[0:00] for the next 7 days I'm going to work
[0:01] like a MAA
[0:02] animator the wind is very cold this did
[0:06] not go as expected if you don't already
[0:08] know MAA is the studio behind some of
[0:10] the biggest anime of recent years such
[0:12] as jiujitsu Kaizen chainsaw man and
[0:14] Attack on Titan the final season however
[0:16] the studio has faced severe backlash
[0:17] over its heavy workload near impossible
[0:19] deadlines and immense pressure on its
[0:21] animators which has become detrimental
[0:23] to their personal lives and health and
[0:24] for the next 7 days I'm going to be
[0:26] taking on the treacherous deadlines and
[0:28] long hours of work of a mapa animator
[0:30] this was the most I've ever pushed
[0:31] myself and it gave me a completely new
[0:33] view of the anime
[0:35] industry after forcing myself out of bed
[0:37] I made myself a quick breakfast and
[0:39] since I got like no sleep last night I
[0:41] almost overdosed on caffeine in the
[0:43] early morning and uh the second the at
[0:46] 9:00 a.m. the work day had begun for the
[0:49] next 7 days I have not one but two
[0:51] animation sequences to complete and
[0:53] since Studio MAA is known to deliver
[0:55] highquality detailed animation I knew
[0:57] that this was going to be nearly
[0:58] impossible to pull off so to try to set
[1:00] myself up for success I split my week
[1:02] into two parts the first 3 days we're
[1:04] going to be used to animate a jiujitsu
[1:06] kaisen sequence that features four cuts
[1:08] and the last 4 days we're going to be
[1:09] used to animate a chainsaw man sequence
[1:11] of five cuts I already had all the
[1:13] storyboards and character sheets ready
[1:15] to go so I was able to start animating
[1:16] right away in order to be on track my
[1:18] priority today was to get at least one
[1:20] to two cuts done and considering how
[1:22] timeconsuming animating semi-realistic
[1:24] characters is I would have to work at
[1:26] least 10 to 12 hours a day this week
[1:28] including the weekend to get the these
[1:30] Cuts done in time that's about double
[1:31] the hours of a regular 9 to5 job God
[1:34] please give me strength this is what the
[1:36] first animation sequence is going to be
[1:37] sukuna is standing in the middle of
[1:39] Shibuya alone as dust and smoke Rush
[1:41] toward him with zero effort he makes it
[1:43] all disappear he then starts laughing
[1:45] uncontrollably with his voice echoing
[1:47] throughout the empty streets then out of
[1:49] nowhere he claps his hands and a bunch
[1:51] of buildings
[1:52] explode before diving into the animation
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[3:12] I started animating cut one by setting
[3:14] up a 3D model in clip Studio paint which
[3:16] is the software I'm going to be using to
[3:17] animate I'm going to leave a link in the
[3:18] description if you guys want to try it
[3:20] out as well this was going to help me
[3:21] get the angle just right to match the
[3:23] storyboard and will ultimately save me a
[3:24] ton of time and brain power which under
[3:26] these conditions any help will really go
[3:28] a long way once I had the post locked in
[3:30] I sketched out sakuna since it was going
[3:32] to be a bit windy in the scene I
[3:34] animated the movement of his hair and
[3:35] clothing waving making sure they flow
[3:37] naturally to give the scene some life
[3:39] after that I focused on animating the
[3:41] dust and smoke rushing toward him only
[3:42] to have it completely be blown away as
[3:44] he flexes his impeccable Aura to really
[3:47] sell the impact I threw in an impact
[3:48] frame which was really simple and
[3:50] nothing much to be proud of to be honest
[3:52] but I guess it gets the job done then it
[3:54] was time to do the cleanup and the
[3:55] in-betweens which took a long time the
[4:01] now you to
[4:04] stay it is now my lunch break I got
[4:06] myself some chicken and rice and a
[4:08] protein shake but uh I'm doing pretty
[4:10] good so far and I'm just I just hope I'm
[4:12] able to pull this off again this is
[4:14] delicious I'm not going to lie to you
[4:15] after my awesome lunch break I got right
[4:17] back to it for a couple of hours until
[4:19] cut number one was completely finished
[4:21] it is 6:00 p.m. and uh reality is
[4:23] starting to set in this is going to be
[4:25] very very difficult to pull off in time
[4:27] so I legit have no time to waste face at
[4:30] all I need to start working on the
[4:31] second cut right now and even though I
[4:33] didn't get that much sleep I have a lot
[4:35] of reserved energy I feel like so this
[4:37] is a great time to get a lot done I
[4:39] started animating cut to by sketching
[4:41] out sua's face this shot was a little
[4:43] bit difficult because the camera pinned
[4:44] slightly as he transitions from smiling
[4:46] to bursting out laughing and I struggled
[4:48] to get the proportions and the angles
[4:50] right to make things easier I pulled up
[4:52] some of the character sheet pictures of
[4:53] sakuna face and use them as a reference
[4:55] for some of the frames I used the
[4:57] liquefy tool to stretch out his mouth to
[4:59] make him laugh it looks super goofy
[5:00] right now but I knew it would look way
[5:02] better once the line art was done
[5:04] speaking of line art I knew there was no
[5:05] way I was finishing this cut today
[5:07] because that and the inets are by far
[5:09] the most timeconsuming part of the
[5:11] process so I'd have to tackle most of it
[5:13] tomorrow for now I focus on cleaning up
[5:14] the rubs and getting started on the inet
[5:17] to keep everything consistent I also
[5:18] added shading references across the
[5:20] frames which took a bit of extra time
[5:21] but it was worth it to make sure
[5:23] everything looked solid in the final
[5:24] product and just like that the clock hit
[5:26] 900 p.m. meaning I had finished my first
[5:29] 12 our day guys it is officially 9900
[5:32] p.m. that means I have finished my first
[5:35] day let's go yeah I think I got a lot of
[5:38] work done so far and uh I'm very
[5:41] confident that I'm going to be able to
[5:42] finish it in time but you know it's
[5:43] animation so you never really know with
[5:45] day number one being finished I took a
[5:47] nice little shower and got ready to go
[5:49] to bed because as time goes on this was
[5:51] only going to get more
[5:53] difficult day two started with a quick
[5:55] trip to McDonald's for breakfast because
[5:57] I just didn't feel like cooking while
[5:58] eating I thought about how things went
[6:00] yesterday I got a decent amount done but
[6:01] there's still a lot left to do
[6:03] especially with all the line art and
[6:04] inet that cut two still needs I also
[6:07] didn't get the best sleep so I'm still
[6:08] feeling a little bit tired but I'm
[6:10] hoping once I get into the Flow State I
[6:11] can power through and get a lot done
[6:13] with that being said the clock hit 9:00
[6:15] a.m. yet again so it's time to get back
[6:17] to work I jumped straight back into
[6:19] animating Cut 2 my journey to get the
[6:20] cleanest line art possible was still
[6:22] going strong so I knew this is going to
[6:24] take a lot of time getting the inet
[6:26] right to make everything look smoother
[6:27] Took a ton of effort but it was worth it
[6:29] to make the animation flow properly I
[6:31] also copied Suk kuna's hands and eased
[6:33] them to further emphasize his evil
[6:34] maniacal laugh as I was wrapping up this
[6:36] cut and I was looking back at what I
[6:38] made I noticed that something felt a bit
[6:40] off the way sukuna turned East in at the
[6:42] start wasn't looking quite right it felt
[6:44] a little bit stiff so I went back and
[6:45] added a couple more in between frames to
[6:47] fix it and just like that after a ton of
[6:49] tweaking and polishing cut two was
[6:51] finally finished it is 2:23 p.m. so I
[6:53] still have how many hours like 6 hours
[6:55] and a half left of today oh my gosh
[6:58] today has felt extreme extremely slow
[7:00] I'm not going to lie the time has been
[7:01] slowly passing by done like 15 16 hours
[7:05] of work so far I feel sore from sitting
[7:07] down does that make any sense is that
[7:09] like normal I've been sitting down for
[7:10] so long I'm starting to feel sore from
[7:12] sitting without wasting any time I got
[7:14] started on cut three which features
[7:16] sukuna still laughing with the camera
[7:18] panning out and then he claps I yet
[7:20] again positioned the 3D model in clip
[7:21] Studio to help me get the most extreme
[7:23] positions nailed down once I had those
[7:25] set I sketched out a rough version of
[7:26] the two key frames after that I started
[7:28] filling in the in between which turned
[7:30] out to be way more mentally exhausting
[7:32] than I had anticipated it took a while
[7:34] but once I had the rough sketch sort of
[7:36] figured out I jumped straight into the
[7:37] line art for this cut I wanted to focus
[7:39] on having super detailed Line work
[7:41] similar to some of the high quality Cuts
[7:42] we see in jiutu kaisen season 2 because
[7:45] of that I decided to skip shading
[7:46] entirely for this one to keep things
[7:48] more manageable I also made sukuna
[7:50] Expressions as exaggerated as possible
[7:52] by intentionally going off model to
[7:54] really sell his manic unhinged energy at
[7:56] around 600 p.m. I took a quick snack
[7:58] break to get my mind off the animation
[8:00] for at least a little bit but I dwelled
[8:01] in my mind that I still had a ton of
[8:03] work left to do don't ask me why again
[8:05] we tried again and didn't feel the same
[8:07] the plans was up the diagram when I
[8:09] overseas I got some bags that need
[8:10] airing we used to get cash the checks
[8:13] bigger so they wired them 9:00 p.m. was
[8:15] creeping up yet again and although I
[8:16] hadn't finished this cut I had made a
[8:18] good amount of progress that is to be
[8:19] proud of I got a pretty good amount done
[8:21] today I'm pretty happy with how
[8:23] everything is turning out obviously I
[8:25] still have a lot to do but you know I
[8:27] think I might have to do with a little
[8:28] bit of overtime tomorrow you know if I
[8:30] want to make it as good as it can be I'm
[8:31] a little bit nervous for tomorrow but
[8:33] you know we're going to see it through
[8:35] hopefully day three started with me
[8:37] actually cooking breakfast but since I
[8:39] overslept I didn't have time to sit and
[8:41] eat properly with the 9:00 a.m. shift
[8:43] about to begin so I brought the food
[8:44] with me to my setup and I ate while I
[8:46] got back to
[8:49] [Music]
[8:54] drawing cut 4 was up next and it
[8:57] featured sukuna exploding some tall
[8:59] building since Shibuya I started by
[9:00] making the canvas extra tall since this
[9:02] was going to be a pan up shot which
[9:04] needed a lot of vertical space I didn't
[9:05] want to spend too much time stressing
[9:07] over the background so I imported a
[9:09] picture of Shibuya and traced over it
[9:10] call it cheating I don't care to get the
[9:12] scale right I positioned the 3D model
[9:14] yet again which has come and clutch this
[9:16] entire project time and time again with
[9:18] the background sorted I sketched out the
[9:20] animation for the explosions explosions
[9:22] grow fast and then they ease out slow
[9:24] and so I did just that to make the
[9:26] movement feel more natural after the
[9:27] sketch was done I started cleaning up
[9:29] and making the inet and I got to say the
[9:31] number of lines I had to draw for this
[9:33] cut was just insane I am so unbelievably
[9:36] bored of animating I'm just like so
[9:38] tired I'm actually like really really
[9:40] scared because I have another 4 days to
[9:43] go out today but man I really do not
[9:45] want to keep doing this man I'm actually
[9:47] just like I'm forcing myself to just
[9:49] keep on drawing but every single bone in
[9:51] my body is telling me to stop to go lay
[9:53] down on my bed and fall asleep that's
[9:55] literally all my brain is telling me at
[9:57] around 7:50 p.m. the endless inbetween
[10:00] for the explosions had completely
[10:01] drained my soul in other words I got
[10:03] tired of drawing the inbetween for the
[10:05] explosions so I switched to drawing
[10:06] sukuna for a bit which was only a still
[10:08] frame after that I got back to working
[10:10] on finishing the remaining in between
[10:11] frames for the explosions I kept going
[10:14] and going and as the hours crawled by
[10:16] The Clock Was ticking closer to 9:00
[10:18] p.m. at some point my hand felt like it
[10:20] was on autopilot but thankfully the day
[10:22] came to an
[10:23] end I finally finished project number
[10:26] one I have no idea how I'm going to
[10:28] survive the next next 4 days I'm very
[10:30] very exhausted I'm just glad I'm done
[10:32] with this at least but now I got to move
[10:34] on to a potential even harder
[10:50] animation day four started and I could
[10:52] feel the burnout hitting me pretty hard
[10:54] and it's not just the workload it's the
[10:56] anticipation of everything I still have
[10:58] left to do this the real killer here
[11:00] even as I sat down to eat breakfast the
[11:02] thought of how much work was still ahead
[11:03] sat heavy in the back of my mind I knew
[11:05] I had to keep going but it was getting
[11:07] harder to stay focused with every single
[11:09] cut and today was no different now that
[11:11] the first sequence is officially over
[11:13] it's time to move on to the chainsaw man
[11:15] animation the animation begins with
[11:17] denji in mima's office caught in a spicy
[11:19] situation as she leans in he shyly leans
[11:22] back in his chair flustered makima
[11:24] places a hand on his face her thumb
[11:26] playing with his hair while he sits
[11:28] there stun the next shot is the close-up
[11:30] shot of her face she blinks and then her
[11:33] hands move all over denji reaching for
[11:35] his cord without hesitation she pulls it
[11:38] in the final shot Benji's head brutally
[11:41] explodes as he transforms into chainsaw
[11:43] man the clock has hit 9:00 a.m. so you
[11:45] know what that means it's time to lock
[11:47] in I started animating cut one by
[11:49] drawing the chair denji is sitting on
[11:51] making sure to get the shape and the
[11:52] proportions right since it's a key part
[11:54] of the scene once that was done I placed
[11:56] yet another 3D model and Drew dji's body
[11:58] into position I referencing his
[12:00] character sheet to make sure his skinny
[12:01] frame matched the design perfectly after
[12:03] that I repeated the process for makima
[12:05] getting makima into the right posst
[12:07] turned out to be way more difficult than
[12:09] I expected it took a lot longer than it
[12:11] should have and at this point I could
[12:12] really feel myself burning out and this
[12:14] is to the point where I could barely
[12:16] even draw the simplest of drawings once
[12:18] both characters were posted I started
[12:20] animating denji leaning back into the
[12:22] chair to keep things consistent I copied
[12:24] and pasted dji's head into each frame
[12:26] instead of redrawing it every single
[12:27] time I did the same thing for AKA as she
[12:29] leaned in which saved me some time and
[12:31] helped keep the proportions more
[12:32] accurate I also adjusted the timing of
[12:34] their movements to make the scene make
[12:36] more sense next I moved on to dji's line
[12:38] art focusing on making it consistent
[12:40] with this character sheet once I had the
[12:41] key frames cleaned up I moved on to the
[12:43] inbetween which at this rate is
[12:45] increasingly making me want to rip my
[12:46] head off also if you made it this far
[12:48] and didn't skip to the end to watch the
[12:50] final result comment something random
[12:51] like uh hariry Eagle to confuse all the
[12:54] fake frauds that did Skip To the End
[12:56] also please like And subscribe it would
[12:57] really mean the world to me if we can
[12:59] make it to 100,000 subscribers soon
[13:01] thanks a lot the support has been
[13:03] awesome it is day 4 3:40 p.m. and I am
[13:07] so tired I don't know if you can tell by
[13:09] my eyes I'm about to go make a quick run
[13:11] to Target and buy myself some energy
[13:13] drinks because I think I'm going to fall
[13:15] asleep mid animating and we really don't
[13:17] want that so I got in my car safely
[13:19] drove to Target and grabbed a couple of
[13:21] Celsius
[13:22] drinks can we just talk about how this
[13:24] was almost $16 for four drinks and a egg
[13:27] white thing like this is getting
[13:29] ridiculous at what point is it enough
[13:31] cheers after finishing up the line art
[13:33] for denji I moved on to makima her
[13:35] details took a bit longer than expected
[13:37] but I eventually wrapped it up after
[13:39] what felt like way more time than I
[13:40] probably should have spent the first cut
[13:42] was finally finished I'm not exactly too
[13:44] proud of how this came out but I really
[13:46] don't have the time to sit in a corner
[13:48] and be disappointed in myself today so
[13:50] without wasting any time I jump straight
[13:51] into working on the next cut cut two was
[13:53] next and it featured a close-up of dji's
[13:55] face looking a bit surprised as mima's
[13:58] hand comes in to play with his hair this
[13:59] cut involves animating a hand which as
[14:02] you guys know is something I fear
[14:03] drawing with every fiber of my being I
[14:06] more or less follow the same techniques
[14:07] as before starting with a clean line art
[14:09] based on the sketch of the storyboard I
[14:11] left parts of dji's hair open to make
[14:13] room for mima's hand interacting with it
[14:15] and since I wanted the animation to feel
[14:17] as natural as possible I made sure that
[14:19] as mima's thumb moved across his hair
[14:21] his hair shifted accordingly with her
[14:22] movements to make dji's reaction more
[14:24] realistic I also added a little bit of
[14:26] Animation to his cheek making it move
[14:28] slightly it took a lot of trial and
[14:29] error to get everything feeling smooth
[14:31] but by the end it was starting to come
[14:33] together and right as the clock hit 9:00
[14:35] p.m. I finished the second cut and also
[14:37] day four is officially done it is
[14:39] officially the end of day four and I
[14:41] have completed the first two cuts
[14:43] tomorrow I'm going to try to do two
[14:45] three and that's pretty much it and then
[14:47] I'm going to spend the last 2 days
[14:48] working on this one cuz I want to make
[14:50] sure that it's like insane so I don't
[14:52] even know if I'm going to be able to get
[14:53] my ideas out in time which is an issue
[14:55] that happens in the anime Community
[14:57] animators don't have enough time to get
[14:58] their ideas as Al fly and end up turning
[15:00] in unfinished work which uh ends up
[15:03] looking unfinished in the anime and it's
[15:04] because of this cuz there's not enough
[15:08] time day five started with cut three
[15:10] which is a close-up of makima blinking
[15:12] as I began to draw I didn't know what
[15:14] was wrong with me but I really just
[15:15] couldn't draw for today I was
[15:17] messing up pretty badly on the simplest
[15:19] cut so far so in order to get some
[15:21] assistance I set up a quick 3D model for
[15:23] reference and then I sketched out mima's
[15:25] eyes and her face I then proceeded to
[15:26] move on to the line art and to avoid any
[15:29] interference with the animation I made
[15:30] sure to draw everything on separate
[15:32] layers the hair on the highest layer the
[15:34] face and shoulders on the bottom layer
[15:36] and the eyes which is going to be the
[15:37] only thing moving in the middle the
[15:39] animation itself was pretty
[15:40] straightforward but getting mima's face
[15:41] to look just right took a lot longer
[15:43] than I thought it would next was cut
[15:45] four where makima moves her hand down
[15:47] dji's body and pulls his core to
[15:48] transform him I started yet again with a
[15:50] 3D model as a foundation then I sketched
[15:53] things out and adjusted the size and
[15:54] positioning until it felt just right
[15:56] mima's hand would start on dji's cheek
[15:58] move down to to his chest and pull the
[16:00] cord but making that motion look natural
[16:02] was way harder than it looks the drawing
[16:04] of the hands where she's pulling his
[16:06] cord was very difficult for me to figure
[16:08] out so I ended up taking a picture of my
[16:10] own hand as a reference to help me out a
[16:11] little bit I spent a ridiculous amount
[16:13] of time tweaking the movements to make
[16:15] it look right especially when it came to
[16:17] the inbetween keeping the fingers length
[16:18] to remain consistent and also keep the
[16:20] animation looking smooth was also very
[16:23] difficult this took a ton of time to
[16:24] pull off and I felt myself getting more
[16:26] and more exhausted by the second at this
[16:28] point I was was starting to miss my
[16:29] normal routine but this is what mapa
[16:31] animators go through and then 10 times
[16:33] more as the clock closed in on 9:00 p.m.
[16:35] I finally finished cut for and wrapped
[16:37] up yet another exhausting
[16:40] day I just woke up it's day six which
[16:44] means I have just today and tomorrow
[16:46] left and then I'm done with all this and
[16:48] that's the good part but the bad part is
[16:50] now I have to animate the most hard cut
[16:52] out of all these the most complicated
[16:54] one the biggest tragedy of all this is
[16:57] how I've been able to get like not that
[16:59] much sleep these last couple days I'm at
[17:01] a point right now where I'm having
[17:02] dreams of animating I spent all day
[17:05] animating and now I'm animating in my
[17:06] dreams I can't catch a break cut five is
[17:09] the Final Cut of the week and it was
[17:11] going to be by far the most challenging
[17:12] and the one with the most drawings it
[17:14] features a camera pan out of dji's face
[17:16] followed by his head exploding and
[17:18] transforming him into chainsaw man right
[17:20] at 9:00 a.m. I started by sketching out
[17:21] the final frame of the first half of the
[17:23] animation to give me a clear idea of
[17:25] where the camera movement is going to
[17:26] end once I had that figured out I drew
[17:28] the first frame to map everything out
[17:30] properly and began working on the
[17:31] details of dji's face and body after
[17:33] that I started sketching the breakdown
[17:35] frames to create a smooth easing flow
[17:37] things were moving along decently until
[17:38] I got to the part where dji's head turns
[17:40] into chainsaw man this was where I hit a
[17:42] wall chainsaw man's design is incredibly
[17:44] detailed and trying to give it motion
[17:46] feel borderline impossible even a single
[17:48] frame would take forever to draw let
[17:50] alone animating the whole transformation
[17:52] as I sat there frustrated and stressed I
[17:54] realized that I needed to think outside
[17:55] the box animators are always looking for
[17:57] ways to save time so so I found the 3D
[17:59] model of Chainsaw man big shout out to
[18:01] the Creator and I imported it into
[18:03] blender I animated the movement I wanted
[18:05] there then when that was done I exported
[18:07] it at 12 FPS and brought it back to clip
[18:09] Studio to trace over leaving me with
[18:11] something that's okay it's not exactly
[18:13] what I envisioned when I started but it
[18:14] gets the job done and honestly it
[18:16] doesn't look that bad what came next was
[18:18] hands down the most painful part of
[18:20] these seven days cleaning up and doing
[18:21] the inet for this cut I had to get
[18:23] through 32 frames and with around 16
[18:26] hours of work ahead of me it felt like
[18:27] it was never going to end I was
[18:29] struggling with every single frame and
[18:31] as the hours dragged on I could feel
[18:32] myself becoming more and more empty with
[18:35] this process I tried to make everything
[18:36] as consistent as I could with the time I
[18:38] had but honestly I just felt lifeless I
[18:41] didn't want to do this anymore but I had
[18:43] to my hand felt like it had a brain of
[18:44] his own and my desire to keep going was
[18:46] at an all-time low I kept telling myself
[18:48] there's only one more day but honestly
[18:50] it didn't help much by the time the
[18:52] clock finally hit 9:00 p.m. I was
[18:54] completely drained but more than
[18:55] anything I was just relieved that day
[18:57] six was finally over
[18:58] [Music]
[19:01] before the day started I decided to step
[19:03] outside for a bit to truly take in the
[19:05] moment to clear my head and to remind
[19:07] myself that today is the final day one
[19:09] final hard push and then I'm finally
[19:11] free from this when I sat back down it
[19:13] was time to lock in and finish this
[19:15] animation everything every frame every
[19:17] detail had to be done by the end of
[19:19] today today was about getting it done as
[19:21] best as I can with a little time I had
[19:23] left as I worked I could feel the weight
[19:25] of the last 7 Days on me my hand was
[19:27] sore my back was hurting like a
[19:29] and my mind was racing trying to keep
[19:31] track of every little movement in the
[19:33] animation but also thinking about how
[19:34] much of a privileged position I'm in
[19:36] this entire week has reminded me to be
[19:38] grateful for the life I have and to
[19:40] become more mindful of the opportunities
[19:42] and privileges I often take for granted
[19:44] it's made me realize that even in
[19:45] challenging times there's always
[19:47] something to be thankful for you A
[19:54] Dream just put
[19:58] [Music]
[19:58] [Applause]
[19:59] good in front of the other
[20:30] this was without a doubt the hardest
[20:31] challenge I've done so far on this
[20:33] channel it pushed me physically mentally
[20:35] and emotionally in ways I didn't even
[20:37] think were possible after just 7 days of
[20:39] this I can't even begin to imagine what
[20:41] it's like for animators who have to live
[20:42] this reality every single day the amount
[20:44] of effort The Blood Sweat and Tears that
[20:47] goes into something that will inevitably
[20:48] be scrutinized by people that aren't
[20:50] willing to lift up a pebble let alone
[20:52] put in the work to create something
[20:53] meaningful is insane I hope that after
[20:55] seeing a fraction of the work that goes
[20:57] into making an animation and anime fans
[20:59] can try to be more understanding and
[21:00] appreciate the animators who put in the
[21:02] hard work every single day to give us
[21:04] our entertainment
[21:06] [Music]