[00:02] reason. It's what pulled me in as a kid, what kept me here as an adult and what half my personality is built on. So today, the 25 action anime I love the are personal, and the ending is non-negotiable. Let's go.
[00:25] googling Japanese authors at 2:00 in the morning.
[00:52] figures, Daai, Akud Dagava, and Fitzgerald and rebuilds them as superpowered agents whose abilities are named after their actual books. Atsushi, can't control, gets scooped up by the armed detective agency. And from there,
[01:05] it's a turf war with the port mafia across the rooftops of Yokohama. I came with a reading list, which is a first. The thing that keeps me returning is the choreography of personalities. Atsushi fights like he's desperately clawing for
[01:18] the right to exist. Akodagama fights like a wound that refuses to close. And collision of their opposing world views does more damage than their abilities. It runs unevenly in stretches. I'll say that freely. But few shows have made me
[01:31] feel this stylish just for watching them.
[01:44] >> [music] >> YEAH.
[02:05] generation. Mid tournament at the height of his powers, swallowed whole by the very beast he raised. That's how the all devouring whale, Homecoming, opens. And covering shows like this is half the reason this channel exists. Longtime
[02:17] Dongua [music] drum for years, and this 2025 release is my newest exhibit. Fan Ling Sha, head of the Ling Sha pavilion, gets ambushed during a sect promotion companion beast, Kun. He wakes in the body of a stranger named Lu Fangman,
[02:32] imprisoned, powerless, his sect in ruins, and claws his way back from cultivation is a combination I didn't know I wanted, and the production sells it. Expressive 2D character work over sprawling environments, creature battles
[02:46] rearrange themselves around new episodes and even earned a Japanese TV broadcast within months of airing, which almost never happens that fast, does it? towards something for years. I've been telling you, and you know what? This is
[02:59] telling you, and you know what? This is me telling you again.
[03:34] wrong order the first time, understood maybe about 40% of it and still thought kind of spell this thing casts. It's a series of films from Euo Table adapted from Ginino Nasu's novels released out of chronological order and completely
[03:48] Shiki Ryogi walks through a rotting urban dreamscape with eyes that can see the death in everything. The lines and points where anything, a person, a end. Most of each film is atmosphere, long silences, philosophy, Yuki Kajura's
[04:03] score doing terrible and beautiful things to my nervous system late at watch these. Then the violence arrives and it's some of the most striking fight animation Euo Table has ever produced. The fifth film has a reputation as one
[04:16] of the finest anime films ever made. I rewatched the series properly in order it like a puzzle box with a knife inside. inside. [music]
[04:35] >> My favorite thing about Gaiju number eight is that the protagonist is 32. And I say this as a man who feels every one of his own years. Gfgai Hibino cleans up viscera off buildings after the defense force has had its fun having long
[04:49] alongside his friend Mina, who's now a celebrated captain while he holds a mob. Yes, that really happens. and he becomes the very thing his country hunts. purely for the monster fights and they deliver weighty tactile production IG
[05:05] doing clean popcorn spectacle. But current me watches it for the other thing. A man deciding his dream isn't dead just because the deadline passed. I people start [music] there. So Gfgar's arc of salvaging potential instead of
[05:17] discovering it lands differently when that's your own life. Watch it for the kaiju. Stay for the man who refused to stay swept aside.
[05:41] >> Every anime fan has an edgy phase. Mine had a name and it was Helsink Ultimate.
[06:03] absolutely shouldn't have. 10 episodes trickling out between 2006 and 2012 and revisiting them as an adult confirmed something wonderful. They still go exactly this hard. Alukard, an ancient vampire kept on a leash by the Helsing
[06:16] organization and its magnificently icy leader, Integra, gets unleashed on a Nazi [music] vampire battalion that wants to burn London for the sheer poetry of it. Subtle, this is not. Alukard grins through gunfire. Father
[06:28] through stained glass with bayonets in revels in Gothic excess like it's being paid by the leader. Underneath the blood opera, there's a real idea. A monster who despises what he is. Hunting men who
[06:41] choose monstrosity for fun. And that contrast gives the spectacle teeth. My taste has matured over 20 years. My love for this has not. Sometimes you don't for this has not. Sometimes you don't want nuance. Sometimes you want alukard.
[07:16] to that song on loop while my wife slept, wondering what had just happened one, don't you? Trigger took a video about David Martinez, a bro kid in Night
[07:28] City who bolts military grade chrome into his spine after his life collapses, city offers no other ladder. The action is trigger at full tilt. Time slicing sprints, neon [music] carnage, bodies
[07:40] and got ignored. But that's not why it wrecked me. Night City monetizes dreams, and everyone chasing one. David, Lucy, Maine, the whole crew pays installments who bet a lot on a dream, Cyber Psychosis as a metaphor for burning
[07:55] yourself up, trying to matter cut closer than I'd like to admit. 10 episodes, no wasted motion. A love story, a high story, and an obituary at once. Beautiful and cruel in equal measure. Before
[08:09] Before [music] compromised by Nerve. This is the officially licensed Melgeek Evangalion
[08:21] today's sponsor. All of it's customizable through Melgeek's Hive software, everthemed lighting presets, a startup animation that boots like an ever activating, and a wraparound light bar that glows like unstable energy from
[08:34] every angle. and it's been radiating menace on my setup all week. Full Ever O2 colorway, red, black, warning, yellow themed key caps with a supplementary accent set, the unit O2 insignia engraved on the chassis, a rose gold
[08:47] knob for her hair ribbons, and I can save the human race, all by myself carved into the underside. Peak Ascar energy. And it's not just cosplay. It's a 1.8 kg aluminium unibody with Hall effect switches. And here's why that
[09:00] matters. Because traditional switches have a fixed reset point. The key has to again. Rapid trigger reads your keys position magnetically. So it resets the instant you start releasing. Watch my Valerant clips here. Counter strafing is
[09:13] snappier. Direction changes are faster. And in duals decided by milliseconds, that becomes a real edge. Stack on 8,000 hertz polling. Add the 49 g Horus mouse nerve terminal. There's a ray edition too, but you already know which pilot
[09:28] channel. Now, back to the video. You'll look at a ranking of kings and assume I've made a mistake. A storybook art style, a tiny print, soft colors. This style, a tiny print, soft colors. This is an action pick.
[09:59] it. I owe that friend dinner. Boji is a prince who can't hear, can't speak, and can barely lift a wooden sword, mocked by his entire kingdom. And Wish Studio delivery system for some of the most ferocious fight animation of the 2020s.
[10:14] fighting is built on evasion and precision, reading opponents, slipping strikes by a hair's width, dismantling people who outweigh him 10fold. His the choreography. And then there's Gage,
[10:28] clan whose friendship with Bodgi had me sniffling between sword fights like an absolute fraud of a grown man. The show swings from fairy tale to real brutality without losing its warmth. Don't let the crayon colors fool you. I mean, I nearly
[10:41] crayon colors fool you. I mean, I nearly did.
[11:14] And as a man whose livelihood depends on the numbers under a video, this premise attacked me personally. Trust is measured as a literal figure on your fly, then you fly. If a [music] scandal breaks and the crowd turns, your powers
[11:28] evaporate midair. This dongle comes from Liha Ling, the director of Link Click, and it runs the scalpel through fame, PR, and influencer [music] culture while still delivering ludicrous superhero set pieces. The entry point is Lin Ling, an
[11:40] secretly inherit the identity of a topranked hero. And the season fractures order, each [music] one recontextualizing the last. The visual swing between slick 3D and wild stylized 2D depending on [music] whose story it
[11:55] soundtrack. You already know my weakness. I finished an episode about a hero losing public trust and immediately [music] went and checked my analytics. [music] went and checked my analytics. The show one. Watch it.
[12:23] >> This is the part of the list where I bow my head.
[12:37] Cowboy Bbop is pushing 30 and its action hasn't aged a day. Spikes Spaggle fights like water finding a crack or loose shoulders and lazy footwork until modeled on Bruce Lee's philosophy of flowing rather than forcing. I've used
[12:51] this show on three separate people who told me anime looks childish. And I'm are staged with an economy modern anime rarely trusts itself to attempt. No power levels, no shouted techniques, just space timing, and Yokoano's jazz
[13:05] moves me most now re-watching as an adult is how much the action expresses character. Spike fights carelessly because he's already decided his life is fight became a countdown, including the church confrontation in Ballad of Fallen
[13:19] Angels, which I maintain is a perfect scene. See you, space cowboy. You knew scene. See you, space cowboy. You knew that line was coming. review, I called Margie one of the most underrated shownen of its era. Nobody
[13:33] underrated shownen of its era. Nobody listened, so we're doing this again.
[13:50] with the serial numbers filed off. Aladdin, Alibaba raiding towering inside. [music] underneath. It's a series genuinely interested in how kingdoms work, trade, slavery, currency, the machinery of empire, [music] and it
[14:03] lets those systems drive the wars its characters end up fighting. Jyn equips Morgana remains one of my favorite powerhouses in shownen. The former slave whose kicks land with enough force to crack some stone and enough history to
[14:16] [music] story unfinished and no adaptation of the rest in sight, I did what any reasonable person does. inhaled the entire manga over a single weekend and emerged blinking into the sunlight. Changed that grudge against this
[14:29] you're done watching. You'll thank me and curse [music] me in the same breath. and curse [music] me in the same breath. [snorts]
[15:09] every week while One Punch Man aired and I can confirm the hype was a physical force. Oh, and the most viewed video on my channel is still a One Punch Man video. The premise shouldn't work. The hero wins every fight instantly. But
[15:21] that's the joke. That's the show. So where's the tension? Everywhere. It sits at the center while the tension gets outsourced to everyone around him. [music] Go gets blown down to a torso. Mumen Ryder, an ordinary man on a
[15:34] can't possibly beat. And that scene still puts a lump in my throat in a comedy about a bald guy. Then Boros forces Saitama to take things even slightly seriously and Madhouse responds with a sequence I studied frame by frame
[15:47] like it owed me money. I crown this my action anime of 2015 back in the day. lightning twice. [music] We all know it. So there's no point relitigating it here. The first season though, untouchable. 12 episodes of pure joy.
[16:29] Denji's dreams are. Bread with jam, a warm bed, a girl who might like him it broke something in me. Denji merges becomes a chainsaw-headed weapon for public safety, and gets passed around by
[16:43] people. One woman in particular, we see a boy with nothing and recognize how easily nothing can be steered. Mafar shot the series like a grim archouse cameras, which makes the eruptions of devil hunting violence feel almost
[16:56] the direction with friends for weeks. They wanted this manga's feral chaos. I where the dread lives. [music] Then the res movie last year finally settled our group chat. That thing is a bomb with a love story for a fuse. Fujimoto writes
[17:12] action like a man who resents my emotional stability specifically. I keep emotional stability specifically. I keep coming back anyway.
[17:42] school notebooks with badly drawn bank. Adme watching the thousand-year blood impeccable taste. Nobody in this industry has ever outstredled Kubo Titape. The man designs a sword release the way other people design album
[17:56] covers. Every barkai is a statement piece and the whole cast drips with a two decades borrowing from the soul society arc remains one of the great sustained runs in shownen history. A rescue mission escalating through an
[18:09] entire society of swordsmen. Each fight peeling back another layer of the world. Then [music] the anime died in 2012 with the story unfinished. And for 10 years, saddest people at the party, cornering strangers to explain what the ending
[18:21] would have been. The return healed all of it. TYBW came back [music] with production values the original could only dream of. An apology and a victory lap at once. Style is substance when you commit to it this hard.
[18:53] >> Quick pause here. Okay, if you're enjoying this, a like helps more than you're new because we're about to enter the heavyweight division.
[19:20] again. It was in my alltime favorites video. It will be in every list it doing this until the numbers improve. I've told you before that Mob Story felt like watching my own teenage years. All that emotion with nowhere safe to put
[19:33] it. Today though, let's talk about it purely as action because Bones produce animation [music] of the modern era for a story that fundamentally distrusts fighting. Every psychic battle is a handdrawn fireworks display, paint on
[19:46] glass, sketchy pencil chaos, geometry folding in on itself, and the show frames every single one as a failure state. Mob's power scales with feelings percentage counter hits 100, the spectacle doubles as a panic attack you
[19:59] can see from space. Watching those climaxes as someone who also bottled everything up as a kid is a strange cathartic experience I recommend to greatest mentors in anime. It's an action masterpiece that wants you to be
[20:12] action masterpiece that wants you to be kind.
[20:50] desert with a child in toe. And every stranger on the road is a potential for you, I have your next obsession. Blades of the Guardians. Bal Ren is a dongo set in the final rotting years of China's Suie dynasty following Dalmar, a
[21:04] mercenary bodyguard whose simple escort job towards the capital curdles into a conspiracy far above his pay grade. The source Manua draws comparisons to Vagabond and the adaptation honors that lineage. Inkwashed, grim sword fights
[21:16] that feel heavy and exhausted rather than flashy. Violence with actual government itself is the biggest bandit. Dalmar traveling with little Xiaoi gives the brutality something to protect. I
[21:28] three-year wait for more which tells you everything. And season 2 finally arrived dongle I pick than almost anything else I cover and this is the one I point I cover and this is the one I point people to first. So seek it out.
[21:42] people to first. So seek it out. [screaming]
[22:00] >> [screaming] >> not
[22:21] involving a power that only works through reflections. She didn't ask, she knows. Strip away the poses, the outfits, and the characters named after Bizarre Adventure is secretly the smartest fight writing in shownen.
[22:35] Anarchy builds every [music] battle like a riddle. Stands come with absurdly specific rules, and victory goes to whoever exploits the fine print first, not whoever screams the loudest. And because each part reinvents everything,
[22:47] era, protagonist, tone, the series never calcifies. Phantom Blood's Hammer Horror melodrama and Golden Winds Mafia Opera barely feel like relatives, [music] yet both are unmistakably Jojo. I gave this franchise its flowers in my videos, too,
[22:59] so I'll spare you the [music] full sermon here. But as pure action aimlessly imitated, never matched, it earns this spot on merit alone. The posing is the bonus. The bizarre was always the point. [music]
[23:34] [music] when the Hinoami sequence aired. Half asleep, planning to watch one episode before bed, and suddenly very awake, texting people at midnight like family. Half the internet was doing the same, watching Euo table fold digital
[23:47] effects [music] into handdrawn animation until the seams vanished. Demon Slayer story is deliberately simple. A kind boy, a demon sister, a sword, and I've argued for years that the simplicity is a feature. It clears the stage so the
[23:59] craft can perform, and the craft [music] has never once missed. Muggan Train middle of a pandemic, but it should be impossible. and the Infinity Castle film last year. I watched that one in a packed theater that gasped in unison. An
[24:13] experience that honestly forgotten cinemas could actually provide us. Is it most beautiful action production line ever [music] assembled? A struggle to ever [music] assembled? A struggle to name a rival.
[24:42] channel, and I can chart both by its set pieces. Deku shattering his own arm flesh. The sports festival match where Todoroki's fire finally answers. All Might Emptying the last of himself against All for One while an entire city
[24:55] feet for that one alone in my living room and I regret nothing. Okay, Bones understood something crucial. A superhero punch only matters if you feel moment in this series is built on sacrifice on bodies breaking to protect
[25:10] something. Add the most weaponized soundtrack in modern shownen. You say some entire studios and you get a machine engineered for goosebumps. [music] The series gets dismissed these days for being popular, which is the
[25:22] endgame material and tell me the fire went out. Plus, Ultra meant something to a whole generation. It still means something to me.
[26:03] Piece missed my favorites list and the peace treaty when it made my anime that made me cry list. Let's settle this properly as pure action. Where does it stand? Well, higher than people admit, I think. Luffy is the most creative
[26:15] fighter in shownen. a rubber idiot whose battles are improvised physics experiments and Oda escalates across decades without breaking his own internal logic. The 10 production run turned weekly television into event
[26:27] [music] cinema and the Gear 5 reveal was animated with a looney elastic joy that cartoons are allowed to be fun. I rewatched it three times that same day and laughed harder each time. But One Piece action has a property nothing else
[26:41] When Luffy [music] throws a punch with someone, I've usually had 300 episodes of reasons to want to throw that punch. [music] The impact is emotional compound interest. And yes, I have cried. There's a whole video about it linked below. 25
[26:55] years of buildup and the payoffs keep clearing the bar.
[27:14] influential fight animation ever broadcast. Lee versus Gar, the final that shaped a generation of animators who [music] grew up on it and now run the industry's biggest productions. Kishimoto understood rhythm, hand signs
[27:29] emotional stakes braided through every exchange. So the biggest fight doubles people. Payne's assault on the leaf still stands amongst the great sustained arcs in shownen. Grief, ideology, and spectacle detonating together. Yes, the
[27:44] wonders, but [music] this show gave me my best memories, my career, and my marriage. Every dash, clone, and rasing [music] gun since owes it rent. Sorry, I had to kill you.
[28:00] kill you. Not anyone.
[28:24] conversion tool. three separate friends who swore their neverwatch anime went in skeptical and emerged 64 episodes later asking what's next. It's never once failed me. As an action series specifically, its superpower is
[28:36] legibility. Alchemy runs on equivalent exchange, clear rules, clear cost, so every fight is readable. You understand what a character can do, what it cost they're in. Watch Mustang fight, and you're watching applied chemistry with a
[28:49] scrappy, transmuting the environment because he lacks reach and knows it. And hits like generational pride given biceps. And because [music] the plot wastes nothing, every clash advances a war, a conspiracy, a brother's promise.
[29:03] I call it the Yarnstick in my favorites video, and The Yarnstick it remains. No filler, an ending that sticks the landing. Some shows on this list I love with caveats and apologies. This one I love [music] with none. The gold
[29:15] love [music] with none. The gold standard stays gold.
[29:34] I've personally drawn watch order charts for at least five confused friends. The Pitch Without the Homework. Seven mages summon seven heroes from history and myth and make them fight to the death over a wish-ranting grail. That
[29:48] staggering action ever animated. Fate Zero gives it tragedy and Urbuchi's cold philosophy. Unlimited Blade Works gives Eufo table their most extravagant servant clashes like natural disasters with swords. The Heavens Field film
[30:02] drags the mythos somewhere darker and more intimate. And Strange Fake, which made my best of 2026 list, proved the machine still has [music] fuel decades in. What holds it all together is that every servant is a legend with a wound
[30:14] about how they lived and died. [music] Start with zero or UBW, whichever poster appeals to you more. The Grail Wall will handle the rest. Then come talk to me, handle the rest. Then come talk to me, please.
[30:50] camera strapped to a hornet. And covering this show has been some of the most fun I've had on this channel. That kinetic whip pan chaos is mass signature here. And it changed how modern shownen action feels. Fast, mean, shot from the
[31:03] inside rather than beside it. The cursed energy system rewards midfight technique explanations in a way that should kill momentum and instead supercharges it. Gojo casually lecturing an opponent on why they've already lost is the series
[31:15] in miniature. Shibuya broke me in real time. I watched it weekly and there were weeks I dreaded pressing play. An entire arc where [music] wins feel like losses and losses leave craters in the cast. If it's saw my best of 2026 so far video,
[31:27] you know the cunning game adaptation topped it. So my bias [music] is fully seasons deserve better working conditions. That needs saying every is era defining. This is the current generation's benchmark.
[31:57] where the losers get eaten. And I've rewatched the Chimera Antar three times, chasing the feeling of the first. Nin is the finest power system in the medium the source of strength. The more conditions you chain to an ability, the
[32:12] stronger it becomes. So every fighter is wagering pieces of themselves. That one idea turns combat into negotiation, prediction, and bluff. Fights are won in the setup, sometimes days before anyone throws a hand. And then the Chimera
[32:24] Antarct takes all of it, the games, the rules, the cleverness, and aims it at a question no shownen had asked seriously. What actually separates a human from a monster? Nadero versus Merryweimm is my answer whenever someone asks me for the
[32:37] reasoning has nothing to do with choreography. It has to do with what I choreography. It has to do with what I felt when it ended.
[32:59] standing at the end of this list. I watched the first episode of Attack on Titan as a college student in 2013. And I've now spent my entire adult life as a between seasons, the theories, the finale, the arguments about the finale.
[33:14] No other series has that kind of claim on me. The ODM gear alone deserves a lecture series. Humans as pendulums, battles conducted in three dimensions at terminal velocity, terror and grace sharing a single frame. But the real
[33:27] weapon was dread. Every early engagement is fought by people who fully expected to die. So every survival feels stolen. Then the story mutates. The horror becomes war. The monsters get faces and the action turns into moral events.
[33:40] Victories. You can't cheer without checking who's under the rubble. Sono scores the apocalypse like a cathedral choir on fire. This is the summit and You might say some of these are recency biased. I could keep milking the same
[33:53] old ones, but we move on with the times. A thousand plus anime and these are the actual life, my college years, my marriage, my career, my questionable sleep schedule. Now it's your turn. Drop the action anime that's woven into your
[34:06] because that's how half my watch list gets built. Like the video if it earned it. Subscribe if you're new and I'll catch you in the next one.