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[01:15] very fine house. Cliché. Also, 1 minute and 6 seconds of logos. This early close-up of bear whose face the movie will repeatedly use as visual shorthand for whatever emotion live between what and oh no.
[01:27] >> Skip. >> in every song I listen to. >> Every song? Every song? Weird, because this guy has Cannibal Corpse fan club >> Oh my god, I knew it. I'm so sorry. >> Bear folds under the mildest social
[01:41] step in this movie's thesis that with great lack of confidence comes great evil. It's a fascinating character angle, and exhausting to watch. so embarrassing. >> Honestly, I'd assume he'd be more used
[01:53] >> You told me to I my heart out. Do you know how vulnerable I just got? >> Flowers, the candy that she said she likes. >> Somehow Bear ignores the advice of the only woman present in this conversation
[02:05] cap backwards. >> Sorry doesn't cover all the tips she missed while you briefly embodied 4chan Shakespeare Bear. Also trying to pull a Nathan Fielder but not fully committing
[02:18] collective apartments, extended families, and obtaining a seemingly freaking dude, that was so embarrassing. >> Based on how self-aware and shy we'll hard to believe Ian convinced him to rehearse this with a total stranger at
[02:33] things like character consistency get in the way of a lukewarm cold open fake >> Movie somehow makes flirting sound like a fetish accusation. Nikki? >> Freaky Nikki is a terrible nickname.
[02:48] Ian's trying to force a rhyme to make it kind of sound like Freaky Nikki. But less effort. Brilliantly thought out and witty options that I will keep to myself there. >> I love trivia night. It's all I have. I
[03:01] thinking about trivia. >> In an effort to establish the movie's title as its central organizing principle, we're dragged into the deeply cursed psychological space of a man who wakes up erect and looking for answers.
[03:14] the grounds of being a trivial pursuit. >> You can't turn our weekly gathering of camaraderie and skill into your your your seven-year-late prom-posal, Bear. >> All you have is time. >> Okay, calm down Christopher Nolan. Just
[03:28] >> This dead cat is the weirdest piece of foreshadowing since I drove past that Hereditary. >> How did you get into these? undermines the notion that this man has ever interacted with a creature who
[03:41] nature deemed it unnecessary to burden with the consequences of physics. Also, movie wants us to believe this was a simple cat death by curiosity. But the sinister. After successfully completing a series of advanced dexterity
[03:53] challenges, this tiny furry locksmith somehow succumbs to the culinary judgment of a seagull. A cat three evolutionary leaps away from paying rent clearly foul play. There's a note on the bottom of these pills that says do not
[04:06] it's for the human, shouldn't it be written on the front? And if it's for the cat, it's an exercise in futility because cats famously never do what Sharpie. Let's walk through this kitty clean up with our logic hats on. Oh, I'm
[04:18] most interesting scene in the movie? Bear move poor Sandy off the carpet so vibes. But instead of putting him straight to the trash bag, he moves the body to a secondary location creating another clean up. Is this sick [ __ ]
[04:32] enjoying this? Movie refuses to examine the deeply broken justice system that continues allowing the bass clef bandits to evade prosecution for their repeated rhythm violations. We're only 5 minutes in and this is
[04:44] exhausting hang. >> Yeah, so I'm putting in my two weeks. >> Nikki putting in her two weeks seems to function as a dramatic ticking clock for leaving town, or entering witness protection. She just said she's quitting
[04:57] this job. The urgency here only works if Bear's entire dating strategy revolves exclusively while they're clocked in or if he believes unemployed people immediately vanish into the void. >> Really?
[05:10] >> I don't know. >> Excitement? Nikki just talked about how busy her work day was, so I think it's safe to say we are firmly in the p.m. So p.m.? I'm a full 30 minutes past my bedtime.
[05:22] >> Nikki dropping that crystal down the drain is the inciting incident for meaning this entire movie is the result of a completely avoidable plumbing dangers of obsession, it's about the importance of a drain cover.
[05:35] >> No, but hold on a second. interesting story where this crystal shop clerk has psychic powers, tells and we're out of here in a cool 20 minutes, free to spend the rest of our
[05:49] time sipping piña coladas. >> It's one that's like good energy, like >> You know, in case he confuses them with all the deliberately bad vibe crystals that these type of people would willingly wear around their necks.
[06:02] >> The elevator pitch for the new live-action Moana movie somehow makes it into the script. Also, this only works if we apply poetic logic in a place of geology, astrophysics, and arguably metaphor. Granted, humans did eventually
[06:15] batteries. Still, the crystal people were annoyingly early, and their 9-volt is dangerous for supernatural reasons, manufactured during the brief golden age of leaded gasoline, mercury
[06:28] thermometers, and cigarettes with asbestos filters. I mean, lack of >> Well, they're kind of like collectibles, so some people don't open them, but the complain. >> If these are collectibles, this store's
[06:41] valuable objects that just so happen to be cursed. >> lives. >> Haha, we are having fun and laughing about the thing that's going to happen
[06:53] in this very movie. I don't know why Bear is giving Ian a heads-up when Ian has made it very clear that he will [ __ ] block the first sign of Nikki nuptials >> I'll get a piña colada. >> This scene treats Bear ordering a piña
[07:05] colada as a shocking new character detail, but this group goes to the bar suddenly become a piña colada guy. No, that's a gradual evolution built on decision-making. And Bear has definitely ordered one before because piña coladas
[07:19] >> Sarah just told me that her dad keeps a gun in the breaker room safe. >> I see exactly what the movie is doing here. This is a textbook setup for the information just enough so it doesn't feel random when it comes back. The
[07:32] it's fed to us feels both painfully obvious and completely forgettable. It's >> Why to Sandy? >> She died. Nikki are only just now learning this after they've all been sitting at the
[07:46] meaningful about his emotional certain point this guy stops feeling psychologically complex and starts Bear mentioned that Nikki was there for him when his nana died, so why isn't he
[08:00] Expecting me to believe that Bear isn't the sympathy snuggles is deeply optimistic. >> I'm saying no to bad singers and sticky tabletops.
[08:12] horrendous pastimes society has incorrectly decided are fun since. In in this very next scene Ian's hat is missing. When will this new generation learn the important lessons of making movies? Bear ogling Nikki as she gives
[08:25] $20 of someone else's money to a person she patronizingly presumes is unhoused unsheathes a power of boners hitherto unrealized. Also, giving $20 to a man sat outside a bar isn't a guaranteed way to see them waste $20 on booze, but I'd
[08:38] place its efficacy somewhere in the region of really quite likely. >> It'd be weird not seeing you every day. >> Bear, your tolerance for weirdness will >> No, it's not a romance, it's a love story.
[08:50] >> Honestly, you want to get laid by the person writing the love story, Bear. Sarah? >> I'm asking how you feel about Sarah and crush on her, then that would be how you feel about her.
[09:03] >> I'm not sure if age has caught up with me or if this dialogue sounds like two where the only way out is aligning three abstract concepts, deciphering a containing a slightly more annoying conversation.
[09:16] knows. >> Humble brags that at their core simply counterproductive. >> Do you like me? You two go make a wish for a pizza that tragically comes with anchovies and we
[09:29] wrap this whole thing up in under 30 minutes. Come on, Bear. Wait, is his >> I think we're good friends. >> Hey, Bear. [ __ ] you. Why? >> Ever [ __ ] up an interaction so badly
[09:42] words, your immediate reflex is to reach for a novelty wishing branch you bought at a crystal woo-woo store? No? Just Bear? Literally just Bear? Literally no this guy? >> I wish Nikki Freeman loved me more than
[09:55] >> This is basically be careful what you wish for wrapped in monkey's paw logic, then dipped in Elmer's glue before being rolled around in the 2000 remake of Elizabeth Hurley before being cross-pollinated with the genie episode
[10:08] from X-Files that also came out in 2000. Christ, what was in the water? Also, Bear makes the absolute rookie mistake of not wishing for more wishes. Also, also, Nikki's last name is Freeman because Nikki, victim of an icky curse
[10:20] as a metaphor for fragile male egos was confusingly already taken. Also, number three. Don't worry, I only get three alsos and can't wish for more. It's considering how poorly Bear followed the rules as written. The instructions on
[10:32] the back of the box say gently break in half and state your wish clearly. While happens before or during the wish, the one thing we know for certain is that it >> Do you want to come inside or >> So, we're just done with phrasing,
[10:47] >> Wait, what the [ __ ] >> Nikki, what the [ __ ] go live to Nikki and Bear where an awkward hookup is already in progress. WHAT THE MY DAD'S DYING.
[11:00] understand why it leads to Bear bringing her back to his place. The smart move is to walk her inside, keep things on her turf, and then sleep on the sofa. You're creep minus a kidnapping charge. >> Smells like you.
[11:14] >> No. No, just you. >> This reminds me of one summer when I stop at home for some deodorant to cover up the bad parts of my musk. Turns out it's all bad parts. That's how mammals work. This poster is, I swear, the most
[11:28] distracting thing in this scene. Is it a movie? I've Googled the damn thing to cares about is this poster about some lovesick French dude that barely relates relating to a movie from the '70s about infamous pool shark Minnesota Fats, but
[11:42] no one seems willing or able to tell me what pool has to do with this movie or >> I thought I saw something. >> You woke a bear from his sleep. You cannot cry when your tangos. >> Do you really feel like I did something
[11:54] >> Many directors have said something remarkably similar about cinema since. >> [laughter] >> Weird. Happens in a horror movie and the main character immediately searches for answers on an off-brand Google cliche.
[12:07] prequel bait of a search link referring to a one-wish willow incident in the '80s. Also, also, this article is conjecturing that a novelty collectible might have been an example of the Mandela effect. If only there were some
[12:21] way to prove that a collectible had been collected by some people or that the commercial actually existed. Or maybe a website in this very search page that is selling the very thing you're saying might not exist. These contradictory
[12:33] confidence are the internet distilled to its purest form, I say with absolutely who I'm supposed to believe in this discourse when not a single mother has comparison has been made to Hitler's economic prowess.
[12:47] >> Uh, I'm looking at porn. >> My anger at Bear ignoring this red flag poorly disguised as a memorial is only refusal to let this cat rest in peace. Also, Nikki is dressed in none of the
[13:02] fact, this is her work uniform. And why would that already be at Bear's house? What? Yes, I'm aware that she made a shrine out of a dead cat, but that seems >> Oh, Nikki. >> What?
[13:15] >> Oh, man, they dragged poor Andy Richter into this mess. >> Well, what the is it? >> Bear will explain to Ian that he had a crazy night with Nikki involving some very not Nikki behaviors. However, he
[13:27] dead cat out of the trash and made a Hallmark moment out of it on his kitchen >> Bear's need to preserve his fantasy of Nikki is clearly doing a lot of work here, and that's believable to a degree. People rationalize alarming behavior
[13:41] the time, but there's a threshold where denial stops feeling human and starts of this argument, I get to decide where that threshold is. Massive props for the commitment to the previous searches here. I particularly like how to know if
[13:55] Green Day's Basket Case on marimba. But these are the kind of self-incriminating searches a man like Bear absolutely uses incognito mode for. I mean, come on. >> She was looking at both of us. We look like we were talking about her.
[14:09] these repetitive conversations that when things finally go off the rails, part of to hear Bear and Ian talk anymore. That's not ideal. Chaos should feel killing of repetitive dialogue. >> I was on MDMA.
[14:24] >> That's okay. >> It is not okay. Also, even if Nikki's still feel wrong. Here's behavior that should make him stop and ask harder questions, but instead offers unconditional reassurance. I'll even
[14:37] intentional. The problem is the supernatural framing makes Nikki look obscuring the fact that Bear is one, too. >> I don't. And yeah, I know I'm not supposed to, but I'm the referee here,
[14:49] review my call on the field, mostly because I never installed it. But either >> Do you have feelings for me? >> I swear we are verging on a skip bonus round, and I usually reserve those for romances, not love stories. Kissing,
[15:02] sighting. Also, the biggest sin here is how completely this montage distorts time. Was that a couple of days, a week, or one particularly eventful afternoon? them is impressive, and the third feels medically concerning. This AI animation
[15:16] slop writing a check this movie will refuse to cash. >> So, what do you want to do? I mean, I never really asked. this group of friends that work together and quiz together? Nikki might have been
[15:29] just being a bit of a dick. >> Call me a closed book. start. >> Demon Nikki exposes her naivete with this mortal plane by not understanding that an open book can theoretically be
[15:43] >> I don't think there's ever been more clear-cut evidence of villainy in film If the movie is looking for a reason to stop generating empathy for Bear, I'm immediately. >> Because I don't want to spread drama.
[15:57] now be spread immediately and with reckless abandon. >> I looked into Nikki's dad having cancer, and he's healthy as a baby. in fact, get cancer. >> He's been to work like every day.
[16:10] cancer can, in fact, still be employed. Also, Bear doesn't take this opportunity American healthcare system might actually enforce cancer patients to stay completely committed to Bear never being close to anything that could be
[16:24] considered a rational thought. >> I award you no points, and may God have >> I called the hospital she told me about, and they didn't even know who I was >> Demon Nikki made the baffling choice to specify a hospital that her dad is 100%
[16:36] diagnosis. >> I I don't know. I think she has some >> There was a time when, as a society, we aspired to have only the illest of >> It's a It's a tiger's [music] eye. It's supposed to bring you confidence and
[16:51] >> Yet, not seen at any point in this movie, Indy car driver willpower. Also, what becomes a fancy rock. Almost like it was a tease to be another willow wish sense, but at least I wouldn't be talking about this [ __ ] box. The
[17:06] versions of Nikki had to be both exhilarating and incredibly demanding. praise for pulling off this performance. evidence, this appears to be some kind of ceremonial T-Rex walk. Oh, Also, even
[17:20] YouTube born obsession couldn't hide its graduating thesis from the Blumhouse >> Why do you sleep? >> There are definitely less creepy places or so I'm told. >> Can you come back to bed?
[17:32] >> Nikki is already unsettling enough that the extra horror movie creepiness feels as character escalation so much as the filmmakers reminding the audience, "Just so we're clear, this is THE SCARY PART." >> [screaming]
[17:46] NUMBER of hat boxes. >> Just come back to bed. >> Asking this to come back to bed. >> Go back to sleep. refuses to come TO BED. >> STAY.
[18:01] >> STAYING AFTER THIS SAID THAT when it eventually agrees to come to bed. night? >> I know. I know. I know. >> Calling last night kind of weird is such an aggressively inadequate description
[18:14] almost impressive. Too bad Bear's obsession with understatement is >> Plus this. >> Taking the end credits of Pearl and >> Come here. >> Nikki.
[18:27] shocked none of the other possession ghosts we see in horror movies have boners. Bear knows damn well he already withdrew all his surprise face overdraft fees. This is an alarming but wildly inefficient use of duct tape. But
[18:42] Nikki's actual goal is to keep Bear from leaving. Most of this tape is wasted on contributes very little structural resistance. The edges are doing all the barricade and more arts and crafts kidnapping. I mean, she's not going to
[18:54] kind of follow-through. She's going to misery him, right? Right? >> This scene brings the energy of a man trying to prove that a door opens both >> Ian's thing somehow makes it into the
[19:07] >> Thanks. >> Has to be small and a hidden location. >> Sarah misses the perfect opportunity to say she can't in good conscience cat? >> Nicky has prepared a dead cat sandwich
[19:20] it didn't smell or taste like the rotting corpse of a long dead cat. I technique at least. >> I can't look at that. >> This cut is doing an incredible amount of work to avoid what should be a wildly
[19:34] just violently vomited after realizing he ate his dead cat, and Sarah is absolutely going to have questions that cannot be casually brushed aside. I had to Uber today. Check engine light. >> There's nothing inherently unrealistic
[19:47] timing here feels awfully convenient. The movie needs these two stuck together long enough to force a conversation, so suddenly the check engine light appears right on cue. Functional, sure. Subtle, not remotely. But I also drove a car
[20:00] for basically the entire duration of my ownership, so I'm not exactly buying >> Nicky is literally fine. >> In the last 12 hours she has literally duct taped your door shut, cut your hair in your sleep, and made a Reuben out of
[20:13] self-delusion becomes as certifiable as it is tedious. The windows in this car could legally drive it anywhere other than a Hollywood soundstage. >> You can't cook the cat, okay? >> Clearly you can. If she's done nothing
[20:26] else, Freaky Nikki has proven feasibility. Why the hell is it 2:54 in live at 4 to 6 hours away from their part-time job at the music store. >> Yes. >> Answering a call like you're about to
[20:38] offer up some extremely lackluster phone sex. The kind where someone says, "Yeah, that's nice." with absolutely no conviction before both parties quietly >> I'd like to cancel my wish. >> No. No, no, no.
[20:50] ready to manipulate the [ __ ] out of Nikki and force her to love him. He's clear that he just wants to alter the wish, not cancel the thing entirely. So long as she doesn't act weird while it's happening. I'm sure he's not the hero,
[21:04] but But how even the strongest of boners can tolerate the cat cooking queen of Connecticut. I just assume that's where the cat cookers are for alliterative >> If you have any questions about how the wish works or if you read the back of
[21:18] >> The person on the other end of this helpline provides help that amounts to why the phone line exists in the first place other than bring us the voice of a YouTuber turned movie director. >> Just because you chose this for doesn't
[21:31] make it less real. >> It does. And much like Bear, I too have to believe that The Phantom Menace is the best Star Wars movie. But that a bad take chode. >> I mean,
[21:44] >> I'd love to know how that wasn't included on the [ __ ] box. Also, movie introduces a ticking life cliche. >> You want to talk to her? >> Nikki. >> The man on the other end of this call
[21:57] soul, and Bear will never once call this number again. Take it to the police, an old priest, a young priest, or Ed and Lorraine Warren.
[22:09] perfectly matches his uniform. >> Ian invited me to a a boys' night go to that. >> That's so weird cuz Sarah was telling me >> Which is something that Bear knows, too. He also knows that Ian said he was going
[22:24] doesn't he share that information with Nikki? Not that it would have helped, but it's weird that he didn't try. >> Baron, I want to sit next to Nikki. >> YOU DO NOT. >> [laughter]
[22:39] these exaggerated and confusing reactions? You'd think it would try to >> Nikki, it's your turn. being decided in this game. Somehow Nikki gets a turn after the guy sitting
[22:53] on the opposite side of the table uses his turn to swap seats with Bear. And again. Even if I've misunderstood some part of that sequence, there's no version of this functioning on either clockwise or counterclockwise logic. At
[23:05] this point, I need a tele strator, a whiteboard, and probably former NBA the hell is happening. >> You're not my wife. Rather, he said, >> You're not my wife. Rather, he said, "I'm more than your wife. I'm your
[23:21] Hansel and Gretel Witch Hunters told everyone else not to somehow makes it into this monologue. >> If not, I would fillet his meaty forearm, roll it like a stick of licorice, and insert the flesh between
[23:36] >> Movie out does every college ex-girlfriend story I've ever told in signing a non-compete agreement in this regard. Seriously though, this is a pretty cool speech that compares Hansel and Gretel getting incesty to Nikki
[23:49] younger brother. But, where is it coming from? It's a weird [ __ ] thing for a articulate for the kidnapped soul of Nikki, who we last left screaming into >> Kiss the person on your left. >> Somehow, even these giant Jenga blocks
[24:04] are pushing for maximum drama. Almost like the screenplay is written on them, >> And everyone in this room WILL DIE, NEVER FEELING THE STRENGTH OF connection I have felt with my Bear. >> It's interesting to note that this
[24:19] curses version of love is this all-consuming unhealthy yet horror movie saying, I think it's taking a lot of creative liberties with the idea of love appealing. Therefore, this feature exists on the same coin as a Hallmark
[24:33] >> YOU DID IT, YOU DID IT, NIKKI! >> SO CLOSE TO WHAT WE WERE LOOKING FOR. IT WASN'T ME BY SHAGGY. Demon Nikki is breaking through, or she is having a perfectly natural reaction to the
[24:45] drunk morons. Nikki leaving this hospital without being admitted or least believable thing in this movie. She was bleeding from the face, behaving erratically, and somehow the hospital interaction resolves like a silent movie
[24:58] just pull some if you love me, you'll go get stitches? I mean, he could kind of I'm not saying it's right, I'm just asking questions. Or following orders, or both. It's strange to me that Bear seems completely incapable of tending to
[25:12] Kleenexes. >> Just go to the bathroom, Nikki. >> Bear not running with the idea that Nikki not asking to sit between him and >> I love you.
[25:26] >> Presuming you can speak on behalf of the Nikkis who exist as rocks, fight with >> Kill me. >> Oh, what the happening right now, but it feels like Tenet. And accusing confusing things of
[25:41] being Tenet has worked for me before. >> Any thought of pain or regret will slip away like chemical switch. >> This particular diatribe goes on for so indecipherable from 99% of Oscar acceptance speeches. At this point, the
[25:56] from Bear texting Sara while lying next to Nikki. A harder question is how Bear enough of Nikki's instability that this level of carelessness no longer feels like he's doing it for the thrill. Of course, none of Sara's important things
[26:10] could possibly be constrained by the written word without being irreparably It's me. >> No ID check, no frustrating password authentication. Frankly, this is my new most unrealistic scene in the movie
[26:24] verification system in my life has required at least three unnecessary >> What's so bad about being with me? >> Just kill me, please.
[26:39] can fix this one. >> Just kill me, please. interesting idea with Bear, passive villainy. He rarely acts decisively, but his refusal to take responsibility repeatedly enables harm. The problem is
[26:54] interesting in theory, it becomes tiresome in practice. Bear's defining chronic abdication. Seriously, what do you even do with that dramatically? Is while lying in a coma? Is the final boss just a strongly worded email demanding
[27:09] >> So, what the [ __ ] is up with Nikki? She hasn't really told many people this, but her and dad is dying. >> Defending Nikki with a lie that can be easily discovered with one phone call to their mutual human, Ian.
[27:22] >> And I I also don't think it's right that she's leaning on you, especially since >> Skip. >> Her Ian and Nikki have been hooking up >> Skip to my lou. >> He thinks that she's dating you to get
[27:35] >> Skip to my lou, my darling. >> I think you need someone more chill. >> The ickiest part of this story might just be that [ __ ] Sarah, the nicest for [ __ ] Bear. >> You're supposed to kiss me.
[27:48] including that curse, has happened to Bear that he should now assume Scream should not be in a car in a creepy ass park where there's no escape, especially was there all along. Stop trying to be the final girl, Bear. This face-breaking
[28:01] goes on for quite some time. Longer than I expected, if I'm being honest. Still going. Yep, still happening. Starting to feel like we made the point here, movie. No, really. Uh, point received. Message understood. I am now becoming
[28:13] increasingly concerned. About what exactly? I don't know. My face and my candidates, though. I like them. But also, it's some terrifyingly effective horror. But also, also, it's [ __ ] gross. My face hates you.
[28:25] >> He really didn't, and yet [clears throat] he does. At this point, killed anyone and Nikki has. Yes, it wish, but no one is going to believe that [ __ ] What I do believe is that
[28:38] this selfish stain would absolutely throw her under the judicial bus now that murder has been done. Bear ain't the body-burying type, my people. Their hide the body there? That doesn't make any sense. What kind of music store has
[28:51] entire human into sandwiches? This art school couldn't spring for the big envelope to send out acceptance letters. Tough economy. Hard to cultivate admissions department is operating UNDER AUSTERITY MEASURES.
[29:04] AUSTERITY MEASURES. >> [screaming] he's completely covered in blood. Sure, maybe time will reset once he makes a fresh wish undoing his OG wish, but he has to make sure he isn't arrested by
[29:18] >> First of all, sir, don't come here with this. It is too early. And second of >> [laughter] >> Where was this guy all movie? But as moment, Bear is covered in blood and that seems unremarkable to this guy for
[29:32] reasons I can only assign to the script. >> Nobody would buy it >> if they knew the harm it could cause? I [ __ ] wish, Bear. them watch this very movie, and I guarantee you some [ __ ] probably me,
[29:45] make a wish that didn't backfire. If that wasn't the case, we wouldn't still >> Role obsessive. It's >> You need to reverse it. Y- Y- [laughter] >> I already used my wish, man. >> It's pretty clear this guy and the lady
[29:58] from earlier confidently know that these things actually grant wishes. So, why in the Robin Williams are they being sold for $6.99? Did this guy accidentally life? Sure, he's used his wish, but he should be selling these on the side to
[30:11] there's one demographic who will take a chance on buying a wish for 10,000, it's Woo Woo loving rich people who need one more way to oppress the poor. The last thing I'd be doing is selling them on a [ __ ] countertop for seven goddamn
[30:24] friend. >> [ __ ] what now? That doesn't even reversing the wish. This is just removing the sex from exactly the same situation. Not to mention the fact that Sarah's still dead and you're officially
[30:37] friend will do when you're in separate prisons. work. I wished Nikki would love me, but it worked. >> I wish for a billion dollars. >> The magic chose the most dramatic way to
[30:49] dropping a billion dollars on his head was an attempt to kill him, but they point in his bank account and sent a hitman to shoot him in the head. It the same. >> Do a little dance. Freak a little Nick.
[31:03] >> Yeah, open the door. I got like A BILLION >> He was there when the money started falling from the ceiling and he told you knows it's real. I don't want to show any of this really, but the sin in the
[31:16] scene is that Bear takes multiple attempts to remember where his brain is located in his head. Also, this is where the movie loses me. Bear absolutely begins operating in a troubled space where self-destruction starts to
[31:28] both. If the intended point is that Bear is still choosing escape over psychologically interesting there. But this is delicate territory and the movie handles it with far less care and nuance than the material demands. Oh, what's
[31:41] bandaging and wound dressing? Then why the [ __ ] was she bleeding on your bed? >> You hear that? You hear that? >> The demon seriously seems to have run out of ideas and just repeats the same thing again and again. She never tries
[31:53] to hear his Johnny or way through the door. No originality whatsoever. The wish branch thing because it just can't trust us to know that Bear's sudden own free will, which just leaves me screaming about how much I don't care if
[32:06] the top was still spinning or not because it wasn't even his totem. The in the middle of a crime scene, which feels deeply unfair until you remember motion, including notably dropping the crystal down the drain. It's a strange
[32:20] fault. Not the direction I would have gone personally.
[32:33] >> [groaning] >> Itty bitty living space.