[00:03] such a fun session because we were talking about how to do film and TV briefs, or how to write songs specifically for film and TV briefs. And the conversation was really around why is it different? Like why is writing for
[00:17] film and TV different to just writing a song normally? And I love this discussion because it really is one of those types of songwriting that pushes you as a
[00:30] songwriter into this new territory. You know, when you've got a brief and the client is asking you for a specific mood or you've got to try and emulate a certain reference, it really pushes you to say, "Okay, what kind of songcraft
[00:42] can I lean on? How are my chord progressions creating the mood that I need to create? You know, what is the rhythm doing? You know, do I need to slow it down, speed it up? Do I need to change the groove entirely? Is my melody
[00:54] somber like they're asking for?" All of these things really become heightened and and you become very sensitive to the when you're writing to a film and TV brief. So, if you're a songwriter and
[01:08] you've never tried a film and TV brief, go on taxi.com or one of those kinds of websites, find a brief and just see what happens when you try and write to the brief. It really will change the way you think about songwriting.
[01:21] think about songwriting. Happy songwriting. Bye.