--- title: 'El Final de Kick y Sus Streamers es Triste' source: 'https://youtube.com/watch?v=5zdj22GsHk0' video_id: '5zdj22GsHk0' date: 2026-07-12 duration_sec: 476 --- # El Final de Kick y Sus Streamers es Triste > Source: [El Final de Kick y Sus Streamers es Triste](https://youtube.com/watch?v=5zdj22GsHk0) ## Summary ## Transcript you've felt like your income isn't adding up, apparently you're not alone. In recent weeks, some famous streamers with thousands of viewers per live stream have been seen saying that Kick is paying them ridiculous amounts. And personally, I don't think it's normal that suddenly the numbers aren't so impressive anymore. And obviously I also don't think it's normal for a platform that promised to be the perfect alternative to Twitch to start silently changing the rules . Many creators who came here did so convinced that they had finally made the right decision, that now they were in the right place, that the problem was Twitch and that Kick was the solution. But what if the mistake wasn't Twitch's? What if the mistake was actually thinking that Kick was a long-term plan? If you 're currently streaming on Kick, if your income largely depends on that platform, or if you're considering switching because they pay better there, you need to watch this entire video. Let's begin. Hey guys, how are you? For those who don't know me, I'm Yayas, and lately clips and tweets from streamers on Kick have started appearing saying more or less the same thing: that the payments are no longer the same. In fact, in some cases Kick's own people have said that certain channels have non- organic traffic and that for that reason they are not being paid what they expected. In other words, the platform is saying, "Not all of those viewers are real, and therefore I won't pay you what we agreed on." But the worst part is that they say it's Kick himself who inflates his streamers' numbers with BW bots and then underpays them for not having real numbers. And no, we're not talking about one or two isolated cases, but several streamers who are having the same problem. And beyond whether that's true or not, I think what really matters is this. When the platform that promised to be the best for streamers to earn more starts making such noticeable changes to its monetization system. For me, this is a clear sign that things are about to change. And look, I'm not saying you should go back to Twitch before Kick's ship sinks or anything like that. Don't worry, I'll tell you what you should do later. Before that, I need you to listen to this. From my point of view, the mistake that many creators made by going to Kick was not financial. The mistake was making a financial. The mistake was making a strategic decision out of exhaustion. I mean, many didn't go to Kick because they analyzed its business model, they didn't leave because they understood how the platform was sustained, they left because they were fed up with Twitch, fed up with the ads, fed up with feeling like they were working more and getting paid less. And when you're at that point, your mind isn't looking for a strategy to move forward, it's looking for relief, to get out of the problem as soon as possible. And that's where KCK comes in with more money, fewer rules, and zero ads. Many creators thought, "This is the right place. Streamers are valued here." Finally, a platform that thinks about us. But there is a basic question that almost no one asked at that time. Where does the money come from? Because when a platform pays you much more than what seems logical, that's not magic or generosity, it's an investment. Someone is putting money in today hoping to get it back tomorrow. And that in itself is not a bad thing, don't misunderstand me. The real problem arises when the creator assumes that this scenario is permanent, when he begins to organize his life, his expenses and his future, as if that payment were stable, as if it could not change, as if the rules were not going to be adjusted eventually. That's where the real mistake lies. And this mistake is almost as big as believing that you can actually grow on YouTube, Kick, or Twitch without posting content every day. So if you don't have a team to help you achieve this, the best thing you can do is start automating your content editing process tool that automatically analyzes my live streams artificial intelligence to find the best moments and turn them into vertical clips with subtitles. all without having to spend hours editing. In fact, I uploaded this clip from a stream to my secondary channel a while ago and it got over 3.3 million views, and it also works with any video you upload manually. Yes, without lifting a finger. Nexus Clip is not just a useful tool, it's a long- term ally that can help you achieve your goals faster. If you want to try Nexus Clip today, I've included a link in the description with a very special discount, or you can also use the code duo 2 directly when you register. Being a content creator doesn't have to be difficult with Nexus Clips. Many creators didn't go to Kick with a plan, they went with a hope. And hope is not a strategy because a platform is not your business, so to speak, it's the place where they let you operate today. Kick, Twitch, YouTube, it doesn't matter. No platform belongs to you, none owes you stability, and none guarantees you anything in the long term. But the big difference is that this time many creators did bet everything on a personally don't think the problem was switching to Kick, the problem was believing they had already solved their monetization problem by going there. And the worst part is that now many believe that Kick's problem of not paying well anymore can be solved by changing platforms again; that if Kick fails, the answer is to go back to Twitch or move to the next platform that promises to pay better. But that's repeating the exact same mistake. Changing platforms doesn't change the underlying problem, it only changes where it occurs. If your income depends on rules you don't define, your stability is fragile. It doesn't matter how much you're earning today, and this is what many creators don't want to see. It's not about whether Kick falls tomorrow or not. The point is that even if Kick continues to exist for another 1000 years, you are still exposed to this. Because the risk is not the cut in Kick's monetization. The risk is having built everything on something so fragile. And here's where it gets awkward, because the solution to all this has nothing to do with choosing the right platform, whether it's KCK, Twitch, YouTube, etc., it has to do with something much more difficult. The solution is to stop depending on a single platform. If things change here tomorrow, if Twitch changes or YouTube changes, the creator who has a community, diversified income and their own brand simply adapts to the new situation. The one who does n't panic. Believe me when I say you don't need 10 different sources of income, you just need a few that you control well, something that does n't depend on metrics that sometimes you can't even see, rules that you don't decide, and automated emails explaining why you earned less this month when you worked the same amount. Use all platforms, take advantage of them, squeeze them if necessary, but don't build your entire future on just one, because when a platform adjusts or makes changes, it doesn't ask for permission and doesn't expect you to be ready. Personally, I believe that what's happening with Kick today isn't the end of anything. In other words, I don't think Kick is simply going to shut down its servers tomorrow or something like that, but most likely there will be changes in its monetization. I mean, they're going to make adjustments to stop losing so much money. And I think that in the end the real question here is not whether Kick is going to fall or not. The question is whether you are prepared in case something similar happens on any platform. If your plan is to become a full-time content creator this year or next, in this video I explain how you can achieve it. Click on it. See you you can achieve it. Click on it. See you in this