22] >> Whoa.
[89:24] >> Okay, that's all you have to say.
[89:26] >> Sorry, they're having a conversation.
[89:29] >> Yeah,
[89:29] >> I had a bath as well.
[89:30] >> What do you want me to say?
[89:31] >> Oh, nice.
[89:33] >> Just why?
[89:34] >> And I jerked it a couple of times. I
[89:35] >> stood there and covered for you. I don't
[89:37] even know what I'm covering for.
[89:40] You'll never find the sock.
[89:42] >> There was a tunnel. This one was
[89:45] connected to the church basement. I got
[89:47] locked in there.
[89:48] >> You got us towels. Why did I just use a
[89:49] towel?
[89:50] >> A tunnel?
[89:51] >> Cuz they get all crusty
[89:52] >> between the church and this
[89:54] >> the sock doesn't
[89:55] >> It wasn't my sock.
[89:56] >> Why?
[89:56] >> I don't know.
[89:57] >> Oh, okay then. It's fine.
[90:00] >> I'm playing cows.
[90:05] >> Sorry. Sorry. Sorry. The basement door
[90:07] just locked behind me on the way up. I
[90:09] didn't even hear it.
[90:10] >> That's [ __ ] weird. And what's also
[90:13] weird is you didn't think to tell me any
[90:15] of this.
[90:17] >> Okay. I just didn't want to freak you
[90:20] out for no reason. All right.
[90:21] >> You You keep doing that.
[90:24] >> What?
[90:25] >> Your your head is in the bag.
[90:27] >> Making decisions for the two of us.
[90:29] >> Are you serious?
[90:30] >> Wait, let me show you.
[90:31] >> What did you want me to do, Tess? come
[90:34] back up here and tell you about a
[90:35] >> Your head's in the pillow.
[90:36] >> Lose it with no car. You've already been
[90:39] on the edge for no reason this whole
[90:41] time. Maybe stop reading into things and
[90:43] just let me handle it tonight.
[90:45] >> Damn.
[90:45] >> I mean, the door's locked. We can just
[90:48] should be okay. Okay.
[90:50] >> Unless you bring the skeleton tea, I
[90:52] guess.
[90:52] >> Sure.
[90:53] >> You handle it.
[90:56] >> Hey, come on now.
[90:58] >> Elijah
[91:00] cuz I don't like that man. Holy [ __ ]
[91:02] >> Elijah is a loser. Wait,
[91:04] >> you click it.
[91:04] >> What kind of grown man walks?
[91:08] >> This man bought super
[91:10] >> though. You did like a twirl. I don't
[91:12] know how you did it. You got to face
[91:14] away.
[91:14] >> And today I'm going to prove it.
[91:17] >> How do you face away and click it at the
[91:18] same time?
[91:18] >> I want to see Elijah's whack ass and my
[91:20] mama's
[91:22] >> Oh, yeah. Yeah. Yeah. You did it. Oh my
[91:23] god. Okay. Wait, let me try.
[91:24] >> Go to the very edge of your screen.
[91:26] >> Superheroes are in right now. No, you
[91:29] got to click the very corner of the
[91:31] television.
[91:32] >> Yeah, they sure are.
[91:34] >> Oh, I see. Anyway, let's not
[91:36] >> this out.
[91:38] >> Yeah, you're not doing it.
[91:40] >> Oh, too bad.
[91:45] >> Jerry Jerry Jerry,
[91:47] >> shut up. Shut up. SMD,
[91:50] whatever.
[91:52] EJ, thanks for being here today.
[91:54] >> Two kids at the
[91:56] >> explanation.
[91:57] >> Okay, what do we do? on that for not
[91:59] want
[92:00] >> um
[92:02] I don't know. We fought a bit.
[92:05] >> I'm getting more cows.
[92:08] >> I I think we can both go that we can
[92:10] lock and unlock this window.
[92:12] >> Yep.
[92:15] >> I wonder if we can um escape through it
[92:18] later.
[92:24] Well, no one's at the church or going to
[92:26] it at least.
[92:31] Maybe if we go to sleep.
[92:34] >> I'm clicking cows.
[92:38] >> I have 500 500 cows per second now.
[92:42] >> Damn.
[92:44] >> So now if I just leave it, I'll come
[92:46] back to a billion.
[92:50] >> Okay. All right. There you go.
[92:54] >> I love you. Good night.
[92:58] Oh no.
[93:00] >> You okay?
[93:02] >> Mhm.
[93:07] >> I guess who [ __ ] cares, right?
[93:15] >> A
[93:16] >> Oh no. Oh. Oh, the world's blurry.
[93:19] >> We're in the same dream.
[93:21] >> Forget water.
[93:24] >> Can you hear me?
[93:25] flashlight.
[93:31] >> Evelyn,
[93:36] >> I Why can I hear her? She can't hear me.
[93:42] She got to get water. What am I doing?
[93:47] I can hear her. That's creepy.
[93:52] Come as you are,
[93:56] as you were, AS I WANT YOU to be.
[94:02] Whoa, that is creepy.
[94:06] There was something in the [ __ ] bath
[94:08] water.
[94:09] It's drawing me towards the church.
[94:18] Oh, this is creepy. This is like back
[94:19] rooms.
[94:20] with levels.
[94:23] I hate levels in back rooms.
[94:31] What the [ __ ] was that?
[94:36] Evelyn,
[94:42] why do I hear knocking?
[94:45] What the [ __ ]
[94:48] What the [ __ ]
[94:51] WHO DID
[95:01] SHE WAKE UP SOMEWHERE ELSE?
[95:05] Respawning without alerting the other
[95:07] survivor. Oh [ __ ]
[95:10] he broke in the window.
[95:14] Okay, well I got to get up and I got to
[95:15] hide.
[95:19] And I got to be very quiet. Got to be so
[95:22] loud. Got to sh
[96:46] Huh?
[96:50] Never mind. As soon as I left the bed,
[96:53] he got me.
[96:56] Maybe Evelyn has to come do something.
[97:01] Babe, open the door. Oh, I need to tell
[97:04] you something.
[97:06] >> Oh, that's not him, is it?
[97:13] This is not a lighter.
[97:20] He's in the [ __ ] closet. He's in the
[97:21] closet.
[97:22] >> Jesus.
[97:23] >> We got to [ __ ] go. Go, go, go,
[97:24] >> go, go, go, go, GO.
[97:25] >> OH MY GOD. I WAS LIKE waiting for ages.
[97:28] Like I think Evelyn has to do something.
[97:29] Oh, he's coming. Go, go, go, go, GO.
[97:36] [ __ ] WHAT?
[97:39] Jesus Christ.
[97:44] Holy [ __ ]
[97:46] >> Okay, so the front door is not an
[97:47] option.
[97:48] >> Okay,
[97:50] >> we need
[97:51] >> Let's get out of here.
[97:53] >> What?
[97:53] >> Get out. Go. Go.
[97:54] >> Should we just go straight for the
[97:55] coffins?
[97:57] >> Yes. I'll try and close the door behind
[97:59] us.
[98:01] >> Okay.
[98:07] Nice.
[98:09] >> Oh, sorry.
[98:17] other one.
[98:20] >> What?
[98:21] >> It's cuz you talked.
[98:26] >> Damn, that one. Oh,
[98:28] >> cuz you said other one and then it
[98:30] detected you.
[98:41] They came this way.
[98:44] Who's poking around down here?
[99:30] Okay. Now we can go.
[99:34] Oh, for [ __ ] sake.
[99:35] >> Oh, he's coming.
[99:36] >> Well, the chase is on again.
[99:39] >> Go, go, go.
[99:41] >> Out the front door. Out the front door.
[99:43] >> Yeah. Yeah. Yeah. To the car. That That
[99:45] doesn't work.
[99:48] >> I don't know where.
[99:50] >> Do we just run into the woods?
[99:51] >> Oh, for [ __ ] sake.
[99:54] >> WHERE DO WE GO? SO, SHOULD we go out the
[99:57] front door again?
[99:59] I don't know what to do. Yeah. Follow
[100:02] him.
[100:04] >> What? I don't know about that. No, we
[100:06] can't.
[100:08] >> Okay, good. Well, that's one less.
[100:11] >> Okay.
[100:13] >> Okay. Well,
[100:18] >> what do you want?
[100:19] >> Front door, I guess.
[100:26] Go right.
[100:29] Maybe. Yeah.
[100:31] >> Oh, cuz this is the this is the road.
[100:35] >> Is it?
[100:35] >> I think so. Oh, stuck.
[100:37] >> Nope. Invisible wall.
[100:43] >> Oh my god.
[100:44] >> I feel like you tried to go left though,
[100:46] but
[100:47] >> Well, I saw some people.
[100:49] >> I'll try and
[100:50] >> running down the left road.
[100:56] Da da da da.
[101:01] >> This way. We got to run down here out to
[101:05] the street.
[101:06] >> All right.
[101:12] >> Can't believe this is max brightness.
[101:14] >> And I assume this way. Yeah, I thought
[101:17] max brightness was going to be way too
[101:19] bright. And now it's like, oh, I can
[101:21] actually see.
[101:22] >> There we go.
[101:23] >> I can't see [ __ ] Okay.
[101:30] Oh god. Do we still have to do [ __ ]
[101:33] >> Oh, this is the other house.
[101:36] >> Can we just get in our car and go?
[101:37] >> Hopefully, it was a checkpoint.
[101:39] >> Yeah, maybe.
[101:46] >> Be very sneaky.
[101:49] >> Here's a gun.
[102:00] Oh,
[102:04] >> what's the commotion?
[102:06] >> They bolted into the wood
[102:12] in the middle of the damn night. Oh, cuz
[102:14] those two boys couldn't keep it
[102:16] straight.
[102:19] Let them run.
[102:21] They won't get fly.
[102:23] >> Hope you are right. This could turn into
[102:26] a problem if we don't find them.
[102:30] >> Coming.
[102:32] Heard we already lost one earlier.
[102:34] Wandered in himself. One report might
[102:37] slide. Two.
[102:39] >> It's Julia again.
[102:41] >> I said I'm coming.
[102:44] >> The first time
[102:47] it won't be. I'll handle it.
[103:17] What we got to do? Our car is slow as
[103:19] [ __ ] Delay is
[103:28] [ __ ] sake.
[103:32] >> Get in.
[103:33] >> I don't think we can take our car. Can
[103:35] we?
[103:36] >> I I opened the door of that car that you
[103:39] were at. So,
[103:41] >> I mean, we might just get caught anyway.
[103:44] Oh,
[103:48] yeah. Maybe you're right.
[103:54] >> What?
[104:04] >> What the [ __ ] man? Oh, maybe we can
[104:06] hide in the trailer.
[104:08] >> Oh.
[104:09] >> Uh, if we get in the trailer though,
[104:10] it's going to be a quiet section.
[104:13] >> Okay. Oh, we decided to hide in the
[104:15] trailer. I now saw the text.
[104:18] Did that show up every time?
[104:20] >> I don't know.
[104:21] >> I don't think that that showed up
[104:23] before.
[104:26] >> I think that's a hint after you die too
[104:28] many times to be like, "By the way."
[104:32] >> Yeah.
[104:53] Hey,
[104:57] I know this isn't the right time,
[105:03] but I love you.
[105:06] >> God, I love you so much. I should have
[105:09] said it a million times.
[105:11] >> Shut the [ __ ] up.
[105:12] >> I really should have. I dragged you into
[105:15] this.
[105:15] >> You're going to get us killed.
[105:17] >> Not right now.
[105:19] >> Exactly.
[105:23] >> I love you too
[105:26] so much.
[105:31] >> [ __ ]
[105:36] >> [ __ ]
[105:38] >> Get in here a second.
[105:42] What's the problem?
[105:45] >> He's asking for you. Get in here.
[105:55] >> He's leaving.
[105:57] >> Yeah. No [ __ ] [ __ ]
[106:01] Wait. Wait for it.
[106:12] You got it.
[106:13] >> Yep.
[106:20] >> Okay, there we go. There we go. [ __ ] all
[106:24] our stuff. We can find a new life,
[106:28] [ __ ] [ __ ]
[106:32] >> I can't do it.
[106:34] >> I'll do it for you.
[106:36] Oh, thank God.
[106:40] We barely made it back to the main road
[106:42] before the car gave out again. We were
[106:44] scared that those people were going to
[106:46] follow us. We called the cops and we
[106:47] were rescued to the station. Two
[106:49] officers went back to the area
[106:51] immediately. We didn't find anything
[106:53] incriminating was all we heard back in
[106:55] the morning. At first, it drove me
[106:56] insane, but Tess insisted it was not
[106:58] worth pressing on as nobody called us
[107:01] crazy. The sheriff actually seemed to
[107:03] kind of believe us, which managed to
[107:04] creep her out even more. What? As far as
[107:08] I know, those monsters are still out
[107:10] there in the world. Whatever they
[107:11] wanted, it wasn't just money. As I wrote
[107:13] this story, I'm well aware of the stupid
[107:16] choices I made along the way. I'm just
[107:19] so thankful we are both here to tell it.
[107:24] Okay.
[107:28] So is the Jack they mentioned the the
[107:31] lookout one?
[107:33] >> I guess
[107:35] I don't know.
[107:36] >> So So it's like they hear that story and
[107:38] then they're like we have a similar
[107:40] experience and that's why it's the same
[107:42] cult members.
[107:43] >> Yeah, maybe.
[107:46] >> I mean that I like I like that we got to
[107:48] see some people from the previous game
[107:51] come into this one.
[107:53] >> Yeah,
[107:53] >> it's it's just those endings, man. They
[107:56] just
[107:57] >> every time. Yeah,
[107:58] >> you can't make them
[108:00] that tedious.
[108:04] >> There needs to be way more margin for
[108:06] error to keep it like tense. And also
[108:09] that subtitle could be void. That could
[108:11] be voice active. Have her whisper like,
[108:13] "We should hide in the trailer. That's
[108:15] all you need."
[108:16] >> Yeah, cuz the the whole thing about
[108:18] those is that they're tense anyway. The
[108:20] trial and error isn't what makes them
[108:22] tense. Just keep the narrative focused.
[108:24] Give us time to do it. Let us know where
[108:26] we're going and just let us have a
[108:27] story.
[108:29] >> Let us know what where we're going.
[108:31] >> Yeah. Just kind of like guide us along
[108:33] the way so that the tension in the story
[108:35] keeps going and ramping up. The trial
[108:36] and error of it doesn't add anything.
[108:39] >> Yeah.
[108:40] >> Like the mechanic side of it. It's just
[108:41] fun to be like, "Oh, we escaped. Yay."
[108:44] >> Mhm.
[108:45] >> Um everything else was great though. I
[108:48] really like that.
[108:49] >> It actually worked pretty well with the
[108:52] like two perspectives.
[108:54] >> Yeah. Yeah, there was one time I
[108:55] finished up quicker than you and it was
[108:56] like, "Hold on, he's still busy."
[108:59] >> Yeah. Like,
[109:00] >> which is funny.
[109:01] >> Separating us near the end and then I
[109:03] had to hide and then you had to come and
[109:04] like knock on the door to distract the
[109:06] guy. That's really cool. I like that.
[109:09] >> Yeah,
[109:09] >> I think that sort of works really well.
[109:12] >> There's some good stuff here that could
[109:14] really be refined into an awesome game.
[109:17] >> Yeah.
[109:17] >> Um but yeah, it's the the issue I have
[109:20] is like the same as always. Every game
[109:22] ends with like this chase sequence where
[109:23] I die like 15 20 times and I'm like,
[109:25] "Okay, what do I do?"
[109:27] >> Yeah. And it's the same like hide and
[109:31] don't make a noise and wait for
[109:33] something to happen. You're like, "Am I
[109:35] clear? Am I not clear?" I'm glad now
[109:37] there is a sound that plays.
[109:39] >> It's like, "Yeah, go." Yeah.
[109:40] >> Like the breath sound. Um.
[109:43] >> Mhm.
[109:44] >> But yeah, thanks for playing. That was
[109:46] fun.
[109:46] >> Yeah, that was fun. I had a good time.
[109:49] It didn't feel like it was 2 hours.
[109:51] >> No, I was I was just going to say that
[109:52] flew by.
[109:53] >> Yeah. So, thanks again for another
[109:56] Fierce of Phantom. That was awesome.
[109:58] >> Here we go. For the next one. I don't
[110:00] know. Also,
[110:02] >> cuz I was messaging him about it and he
[110:03] was like, "Hopefully, I can get all the
[110:05] bugs before you play the game."
[110:07] >> Uh, yeah.
[110:08] >> But there wasn't that many.
[110:11] >> It wasn't crazy. And considering the
[110:13] stuff you do in the game, I'm surprised
[110:14] it's not buggier with all the luggage
[110:17] stuff and
[110:19] >> two players and all the external and
[110:21] internal POVs, it's pretty impressive
[110:23] what he pulled off. I think
[110:25] >> I also just think having us be able to
[110:27] speak while the characters are also
[110:29] speaking, I'm like that was a bit
[110:31] >> I'm sorry to anyone watching this if
[110:33] that's pure chaos and really hard to
[110:34] watch. But that was that.
[110:36] >> Thank you guys for watching.
[110:38] >> Go check out all the other ones. There's
[110:39] plenty more Fears of Fam you can watch.
[110:42] Yes, there's five more.
[110:45] >> Yeah.
[110:46] >> Yeah. All right. Thanks everyone. Bye.