[0:00] Always
[0:10] loved this key change when we cut to the
[0:12] crew. And the ship scenes on the Flying
[0:13] Dutchman always make me think of that
[0:14] Rick Macallen clip.
[0:15] >> So dense. Every single image has so many
[0:18] things going on.
[0:19] >> There's just so much in there. So many
[0:21] stuffs. It's wheel guy.
[0:22] >> SECURE THAT ASS TACKLE, MR. TURNER.
[0:27] Knowing the Bosen, he probably did that
[0:28] on purpose.
[0:29] >> Impeding me in my duty. Your share of
[0:33] punishment. I'll take it all.
[0:36] >> Self-sacrifice. Well, attempted
[0:37] self-sacrifice.
[0:39] >> And what would prompt such an act of
[0:42] charity?
[0:44] >> It's my son.
[0:45] >> I like the Bootstrap doesn't try to lie
[0:46] or hide it cuz Lordy knows that wouldn't
[0:48] go very well for him. Love how Jones
[0:50] uses that tentacle like it's an extra
[0:51] long finger. It's rough, but Lambo is
[0:53] finally getting his revenge on Will for
[0:55] showing him up that one time. Honestly,
[0:56] impressive the way they were able to
[0:58] highlight that tear falling when they're
[0:59] all completely soaked and dripping from
[1:01] rain. Freak. I mean, really, whatever
[1:04] emotion he's experiencing watching Will
[1:06] get whipped by his pops makes him not a
[1:07] good dude. Incredible design. I hate it,
[1:10] but it's so good. It explains why the
[1:12] crew doesn't go full annihilation with
[1:13] their transformations if their brains
[1:15] are staying mostly intact. And also, no
[1:17] thank you.
[1:17] >> I'm here to find the man I love.
[1:19] >> I'm deeply flattered, son. But my first
[1:20] and only love is the sea.
[1:22] >> Elizabeth,
[1:24] hide the rum.
[1:26] priorities.
[1:27] >> You know these clothes do not flatter
[1:28] you at all. It should be a dress or
[1:29] nothing. I happen to have no dress in my
[1:31] cabin.
[1:32] >> Jack,
[1:32] >> another tight turn of phrase.
[1:34] >> Poor Will has been press ganged into
[1:36] Davy Jones's crew.
[1:37] >> Press ganged, otherwise known as
[1:39] impressment, which is just conscription,
[1:40] but usually into a naval force. Sparrow
[1:42] knows his vocab.
[1:43] >> I can't help it if your standards are
[1:45] lax. You smell funny.
[1:46] >> Got him.
[1:47] >> There is a chest.
[1:48] >> Oh dear. What contains a still beating
[1:51] heart of Davy Jones.
[1:55] That's some top-notch miming regetti.
[1:57] >> This compass does not point north.
[2:00] >> I love this whole sequence with
[2:02] Norington puking for the third time in a
[2:03] row, but always getting a few barbs in.
[2:07] >> Oh, please.
[2:09] >> Classic pirate gift. Don't care for the
[2:10] blowfish guy's face spikes moving. Don't
[2:12] care for it one bit. Not one brad point
[2:14] bit. I'm going to need you guys to stop
[2:15] that. You don't eat your crew mates's
[2:17] body parts. Even if you happen to be
[2:18] conjoined twins.
[2:23] Even Crustations cower at the clamor
[2:24] concerning his crab pegged leg. Oh,
[2:26] they're mollisks. Yeah, you try finding
[2:27] a synonym for coward that starts with M.
[2:29] It feels wrong for me to point all this
[2:31] stuff out because it makes the top of my
[2:32] skull tingle. But this guy's stomach is
[2:34] sewn together since Will slashed it
[2:35] open. This guy is some kind of nope
[2:37] living in his stomach. And this guy's
[2:38] eyes are not eyes. And also, he looks
[2:40] like a prawn from District 9. Also, most
[2:42] of these guys are fully transformed, but
[2:43] since Bootstrap is still progressing, we
[2:45] can see more barnacles appearing on his
[2:46] face, plus the starfish next to his eyes
[2:48] continuing to gain color and more
[2:49] prominence. Originally, it just looked
[2:50] like a tumor. Really, it's not an extra
[2:52] long finger. It's an entire third hand.
[2:54] >> Welcome to the crew line.
[2:57] >> 125.
[2:59] >> Even if we don't really understand liars
[3:01] dice, their reactions let us know that
[3:02] Bootstrap's bet was throwing the game,
[3:04] which is of course even more
[3:05] self-sacrifice.
[3:06] >> Master Tina, feel free to go ashore.
[3:10] The better next time we make B.
[3:13] >> His little snort.
[3:15] He just wanted to know where it was.
[3:17] Duplicity.
[3:18] >> Captain says I'm to relieve you.
[3:23] So, at a certain point, you lose the
[3:25] ability to speak. Honestly, once my
[3:27] teeth are clams, I hope to be dead.
[3:28] There's a lot in these movies I don't
[3:30] think I could endure, but fiddling with
[3:31] a dude's face tentacles is pretty close
[3:32] to the top of the list. Leaving the
[3:34] drawing there is such insult to injury.
[3:35] Will wanted to make sure DJ knew who
[3:37] stole it.
[3:38] >> Take this, too. Now, get yourself to
[3:40] land and stay there.
[3:42] >> Knives do genuinely make great gifts. I
[3:44] could say I did what I had to when I
[3:47] left you to go pirating, but it would
[3:49] taste a lie to say it wasn't what I
[3:51] wanted.
[3:51] >> Honesty. Will was working for Becket and
[3:53] never said a word.
[3:55] Miss groans.
[3:57] >> I honestly don't care for this subplot.
[3:59] The ghost pirate adventure comedy family
[4:01] films based on the Disney World rides of
[4:02] my youth set a pretty high bar.
[4:04] >> The Kraken.
[4:05] >> Bill NY's voice in general is very fun
[4:07] to listen to, but he hits the Kraken
[4:09] perfectly WITH THAT ACCENT.
[4:12] IT'S interesting that they see tentacles
[4:13] and don't assume squid or octopus. But
[4:15] then this was the ship that took heading
[4:17] instructions from a floating dress. It's
[4:18] just funny Norington scoffed at even the
[4:20] existence of the Flying Dutchman.
[4:21] >> Oh, please. The captain of the Flying
[4:24] Dutchman.
[4:25] >> Also, this is a sailing movie trope that
[4:26] I'd love to see tested. Maybe
[4:27] Mythbusters can do a bit on it.
[4:29] Cancelled in 2016. Oh, what? What's
[4:31] that? Oh, okay. So, it's back. What?
[4:34] Again? In 2018? Well, as long as Jaime
[4:37] and Adam still have a flourishing
[4:38] friendship, I'll be okay. What?
[4:45] So they uh they did this. They they
[4:47] destroyed the ship. And the organ piece
[4:49] for the destruction of the Edinburg
[4:50] trader is an amazing addition. Like Davy
[4:52] Jones went below deck while this was
[4:53] happening to add some ambiance for his
[4:55] crew watching the carnage.
[5:00] Appropriate face. Nope. I mean honestly
[5:03] they could have made it way more megalo
[5:05] hydroalasophobia inducing but still
[5:08] nope. Ha. Found Mackus the Hammerhead's
[5:10] Eye. Being cursed on The Flying Dutchman
[5:12] would actually be my own personal hell.
[5:14] Like just watching the movie with my
[5:15] Cinema Winds brain turned on is giving
[5:17] me trypophobia. I think I'm breaking my
[5:19] adrenal glands. My scalp hurts from all
[5:20] the constant hair follicle contraction.
[5:22] But actually being there, I would have
[5:24] hurled myself into the Kraken's M by
[5:25] now.
[5:26] >> There are no survivors.
[5:30] >> I guess considering the options are
[5:31] death or an eternity of servitude while
[5:33] you slowly become sensient wallpaper,
[5:35] being killed is kind of the merciful
[5:36] choice. You're going to want to know
[5:40] >> what it tastes like.
[5:42] >> Flirting. These two are less than koi.
[5:44] >> You do know Will taught me how to handle
[5:46] a sword.
[5:47] >> Crotman's how it's pronounced in the
[5:48] original Scandinavian.
[5:50] >> He's correct.
[5:51] >> He's a mythological creature and called
[5:53] it what I want.
[5:54] >> Wait till he hears how they pronounce
[5:56] Wyvern's name.
[5:57] >> Till you end up end up poor in it.
[5:59] >> That win is for my American fans. If
[6:01] you're British, the win is actually
[6:02] Well, at least they pronounce Wyvern's
[6:03] name correctly.
[6:04] >> This doesn't work. And it certainly
[6:06] doesn't show you what you want most.
[6:08] >> Yes, it does. You're sitting on it.
[6:10] >> But
[6:11] >> down then.
[6:15] >> Sometimes scenes are so cool I can just
[6:17] say, "Yep." Other times I can't figure
[6:18] out what to say and then I'll notice
[6:19] that DJ holds his freaking hat on with
[6:21] his tentacles as they go under.
[6:25] >> Even the lock looks like the music box
[6:26] locket thing Calypso and DJ both have.
[6:28] >> Guard the chest.
[6:31] >> Kira gets sidelined for a hot minute
[6:32] here. A thing they actually subvert in
[6:34] these two sequels. But they draw so much
[6:35] attention to it that it actually ends up
[6:37] being pretty entertaining.
[6:38] >> Ace wants the chest for himself, don't
[6:39] he? I think he's trying to settle some
[6:42] unresolved business towards him and his
[6:43] twice cursed pirate father.
[6:45] >> Always nice to have a second rundown for
[6:47] those viewers who are second screening.
[6:48] Although you do miss some of the
[6:50] fantastic performance if you're only
[6:51] listening even if the words alone are S
[6:53] tier. That's how I use S tier, right,
[6:55] Mr. Tzu?
[6:56] >> Yeah, I guess so. Yes, thank you. Plus,
[6:59] Patch told me these are barnacles which
[7:01] are crustaceian. So, I was right. Right,
[7:04] Mr. from Tzu.
[7:06] >> Um, sure.
[7:08] >> Nice. Even now, Jack is clearly not even
[7:10] trying to injure Will. They're still all
[7:12] very, very, extremely very disgusting.
[7:15] But in the pristine aqua waters of the
[7:17] Caribbean, I still don't like it.
[7:24] And again, another immensely fun action
[7:26] adventure sequence. Hard to think of
[7:28] anyone who's done it better this
[7:29] millennium. Brings me right back to
[7:31] reading Hatchet in Treasure Island as a
[7:32] kid. Fun fact, Jack Sparrow does all his
[7:34] own stunts. Clips aside, Jack's real
[7:36] talent is and always will be
[7:38] manipulation.
[7:38] >> Do excuse me while I kill the man who
[7:40] ruined my life?
[7:41] >> Whose fault is it really? Who was it?
[7:44] Saw fit to freeze said pirate and take
[7:47] your dearly beloved all to himself.
[7:49] >> I He's right.
[7:53] >> Still rooting for you, mate.
[7:56] >> If I didn't know better, I'd say this
[7:58] movie was broadcasting its ending the
[7:59] entire time. It really is the absolute
[8:01] absurdity of this off-the-wall setpiece
[8:03] that makes me like it so much. It's just
[8:05] so silly while still being entertaining,
[8:06] engaging, and even tense at times.
[8:11] So, that bar that knocked him out is
[8:13] gone because he must have broken it with
[8:14] his skull. Okay, now that's dope. Also,
[8:16] good on them for realizing that more
[8:17] than a few seconds at a time would make
[8:19] the entire audience barf.
[8:26] >> Another three-way fight, but this time
[8:27] teamwork, not real guy. Second time Jack
[8:30] has used a coconut as a weapon, but with
[8:31] much better results this time.
[8:38] Even his heart has barnacles on it.
[8:40] Double stab. See, she was barely
[8:42] sidelined for one fight. This cut back
[8:44] to them is great. They've been spinning
[8:45] for like 10 minutes.
[8:48] There's always so much story going on,
[8:49] even during the action scenes. Will sees
[8:51] the key in the chest, knows the heart is
[8:53] gone. Jack sees that Will has seen that,
[8:54] so he knocks him out. And this is all
[8:56] after Norington has already stolen the
[8:57] heart, unbeknownst to either of them.
[8:59] Not a word of dialogue spoken in the
[9:00] story has progressed quite a bit.
[9:01] >> We're not getting out of this.
[9:03] >> Over the chest.
[9:05] >> Go mad.
[9:06] >> Don't wait for me.
[9:07] >> Norin's arc is fun. And although he
[9:09] knows the heart isn't in there, and Jack
[9:10] knows the heart isn't in there, he is
[9:12] still technically doing something
[9:14] heroic. Even if his ultimate motives are
[9:16] self- serving.
[9:21] >> No, man. No.
[9:22] >> Where's the Commodore? It fell behind.
[9:24] >> Love the explicit appeal to the pirate
[9:26] code that Gibbs taught us in Black
[9:27] Pearl. There's a code to consider.
[9:29] >> Any man who falls behind is left behind.
[9:32] >> My prayers be with him.
[9:34] >> Best not following our grief.
[9:36] >> More optimism. I believe the sails on
[9:37] the Flying Dutchmen are meant to be
[9:38] seaweed, but whatever they are, they're
[9:40] veiny and seem alive.
[9:42] >> O fish face.
[9:44] >> And after I've given you so much credit
[9:45] for your words as usages, Davey is a
[9:47] mollisk face.
[9:51] >> I'll disturb it.
[9:52] >> Equinimity.
[9:55] >> Now wheel guy is getting whipped. Why
[9:57] fight when you can negotiate?
[9:59] >> All one needs.
[10:01] >> Take proper leverage.
[10:02] >> Ah, Jack's favorite line.
[10:03] >> Let's just say it's a matter of
[10:05] leverage. Hey,
[10:06] >> which he actually stole from Will.
[10:08] >> With the right leverage and the proper
[10:09] application of strength, the door will
[10:11] lift free.
[10:12] >> But then Will stole it back anyway.
[10:13] >> Sorry, Jack. I'm not going to be your
[10:15] leverage.
[10:19] >> Hot. I mean, gross.
[10:20] >> We are shot stocked on gunpowder. Six
[10:23] barrels. awfully invested in the
[10:25] explosives for a guy who doesn't give a
[10:26] butt rats about living or dying.
[10:27] >> There's only half a dozen cakes of
[10:29] powder.
[10:30] >> Then load the rum.
[10:35] >> Fair. I'd react the same way if he said
[10:37] load the apperol spritzes. Second time
[10:39] we get this flyover shot revealing
[10:40] something.
[10:45] Hey, at least it learned.
[10:47] The sound design of the tentacles
[10:49] slipping against the port hole is next
[10:50] LEVEL DISGUSTING.
[10:55] DISNEY movies never cease to amaze with
[10:57] how much disturbing stuff they can sneak
[10:59] in.
[11:02] This moment really encompasses all that
[11:03] is Jack Sparrow, even if it only works
[11:05] when a magical mcguffin exists to tell
[11:07] you what you truly want beyond what you
[11:08] might think. The simple fact that he
[11:10] thought to check with the compass shows
[11:11] that deep down he is a good man. Hard as
[11:13] he might try to disagree.
[11:19] Huh?
[11:19] >> I think I think shot him.
[11:27] CGI still holds up and it's truly
[11:29] amazing. It's that simple. Gareth to the
[11:31] rescue.
[11:33] Awesome bullet time. Well, not like the
[11:35] Matrix bullet time, but still awesome.
[11:37] To be fair, to be fair, there probably
[11:39] aren't many people this wouldn't work
[11:41] on.
[11:46] Love the darker turn the score takes
[11:48] here.
[11:51] pirates.
[11:52] >> Compliments. He did a It's right behind
[11:54] me, isn't it? Look, since there's no one
[11:55] there to say it to. So gross. And yet,
[11:58] I'd watch this scene 5 million times
[11:59] over anything involving the crew of the
[12:01] Flying Dutchman. Have I made this video
[12:02] too much about my own personal phobias?
[12:04] Look, I didn't even know I had them
[12:05] before I made this video. Bravery. I'd
[12:07] get it more if it was just a mouth with
[12:08] one set of teeth that he could leap
[12:10] past, but there's no way he's not
[12:12] getting munched here. And since I've
[12:13] decided this is the last of the series,
[12:14] I'll cover. I guess I'll never know. And
[12:16] he got his hat back. Also love the
[12:17] little hint that Jack has probably dealt
[12:19] with the Kraken before, greeting it like
[12:20] an old friend.
[12:21] >> Hello, Beasty. Obviously, the Black
[12:23] Pearl needs to go down hole if we're to
[12:25] ever see it again. But just to belabor
[12:27] the point, the Turkish fishing boat was
[12:28] likely under 50 ft long. The Edinberg
[12:30] trader and the Black Pearl are both 170
[12:32] ft ships, so it's either smash it to
[12:34] bits or pull it down hole. Damn you,
[12:36] Jack.
[12:40] Love that seawater comes up with his
[12:41] disgust. Well put. Although technically,
[12:43] I think he's already damned. Also, this
[12:44] physical reaction upon realizing his
[12:46] heart isn't in there. The way his
[12:47] tentacles start writhing and wigging
[12:49] out. See, you should know you have to
[12:50] keep Oceanic Fairyman God's hearts in
[12:52] salt water so you don't get flies. In
[12:54] part one, I said there's probably lots
[12:56] of bugs, and that's to say nothing of
[12:57] whatever is lurking in those waters.
[12:59] >> You fooled us all right till the end.
[13:01] But I guess that honest streak finally
[13:03] won out.
[13:04] >> I think it might actually have. He did
[13:06] come back, but generally he liked to
[13:08] keep running, so it's hard to say.
[13:09] Discuss in the comments. fun
[13:10] misunderstanding where she's feeling
[13:12] guilty about murdering him and Will sees
[13:13] it as sorrow over losing her true love.
[13:15] >> Will you sail to the ends of the earth
[13:18] and beyond to fetch back wicked Jack?
[13:21] >> They couldn't make it 4 minutes letting
[13:23] us think Jack was dead. It was a
[13:24] different time.
[13:27] >> But Will, too. Jack condemned him to an
[13:29] eternity on the Flying Dutchman. Will
[13:30] got out of that earlier today. I'm
[13:32] starting to think he might have enjoyed
[13:33] seeing Lizzie smooch and Captain Jack
[13:35] Sparrow. No shade, bro. You do you. But
[13:37] if you go and brave the weird and
[13:40] haunted shores, then you will need a
[13:44] captain.
[13:48] I legit repeated this scene five times
[13:50] because other than Cotton, all of them
[13:51] have a genuine jolted expression at
[13:53] seeing Barbosa. And while I do want to
[13:55] believe the rumor that the actors didn't
[13:57] know, it seems like Pintle himself put
[13:58] it to bed. Hey, maybe only he knew.
[14:03] >> Gross. I mean, I'm glad he finally got
[14:05] his apple, but gross. eat a whole
[14:07] bushion of apples.
[14:09] >> And also, I lied in part one because
[14:10] when I saw this in theaters, I had no
[14:12] clue that Barbosa was coming back. Years
[14:13] later, I noticed his boots, but I'm
[14:15] still taking credit.
[14:17] Well, this seems pretty problematic. Not
[14:19] like a cultural social way, in a
[14:20] logistical way. Dogs can't speak, the
[14:23] language of the Pelosus that they made
[14:24] for the movie, which is a mix of pig
[14:25] Latin and words spelled backwards.
[14:27] Although, abolish monarchies, paparies.
[14:30] So, it's both kinds of problematic. The
[14:31] only thing I don't feel I praised enough
[14:33] is the score, which yeah, it's almost
[14:35] redundant to praise Hans Zimmer, but he
[14:36] nails everything from the silly because
[14:38] the threat of cannibalism is just that
[14:40] lighthearted to the dire and moving pipe
[14:42] organ music that works both as an
[14:43] auditory showcase of Jones's internal
[14:45] struggles and an epic ticata of
[14:46] destruction. From the sea shanty
[14:48] barfight adventure coated two horn pipes
[14:50] to the slow building and tragic, even
[14:52] depressing decisions these characters
[14:53] have to make of Hello Beasty which ends
[14:55] in an oporatic crescendo. It's all great
[14:57] and it wouldn't be a part two without
[14:59] taking a few comments. So yeah, this
[15:01] isn't a severed tentacle. I'm clearly
[15:03] not up to date on my octopus facts. My
[15:05] bad. It's a siphon that they exhale
[15:06] through. And I love this detail of the
[15:08] faces on each locket reflecting the
[15:09] owner's emotional state. And then the
[15:11] rest of the comments seemed to beep
[15:12] this. Last time I did a movie for
[15:14] someone who incessantly requested it,
[15:15] YouTube's comment search function wasn't
[15:17] totally broken, but alas, it it is now.
[15:19] So at people person, I hope you're
[15:21] happy. Sorry, that came out like a
[15:23] threat. I hope you're happy. Nope,
[15:24] that's still not quite right. I hope
[15:26] you're happy. It's good enough. Anyway,
[15:28] I have more thoughts, but this is truly
[15:30] only a part one of these two movies,
[15:31] making this part two of part one. But at
[15:35] World's End really is the fulfillment of
[15:36] this movie, so I'll have more to say
[15:37] when I do it. Obviously, I was kidding
[15:38] about not doing it. World's End, it will
[15:40] be 100% this year. Just not totally sure
[15:42] when. So, until then, Zavi,
[15:51] >> what are you doing?
[15:52] >> WHAT ARE YOU DOING?
[15:53] >> NO. WHAT ARE YOU DOING?
[15:55] >> WHAT ARE YOU DOING?
[15:55] >> NO. WHAT ARE YOU DOING? DO IT. NOT BOTH
[15:59] OF YOU. THAT'S AN ORDER. UNDERSTAND?