[00:00] Come in plane one. Spoke in the air, spoke in the air, four o'clock. Three more bandits on your six. Lane, brief right, brief right. Where the hell did these new guys come from? No, no, no! No! I've always wanted to be a fighter pilot.
[00:12] I don't know any young boy that didn't dream of that. My respect goes up for pilots even more, because that is not a luxury seat. That is a work seat.
[00:25] In the live action series, In the live action series, you want to see what it really looks like. You want to stay true to the game. You can't guess on some of this stuff. It won't fly with some of the things.
[00:39] So we were able to source a real cockpit of an F-18 plane, which was fantastic. When you're working on a project like this, you want to be true to its history. So it's kind of taking all these ideas from the game and then creating these real people.
[00:56] It's pretty amazing to be in an F-18 cockpit in the full gear. I just became cooler. So to make this particular one the most authentic, to have the actors get a sense of realism,
[01:08] the ground-air communication, the communication between the aircrew, pilots. Bingo is like out of the field. Passing the information on to the pilots is a lot of what we call left seat, right seat.
[01:21] And I ensure that they are all in line with current military doctrine Pitching in Not so much with the body Pitching in We also needed to incorporate a lot of elements that are germane to the game
[01:34] but also made sense to a casual viewer that might not have ever played the game. We don't know the Endurance's whereabouts, so before more Satoans show up, we have to find the Majestic. She's the only carrier we can land on.
[01:46] This is a rare scenario where I've been a major Ace Combat fan for the majority of my life. I always lose it. I keep it professional, but on the inside, I freak out a little bit. What we're using for this shoot is its iCVFX, or in-camera visual effects.
[02:02] If the production uses an LED wall and changes perspective or does video playback, then that is the turn that you will hear. We have a resolution that is the same as the Vegas Sphere. The cameras were going to be projected around the cockpit,
[02:14] and that doing Unreal Engine renders, manipulating the images by moving them around, rotating them, changing the colors, the lighting intensity. And action. They're not acting on a green screen. It's great that you're able to work off something
[02:28] instead of imagining that you've got something behind you. You can't see it. You don't know what it is. It's way more interactive that way. Smoke in the air, 11 o'clock, Fox 2, Bandit on Plane 2. Cut. Moving on.
[02:41] Badass. you