[0:11] Did you hear that?
[0:12] >> Hear what?
[0:13] >> Are you sure this line is clean?
[0:14] >> Later, when they find out the call was
[0:16] traced, it somehow doesn't occur to
[0:17] Morpheus or Trinity that Cipher is
[0:18] either bad at his job or just a dick.
[0:23] >> POLICE IN YOUR HEAD. WHY DOES Trinity or
[0:26] anyone for that matter from the
[0:27] Nebuchadnezzar need to physically jack
[0:29] into the Matrix to keep an eye on Neo?
[0:30] Doesn't Morpheus watch him and see and
[0:32] guide his every move in the office
[0:34] building in just a few minutes? I love
[0:36] this opening scene as much as anyone,
[0:38] but it's still pretty unnecessary in the
[0:40] grand scheme of keeping an eye on Neo.
[0:42] >> I think we can handle one little girl.
[0:44] >> Hey, how come the agents don't already
[0:45] know it's Trinity? How come they didn't
[0:47] leap into one of the cops in room 303
[0:49] with Trinity at gunpoint the second they
[0:50] burst into the room and saw her or once
[0:52] she started kicking ass?
[0:55] That's impossible.
[0:56] >> I'm guessing Agent Smith and his two
[0:58] partners go around with the Men in Black
[0:59] memory eraser after these missions.
[1:01] Doing impossible stunts, jumping into
[1:03] other people and taking over their
[1:04] bodies. This gives away the idea of the
[1:06] Matrix to normal people. Right.
[1:12] [music]
[1:13] Agent sees Trinity running, but instead
[1:14] of shooting her or chasing after her,
[1:16] decides to watch her run away as if he's
[1:18] never seen running before.
[1:23] Why is the light swinging? I admit it's
[1:26] a cool shot, but it wasn't hit by debris
[1:28] or even the wind when she dove through
[1:29] the window and it stopped swinging in
[1:31] the next shot as evidenced by the light
[1:33] not moving. The agents have to visually
[1:35] confirm someone like Trinity in order to
[1:36] know exactly where she is. So, how did
[1:38] the agents know to morph into this truck
[1:40] driver? How did they know which phone
[1:42] booth she would be headed for? Trinity
[1:43] is a dead woman if Agent Smith doesn't
[1:45] stop and wait here for a few seconds to
[1:47] give the movie's plot a chance to even
[1:48] happen. Come to think of it, why did he
[1:50] even feel compelled to turn the vehicle?
[1:52] Couldn't he have just smashed into the
[1:53] phone booth on his way down the street?
[1:55] Truck does a Fred Flintstone tire spin
[1:56] to buy Trinity even more time to barely
[1:58] escape. Truck is always further away
[2:00] than it was the last time we saw it so
[2:01] that this escape is possible.
[2:03] >> We have the name of their next target.
[2:05] The name is Neo. We'll need a search
[2:07] running.
[2:08] >> Why are the humans able to use computers
[2:10] inside your computer program to find a
[2:12] person by his alias faster than Well,
[2:15] computers are? How do you not know who
[2:17] and where Neo is instantly?
[2:23] Neo is somehow awakened by online chat.
[2:26] What is this [ __ ] on Neo's computer
[2:28] monitor?
[2:29] >> My own personal Jesus Christ.
[2:30] >> Movie hits the Jesus metaphor a little
[2:32] square on the head.
[2:33] >> Something wrong, man? You look a little
[2:35] whiter than usual.
[2:36] >> That's racist.
[2:37] >> It's called masculine. It's the only way
[2:39] to fly.
[2:40] >> Movie promptly dates itself 9 minutes in
[2:42] with a reference to masculine of all
[2:43] drugs. Why not angel dust or speedballs?
[2:46] I know Morpheus could probably tell
[2:47] these [ __ ] were coming to Neo's
[2:48] apartment, but how the did he know the
[2:50] girl with the white rabbit tattoo would
[2:51] turn her shoulder to expose the tattoo?
[2:54] And how did he know Neo would see it?
[2:55] Isn't this follow the white rabbit just
[2:57] a bit too koi when the fate of the world
[2:58] is in the balance?
[2:59] >> My name is Trinity.
[3:01] >> Trinity
[3:02] >> as in father, son, and holy ghost. Wait,
[3:04] does this movie have religious
[3:05] symbolism?
[3:07] >> And it will find you.
[3:09] >> Why was it so important to have Neo go
[3:10] to the club just to tell him the Matrix
[3:12] is real and it will find him? I mean,
[3:14] couldn't you have typed that on the
[3:15] computer instead of follow the white
[3:16] rabbit? Computer software company has no
[3:18] mechanisms in place to determine when
[3:19] flaky employees are just sitting in
[3:21] their cubicle meditating instead of
[3:22] doing actual work. It seems like Trinity
[3:24] could have given him this phone last
[3:25] night at the club, but Morpheus relies
[3:27] on FedEx to send it to him. Hell, they
[3:29] could even have been talking well before
[3:30] Neil went into work today and he could
[3:32] have avoided this altogether. Also, this
[3:33] phone is conveniently delivered just
[3:35] before the agents show up. How is
[3:36] Morpheus able to see Neil's location and
[3:38] guide him through the building? But the
[3:39] agents who are connected to this entire
[3:41] computer system called the Matrix have
[3:43] no idea where Neo is.
[3:44] >> Why is this happening to me? What I do?
[3:48] >> Computer hacker and illegal software
[3:49] salesman asks why me as FBI people chase
[3:52] him around his workplace. I know we're
[3:53] in the Matrix right now, but why doesn't
[3:55] this thing carving its way into Neo's
[3:56] belly button leave any blood anywhere?
[3:58] >> Then go to the Adam Street Bridge.
[4:00] >> Morpheus gives Neo a meat location on a
[4:02] tapped phone and miraculously no agents
[4:04] are there waiting for him when he
[4:05] arrives.
[4:06] >> Think you're bugged. Not that it's
[4:07] mattered from the time you left your
[4:08] apartment to go to the Atom Street
[4:10] Bridge to getting in a mysterious car.
[4:12] Also, why bug Neo in the first place?
[4:14] Can't you just track his movements
[4:15] through the Matrix itself? Remember,
[4:18] >> all I'm offering is the truth, nothing
[4:20] more.
[4:21] >> That statement actually couldn't be less
[4:22] true.
[4:29] >> Dramatic thunder and lightning is
[4:30] dramatic.
[4:31] >> It means buckle your seat belt, Dorothy,
[4:33] cuz Kansas is going bye-bye.
[4:37] Dramatic thunder and lightning is
[4:38] repetitive. Here's that guy Morpheus was
[4:40] interested in. Better disconnect him and
[4:41] totally forget why he woke up in the
[4:43] first place. Neo pulls out this IV
[4:45] without knowing what it does or whether
[4:46] it keeps him alive.
[4:47] >> We have only bits and pieces of
[4:49] information.
[4:49] >> So all the stuff that doesn't make
[4:51] sense. We'll just chalk up to that.
[4:52] >> Birth to AI.
[4:54] >> AI? You mean artificial intelligence?
[4:56] >> Well, you're a hacker, so yeah, you know
[4:58] what AI means.
[5:00] >> We don't know who struck first, but we
[5:02] know that it was us that scorched the
[5:04] sky.
[5:04] >> What? How and how does that keep the sun
[5:07] out? Did they blow up the sun? How is
[5:09] that accomplished? How do you know about
[5:11] this very specific detail and nothing
[5:13] else?
[5:14] >> The oracle prophesized his return.
[5:16] >> Prophecy that one man will save us all.
[5:17] Cliche.
[5:18] >> I believe that search is over.
[5:19] >> What is it that made Morpheus think Neo
[5:21] was the one? He's a computer hacker who
[5:23] works at a software company. No skills
[5:25] in the area of badasserie. Nothing
[5:26] incredibly notable accomplished in his
[5:28] life. What was the one thing that said,
[5:29] "Yep, this dude is totally worth going
[5:31] through lots of trouble to unplug from
[5:33] the matrix." near the Earth's core where
[5:34] it's still warm.
[5:35] >> Oh, come on. It's probably a lot more
[5:37] than warm, right? Sun doesn't have
[5:39] anything to do with the core
[5:40] temperature. That is hot because of a
[5:42] variety of factors, including
[5:43] radioactive decay and awesome science
[5:45] stuff. Even if he's talking about the
[5:46] mantle, that [ __ ] is too hot. People
[5:48] would be burned alive going to Zion.
[5:51] >> Wa!
[5:52] >> Squiddy's sweeping in quick.
[5:54] >> Why do the human ships have radar-like
[5:56] ability to detect squiddies at greater
[5:57] distances than the squiddies can detect
[5:59] human ships? Why didn't the machines
[6:00] just put motion detection sensors all
[6:02] over the place so the human ships would
[6:03] be unable to move at all without being
[6:05] spotted? Why are the squiddies
[6:06] programmed only to look for electrical
[6:07] signatures of the human ships instead of
[6:09] biological signs of life or hell large
[6:11] metal things that are hovercraft shaped?
[6:13] >> The matrix.
[6:14] >> Do you always look at it in coding?
[6:16] >> Well, you have to.
[6:17] >> Wait, so when Morpheus was guiding Neo
[6:18] through the office cubicles, was he
[6:20] actually looking at falling green lines
[6:22] of code? Is this movie actually saying
[6:24] these people learn how to see real
[6:25] images in this code? Isn't Cippher
[6:27] jacked into some machine back at the
[6:29] ship? Is everyone asleep? There's not
[6:30] one person who could just happen to walk
[6:32] by and see Cipher hooked into the Matrix
[6:33] and see him talking with an agent. And
[6:35] how does Cipher get back? I thought it
[6:37] required someone back at the ship to
[6:38] wake you up and get you out of the
[6:39] matrix with a hard line. Is this the
[6:40] first time he's eaten since he got here?
[6:42] After all that training and [ __ ] he
[6:43] should be well aware of the awful
[6:45] non-matrix food.
[6:47] It's very cool, but how do they make a
[6:49] connection on this call if there's no
[6:51] one on the other end to pick it up? Like
[6:52] Neo will be racing for a ringing phone
[6:54] by the end of this movie. And if he
[6:55] could just pick it up instead of getting
[6:56] shot, he'd establish the connection and
[6:58] transport back out. But leaping into the
[7:00] Matrix, they still use real phone lines,
[7:02] but it's apparently just for show. I
[7:04] honestly don't know.
[7:06] >> [ __ ] it.
[7:07] >> We're in.
[7:08] >> Wait, they went back into the Matrix to
[7:09] see the Oracle. So, is the Oracle part
[7:11] of the Matrix or is she plugged in
[7:13] somewhere? Don't even bring up the
[7:14] sequels when you defend this [ __ ]
[7:15] either.
[7:16] >> I can only show you the door. You have
[7:17] to walk through it.
[7:18] >> What an [ __ ] What was said was for
[7:21] you and for you alone.
[7:22] >> Which is why I told you what the oracle
[7:24] told me while we were on the elevator.
[7:30] >> Deja vu.
[7:30] >> This has kind of always bothered me even
[7:32] though it's actually really cool and I
[7:33] accept it as a fantastic idea. But this
[7:35] is not deja vu as we humans normally
[7:37] experience it. You don't see something
[7:39] and then see an absolute repeat of it 2
[7:41] seconds later and go, "Wow, dja vu." And
[7:43] you usually experience something and
[7:45] feel like you've done it before, but it
[7:47] feels like you did it long ago. and
[7:49] chuck this up to plot convenience, even
[7:50] though it's awesome. The hole wasn't
[7:52] there when they opened the door, so they
[7:54] basically kicked a hole in the wall
[7:55] without anyone hearing it. Amazing.
[7:59] Neo should definitely be dead from these
[8:00] bullets, but it's not time for this
[8:02] movie's bad guys to have good aim yet.
[8:04] >> You must get Neo.
[8:06] >> Damn, Smith is taking this like he's a
[8:07] mannequin or some
[8:10] Yeah. No, still not time for good aim.
[8:13] Why are there like no agents down here?
[8:15] Stopping the guys from going back to the
[8:16] ship is an important part of the plan.
[8:18] In fact, why don't they send 20 or 100
[8:20] agents for a mission like this?
[8:22] >> You all look the same to me.
[8:23] >> That's racist. Tank takes two hits from
[8:25] the electricity gun, but lives and is
[8:27] basically fine. Even while only one
[8:29] brief shot from the same gun later takes
[8:30] out Cipher completely.
[8:31] >> That red pill right up your ass.
[8:33] >> You can see Morpheus blink at the wind
[8:35] power of Cipher's pee in pill.
[8:37] >> Just pull a plug here.
[8:38] >> Murderous traitor conveniently kills
[8:39] good guys in the order of their
[8:41] importance to the remainder of the
[8:42] story.
[8:43] >> No, I don't believe it.
[8:45] >> I don't believe it either. The leader of
[8:47] every ship has given codes to Zion's
[8:49] mainframe computer.
[8:50] >> So you can't just send a message to Zion
[8:52] and say, "Yo, change the codes. They got
[8:54] Morpheus and they're going to make him
[8:56] talk. Peace."
[8:57] >> Those are agents holding him. Three of
[8:59] them.
[8:59] >> I know. I can't believe it's not more
[9:01] either.
[9:02] >> That's why I have to go.
[9:03] >> Why? Because I believe in something.
[9:06] >> What?
[9:06] >> Neo stopped short of explaining himself
[9:08] twice in a row so that Trinity and Tank
[9:09] have to ask him what the hell he's
[9:11] talking about.
[9:12] >> Every mammal on this planet.
[9:14] >> What mammals? Are there still other
[9:16] mammals out there? Are they hooked up to
[9:17] the matrix, too? Dreaming about being in
[9:19] fields and getting taken down by
[9:20] mountain lions? Because there sure as
[9:22] hell aren't any other mammals in the
[9:23] real world, what with the sky scorched
[9:25] and all? Why are you talking about all
[9:26] the planets other now dead mammals in
[9:28] the present tense, you ass? Still not
[9:31] time for good aim. Using lift instead of
[9:32] elevator proves we're not in an American
[9:34] city.
[9:37] So, these guys with radios heard the
[9:38] call for backup in the lobby, but didn't
[9:40] deem it an important matter until all
[9:41] the backup SWAT guys died, too. Why are
[9:43] they bursting in to tell Smith about it
[9:45] instead of leaping into the SWAT guys 30
[9:47] seconds ago and killing Neo?
[9:49] What the hell is this agent waiting for?
[9:51] THEY DON'T SEE YOU.
[9:53] >> OH, now he pulls out the gun. And as you
[9:56] can see, pulling it out now has terrible
[9:57] disadvantages, like Neo being able to
[9:59] dodge the bullets.
[10:03] >> Only human.
[10:04] >> Even agents with artificial intelligence
[10:05] have to say some [ __ ] just before
[10:07] they kill someone so that the hero can
[10:08] be saved at the last second.
[10:10] >> Dodge this. However, when the roles are
[10:12] reversed and the good guy has to say
[10:13] some [ __ ] but apparently there is
[10:14] not enough time for the bad guy to get
[10:16] saved. Honestly, I know he's the one and
[10:18] everything, but even the one would have
[10:19] a hard time seeing the agents he wants
[10:21] to kill and the Morpheus he doesn't want
[10:23] to kill from this perspective,
[10:24] especially with the sprinklers going
[10:25] crazy on the inside.
[10:28] [groaning and screaming]
[10:30] I guess Morpheus just finally realized
[10:31] there are no handcuffs. This This is the
[10:34] one and only moment in the movie when
[10:35] the bad guy has good aim. when he's
[10:37] being rained on by sprinklers firing
[10:39] blind from behind a wall.
[10:41] >> The Oracle,
[10:42] >> she told you
[10:44] exactly what you needed to hear.
[10:45] >> Okay, fine. We're going to go with that
[10:47] Star Wars stuff where Obi-Wan said
[10:48] Anakin Skywalker was dead. And then
[10:50] later we find out, oh, it was just a
[10:51] perspective I had that wasn't misleading
[10:53] in any way whatsoever. [snorts] But did
[10:55] Neo really need to hear the Oracle's
[10:56] prophecy about Morpheus sacrificing his
[10:58] life for him and he'd have to make a
[11:00] choice? Wouldn't he have made the choice
[11:01] to try and save Morpheus anyway? Also,
[11:03] why did she literally spell out the
[11:04] future for everyone else that saw her
[11:06] and only get all reverse psychology on
[11:07] Neo? This spelling of authorized proves
[11:09] we're not in an American city. I
[11:11] guarantee you there are hundred other
[11:12] homeless people reacting to things like
[11:14] pedestrians, air, the sky, the traffic
[11:16] lights with just as much enthusiasm as
[11:18] this guy does, and it doesn't set off
[11:20] any alarms in the Matrix. How does the
[11:22] information from this just woke up
[11:23] vision stand out to the machines as
[11:25] important from all the other homeless
[11:27] people are seeing and getting excited
[11:28] about all over the city?
[11:29] >> Neo, I want to tell you something.
[11:31] Something that can wait until after
[11:32] we're back on the ship, but feel the
[11:33] need to delay you with right now. Train
[11:35] drives through an empty station and
[11:36] never stops because it only comes during
[11:38] dramatic moments. Cliche.
[11:39] >> Uh, help. Need a little help. The door.
[11:42] >> The one can't find a door in plain view,
[11:45] which was his only option. How is it
[11:47] possible that none of the Nebuchadnezzar
[11:48] crew remember this building from the
[11:50] opening scene like Agent Smith does?
[11:52] Especially Trinity, who wasing there.
[11:57] [music]
[11:58] Even though Neo's mind believed himself
[11:59] to be dead, the power of boners is far
[12:01] stronger.
[12:02] >> And then I'm going to show these people
[12:03] what you don't want them to see. For
[12:05] instance, the two sequels to this movie.
[12:07] Also, the two sequels to this movie.
[12:15] Okay, we get it. The Matrix digital
[12:19] programming. This is Neo's dream about
[12:21] Trinity dying. And it's so detailed he
[12:23] dreams of the guy clocking out at the
[12:24] end of his shift.
[12:26] Was
[12:28] the motorcycle rigged with C4 or
[12:30] something? Ah, a full 0001% of the
[12:32] bullets fired in this scene found their
[12:34] target. Opening scene was just a dream
[12:36] cliche. Also, so much for that I'm going
[12:38] to show these people a world without you
[12:40] mission that Neo promised at the end of
[12:41] the first Matrix.
[12:42] >> I can't say I fully understand your
[12:44] reasons for volunteering.
[12:45] >> Well, I can say it. The guy that played
[12:46] Tank got all divish and demanded too
[12:48] much money, causing the screenwriters to
[12:49] invent both Link and his reason for
[12:51] joining the crew.
[12:52] >> That's right.
[12:52] >> That can't be.
[12:53] >> Why not? Morpheus somehow heard this
[12:55] conversation all the way back here.
[12:56] >> Morpheus, glad you could join us.
[12:58] >> Naobbi.
[12:59] >> Movie finds a clunky way to let us know
[13:00] what Naobbi's name is.
[13:02] >> We're going to do what Commander Lock
[13:03] ordered us to do. We'll evacuate
[13:05] broadcast level and return to Zion.
[13:07] >> So, why the meeting? Why didn't everyone
[13:09] head back to Zion after the order? Is it
[13:11] so Morpheus could suggest one of the
[13:12] ships stay behind?
[13:13] >> How did you know someone was here?
[13:15] >> This dude is somehow unaware of Neo's
[13:16] supernatural powers. Also, showdown
[13:18] number one with Agent Smith pushed to
[13:20] later in the film because I guess Smith
[13:22] just wants to play games and be koi, but
[13:23] also probably the script. Look, I get
[13:25] it. You're trying to show that Neo is
[13:27] soing awesome at fighting that he's
[13:28] really only humoring these [ __ ] and
[13:30] even with upgrades, they still can't
[13:31] beat him. The problem is that's [ __ ]
[13:33] boring. And also, I think the Wowskis
[13:35] are the only people on planet Earth who
[13:36] forgot Neo could disintegrate agents by
[13:38] jumping into them because he doesn't do
[13:40] any of that in this entire movie. Also,
[13:42] I truly believe this movie suffers from
[13:43] the same issue plaguing most Superman
[13:45] movies. The hero is too indestructible
[13:47] for us to give a [ __ ] during the action
[13:48] sequences. All right, now that I've
[13:50] killed these agents, time to fly out of
[13:51] here and go to the oracle's apartment
[13:52] all of a sudden.
[13:53] >> Is Neo okay?
[13:54] >> Okay, Morpheus, you should have seen
[13:56] him.
[13:56] >> It was exactly like the first movie,
[13:57] only way more boring. Also, it was
[13:59] Trinity who asked the question, but
[14:01] Morpheus is the one with the phone. So,
[14:02] how did Link hear her? And why did he
[14:04] specifically address Morpheus with that
[14:05] answer?
[14:06] >> He's doing this Superman thing.
[14:07] >> Oh, so he's breaking someone's neck.
[14:09] Also, DC Comics Rubber Neo number one.
[14:11] If the oracle's true message in the
[14:13] first movie was know thyself, and it
[14:14] was, then why are Neo and the others
[14:16] completely powerless to do anything
[14:17] without hearing from her again? Last
[14:19] time they were positive they needed her
[14:20] advice and she told Neo he wasn't the
[14:22] one. An outright lie.
[14:27] Stalking these people are jacked into
[14:29] some sort of flight control matrix down
[14:31] in Zion. Why the four movie rips off the
[14:34] robot mech suits from aliens. Also, this
[14:36] [ __ ] quit doing his job before the
[14:37] gate closed completely. Slacker. I want
[14:39] the ship ready to go as soon as humanly
[14:41] possible.
[14:42] >> I thought that was the point of your
[14:42] ship coming back anyway. You needed to
[14:44] recharge. You have 36 hours to go back.
[14:46] I guess this is a long way of me saying
[14:48] unnecessary orders. Also, this is just a
[14:50] bunch of clips and a mag light maybe and
[14:52] I think a meat thermometer.
[14:54] >> What is it between them?
[14:55] >> Neo knows there's a deeper story here
[14:56] because the script said exposition scene
[14:58] at the top of the page.
[14:59] >> What is it between them?
[15:00] >> Morpheus and Log Naobi.
[15:02] >> Also, Neo plays the pronoun game. So,
[15:03] that Trinity has to ask who the hell he
[15:04] means by them.
[15:05] >> Doesn't have anything better to do.
[15:06] >> You know what they say about the life
[15:08] you save? It's worth two in the bush.
[15:09] You either saw the Animatrix or you
[15:11] didn't. Either way, you're probably
[15:12] wondering why they crammed this stupid
[15:13] kid into this movie.
[15:14] >> I told you, kid. You found me.
[15:15] >> Neo makes a casual reference to a far
[15:17] better Matrix film. Steampunk Office is
[15:19] steampunk.
[15:19] >> I don't care about oracles or prophecies
[15:21] or messiahs.
[15:22] >> Bad guy speaks for the audience. Neo,
[15:24] >> not everyone believes what you believe.
[15:26] >> Come on. You mean all the stuff Neo did
[15:28] in the first movie is simply a legend.
[15:30] Nobody knows the story of how Neo flew
[15:32] into an agent and destroyed him.
[15:34] Everyone was like, that Morpheus, he's
[15:35] always telling tales. God damn, it's
[15:37] [music] good to be home.
[15:38] >> Home is a piece of [ __ ] This pandown
[15:40] shot is kind of cool, but it greatly
[15:42] exaggerates the size of Zion's
[15:43] population and requisite housing
[15:45] infrastructure requirements.
[15:47] >> Needy people cockpock. Also, the
[15:49] philosophy that Neo is some sort of
[15:50] Jesus becomes mind-numbingly literal.
[15:52] >> Where's my [ __ ]
[15:53] >> How many girlfriends would let you refer
[15:54] to them as your [ __ ] My guess is none.
[15:57] Awesome badass chick Gina Torres from
[15:58] Alias Firefly and Angel gets about 30
[16:00] seconds in this movie.
[16:01] >> Tank and Dosa believed it. After all
[16:03] that [ __ ] with Tank surviving in the
[16:04] last movie, this movie decides that Tank
[16:06] died somehow without explanation since
[16:09] then. Basically, you tank
[16:11] >> been seeing Neo do the things he can do.
[16:13] >> Like what? Flying and calmly beating up
[16:14] agents. We saw all that in the first
[16:16] movie.
[16:16] >> I give you Morphe.
[16:18] >> Polarizing figure Morpheus somehow gets
[16:19] cheers from 99% of the crowd. Discount
[16:23] stomp. And who designed these things?
[16:24] Dr. Seuss. It's obvious the Wowskis
[16:26] decided to put a weird rave scene in the
[16:28] first act of both this and the first
[16:29] Matrix movie. What's not obvious ising
[16:32] why we haven't had sex in ages. We're
[16:33] dying to [ __ ] But hang on a few minutes
[16:35] while I light all these candles. So,
[16:37] here we are at the 30-minute mark
[16:38] dancing. PG-13 sex in an R-rated movie.
[16:41] Hardly any ass kicked at this point, and
[16:43] we're at the exact same spot plot-wise
[16:45] as we were 20 minutes ago.
[16:47] This is sort of like Neo thinking about
[16:49] baseball so he doesn't climax too soon.
[16:50] Also, did the orgasm make him think
[16:52] about the nightmare, or did the
[16:53] nightmare assist in the orgasm?
[16:54] >> All that matters is this.
[16:55] >> Wait, what? They obviously can't take
[16:58] physical items with them through the
[16:59] phone line. So, is this envelope
[17:01] symbolic? The [ __ ] I am so confused
[17:04] right now. Does this mean that if Neo
[17:05] answered the call intended for Trinity,
[17:07] he could be inside Trinity? That sounds
[17:09] really dirty, but seriously, once Agent
[17:11] Smith takes this dude's body, why does a
[17:13] phone call transportation system still
[17:14] allow him to transport? I figure you
[17:16] have to contain the same DNA of the guy
[17:17] you're transporting into, or else the
[17:18] Matrix wouldn't allow it, right?
[17:20] >> I just haven't been able to sleep much.
[17:21] >> We interrupt this Matrix sequel to bring
[17:23] you boring.
[17:24] >> Old men like me don't bother with making
[17:25] points. This movie is definitely going
[17:27] to make up for its violation of the
[17:28] asskicking protocol later on, but the
[17:30] question is, will I still be awake by
[17:32] the time it gets there?
[17:33] >> Neil, he's from the oracle.
[17:34] >> Wait, that's not that's not the
[17:37] important message from the envelope that
[17:38] can't possibly have come through the
[17:40] phone line from a computer program into
[17:41] the physical world, is it?
[17:43] >> You know, I don't believe in this stuff,
[17:44] >> but I [music] do. It's always brought me
[17:46] luck.
[17:46] >> You maintain a belief system that is
[17:48] based on luck. You know, it took me a
[17:49] while to figure out this was Agent Smith
[17:50] inside this dude's body. I mean, we saw
[17:52] him twice, but both times he wore
[17:54] sunglasses. or was in shadows. So, at
[17:57] this point, he just seems like the
[17:58] random dude who hates Neo or discount
[18:00] Cipher from the first movie.
[18:02] >> Stupid kid ex Machina.
[18:03] >> Bane.
[18:04] >> Seriously, this dude's name is Bane. Did
[18:06] his parents know that one day he would
[18:07] be possessed by Agent Smith and become a
[18:09] bad guy? Batman much. Good luck. So, he
[18:11] could easily stab Neo right now, right?
[18:13] Neo isn't in the Matrix. Doesn't have
[18:15] access to his badass powers, and there
[18:17] are a million Agent Smiths in the
[18:18] Matrix. So, even if he fails and dies,
[18:20] who cares? You were going to take a
[18:21] chance and stab him in the back. So, why
[18:23] not now? Also, why a knife? This dude
[18:25] has access to guns, right?
[18:27] >> Or am I still in charge of our def?
[18:28] >> Oh, look, more talking. I like kung fu
[18:30] as much as the next guy. But is it
[18:32] always supposed to be this boring?
[18:33] >> I had to be sure of what? That you are
[18:35] the one.
[18:35] >> That dumbass fight we just saw proves
[18:37] Neo is the one. Also, Sarif plays the
[18:39] stop short game so that Neo has to ask
[18:40] him what the hell he meant by I had to
[18:42] be sure.
[18:42] >> You do not truly know someone until you
[18:44] fight them. movie sets up a ridiculously
[18:45] delicious premise, but then never
[18:47] delivers on it by having something
[18:48] unexpectedly badass happen. Like Neo
[18:50] having to fight Morpheus or Trinity or
[18:52] someone he thinks he knows in order to
[18:54] find out they're actually traitors or
[18:55] something. Instead, no, just a saying.
[18:58] [ __ ] you, Angel dude.
[18:59] >> You do not truly know someone until you
[19:01] fight them.
[19:01] >> Also, I keep telling my potential
[19:03] girlfriends that, but I always end up
[19:04] bloodied at the antique shop.
[19:05] >> The ones doing their job, doing what
[19:07] they were meant to do, are invisible.
[19:09] >> I think the movie could basically have
[19:11] started here. Sentinels are going to
[19:12] attack Zion. Let's go to the Oracle.
[19:14] Awesome ideas about the Matrix and Rogue
[19:16] programs. Boom. This is the scene that
[19:18] finally sets the movie into motion.
[19:20] >> Because you're the one.
[19:21] >> That's not what you said last time.
[19:22] >> Seems like every time we meet, I got
[19:25] nothing but bad news.
[19:27] >> No, you got nothing but riddles and
[19:28] instructions, lady. You have never had
[19:30] anything resembling news. Hey, can I go
[19:32] back with you guys? Can you send me to a
[19:34] place where I can get out of here? No.
[19:36] Okay, I'll fight 100 Agent Smiths then.
[19:38] Oh well. So, this fight goes on for 6
[19:40] minutes. Agent Smith was a formidable
[19:42] adversary in the first movie, but
[19:43] hundreds of Agent Smiths are no match
[19:45] for Neo in this one. Feel free to use
[19:47] the restroom at this point. This fight
[19:48] has a lot of sound and fury, signifying
[19:50] nothing. Wait, this is a place where any
[19:51] [ __ ] can walk by and see this? If so,
[19:54] why is this the first person stumbling
[19:55] on this fight? Neo gets punched in the
[19:57] face a zillion times, but his glasses
[19:58] keep on ticking. This reminds me, why
[20:00] doesn't Neo just go ahead and fly the
[20:01] hell out of here? Rubber Neo number two.
[20:03] Also, this is a classic example of a
[20:04] scene that looked fantastic on the big
[20:05] screen opening weekend, but then can
[20:07] never really be viewed at home again
[20:09] without the experience being soiled by
[20:10] how obvious the CGI becomes. Finally,
[20:12] the 100 Aiden Smiths get smart and pile
[20:14] on Neo instead of doing the one by one
[20:16] silliness that all bad guys do in fights
[20:17] like this. But even that proves totally
[20:19] pointless. Neo could crush Superman with
[20:21] his penis if he wanted to. Haha, they
[20:23] can't fly. But why? I mean, he can in
[20:26] the next movie. He's not a human being.
[20:27] He's a computer program, but he still
[20:29] somehow has to earn or learn the ability
[20:31] to fly. And now there's more than one of
[20:32] them.
[20:33] >> How is that possible?
[20:34] >> I don't know.
[20:34] >> No worries. I'm sure they're just
[20:35] waiting to explain that in the third
[20:36] movie. Right.
[20:38] >> Right.
[20:39] >> Comprehension is not a requisite of
[20:41] cooperation.
[20:42] >> This [ __ ] sounds just like a
[20:43] machine. Let's get him. Also, harmonica
[20:46] Nicholas.
[20:46] >> Because some things never change, Jason,
[20:48] [music] but some things do.
[20:49] >> Why don't any of these citizens turn
[20:51] into an agent when they see Neo and
[20:52] Morpheus? Morpheus is addicted to people
[20:54] who don't want to use the stairs. Why
[20:55] don't any of the citizens eating at the
[20:57] Marovvenians restaurant turn into agents
[20:58] when they see Neo and Morpheus in there?
[21:00] >> Action.
[21:01] reaction, cause and effect.
[21:04] >> Since when did programs get so damn
[21:06] wordy and preachy? Every character Neo
[21:08] runs into in this movie has a master's
[21:09] degree in philosophy. Truth
[21:11] >> is we are completely
[21:16] >> cake orgasm.
[21:17] >> I am so sick and tired of his [ __ ]
[21:19] on and on. Pumpus prick.
[21:22] >> Man, lots of people in this movie keep
[21:23] saying what the audience is thinking.
[21:25] >> Kiss.
[21:25] >> I'm going to help you, but only if you
[21:26] kiss me, cliche. What? That's not a
[21:29] cliche. That's just completely stupid.
[21:32] Okay, well, no cliche, but still plenty
[21:34] of sin for this [ __ ] Come on. I
[21:36] mean, this is Monica Baluchcci, man.
[21:37] Make that [ __ ] count. Kissing her like
[21:39] you do Trinity would not be hard. You
[21:41] know, I'm serious about this because I'm
[21:43] taking off my sunglasses. This kitchen
[21:44] doesn't have the end fight scene from
[21:46] the raid too happening in it right now.
[21:47] >> They do dirty work.
[21:49] >> Why the long introduction when you're
[21:50] just going to kill them?
[21:51] >> How many people keep silver bullets in
[21:53] their gun?
[21:53] >> Wait, these guys are werewolves? The
[21:55] Oracle said stuff like that was
[21:56] possible. Now the movie's forcing me to
[21:58] debate whether it's better that we never
[21:59] see the werewolves or just be happy that
[22:01] I got the reference. I'm torn.
[22:03] >> You can either run to the restaurant and
[22:05] tell my husband what [music] I have done
[22:06] or you can stay there and die.
[22:08] >> Praphanie lets one henchman live to tell
[22:09] the husband because promise to help
[22:11] implies simultaneous promise to harm.
[22:13] Apparently
[22:16] >> that's racist. Nobody here has any
[22:18] powers that can make this fight
[22:19] interesting either. We interrupt this
[22:20] Matrix sequel to bring you the force.
[22:22] Also, why doesn't he do that kind of
[22:23] more often? Also, why is he even using
[22:25] weapons anymore after realizing he can
[22:27] do like that? So, this is still going.
[22:29] You know, fights aren't good because
[22:30] they're longer. They're only good when
[22:32] you feel like the hero could be in
[22:33] danger. Okay, so I understand that the
[22:34] keys change the rooms that you go into,
[22:36] but how do you change a room from the
[22:38] outside and not be in that same room
[22:40] yourself? See, here are guys who should
[22:41] be fighting Neo. These dudes have
[22:43] amazing powers and would present a
[22:44] challenge. But they're the only
[22:46] characters in this whole movie who do
[22:47] anything cool. Hm. We have the ability
[22:49] to become Vapor. How do we ever get into
[22:50] this car? Is the knife part of this
[22:52] twin's program where it turns to vapor
[22:54] when he turns to vapor? If not, why
[22:56] doesn't he just turn other things into
[22:57] vapor by touching them? That could come
[22:59] in handy. You know what? This movie
[23:00] needs some good slow motion about now
[23:02] for no reason. Oh, awesome. Yeah. Yeah.
[23:04] Bullet holes appear and disappear all
[23:06] over this scene, but we aren't really
[23:08] into nitpicking little details like
[23:09] that. Are these people somehow oblivious
[23:11] to the war zone that has been coming up
[23:12] on their ass for 5 minutes? Oakland,
[23:15] man. Also, empty highway behind Chase is
[23:17] super empty.
[23:18] >> Shots fired. Where the [ __ ] has this
[23:20] radio guy been this whole time? He's
[23:22] just now calling in. Shots fired. Dude,
[23:24] you are fired. Now that he's out of
[23:26] bullets, now's the time to vaporize over
[23:28] to the other car. Where did all thising
[23:29] traffic behind them come from? Wait, so
[23:31] while the agent does this, what is the
[23:33] twin doing? He has an absolutely huge
[23:35] opening to kill Morpheus and Trinity and
[23:36] make off with the key maker. This van is
[23:39] honking, I guess, for the incredible
[23:40] scene of watching a guy turn into vapor
[23:42] and land in the middle of the freeway
[23:43] unharmed. I mean, are the people who
[23:45] live inside the Matrix muggles or
[23:46] something? They don't see magic right in
[23:48] front of them. This computer programmed
[23:49] cop has terrible aim. Conveniently timed
[23:51] truck with convenient motorcycles is
[23:53] convenient. These two make this jump,
[23:54] but only through the power of editing.
[23:56] How the hell are agents coming from all
[23:58] over, leaping into all these [ __ ]
[23:59] drivers, and smashing the hell out of
[24:00] her in the keymaker? I guess this is the
[24:02] only person on the entire freeway who
[24:04] noticed the motorcycle. What? How did
[24:06] these cops know to drive down the exit
[24:07] ramp? And how could they be sure it was
[24:09] a completely empty exit ramp that they
[24:10] could enter the freeway with? Cool shot,
[24:12] but as we've seen, people getting
[24:13] possessed by agents go through all these
[24:14] convulsions before changing. The
[24:16] placement of the sword on the side of
[24:17] the truck jumps several feet between him
[24:19] stabbing it and him needing to stand on
[24:20] it. The next action I take will require
[24:22] the removal of my sunglasses. Oh, look.
[24:24] The sword jumped back up to the top of
[24:25] the truck just in time for him to grab
[24:26] it in his hour of need.
[24:28] >> Gotcha.
[24:28] >> What? Then you're meant for one more
[24:30] thing. Deletion.
[24:31] >> Okay, so do it already. Why has the
[24:33] agent not already killed the key maker
[24:35] five times by now?
[24:36] >> Neo, if you're out there, I could use
[24:38] some help.
[24:39] >> Morpheus says a prayer to Neo and it's
[24:40] answered. Of course, Neo saves the day.
[24:42] No one in this scene enters it at any
[24:44] time other than the exact perfect
[24:45] second. We interrupt this Matrix sequel
[24:47] to bring you a teaser trailer for the
[24:48] next one.
[24:48] >> There is a building. Inside this
[24:51] building, there is a level [music] where
[24:52] no elevator can go.
[24:54] >> Welcome to the most confusing scene in
[24:56] movie history. Up is down, left is
[24:57] right, and everything is happening all
[24:59] at once and not at all. While also being
[25:01] discussed and explained in what appears
[25:02] to be the same room where Neo first met
[25:03] Morpheus, which would be a stupid place
[25:05] for them to go, but like I said, there's
[25:07] so much wrong and weird with this entire
[25:08] scene. I'm just going to roll the dinger
[25:10] for a couple seconds.
[25:12] Did he say Paul?
[25:13] >> You know, pound-for-pound, Roy Jones is
[25:14] the worst actor they could have gotten
[25:15] to say this terrible line.
[25:17] >> But like all systems, it has a weakness.
[25:19] >> Of course it does. Sure, as Morpheus
[25:21] said, there are no accidents. Just
[25:22] really convoluted ways to get Trinity
[25:24] into the Matrix when Neo doesn't want
[25:25] her in there.
[25:26] >> In 5 minutes, [music] I'll tear that
[25:27] whole goddamn building down.
[25:28] >> Yeah, we saw the dream at the beginning
[25:29] of the movie. Too bad there's no
[25:31] suspense now. Well, this timing is
[25:33] perfect, actually. Do you mind fighting
[25:35] with us for a little bit? Just for a few
[25:36] moments while our friends fix the power
[25:38] station crisis that we don't even know
[25:39] about so that we don't die when we open
[25:41] the door. Awesome.
[25:42] >> Hold it right there. Little lady guard
[25:44] sees badass chicken leather walk into a
[25:45] restricted area and thinks of the words
[25:47] little lady. The Mr. Smiths behind Neo
[25:49] are just [ __ ] worthless. They let Neo
[25:51] do whatever he needs to do before
[25:52] attacking him again. Also, some of these
[25:54] Mr. Smiths are obviously not Hugo
[25:55] Weaving. Mr. Smith goes to Bowlington.
[25:58] You'll know which door are in you.
[26:00] >> Man, this dude was riddled with bullets,
[26:02] but thankfully he had exactly enough
[26:03] breath to give Neo the instructions.
[26:05] You'll know which door.
[26:06] >> Yep, it's so obvious.
[26:08] >> I am the architect.
[26:10] >> Remember that earlier scene that I said
[26:12] was the most confusing one in movie
[26:13] history? Yeah, about that. See, I hadn't
[26:16] actually watched any further than that
[26:17] point in the movie when I said that.
[26:18] >> Here goes some of my answers. You will
[26:20] understand, and some of them you will
[26:22] not.
[26:22] >> It's a convenient thing to say when the
[26:23] audience decides they have no clue what
[26:25] the is going on.
[26:26] >> You say white prick.
[26:27] >> Did he say you old white prick? Cuz
[26:29] that's racist. So Link told her the bad
[26:31] guys were headed her way and to get the
[26:33] hell out of there. and she goes and
[26:34] waits for the elevator.
[26:35] >> Thus, I redesigned it.
[26:36] >> You can tell this is a movie from 2003
[26:38] when George W. Bush gets equated to
[26:39] Hitler.
[26:40] >> There are two doors. The door to your
[26:41] right leads to the source and the
[26:43] salvation of Zion. The door to your left
[26:45] leads back to the Matrix to her and to
[26:47] the end of your species.
[26:49] >> So, basically no different from the
[26:50] choice Batman has to make in Batman and
[26:51] Robin, previously on the Matrix
[26:53] Reloaded.
[26:53] >> What was that? It's moving faster than
[26:55] anything I've ever seen.
[26:56] >> First off, you know with your whole
[26:57] heart what that is. Second off, it can't
[26:59] be much faster than when Neo came out of
[27:01] the mountains to save Morpheus and the
[27:02] Keymaker from that truck crash at the
[27:03] last minute. This is [ __ ] awesome. A
[27:05] dozen years before Man of Steel, this
[27:07] movie stole Superman's Thunder just a
[27:09] little bit. And by the same studio, too.
[27:11] Holy [ __ ] he caught it.
[27:12] >> I know. Amazing. You saw this before,
[27:14] remember? Also, at the speed Neo was
[27:16] flying. Wouldn't this basically have
[27:17] been like a 747 crashing into Trinity?
[27:19] We'll explain his hand somehow reaching
[27:21] into her with the use of green digital
[27:22] characters. Also, I don't know whether
[27:24] I'm supposed to think this is amazing or
[27:26] be turned on. Why didn't he just pull
[27:27] the bullet out with the force? Neo has
[27:29] been powered up from Superman Jesus to
[27:30] God Almighty.
[27:33] >> I can't take this.
[27:34] >> I really relate to this guy. This guy is
[27:36] the audience. Only my amazement is more
[27:38] anger based than his.
[27:40] >> Guess this makes us even.
[27:41] >> Yeah, you saved me with a miracle kiss
[27:42] that shouldn't have worked. I reached
[27:44] inside your body and took a bullet out
[27:45] and restarted your heart. But yeah,
[27:47] we're even. Women, that's impossible.
[27:50] Someone in a sci-fi movie declares
[27:51] something impossible cliche.
[27:52] >> I have dreamed a dream. We interrupt
[27:54] this second Matrix movie to bring you
[27:55] lay miser rob movie has the balls to
[27:57] come up with a fantastic cliffhanger
[27:58] ending after 2 hours of relative
[28:00] boredom. It's the hammer. The hammer is
[28:02] my penis. Also, weren't there way more
[28:03] than just three of those sentinels back
[28:04] when they threw the bomb? Aren't the
[28:06] rest of them right behind those first
[28:07] three and killing all these fools right
[28:08] about now? Here's a cliffhanger ending
[28:10] for your ass. By the way, I had already
[28:12] sort of forgotten about Mr. Smith Bane
[28:14] and what he looked like. So, seeing him
[28:16] upside down does me no favors. First
[28:17] time I saw this, I was like, "Who the
[28:19] [ __ ] is that? Evil Neo?" Come back in 6
[28:21] months. We guarantee you'll be less
[28:22] pissed off about this movie. Then
[28:30] for dramatic purposes, patients in this
[28:32] ship's infirmary are placed headto-head,
[28:34] giving us the yin-yang Neo Smith shot we
[28:36] didn't know we wanted.
[28:36] >> I bring word from the Oracle. You must
[28:38] come at once.
[28:39] >> I won't tell you where, though, even
[28:40] though that's crucial information. We
[28:42] assume you can figure it out for
[28:43] yourself. Only this girl and her parents
[28:45] at the terminal, yet they ignore her
[28:46] enough so that she can just start
[28:47] chatting up Neo and stuff.
[28:48] >> This isn't the Matrix. That's where the
[28:50] train goes.
[28:51] >> Thankfully, she's full of exposition.
[28:52] Oh, look. They knew where to meet Sarif
[28:54] without him saying anything about
[28:55] location. Wowee. One sin for regular old
[28:58] mortality for causing this franchise to
[29:00] have to recast a role that was already
[29:01] perfectly cast.
[29:02] >> Do you know what happened to Neo?
[29:04] >> Yes, he is trapped in a place between
[29:07] this world and the machine world.
[29:09] >> This train man is cool and all, but the
[29:11] movie never even once tries to explain
[29:12] how Neo controlling the Sentinels in the
[29:14] real world caused him to end up in this
[29:15] train limbo.
[29:16] >> He has placed a bounty on your lives.
[29:18] You must be careful at all times
[29:20] >> because prior to this moment, you did
[29:22] not need to be careful.
[29:23] >> Sati, come here, darling. Leave the poor
[29:26] man in peace.
[29:26] >> You've coughed up enough exposition on
[29:28] him for one day.
[29:29] >> I am sorry. She is still very curious.
[29:31] >> If you were really sorry, you'd have
[29:32] stopped her from bothering Neo long
[29:33] before this. Also, he's a goddamn
[29:35] program. How did computer programs get
[29:37] so emotional and irrational?
[29:38] >> I just have never heard a program speak
[29:41] of love. It is a human emotion.
[29:44] >> No, it is a word. What matters is the
[29:47] connection the word implies.
[29:48] >> Clever dialogue, but you're still
[29:50] suggesting machines have emotions, which
[29:51] is not only weird, but goes against what
[29:53] this series of films has spent a lot of
[29:54] time trying to prove.
[29:55] >> I see that you are in love.
[29:57] >> Computer program in another region place
[29:58] can see Neo's love for Trinity just by
[30:00] looking at him. This motherucker is not
[30:02] running fast enough to outrun the
[30:03] Oracle, let alone Sarah, Trinity, and
[30:05] Morpheus. Also, in the last cut of the
[30:06] turn styles, this dude was nowhere near
[30:08] this far ahead of them.
[30:13] Damn it. guy who runs super slow only
[30:15] needs a threec car subway going by to
[30:16] disappear like vapor. Also, even if that
[30:18] head start is somehow a good one, which
[30:19] it isn't, these [ __ ] still just give
[30:21] up.
[30:22] >> Why?
[30:22] >> That is a karma.
[30:23] >> You believe in karma.
[30:24] >> Dialogue like this really, when you boil
[30:26] it all down is why both Matrix sequels
[30:28] end up being more boring than
[30:29] entertaining. It's
[30:29] >> over my big dead ass.
[30:33] >> So be it.
[30:34] >> Classic case of a bad guy waiting too
[30:35] damn long to just do what he was
[30:36] threatening to do. Even with the element
[30:38] of surprise, Sarif and Gang only managed
[30:40] to kill one of the five gun check dudes
[30:41] on the first spray. But whatever. Slow
[30:43] motion guns and rape music. Party time,
[30:45] am I right? Just a reminder, no one in
[30:47] the actual club, which has the coat and
[30:48] gun check just outside, can hear this. I
[30:51] know clubs be loud, but damn. Jesus,
[30:53] this room is a coat and gun check room.
[30:55] It is only this large with huge concrete
[30:57] columns everywhere so that this action
[30:59] sequence can take place. Discount rave
[31:00] scene from either of the two previous
[31:02] matrixes. Or is it matrices? Oh, who
[31:05] cares? I get why they're all three
[31:06] backtoback going through the dance
[31:08] floor, but why do they have to be
[31:09] constantly spinning? Wouldn't staying in
[31:11] relative stationary direction give each
[31:13] of the three a better longer look at the
[31:14] surroundings near them as opposed to
[31:16] constantly spinning and scanning.
[31:17] >> Hey
[31:20] DJ wearing headphones and a loud ass
[31:21] club that couldn't hear gunfire in the
[31:23] next room somehow hears the maravvenian
[31:24] yelling at him. Also gas attack victim
[31:26] DJ also DJs. Does every person at this
[31:29] bondage nightclub know and respect the
[31:31] meravenian enough to be basically
[31:32] soldiers for him? I mean not one of them
[31:34] is going to complain about why the music
[31:35] stopped. Are none of these club goers
[31:37] drinking and or drunk? I couldn't even
[31:39] tell you the owner of my favorite
[31:40] nightclub if he walked up to me in a
[31:41] spandex bodysuit and pinched my ass. Or
[31:44] is this just the mayor of Indian's work
[31:45] headquarters and all these people are
[31:47] henchmen and the dancing is just a
[31:48] byproduct of having so many latex laden
[31:50] hotties all together in one room.
[31:52] >> I am curious though as to how it
[31:56] actually happened.
[31:57] >> Yeah, you and me both, buddy.
[31:58] Unfortunately, the movie ain't got no
[32:00] clue itself how that happened, so you'll
[32:02] just have to get over it and move on.
[32:03] Trinity starts kicking ass and none of
[32:04] the gun toing henchmen do anything
[32:06] allowing Morpheus and Serif to also
[32:08] start kicking ass without any good guys
[32:09] getting shot despite all logic and
[32:11] reason. This chick down here does not
[32:12] shoot Trinity the entire time she
[32:14] watches and catches the gun. I can't
[32:16] help but wonder how many other gun toing
[32:17] [ __ ] are just offcreen also not
[32:19] shooting Trinity.
[32:24] Latex Bondage Club Mexican standoff.
[32:26] >> She'll do it if she has to. She'll kill
[32:29] every one of us. She's in love. Thank
[32:32] god the third movie finally paid off
[32:34] that completely weird and emotionless
[32:35] true love's kiss in the bathroom scene
[32:37] from the last movie.
[32:38] >> I can't leave yet. I have to see her
[32:40] >> now.
[32:40] >> No, at some later point in time. What
[32:42] the hell, Trinity? You get to see the
[32:44] oracle, but your boyfriend, who is the
[32:46] one can't?
[32:47] >> I was hoping to have these done before
[32:49] you got here.
[32:50] >> Well, you are the oracle, right?
[32:51] Couldn't you have just started making
[32:52] the dough a few minutes earlier since
[32:54] you knew when he was coming?
[32:55] >> I think it's time for a tasting. Take
[32:58] the bowl to Sarah and find out if
[32:59] they're ready. Salmonella. If you
[33:01] rearrange the letters on the fridge, it
[33:02] spells, "You wasted a bunch of time
[33:04] looking at fridge letters for humorous
[33:05] anagrams and came up empty."
[33:07] >> And you are all that stands in his way.
[33:10] >> Smith.
[33:11] >> Man, the oracle is the [ __ ] master of
[33:13] the pronoun game. She wrote the book on
[33:15] that [ __ ]
[33:15] >> What is he?
[33:16] >> He is you, your opposite, your negative.
[33:20] The result of the equation trying to
[33:22] balance itself out.
[33:23] >> Okay, fair enough. But Neo is the sixth
[33:25] one. And we already saw Smith himself
[33:27] say in the last movie that his newfound
[33:28] power was a new development in the
[33:30] repeating Matrix cycle. And he said that
[33:32] way before Neo broke the cycle by saving
[33:34] Trinity instead of Zion. So what I'm
[33:36] saying is you're full of lady.
[33:38] >> I need time.
[33:38] >> Okay, this is one of the movies biggest
[33:40] problems to serve the story and the eb
[33:41] and flow of the action in the film. Neo
[33:43] spends a super long time just thinking
[33:45] about what he should do. Even though the
[33:46] oracle just told him in the last scene,
[33:48] he already knew what he needed to do. If
[33:49] we weren't trying to line up parallel
[33:50] crescendos, then Neo would immediately
[33:52] head for the machine city right now and
[33:54] end the war before Zion gets attacked.
[33:56] Agent Smith somehow controls this
[33:57] building's power. Okay, fine. But why is
[34:00] he shutting off the lights one at a time
[34:01] for drama?
[34:04] >> Agent Smith is addicted to cookies.
[34:05] >> What did you do with Sy?
[34:07] >> Cookies need love like everything does.
[34:11] >> You are a bastard.
[34:12] >> Well, you're the one that had Sati alone
[34:14] with you in an abandoned building when
[34:16] you knew Smith was coming. So, here's
[34:17] Neo still seeing visions of the place he
[34:19] already knows he needs to go. Still not
[34:22] going.
[34:22] >> These squids are sneaky bastards. Could
[34:25] be a trap.
[34:25] >> But wouldn't you have picked them up on
[34:27] your scanners? Haven't we seen multiple
[34:28] times already that you can do that?
[34:30] Also, discount inside the space monsters
[34:32] throat scene from Empire Strikes Back.
[34:33] >> What did you tell you?
[34:34] >> The same thing she always does. Exactly
[34:36] what I needed to hear.
[34:37] >> Oh, that's useful. Thanks. Overhead shot
[34:40] of supposedly smallass Zion suggests
[34:42] there are millions more inhabitants than
[34:44] originally believed. Movie repeats
[34:45] Matrix Reloaded's mistake of thinking we
[34:47] give a [ __ ] about these two.
[34:54] >> What the [ __ ] is going on over here?
[34:56] >> What the podorn pencil neck like you
[34:59] doing volunteering for my call?
[35:00] >> That's racist. And do the Zionborn
[35:02] people harbor some kind of
[35:04] discrimination or ill will against
[35:05] people born in the pod farm? If so, why
[35:07] isn't that flushed out a little bit
[35:08] more? I can even see it. The sneeches in
[35:10] Zion, those are the ones with plugs on
[35:12] their mugs. Movie repeats Matrix Reload.
[35:14] mistake of thinking we give a [ __ ] about
[35:16] >> Give me a chance, sir. I won't let you
[35:17] down
[35:18] >> again. I mean,
[35:19] >> I'm sorry that I took so long.
[35:21] >> So are we.
[35:21] >> If we leave inside the hour, [music] we
[35:22] should reach Zion as the machines do.
[35:24] >> Imagine when you could have arrived if
[35:26] Neo hadn't taken his sweet ass time on
[35:27] this decision.
[35:28] >> What if I blew that EMP?
[35:30] >> This guy has been playing his part
[35:31] correct the entire time for days. But
[35:33] now he decides to monologue and
[35:35] basically warn this chick about his
[35:36] evilness before killing her. How did
[35:37] Trinity and Neo actually lose chemistry
[35:39] as a couple as these movies go along?
[35:41] How is that possible? It's not like they
[35:43] had a ton to begin with. Did Lucas guest
[35:45] direct these scenes?
[35:46] >> I ain't saying goodbye.
[35:47] >> I'm not saying goodbye. Cliche. She
[35:49] survives this.
[35:50] >> Mr. Anderson.
[35:51] >> This phrase alone does not immediately
[35:53] cause Agent Smith light bulbs for Neo
[35:55] and Trinity. And that's some [ __ ]
[35:56] Now, I know this is Agent Smith we're
[35:58] talking about here. And his ego is
[35:59] nearly as big as Shawn Penn, but still
[36:01] sinning for the bad guy wasting time and
[36:02] not killing him already. Thankfully, the
[36:04] shards from that light she smashed on
[36:06] Bane's head a few minutes ago are handy
[36:07] to help her cut her binds. I realize
[36:09] she's probably limited in what she can
[36:10] do to help. But doesn't turning on the
[36:11] lights limit your boyfriend as much as
[36:13] it does the enemy.
[36:14] >> Blind Messiah.
[36:15] >> Messiah. Man, trilogy that doesn't want
[36:18] you to miss the Jesus parallels really
[36:19] doesn't want you to miss the Jesus
[36:20] parallels. Even now that he's blinded
[36:22] Neo, Smith still feels the need to mess
[36:24] with him instead of just punching him in
[36:25] the ear and then killing him with a gun.
[36:27] I can see you.
[36:28] >> Movie also never explains how Neo was
[36:30] the first and only of all the ones that
[36:32] could see and control machines outside
[36:33] the actual Matrix, but whatever. Cool
[36:36] shot, I guess.
[36:36] >> Sorry, but I think you're going to have
[36:38] to drive. Why can't he drive the ship
[36:40] when he can sense and feel everything
[36:42] now? Just what inarnation are these
[36:43] screens behind lock supposed to be
[36:44] showing? And how is this information in
[36:46] this graphical display any kind of
[36:48] useful? Movie rips off the robot mech
[36:49] suits from the Matrix Reloaded.
[36:53] >> All right,
[36:54] this is it.
[36:55] >> Movie shows us a vast shot of APUs, then
[36:57] shows us their commander giving the
[36:59] pre-war speech in a speaking voice the
[37:00] third row is probably struggling to
[37:02] hear.
[37:02] >> If it's our time to die, it's our time.
[37:05] >> Well, that's inspiring.
[37:07] Robot roll call. Holy Christ, would you
[37:09] look at that?
[37:10] >> So, you can scan for Sentinels. What was
[37:12] that worry again earlier when you
[37:13] thought they might be ambushing you?
[37:14] They're inching along trying to sneak up
[37:16] on millions of Sentinels, but everyone
[37:18] is in the cockpit. Probably so that they
[37:20] have to scramble and waste time manning
[37:21] the guns when they made a stupid noise
[37:23] to alert the Sentinels to their
[37:24] presence.
[37:26] I knew it.
[37:26] >> Systems the gun to.
[37:28] >> Yeah, late much. Blatant Star Wars
[37:30] homage is Star Wars. The proper piloting
[37:32] of this hovercraft will require the
[37:34] removal of my sweater. This dome
[37:35] concrete ceiling is capable of being
[37:36] pierced without the whole thing raining
[37:38] down on [ __ ] And we've known for
[37:39] ages what direction these [ __ ] were
[37:41] coming from. But sure, yeah, let's wait
[37:43] until the last second to train our guns
[37:44] on the spot.
[37:45] >> Knuckle up. [screaming]
[37:46] >> Knuckle up. Machine drillers are
[37:48] basically self-reviving transformers.
[37:49] Machines wait forever to send the full
[37:51] strength of Sentinel forces. Then the
[37:52] Sentinels join five streams into one for
[37:54] the main assault, making themselves much
[37:56] easier to target for the few guns that
[37:57] exist in this dock. The Sentinels are
[37:59] terrible at finding humans until the
[38:00] humans shoot rockets at them. How is a
[38:02] giant ass hover ship faster than these
[38:04] [ __ ] The Sentinels blow off a
[38:05] hover pad in two seconds flat, but how
[38:07] much you want to bet it takes them
[38:08] forever to get the rest of them off? We
[38:09] can hack into the matrix and put humans
[38:11] inside a computer program wearing and
[38:12] carrying anything we want. But when it
[38:14] comes to targeting computers, just
[38:16] triangles, dog, that's all we can offer.
[38:18] Sorry, yo. Damn, these hovercraft are
[38:19] built like tanks.
[38:20] >> Cap. You see that?
[38:21] >> That's the radio. Stop him.
[38:23] >> You haven't even tried to use the radio
[38:24] to call Zion once. Why protect what
[38:26] you're not using? Also, call Zion on the
[38:28] radio before the radio gets destroyed.
[38:30] God damn it. The Sentinels are terrible
[38:32] at finding humans until the humans shoot
[38:33] rockets at them. Either these Sentinel
[38:35] arms have the aim of Stormtroopers, or
[38:36] else these girls are luckier than Andrew
[38:38] Luck on a luck dragon.
[38:39] >> No one can pilot mechanical.
[38:40] >> I bet there's at least one person who
[38:42] can. And I bet the movie tells us how
[38:43] awesome a pilot that person is about 153
[38:45] times. We blow an EMP inside there,
[38:47] we'll lose the dock, sir, we already
[38:49] lost the dock. Open the gate.
[38:51] >> How in the [ __ ] are you giving to
[38:53] Morpheus later about blowing the EMP
[38:55] when you went out of your way to help
[38:56] him do it? Before they finalized
[38:58] character names for the script, this
[38:59] dude's name read as 100% dick guy number
[39:01] one.
[39:02] >> HE'S NOT RESPONDING. Taking critical
[39:04] damage, sir. You lost control.
[39:06] >> Relatively random carnage has ironic
[39:07] timing.
[39:08] >> Oh dear, woman, you can drive.
[39:10] >> We ain't home yet.
[39:11] >> How did you hear that? You don't have a
[39:13] headset on anymore. Are all his comments
[39:15] just broadcast shipwide? This guy
[39:17] wouldn't be alive anymore if entire
[39:18] swarms of Sentinels weren't constantly
[39:19] passing him by. There are clearly more
[39:21] than enough Sentinels here to keep this
[39:22] guy from making an ammo run, let alone
[39:24] eventually saving the day. And while
[39:26] we're at it, how come the super strong
[39:27] exo suit things can only carry two boxes
[39:29] of ammo at a time? That's a design flaw
[39:31] if I've ever seen one. Cool shot, I
[39:33] guess. But what the hell are these
[39:34] Sentinels doing? Showing off? Is it like
[39:36] a machine version of Ribbon Ballet
[39:38] Gymnastics or something?
[39:39] >> HEADS UP. THEY'RE COMING DOWN.
[39:40] >> SO WHAT? THEY DON'T do anything to you
[39:42] when they fly past you anyway. What's
[39:43] the worry? None of the 10,000 sentinels
[39:45] swarming and eating and killing Muffi
[39:47] noticed the delicious teenage human
[39:48] dangling off the back. Maybe they read
[39:50] the script.
[39:51] >> Hurry, there's no timing.
[39:53] >> I didn't finish the training program.
[39:54] Movie repeats Matrix Reload its mistake
[39:56] of thinking neither did I. [sighs]
[39:59] >> But you did finish the dying with one
[40:01] eye open program.
[40:02] >> Get to the main deck. Charge the EMP.
[40:04] >> Yeah, cuz that's not something you could
[40:05] have done earlier or anything.
[40:07] >> You I believe
[40:09] >> you believe what? That there is no
[40:11] spoon? That shooting this thing will
[40:12] open the door? That Neo is the one? You
[40:14] already believe that, didn't you? Why
[40:16] are you wasting time to say this thing?
[40:17] Also, I guarantee Neo does not give a
[40:19] [ __ ] about whether or not you believe.
[40:21] You know, even if they survive this
[40:22] machine attack, everyone in Zion is
[40:24] going to die of smoke inhilation anyway.
[40:25] You're miles underground after an EMP.
[40:27] Where's all this light coming from right
[40:29] now?
[40:29] >> You're a hell of a pilot.
[40:30] >> After telling us for two movies that
[40:32] Naobbi is a hell of a pilot, and then
[40:33] actually showing us Naobbi in the act of
[40:35] being a hell of a pilot, Repetitive
[40:36] Movie feels compelled yet again to tell
[40:38] you she's a hell of a pilot.
[40:41] Thank god this dock is on fire right
[40:43] now. Am I right? Or else none of us
[40:45] would be able to see you in order to
[40:46] cheer you.
[40:47] >> Did I miss something, Commander? I
[40:48] thought we just saved the dock. What's
[40:50] the problem with you people? You can't
[40:52] think but 5 minutes in front of your
[40:53] face.
[40:54] >> You were the one who ordered the dock
[40:55] door open so they could do the thing
[40:57] they did that you're now being a dick
[40:58] about. Dick.
[40:59] >> That EMP knocked out almost every piece
[41:01] of hardware in every APU.
[41:03] >> Why only almost every piece of hardware?
[41:05] It knocked out every Sentinel. Even the
[41:07] ones outside the dock already escaping.
[41:09] But the good guys still have some
[41:10] equipment left that works.
[41:11] >> Save the dock, Captain. Just handed it
[41:14] to him on a silver platter.
[41:15] >> Well, you did. But whatever. Semantics,
[41:18] I suppose. I guess we're using those
[41:19] minimally lasting damage EMPs where
[41:22] everything can be restarted instantly
[41:23] except the dead sentinels, of course,
[41:25] >> because he's the one who believes in
[41:27] miracles. [snorts]
[41:27] >> Meanwhile, back at the three electrical
[41:29] conduits. Also, why did the machines
[41:31] build the fields of humans so far away
[41:32] from the machine city? Was it just for
[41:34] dramatic timing purposes?
[41:36] [music]
[41:38] >> Gotcha.
[41:39] >> Wait, what? Did the Sentinel ghost come
[41:42] through the ship, but not its physical
[41:43] body? Are they currently fighting
[41:44] against both physical and ghost
[41:46] sentinels? Go up over them. What? The
[41:49] >> sky is the only way.
[41:51] >> But we're in a hovercraft, Neo. There's
[41:53] a limit to how far we can hover from
[41:55] things like Earth.
[41:56] >> You made it.
[41:57] >> Premature self. Congratulations.
[41:58] >> I wished I had one more chance to say
[42:01] what really mattered.
[42:02] >> Which I will do here in a moment,
[42:03] provided I don't run out of breath and
[42:04] die during this setup.
[42:05] >> But you brought me back. You gave me my
[42:08] wish. One more chance to say what I
[42:11] really wanted to say.
[42:12] >> Just say it already. Gasp crying. Oh,
[42:15] sure. It takes him 6 hours to think
[42:17] about whether or not he's sure about his
[42:18] mission. But morning Trinity, that over
[42:20] in seconds. The blind Neo can see light
[42:22] thing is cool for sure, but this makes
[42:24] it look like he's got no idea if he's
[42:26] stepping on solid surfaces or about to
[42:27] plunge to his death. Literal deos
[42:30] xmacha. Also, were the machines like
[42:32] we'd better at least appear human when
[42:33] we negotiate with this human cuz that
[42:35] way he won't realize we're machines.
[42:36] These sentinels land and then instead of
[42:38] attacking, they just stalk forward. Then
[42:40] the humans respond by not attacking.
[42:42] This is a weirdass battle. And if you
[42:44] fail, I'm wrong.
[42:46] >> The machines just accept this. Thunder
[42:49] and lightning indicate the Matrix had
[42:50] gone to [ __ ] How do all the identical
[42:52] Agent Smiths know which one of them is
[42:53] the true original one that gets to fight
[42:55] Neo? And while we're on that subject,
[42:56] what was the point in making all the
[42:58] Agent Smith clones if you were still
[42:59] going to fight Neo with just one of
[43:00] them? I realize Smith winning is exactly
[43:02] how Neo wins. But Smith doesn't know
[43:04] that. He should be attacking Neo with
[43:05] all the Smiths.
[43:06] >> It ends tonight.
[43:07] >> I know it does. I've seen it.
[43:11] That's why the rest of me is just going
[43:13] to enjoy the show.
[43:15] >> A couple problems here. First off, how
[43:16] is Smith getting visions now? Didn't
[43:18] Neil get visions previously, too, in
[43:20] this very movie? I know they're yin and
[43:22] yang and all that, but why would Smith
[43:23] gain visions and Neo lose them? Why
[43:25] didn't Neo have any visions of this
[43:26] event? Second, are you actually telling
[43:28] me cockiness is the reason Smith chooses
[43:30] to fight Neo as one man instead of an
[43:32] army of millions? Cuz I'm pretty sure
[43:33] the real reason is special effects cost
[43:35] kung fu flex of defiance. This is the
[43:37] second huge exploding slow motion ball
[43:39] of water shot in the last 3 minutes.
[43:41] It's a cool effect and all, but the
[43:42] movie will show us Neo's revelation
[43:43] about how he needs to die to kill Smith
[43:45] here in a few moments. So, my question
[43:46] is, what's his plan right now? Bite to
[43:48] the death with each of the millions of
[43:49] Agent Smiths one at a time. Damn, this
[43:51] movie is more in love with its slow
[43:52] motion exploding water effects than it
[43:54] is with the story or any of its
[43:55] characters.
[43:57] Superman is addict metropol. Oh, wait.
[43:59] Yeah, no need to fly to the location of
[44:01] impact. Walking dramatically will
[44:02] suffice. Also, production saved a ton of
[44:04] money on rain machine rental and green
[44:06] camera filters by shooting on the road
[44:07] to predition set.
[44:08] >> You believe you're fighting for
[44:10] something for more than your survival?
[44:13] Can you tell me what it is? Do you even
[44:16] know?
[44:16] >> Yeah. Um, he's fighting to end the
[44:18] machine war with humans. He's actually
[44:20] come here prepared to die. Honestly,
[44:22] you're the most in the-dark character in
[44:23] the film right now.
[44:24] >> Only a human mind can invent something
[44:26] as incipid as love. But the program dude
[44:29] back at the train station went to great
[44:31] lengths to waste lots of my time by
[44:32] explaining that machines too feel love.
[44:34] So now I'm confused. Plastic punch.
[44:36] >> He saved us.
[44:37] >> The military commanders aren't even
[44:38] positive the Sentinels are leaving for
[44:40] real and for good. But sure kid, go run
[44:42] and tell all of Zion that the war is
[44:43] over without any actual proof. All you
[44:45] know is that this current battle is
[44:47] paused and maybe over. Why is the
[44:49] chancellor hanging out 15 yards behind
[44:50] the front lines? Oh, sure. When the
[44:52] Sentinel army was approaching, you held
[44:53] a sweaty naked dance party in here. But
[44:55] now that the war is over, it's just
[44:56] hugs. I demand quick flashes of
[44:58] interracial nudity. Reluctant
[45:00] peacekeeping machine show respect to
[45:01] Neo's dead body instead of just
[45:02] logically turning it immediately into
[45:04] liquid fuel. I have your word.
[45:07] >> What do you think I am?
[45:09] >> Human,
[45:09] >> right? Because the machines haven't ever
[45:11] lied or been deceitful this entire
[45:12] series.
[45:20] >> Freeze. Do not move.
[45:22] >> Get it? It's like deja vu. Get it? Do
[45:25] you get it? Do you get it?
[45:26] >> No. Lieutenant, [music] your men are
[45:28] already dead.
[45:29] >> Hey, I remember that line from the
[45:30] Matrix. Some nice fun nostalgia for this
[45:32] first scene. And then it's on to
[45:33] something new, right? Right. Also, we
[45:35] find out later that Neo created this
[45:37] modal for some reason. And it's a sort
[45:38] of video game free-for-all testing area.
[45:40] But Neo didn't see this. He didn't even
[45:42] join the story until well after this
[45:44] happened. And Seek and Bugs will say
[45:46] something soon here about knowing this
[45:47] story inside and out. But even that
[45:49] doesn't make sense. The only way they
[45:50] know the story at all is if Neo put it
[45:52] in his famous video game, which again,
[45:54] how does he even remember these events
[45:55] so well when he wasn't there? Only the
[45:57] original story was being recorded by the
[45:59] machines as it happened and humans found
[46:01] some way to access the files and
[46:03] underground copies of that video
[46:04] circulated and became legit. Either way,
[46:06] sounds like [ __ ] to me. Even if
[46:08] Trinity told Neo this story later in
[46:10] life, she wouldn't know what the cops on
[46:11] the street said to each other.
[46:13] >> Your rejection's breaking up. Switch to
[46:14] audio.
[46:14] >> He doesn't switch to audio. The video
[46:16] remains fine. And this is never
[46:17] mentioned again. As pointless as this
[46:19] tension is, she might as well have said,
[46:20] "You're late.
[46:21] >> We know what happens next." She kicks
[46:23] their ass off.
[46:24] >> Putting the commentary track inside the
[46:25] actual movie.
[46:35] What? I know this is a computer code
[46:36] world, but she just literally went sue
[46:38] storm. Also, if she can do that, why did
[46:40] she wait until now? And why doesn't she
[46:42] do it again anytime later?
[46:45] How the hell did he know to come
[46:46] directly here? Is this the only other
[46:47] door on this street after the hotel? The
[46:49] hell?
[46:49] >> The more you like, the more you found.
[46:51] Story of my life. [sighs]
[46:53] >> I mean, is that surprising? The more I
[46:54] listen, the more I hear, the more I
[46:56] touch, the more I feel. The more you
[46:57] eat, the more. Am I profound
[46:59] incorrectly?
[47:00] >> I am
[47:02] Morpheus.
[47:02] >> There is zero reason this version of
[47:04] Morpheus couldn't have been played by
[47:05] Fishburn. I mean, other than money or
[47:07] the almighty scheduling, which usually
[47:09] just means money. Morpheus being younger
[47:10] here and even a nanobot in the real
[47:12] world does not necessitate a new actor,
[47:14] but whatever. I'm not sure why this
[47:16] movie is playing in theater 1. I get the
[47:18] sense it should be an eight. If nothing
[47:19] else, this movie is teaching me that
[47:20] modern agents, aka goddamn computer
[47:22] programs, can't aim for [ __ ] They can
[47:24] do intricate kung fu moves, but their
[47:26] computer brains are just not capable of
[47:27] aiming worth a damn, apparently. Okay,
[47:29] lots to unpack here. First of all, this
[47:31] is the office of the most famous
[47:33] designer of the most popular video game
[47:34] of all time. This, it looks like the
[47:36] office of an everyday Wall Street bro.
[47:38] Second, the monitor setup on this desk
[47:39] is chaotic neutral at best, but the far
[47:42] top left laptop is virtually unseeable
[47:44] from Neo's current position.
[47:45] >> Billions of people just living out their
[47:48] lives oblivious.
[47:50] >> Hey, I remember that line from the
[47:52] Matrix. Some nice fun nostalgia for this
[47:54] second scene. And then it's on to
[47:55] something new, right? Right.
[47:56] >> I mean, omg.
[47:59] >> Saying OMG like this when saying oh my
[48:01] god takes literally no more syllables.
[48:03] It's like taking a shortcut when the
[48:04] difference between the shortcut and the
[48:06] regular route is zero. I'm sure you can
[48:08] understand why our beloved parent
[48:10] company Warner Brothers has decided to
[48:12] make a sequel to the trilogy.
[48:13] >> If you ever wondered at what point self-
[48:15] reference turned into self-parody, I
[48:17] think we found it. Everything is so on
[48:18] the surface already here that there is
[48:20] no audience reward for exploration or
[48:21] nuance. This movie is going from meta to
[48:23] meta real fast. That's the thing about
[48:26] stories. They never really end, do they?
[48:28] >> I don't know. The movie Presumed
[48:29] Innocent sure ended. Apollo 13 ended.
[48:31] Hm. Maybe this is just bad hyperbole.
[48:33] We're still telling the same stories
[48:35] we've always told, just with different
[48:37] names, different faces. The MCU.
[48:40] >> Thomas, you are a suicide survivor
[48:43] gifted with a powerful imagination.
[48:45] >> This will not be the last time this
[48:46] movie uses suicide as a direct metaphor
[48:48] for escaping a fake reality. And it will
[48:50] also not be the last time I sit it for
[48:52] doing so.
[48:52] >> Do you need a refill on your
[48:53] prescription?
[48:54] >> Yeah. I wish this movie was making a
[48:56] statement about overprescribing mental
[48:58] health patients who might be treatable
[48:59] with therapy and exercise alone. But
[49:00] it's really just using therapy and drugs
[49:02] as metaphors for prison shackles, which
[49:04] is an outdated way of thinking regarding
[49:05] mental health. And it's pretty offensive
[49:06] actually. The pills are blue. Get it?
[49:08] Because he took the red pill in the
[49:10] first movie. Do you get it? Do you get
[49:12] it?
[49:14] Ah, taking pills without water or other
[49:16] liquid like some kind of monster. having
[49:17] Christina Richi and wasting her in this
[49:19] single scene. Matrix Resurrections
[49:21] making the timely and original point
[49:22] that maybe we spend too much time on our
[49:24] mobile devices.
[49:25] >> People want us up in their gray space.
[49:27] >> He just said that in a different outfit
[49:29] in a different scene. So, is the movie
[49:30] saying every day is the same but
[49:32] different? Or are these employees just
[49:33] repeating themselves every meeting? Do
[49:34] these all represent times Neo tried to
[49:36] get out or kill himself but then got
[49:37] reset?
[49:38] >> Mindless action [music] is not on brand.
[49:41] >> And the movie will go on to be mostly
[49:42] filled with uninventive mindless action.
[49:44] There are those who think this movie was
[49:45] made bland and unenjoyable on purpose as
[49:47] a kind of commentary about modern
[49:49] remakes and sequels when in reality it
[49:51] is a movie that is making a commentary
[49:52] on remakes and sequels that just so
[49:54] happens to also be pretty bland and
[49:55] unenjoyable. Showing me Neo taking a
[49:57] [ __ ] in a public bathroom. If you look
[49:59] up the word subtle in a dictionary,
[50:00] there would be a picture of this movie
[50:01] and the text would say the opposite of
[50:03] this.
[50:04] >> Obviously, the Matrix is about trans
[50:06] politics,
[50:06] >> cryptofascism. [music]
[50:07] >> It's a metaphor
[50:08] >> of capitalist exploitation. One of the
[50:10] things I think this movie does really
[50:12] well here is skewer all the
[50:13] self-important philosophical articles
[50:15] and thesis written about the original
[50:17] that were just seeing what they wanted
[50:18] to see. And yet most of the critics,
[50:20] even those who liked this movie, seem to
[50:21] think the main theme is about reboots in
[50:23] the iPhone age. Anyway, that's a sendoff
[50:25] for this movie regardless. Get it? In
[50:27] the first movie, he said a place had
[50:28] really good noodles. Do you get it? Do
[50:30] you get it? Maybe you don't want to take
[50:31] these pills. I can get down with that.
[50:33] But putting them all down the sink drain
[50:34] is a plumbing nightmare in the making.
[50:36] Just use the trash, man.
[50:38] >> We need new bullet time. I do 100%
[50:40] believe WB executives said this at one
[50:43] point. So, the sin is for WB executives.
[50:45] >> We [clears throat] need to revolutionize
[50:47] gaming again. Revolutionize gaming
[50:50] again.
[50:51] >> Again, I ask, are they just doing the
[50:53] same meeting over and over? Are these
[50:55] all different incarnations of Neo's new
[50:56] reality? I recognize that the repetition
[50:58] reinforces the remake reboot rebukes,
[51:00] but reckon we can receive a reason for
[51:01] it.
[51:02] >> How do you know if you want something
[51:03] yourself or if your upbringing
[51:05] programmed you to want it? Preachers kid
[51:06] here checking in. And the answer is you
[51:08] don't know ever.
[51:10] >> I should get more therapy, but honestly,
[51:11] I'm too goddamn tired.
[51:13] >> H weird. This movie has already kind of
[51:15] mishandled therapy by making the analyst
[51:17] a literal gatekeeper for Neo. But here
[51:18] we are again disparaging therapy by
[51:20] making it sound exhausting. And while
[51:22] sometimes therapy sessions can be
[51:23] emotionally draining, depending on the
[51:25] subject matter, the characterization of
[51:26] therapy as something to endure has long
[51:28] been a stigma that keeps people from
[51:29] getting help.
[51:30] >> Can I ask something about your game?
[51:32] >> Stop asking if you can ask something.
[51:34] Did you base your main character on
[51:36] yourself?
[51:36] >> For as much as this movie seems to want
[51:38] to decry nostalgia based income
[51:40] streamlining, it sure goes heavy on
[51:42] giving us those hits of scenes from the
[51:43] first movie. Can a thing both chastise a
[51:45] thing and be the thing at the same time?
[51:46] If hypocrisy was a business model, don't
[51:48] you think we'd have figured it out by
[51:50] now?
[51:50] >> My youngest stuck a Lego up his nose?
[51:52] >> Kids, at last.
[51:54] >> Hey, I remember that line from the
[51:56] Matrix. Some nice fun nostalgia for this
[51:58] third scene. And then it's on to
[51:59] something new, right? Right.
[52:01] >> This can't be happening.
[52:02] >> Do you mean the fire sprinklers? True.
[52:04] They usually have individual heat-based
[52:05] release capsules, so none of the ones in
[52:07] this room should be sensing near enough
[52:09] heat to go off. Unless, of course, they
[52:10] were programmed this way as part of the
[52:12] machine's penchant for cinematic
[52:13] water-based action scenes. Naming the
[52:15] company Deus Machina in the background
[52:16] while the new young digital Morpheus
[52:18] does impossible to shoot all the bad
[52:20] guys does not absolve you from new young
[52:22] digital Morpheus being a Deus Xmachina
[52:24] in this scene.
[52:25] >> I've missed you.
[52:26] >> So, they hid Agent Smith inside Neo's
[52:28] boss at the video game company. Really?
[52:30] I will kindly sit on my porch every
[52:32] Monday for 20 years waiting for someone
[52:34] to deliver me a good reason why. When
[52:35] the machines rebuilt a new matrix, Agent
[52:38] Smith ended up as Neo's video game boss.
[52:40] What the evering [ __ ] with the
[52:41] helling goddamn.
[52:43] >> I heard deja vu outside. Open my door
[52:45] and there you are.
[52:45] >> If the machines are trying to keep all
[52:47] this on the down low, why would they
[52:48] name the cat deja vu? Are they
[52:50] programmed with an Easter egg delivery
[52:51] directive? Look, real talk. I've done
[52:53] therapy a bunch in my life. At my count,
[52:55] at least six different offices, and none
[52:57] of them ever look like Hannibal Lecter's
[52:59] Federal Hill 5,000 ft² apartment. God
[53:01] damn, this is a huge and pretentious
[53:03] therapy office. How can anyone
[53:04] concentrate with all the ego stroking
[53:06] going on in this room's decor?
[53:07] >> Even your dislike of my cat made it into
[53:09] your matrix.
[53:10] >> Wait, I thought you said he came to you
[53:12] after he tried to jump off a building at
[53:14] a party we can see was clearly thrown
[53:16] after the success of the video game. So,
[53:17] how exactly did he name the cat in the
[53:19] Matrix Déja Vu before he even knew you?
[53:21] These machines are sloppy, man. And even
[53:22] when they try to justify their [ __ ]
[53:24] they're easily contradicted. There are
[53:25] so many clips from the other films that
[53:26] I swear I would believe you if you told
[53:28] me you can construct the entire Matrix
[53:30] trilogy from the flashbacks in this
[53:31] movie.
[53:31] >> I fly or I fall.
[53:33] >> Using suicide as an explicit metaphor
[53:35] for escaping a fake reality again. There
[53:38] was a window washer outside the office
[53:39] when Neo was getting in trouble in the
[53:41] first movie. So I guess literally
[53:43] everything has to be the same in this
[53:44] movie.
[53:44] >> They don't look like typical agents.
[53:46] They use bots [music] now skin as normal
[53:47] people. And with that, the movie gives
[53:49] itself permission to mow down as many
[53:50] human appearing people as it pleases
[53:52] since they aren't real humans. You see?
[53:54] >> And that when I did, you would be ready
[53:55] for this.
[53:58] >> A tattoo of a rabbit from a game that
[53:59] millions of people have played. How is
[54:01] this supposed to build trust? For all he
[54:02] knows, you're a stalky, stalky fan girl.
[54:04] >> We don't have to run to phone booths
[54:05] anymore either.
[54:06] >> Mostly because mirrors are more
[54:08] metaphorical and cinematic and phone
[54:09] booths don't exist anymore. But yeah,
[54:11] technology.
[54:12] >> Nothing comforts anxiety like little
[54:14] nostalgia.
[54:16] >> Try therapy and meds. Thanks for playing
[54:18] you think you know mental health. We
[54:19] will see everyone next time when Captain
[54:21] America says nothing defeats fear and
[54:23] PTSD quite like optimism.
[54:25] >> Time is always against us.
[54:27] >> Hey, I remember that line from the
[54:29] Matrix. Some nice fun nostalgia for
[54:31] this. You know what? This is going to
[54:32] happen a lot. So, let's just add 20 sins
[54:34] for this being say the line Bart the
[54:35] movie and move on.
[54:37] >> Hide me. I've been at a company making a
[54:39] game called The Matrix.
[54:41] >> Neo would be an anagram for the one at
[54:43] Cinema Sense.
[54:44] >> We've been checking that company for
[54:45] years. We screened every Thomas Anderson
[54:46] we found. What we didn't understand was
[54:48] that they could alter your DSI.
[54:50] >> Hold up. They named him Thomas freaking
[54:52] Anderson and had him design a game
[54:54] called The Matrix. And you couldn't find
[54:56] him in here because they checking notes
[54:58] changed his character skin. [laughter]
[55:07] [laughter]
[55:08] >> Keep the loop tight.
[55:09] >> And McGuffin the widgets lance through
[55:10] the Nianis fraud. I need to see movement
[55:13] on that unspecified but important
[55:14] technology. People, let's go, go, go.
[55:18] They went to great lengths to keep Neo
[55:20] alive for 60 years, but now they're just
[55:22] firing missiles that could easily kill
[55:24] him. I can't follow any of this cut to
[55:25] death action. I think at one point I saw
[55:27] a sharpened sucker stick and maybe an
[55:28] elbow to the face. This series, even the
[55:30] two sequels most people don't love, has
[55:32] long been known for inventive and
[55:33] highquality action till this entry. What
[55:35] in the name of Hypercut Mcshaky Cam is
[55:37] this nonsense? And no, it's not a
[55:39] commentary on something. Anyone in the
[55:40] comments that explains sins in this
[55:42] video by saying it's a commentary on is
[55:44] disinvited to the family reunion.
[55:46] >> Think perspective. Closer you are,
[55:48] bigger it gets.
[55:49] >> Advice I gave to my college girlfriend
[55:50] somehow makes it into the script. Also,
[55:52] this works. I think I seen this film
[55:55] before and I didn't like the ending. Eh,
[55:59] he doesn't have a side view of her head
[56:00] and face. He is directly across from her
[56:02] pod. He can maybe see her feet. These
[56:04] machines are designed like bugs and
[56:06] violently grab him by the neck and push
[56:07] him under the amniotic fluid before
[56:09] saving it instead of presenting
[56:10] themselves as friendly because movie has
[56:12] to squeeze every ounce of false tension
[56:13] out of us before we get bored and look
[56:15] at our phones
[56:19] being able to hide from squidies this
[56:20] easily. As they fly around and Neo takes
[56:22] in all the [ __ ] I'm reminded about the
[56:24] first movie and the first time he was
[56:26] pulled out of the Matrix and his eyes
[56:27] didn't work because he had never used
[56:28] them. But now, after not using them for
[56:30] 60 years in the Neutrix, he's able to
[56:31] see perfectly as soon as he's unplugged.
[56:33] What's up, Doc?
[56:34] >> Having a character named Bug say this
[56:36] just because you can't.
[56:36] >> But see, they don't know you like I do.
[56:38] >> But all you know is what he wrote for
[56:40] you, right? You're his program inside
[56:42] the program. And shouldn't the Docbots
[56:44] be able to interpret that coding? This
[56:45] Morpheus is literally a weak faximile of
[56:47] the real thing. And the fact that the
[56:48] movie thinks we're buying into this is
[56:49] dumber than forcehiring a director to
[56:51] sabotage her own intellectual property.
[56:53] >> No, I'm done fighting.
[56:55] >> [ __ ] you know that's not true. And
[56:56] you're just adding to the length of this
[56:57] thing. So get your ass out there and
[56:59] [ __ ] do some kung fu. Nufus thinks
[57:01] the best way to help Neo's physical body
[57:02] would be to fight in the construct, but
[57:04] when Smith was beating the out of Neo in
[57:06] the first movie in the subway, plugged
[57:07] in Neo on the ship was shaking and
[57:09] convulsing and bleeding. I know he's
[57:10] trying to stimulate Neo's mind in the
[57:12] hopes that the mind will help the body,
[57:15] but this is a terrible idea.
[57:18] See, also I'd give all the sense back if
[57:20] this fight scene cut to the Morpheus is
[57:21] fighting Neo kid scrolling on his phone
[57:23] and yawning. So, Neo destroys the
[57:25] fighting realm, maybe the construct
[57:26] itself, and then wakes up in his
[57:28] bedroom. What about his vitals? Did he
[57:30] use the one powers to put all his
[57:32] molecules back into place and hold them
[57:33] there?
[57:34] >> When this new version of the Matrix was
[57:36] uploaded, there was a purge.
[57:37] >> You keep that revenge fantasy violence
[57:39] porn franchise out of my matrix. Do you
[57:41] think once a year WB gives its execs a
[57:43] green light to murder franchises with no
[57:45] repercussions? It would explain a lot.
[57:47] Also, that there was a purge is the only
[57:49] explanation we get for why the Oracle is
[57:50] gone. It's fascinatingly lazy writing.
[57:52] >> Promised peace and they gave us purge.
[57:55] >> They also pee at paradise and put up a
[57:58] parking lot.
[58:01] Sequoa, but everybody calls me Seek.
[58:03] >> If your real name is Sequoa, why do they
[58:05] call you Seek instead of Seek? This
[58:06] would be like shortening Rihanna to Ry
[58:08] instead of Riri.
[58:09] >> You knew my grandfather, Captain Roland.
[58:12] >> Hey, that's really
[58:15] [snorts]
[58:16] >> whenever you're feeling up for it. I've
[58:18] got like a million questions.
[58:20] >> That's not weird at all. But also,
[58:21] aren't we trying to save the world or
[58:23] what? Jesus.
[58:24] >> What is that?
[58:25] >> An exomorphic particle codeex. Oh,
[58:29] >> it gives programs access to this world
[58:31] within limits.
[58:32] >> Didn't the program Smith come into this
[58:34] world in human form in the original
[58:35] trilogy, though? I guess this is a
[58:37] humane way for programs to come to this
[58:38] world, but you make it sound all
[58:40] original and
[58:41] >> Morpheus.
[58:43] Thank you.
[58:43] >> Neato shakes hands with a tiny bot
[58:45] version of his mentor that he partially
[58:47] recreated in a modal, which is to say,
[58:49] Neo knocks Knuckles with a naked nano
[58:51] knowledge neighbor not native to this
[58:52] narrative with nar negative notion on
[58:54] the entire encounter. How does it work?
[58:57] >> Paramagnetic oscillation.
[58:59] >> Oh you movie rejected dialogue for this
[59:01] moment included trans electronic
[59:03] positration. Abso prefect nebulation
[59:05] ticto vagentic speculation and
[59:07] endocronomic supra frustrust.
[59:10] >> Even if it were Trinity and she wanted
[59:11] to be free. We have no idea how to do it
[59:14] >> yet.
[59:15] >> Yet cliche.
[59:16] >> That looks real.
[59:17] >> Bio Sky works kind of like grow lights.
[59:20] >> Wait, is that a weed joke? Is there weed
[59:23] in the year 2247 or whatever? Did Neo
[59:25] ever show any signs of being a weed guy?
[59:27] Oh. Oh, wait. Apparently, grow lights
[59:29] are for any kind of indoor plant, and
[59:30] I've just projected myself onto this
[59:32] scene. [laughter] What? What is weed,
[59:34] though? I certainly do not know. Is it
[59:36] just me or is this old age makeup
[59:37] terrible? It looks like the instruction
[59:39] was to make it look like Jada mixed with
[59:40] the William Shatner mask from Halloween.
[59:42] Cocoon 3. Jada. I'm looking forward to
[59:44] it. But just to be clear, that's not a
[59:46] joke about Jada at all. Just about the
[59:47] makeup department. I wouldn't want to
[59:48] get slapped with a lawsuit.
[59:50] >> Transfer your access codes. You are
[59:52] done, [music] Captain. Oh no. I can't
[59:55] believe she lost her. I don't really
[59:56] give much of a [ __ ] She'll be back.
[59:58] Nothing matters.
[59:59] >> Zion was stuck in the past. Stuck in
[60:01] war.
[60:02] >> I don't know. They had all those engines
[60:03] to keep the city running and the peace
[60:05] mosh pits. You grew a strawberry and
[60:07] suddenly you're enlightened. I'm sure
[60:08] the overandling here is the entire
[60:09] point. But who is maintaining this? And
[60:11] why are they 15 ft tall?
[60:12] >> Nothing can breed violence like scarcity
[60:16] >> or oppression or dictatorships or racism
[60:18] and genocide. Sporting events in
[60:20] Vancouver. And a lot of things breed
[60:21] violence as well as or better than
[60:23] scarcity. Neo gets in prison, goes to
[60:25] his balcony, and is immediately rescued.
[60:27] Patting the runtime called, and it's
[60:29] filing suit for impersonation. General
[60:30] Jada Smith watches the escaped Neo and
[60:33] company take off, and she does nothing.
[60:35] This will be important in a few minutes
[60:36] when she inexplicably sends forces after
[60:38] them to bring them all back to IO. Huh.
[60:40] But it looks like the mirror reflection
[60:42] is of this hotel room we see on the
[60:44] right. But the reflections table has a
[60:45] chair in the wrong place and a full
[60:47] bouquet of orange flowers. While the
[60:48] right has a chair way out of sight and a
[60:50] single flower in the centerpiece. I
[60:51] guess they're hoping people will be
[60:52] distracted by that Eiffel Tower. But
[60:54] there are loads of differences here that
[60:55] I could go on for days about.
[60:57] Predictable as ever. Oh, hey. Not quite,
[60:59] Agent Smith. It's been like an hour. You
[61:01] good? Just chilling in the Matrix
[61:03] waiting for Neo to come back so the
[61:04] movie can once again wash, rinse, and
[61:06] repeat. At least the movie isn't forcing
[61:07] some sort of meravenian reference. It is
[61:10] you.
[61:12] >> Well, as with Morpheus, there is zero
[61:14] reason why this should be played by a
[61:16] new actor other than again scheduling
[61:18] difficulties, which just means money.
[61:19] Easy to see how Jonathan Grath, bless
[61:21] him, is cheaper than Hugo Weaving is at
[61:23] this point. No,
[61:24] >> all you have to do is stay out of the
[61:25] Matrix and leave the good doctor to me.
[61:27] >> Somehow, in the last 60 years, Smith has
[61:29] grown more angry at the analyst, who is
[61:31] just a new architect, than Neo, which is
[61:33] surprising considering Neo is the one
[61:35] who beat his ass multiple times over
[61:36] multiple films. What the MV is trying to
[61:38] say is
[61:39] >> the MV? The MV? What the [ __ ] is this
[61:41] movie? And can we get to the part where
[61:42] the knee and the Trin finally get back
[61:44] together? Sure, there's a lot of stuff
[61:45] going on here. Not sure exactly what,
[61:47] but people seem to be occasionally shaky
[61:49] cam hitting each other while the feral
[61:51] venian is shouting things like suck my
[61:52] silky ass and couch flicks climatey wiki
[61:55] piss and and honestly, what more does a
[61:57] Matrix fan really need?
[61:58] >> Originality
[62:00] mattered. The guy yelling originality
[62:02] mattered is from the sequel to the first
[62:05] Matrix film. And that perhaps is
[62:07] everything wrong with this movie. It
[62:08] wants to say whatever it wants about
[62:10] itself, even if it contradicts previous
[62:12] films, and then get all bulletproof if
[62:14] someone dares to question the official
[62:15] narrative.
[62:16] >> I still kung fu.
[62:24] [applause]
[62:30] While Neo fights Smith inside the
[62:31] Matrix, I'm still wondering about how he
[62:33] takes all these hits without suffering
[62:35] back at the ship in human form. You
[62:36] know, like he did even when Morpheus was
[62:38] kind of pretend fighting him. He's 100
[62:40] years old, godamn it. And this movie
[62:42] just wants me to forget that whenever
[62:43] it's convenient. Wait, who are these
[62:45] people Bugs is fighting? Wait, it
[62:46] doesn't matter. Carry on then. Did Neo
[62:48] just generate a force field? Why are
[62:50] there force fields all of a sudden? And
[62:51] more importantly, why would he ever stop
[62:53] generating them? Trinity's new vocation
[62:55] and his motorcycle builder repairer. And
[62:57] like everything else in this film, it's
[62:59] a little on the nose. Imagine if Neo
[63:01] found her and she was a cupcake
[63:02] decorator. And then Neo could be all
[63:03] like cupcakes. Wo,
[63:05] >> I don't have a lot of time.
[63:07] >> Cool. Skip. Old Dr. Hower using this
[63:09] bullet time nonsense to slow down Neo is
[63:11] certainly [ __ ] but did it have to
[63:13] look like actual, too? What's up with
[63:15] this janky low frame rate crap? Why does
[63:17] this movie want everything to look
[63:18] worse?
[63:18] >> Did you know hope and despair are nearly
[63:20] identical in code?
[63:22] >> This movie is full of these little
[63:23] pearls of not wisdom that it thinks are
[63:25] super deep, but are really just
[63:26] nonsense. Did you know that anxiety is
[63:27] the only cure for comfort? Did you know
[63:29] that an evil bear and a gentle bear
[63:30] share almost all the same atoms? And the
[63:32] director said, "Yeah, sure. The
[63:34] character has been evil monologuing for
[63:35] the last 5 minutes and blatantly
[63:37] torturing our protagonist. But just in
[63:38] case people were still wondering if he's
[63:40] truly an [ __ ] let's do the whole
[63:41] apple biting thing because I'd hate for
[63:43] anything in this movie to be subtle."
[63:44] >> You and her quietly yearning for what
[63:48] you don't have.
[63:49] >> I guess he thinks he can just reboot
[63:50] them or something. But even so, why give
[63:52] this whole I win, I'm better than you
[63:54] speech, detailing your whole plan. If
[63:56] you do reboot them, then no one will
[63:58] ever remember this speech, making it
[64:00] even stupider. It's so odd to me that
[64:01] the first three movies went out of their
[64:03] way to make the city in the Matrix seem
[64:04] like any city or every city. But in the
[64:06] fourth movie, they were all like, "Let's
[64:08] just do San Francisco." And they call
[64:10] that a choice.
[64:11] >> We get it already. Choice is an
[64:13] illusion. This is like the fourth time
[64:14] you said it already, and I'm still no
[64:15] closer to understanding why you don't
[64:17] have enough exomorphic particles to
[64:19] complete the back of your head. Did the
[64:20] exomorphic factory run short on them?
[64:22] And we're back in IO. This movie is
[64:24] playing hopscotch,
[64:25] >> which she exercised with her own
[64:27] particular brand of shortsighted
[64:30] stupidity.
[64:30] >> Do you think they cut a bunch of stuff?
[64:32] Maybe. I can't for the life of me
[64:33] understand why she was wisfully hoping
[64:34] for the best as she watched them fly
[64:36] away yesterday, but now she's all pissed
[64:37] off about it. The locations aren't the
[64:39] only part of this movie playing
[64:40] hopscotch.
[64:41] >> My father designed the resurrection pods
[64:43] where Neo and Trinity were imprisoned.
[64:45] >> NO, [screaming]
[64:47] WAIT, DO I CARE ABOUT THAT?
[64:48] >> A few hours ago. Say, is that Bug
[64:51] standing there at detention receiving
[64:52] this military mission briefing? Didn't
[64:53] you demote her and there was going to be
[64:55] a court marshal? I think, right? I love
[64:56] how discipline only really matters in
[64:58] times of peace.
[64:59] >> I need two more.
[65:03] >> Are you out of your minds?
[65:05] You don't even know what it is.
[65:07] >> You're the one that asked for two
[65:08] volunteers without giving the mission
[65:10] details first.
[65:11] >> The passages used to rescue Neo are now
[65:13] sealed.
[65:13] >> The machines had only left them unsealed
[65:15] for something they referred to as the
[65:16] plotinduced exhaust port coralering. We
[65:19] don't know exactly what it means, but we
[65:20] will have to think of a new and exciting
[65:21] rescue for what we're temporarily
[65:23] calling the third act.
[65:24] >> In order to unplug Trinity's body while
[65:26] her mind still remains connected to the
[65:28] Matrix, I'm going to need a second human
[65:30] brain to implement the bypass.
[65:31] >> Whatever, dude. Just get on with it. My
[65:33] other favorite part is how the machines
[65:35] are like, "Oh no, Neo escaped. I bet
[65:37] he's coming back for Trinity. Seal off
[65:38] his escape routes and post a bunch of
[65:40] Sentinels by the tower." But that whole
[65:42] area right next to Trinity, keep that
[65:44] surveillance free. Wouldn't want to
[65:46] overdo it. This is where it gets tricky.
[65:48] >> Using the cords and tentacles to
[65:50] strategically cover the specific parts
[65:51] of the human body our culture has deemed
[65:53] inappropriate. Yep. Super tricky. I
[65:55] don't think it's very fair that Neo has
[65:57] to try and explain everything to Trinity
[65:58] and give her a choice while a 100
[66:00] heavily armed FBI and SWAT guys all
[66:02] stand around eavesdropping.
[66:05] >> See, this is Loco. Lies, lies, and more
[66:09] lies.
[66:11] Smith.
[66:11] >> Yep. Because Smith can apparently
[66:13] operate in the analyst bullet time when
[66:14] Neo can't and also just happens to be
[66:16] here at the exact moment Neo needs
[66:17] saving for a Smithious Xmacha. Sure, why
[66:20] not? If the goal for the movie was to
[66:22] create the most confusing and
[66:23] indecipherable action scene possible,
[66:25] I'd say they hit the jackpot when they
[66:26] landed on Mosh Pit with guns. Nicely
[66:29] done. Making this movie all about Neo
[66:30] and Trinity's love was a mistake. Neo
[66:32] and Trinity's relationship was always a
[66:34] blandest storyline in the original
[66:35] films. While Neo versus Smith never
[66:37] failed to crackle, this movie puts the
[66:38] boring story line up front and basically
[66:40] makes Smith an ally. There's subverting
[66:42] expectations and then there's just in
[66:44] the bed.
[66:44] >> I don't suppose he can still [music]
[66:46] fly?
[66:49] >> Yeah, that's not happening.
[66:50] >> Does this movie want to give any
[66:51] reasoning for why things are or aren't
[66:53] happening? Or are we just supposed to
[66:54] laugh at this projectile dysfunction
[66:56] joke and move on? And if so, sorry about
[66:58] forgetting to do the laugh part.
[67:00] >> How is she? [music] Lifelines are good.
[67:02] >> What? When they unplug Neo, he was near
[67:04] death immediately and he had to go fight
[67:05] Morpheus at a fake dojo to get his mojo
[67:08] back, which somehow then kept his
[67:09] hundred-y old body together. No one will
[67:11] be seated while the Matrix 4 goes full
[67:12] Night of the Living Dead.
[67:15] So Neo is forces sensitive then. But
[67:17] again, how least the movie could have
[67:19] done is give us a training montage with
[67:20] Obi-Wan Naobbi. I'm not going to show it
[67:22] to you. So here's a picture of the
[67:24] Catric poster while we chat. But the
[67:25] movie will now enter a section that's
[67:27] one of the most tonedeaf scenes in all
[67:29] of film. As a technicality allows the
[67:30] movie to have hundreds of people hurl
[67:32] themselves out windows and off
[67:33] buildings, triggering everyone from
[67:35] folks with suicidal ideiation to people
[67:37] still grappling with post 911 PTSD to
[67:40] survivors of suicide victims and more.
[67:41] The Wowskis deserve a lot of praise for
[67:43] the inclusivity of different races and
[67:45] sexualities in their films. But between
[67:47] this and Cloud Atlas, it's beginning to
[67:48] look like they have a blind spot to the
[67:50] issue of suicidal imagery. It is
[67:51] nighttime when they enter this building,
[67:53] but full-on dawn when they exit to the
[67:55] roof. That's not how the sun works. Why
[67:57] are they shooting at Neo? The analyst
[67:59] wants them alive. No. Or has he switched
[68:01] to if I can't have them, no one can.
[68:03] This whole scene just plays like two
[68:04] kids playing with toys. I wouldn't be
[68:06] surprised if we cut to one of them
[68:07] shouting, "Well, I brought my
[68:08] helicopters, the E force field dogs."
[68:11] Cool. Awesome. Beautiful. Love it. Wow.
[68:14] But um how Okay, so he was going to
[68:17] fall, but Trinity is the one now and can
[68:19] fly, so she saved him. But earlier in
[68:21] the movie, Bug said she saw Neo jump off
[68:23] a building and he did not fall. So why
[68:25] is he falling now?
[68:26] >> We were on our way to remake your world.
[68:28] >> Can't the machines just like flash the
[68:30] firmware or power it off and back on or
[68:32] something? This is all a software
[68:33] construct still, right? I'm all for the
[68:35] Trinio union, but I have no idea how any
[68:37] of this helps either the real world or
[68:39] the long-term viability of the Matrix.
[68:41] It's almost like to sort it all out,
[68:43] they will need some koas. Seoas, they
[68:46] need to plant some sequoas is all I
[68:48] meant. Please don't make more movies. As
[68:49] Neo and Trinity fly into the sky exactly
[68:51] like Neo at the end of the first film,
[68:52] it's important to note that while I have
[68:54] sinned all the excessive callbacks to
[68:56] the first three movies, I will still sin
[68:58] the fact that they somehow couldn't get
[68:59] a Rage Against the Machine song to end
[69:01] this movie. Well, it's a rage song, but
[69:03] it's a cover of what you ask? The same
[69:06] song that ended the first movie. God
[69:08] damn.
[69:09] >> What we need is a series of videos that
[69:13] we call the cat tricks.
[69:15] >> They actually filmed this also. Oh, holy
[69:18] noles. This movie is 2 and 1/2 hours
[69:19] long.
[69:25] >> Pills are good.
[69:27] >> Pills are good.
[69:32] >> Get up here.
[69:33] >> Wiggle your big toe.
[69:35] >> The answer is out there, Neo.
[69:39] It's looking for you
[69:41] and it will find you.
[69:43] >> And I will kill you.
[69:46] Understand?
[69:48] Then hit me if you can.
[69:55] >> Sweep the leg.
[69:59] >> You have a problem with that.
[70:01] >> Got the basic layout. Bookstore, cafe.
[70:04] Almost everything else is here, too.
[70:06] >> Who are the people?
[70:07] >> Projections in my subconscious.
[70:09] >> It's yours.
[70:10] >> Yes. Remember, you are the dreamer. You
[70:12] build this world. I am the subject. My
[70:14] mind populates. You can literally talk
[70:17] to my subconscious. That's one of the
[70:18] ways we extract information from the
[70:20] subject.
[70:21] >> We're going in.
[70:23] >> Taking Neo to see her.
[70:29] >> See who? The Oracle.
[70:39] >> Who is this?
[70:40] >> It's Jake from State Farm.
[70:42] >> What are you wearing? Jake from State
[70:44] Farm.
[70:45] >> Uh, khakis.
[70:47] >> She sounds hideous.
[70:49] >> I'm not afraid anymore.
[70:52] Told me that I would fall in love and
[70:53] that that man,
[70:56] the man that I loved, would be the one,
[71:11] everyone.
[71:13] Listen up. At the edge of our hope, at
[71:16] the end of our time, we have chosen not
[71:18] only to believe in ourselves, but in
[71:21] EACH OTHER. WE WILL NOT GO QUIETLY INTO
[71:24] THE NIGHT. We will not vanish without a
[71:28] fight.
[71:30] We're going to live on.
[71:33] We're going to survive.
[71:36] Today, WE CELEBRATE OUR INDEPENDENCE
[71:40] DAY.
[71:41] here right now.
[71:43] >> Yes. Steve, don't come yet.
[71:45] >> You feel this?
[71:48] >> I'll never let go.
[71:50] >> All right, guys. Uh, listen this little
[71:51] blues riff and be watch me for the
[71:53] changes and try and keep up. Okay.
[72:07] He's after the Dragon Ball. Is it safe?
[72:13] It has begun.
[72:14] >> If you're looking for a berserk night
[72:16] out in in the New York, I know just the
[72:18] place for you. New York's hottest club
[72:21] is Whimsy. Condemned by Glad and the EPA
[72:24] from Ghostbusters.
[72:26] This old wet band-aid found in a in a
[72:29] jacuzzi is the kind of place that makes
[72:31] you feel weird the next time you see
[72:32] your parents.
[72:34] >> Oh no,
[72:36] they're
[72:37] >> my eyes. The goggles do nothing.
[72:43] [music]
[72:46] >> SPARTANS,
[72:48] WHAT IS YOUR PROFESSION? [screaming]
[73:02] >> COMRADES, our own fleet doesn't know our
[73:05] full potential. They will do everything
[73:08] possible to test us, but they will only
[73:10] test their own embarrassment.
[73:12] >> We will pass through the American
[73:14] patrols, pass their sonets, and lay off
[73:17] their largest city and listen to their
[73:19] rock and roll while we conduct missile
[73:23] drills.
[73:24] >> Get you.
[73:25] >> I'm going to get you.
[73:26] >> I'm going to swim with you.
[73:27] >> I'm going to get you.
[73:28] >> I'm going to be your best friend.
[73:31] >> Good feelings gone. I am
[73:35] kind.
[73:36] >> What a beautiful day to be alive. Am I
[73:38] right? Problemmo.
[73:40] >> No problemmo.
[73:41] >> I needed coffee.
[73:42] >> Put that coffee down.
[73:45] >> Oh, rubber ducky. You're the one.
[73:49] >> Life insurance.
[73:50] >> Bingo was his name.
[73:52] >> All right. You want me to check him out?
[73:54] >> It's from way UP HERE. YOU ALL LOOK LIKE
[73:56] LITTLE ANTS.
[73:57] >> But it wasn't a dream. It was a place.
[74:00] And you and you and you and you were
[74:04] there.
[74:04] >> Do or do not. There is no trying.
[74:08] >> Before we get started,
[74:10] >> does anyone want to get out?
[74:12] >> You never appreciated our relationship.
[74:14] >> You think you're my greatest enemy.
[74:16] >> Yes. You're obsessed with me.
[74:19] >> No, I'm not.
[74:19] >> Yes, you are.
[74:20] >> No, I'm not.
[74:20] >> YES, YOU ARE.
[74:21] >> WHO ELSE DRIVES YOU TO ONEUP THEM THE
[74:23] way that I do,
[74:24] >> Bane? We can't go back.
[74:27] >> We have to go back, Kate. The sheeple
[74:30] aren't going anywhere. They like my
[74:33] world. They don't want this
[74:35] sentimentality. They don't want freedom
[74:37] or empowerment. You want to be fooled.