---
title: 'Everything Wrong With Exit 8 In 27 Minutes or Less'
source: 'https://youtube.com/watch?v=S-XVFGi5pUQ'
video_id: 'S-XVFGi5pUQ'
date: 2026-09-15
duration_sec: 1634
channel: 'CinemaSins'
---

# Everything Wrong With Exit 8 In 27 Minutes or Less

> Source: [Everything Wrong With Exit 8 In 27 Minutes or Less](https://youtube.com/watch?v=S-XVFGi5pUQ)

## Summary

The video is a humorous, rambling commentary on a movie's 30-second corridor scene that received a 47-minute standing ovation at Cannes. The creator also discusses their people-pleasing tendencies, a sponsor segment for BetterHelp, and a personal story about getting stuck in a video game.

### Key Points

- **People Pleaser Confession** [00:12] — The creator admits to being a people pleaser and uses this as a segue to introduce the sponsor, BetterHelp.
- **47-Minute Standing Ovation** [23:24] — A 30-second scene of a man staring at an empty corridor received a 47-minute standing ovation at Cannes.
- **Questioning the Anomalies** [23:52] — The creator questions the logic of the movie's anomalies, such as the walking man and the kid, and the narrative choices.
- **Game Speedrun Mistake** [24:42] — The creator shares a personal story about getting stuck in a video game, turning back at the stairs at level 8 because they assumed it was a trap.
- **The Backpack Mystery** [25:22] — The creator discusses the unresolved mystery of the backpack and the movie's ambiguous ending.

## Transcript

Ah, the internet. Sometimes I love you, sometimes I don't. But I truly never know what you want. Like many creators, I fall victim to the comment section, and sometimes I make videos based on what people tell me I have to do. Looking at you, Mando.
But what I've come to realize is that I am deep down a people pleaser. I take my love language as an act of service. I'm not always taking my own health into account. Thankfully, I'm working through that with today's sponsor, BetterHelp. With BetterHelp, I've been able to recognize these moments, take a beat,
and truly reflect on whether or not doing the things someone is asking me to do is the right thing for me. It's a huge step. BetterHelp makes starting therapy easier. If you aren't familiar, the process is simple. After signing up, you'll fill out a short quiz and quickly be matched with a therapist.
If for some reason that therapist isn't the right match for you, you can easily change at no charge. Plus, it's perfect for me because I don't only have time to go somewhere to meet in person, and with BetterHelp, they offer services via phone, text, and video call, which is amazing.
Over 6 million people have gotten help through BetterHelp, and they have a 4.8 out of 5 star rating on the App Store. If you're ready to start your therapy journey, Click the link in the description or go to betterhelp.com slash cinemasims to get 10% off your first month of therapy.
45 seconds of logos! Also, I can't believe it's taken us this long to send goodfellas. I don't remember this being the title card, though. Oh, it's just a production company logo, so we're not sending goodfellas? F***, it's exit 8!
Okay, I stopped recording, figured out what an exit A is, and now I'm back. It's basically a backroomsy type movie based on a viral video game. The game I have now played and hate myself for playing. Can we do good fellows now? This is a viciously vague article that talks about soldiers from no particular country
marching through an unnamed forest accompanied by these ridiculous non-specific hashtags. Either this is a completely fake article or someone is an SEO incorrectly. This rat growing a human ear, this flood, this homeless person surrounded by trash,
and these crashing waves will all inform and foreshadow the rest of the movie. It's a crucial moment, but only if you're the type of person that rewatches a movie just to enjoy feeling smug about spotting s**t any normal, naughty watching person would completely miss.
A good portion of this movie happens out of the lost man's guilt for not stopping this screaming a**hole. However, the idea that the lack of action from one person in a crowd of people is important enough to inspire 90 minutes of corridor creeping psychoanalysis is a level of arrogance that should warrant another 90 minute movie of corridor creeping psychoanalysis.
Never in my life have I received a single bar of signal on a subway train, and yet here he stands with an entire five G's of bars, meaning this movie is either lying or I need to move to Japan immediately. Movies that graduate from the hardcore Henry School of P.O. Ying things with zero lessons learned.
Also, it's a lot easier to appreciate the work a movie puts into a one-shot when said one-shot isn't giving me four different types of motion sickness. It's also also a lot easier to appreciate the work a movie puts into a one-shot when it's doing something other than tracking a full five minutes of this man's morning commute of obvious foreshadowing.
If the lady on the train is berated for having a screaming baby, then this fool should be downright arrested for stopping on the stairs and blocking what should be a single-file lane of commuting traffic. I'm not buying how suspiciously polite everyone is being about him ruining their morning.
Pay very close attention to every single cough from a lost man. If you put them all together and translate them into Morse code, it spells out irritating cliche affectation that doesn't add a thing to the movie and doesn't create the tension you think it does.
These lockers, pile of trash, and photo booth exist. Also, I think it's funny that we can presume at some point a conversation happened along the lines of, oh, they want us to make a movie about a game you can speedrun in 60 seconds. How do we turn that into 90 minutes? I guess we could add an extra corridor and fill it with lockers, trash, and a photo booth.
Okay, good start. What about the other 89 minutes and 30 seconds? Baby mama drama? I hope you enjoy this corridor, folks. because it's about to be 75% of the next 80 minutes of your stuck and liminal loop shenanigans. And now I'm thinking of the quick wins that would make this movie more interesting,
like having Bill Murray be the walking man, or meeting a confused Kelsey Grammer who's been wandering the halls for 90 years or 17.4 days. Cool subway sign-ups! After a few loops, the lost man finally realizes that something squiffy is happening,
and carries on instead of turning back. It will take a further three loops before he even tries to go back the way he came. Also, the first thing I did in the game when I saw the walking man was to f*** him. Like any normal human, that was one thing in my environment I could affect or interact with.
All I affected and interacted with was to f*** out of him. The lost man seems to assume he's just another piece of furniture, ignoring him for a while until the audience is fully settled into the conceit of the movie.
The lost man shows an incredible amount of restraint to a jump scare that would have resulted in the highest of high-pitched screams and ugly cries from your humble narrator. He meets the walking man and again, still doesn't interact with him.
No, hey buddy, come here often. Or, hey, why did you do that creepy smile thing a few minutes ago? That was f***ing weird. However also, perhaps his refusal to talk to the walking man is a metaphor for men not talking to each other about their problems. Possible, but I don't think I want to talk about it.
The way the lost man reacts to a lot of these anomalies will be the most perplexing anomaly of the movie. If anything drips on my head, especially in a f***ing subway tunnel, and definitely not standing there for a few seconds like it's a scalp treatment, I am in order jumping out of my skin and then doing that Scooby-Doo thing where my legs start running really fast on the spot before a cloud of dust and then a Jeremy-shaped hole appears on the wall.
Overall, the movie is a metaphor for not turning a blind eye and owning the problems in your life. It seems to suggest that the first step in evolving as a person is to acknowledge a problem exists, which is weird because it suggests that step two is turning around and running from the problem until it disappears.
Yeah. How f***ed up is his regular morning commute? If this even has to be a question. Also, I briefly toyed with the idea of restarting the Sims video every time I noticed a genuine continuity or plot anomaly with a movie.
Maybe that'll happen. Maybe it already is and you have no idea. Like and subscribe for more Night Terrorists! I don't... I don't... I don't... Expecting the zombie who was clearly part of the illusion to actually answer your questions. Yes, I did just send the lost man multiple times for not talking to the walking man.
But this hypocrisy should actually be a comfort to you. It means that this is a consistently inconsistent CinemaSins sin, and you can carry on with the video as normal, instead of starting all over again. Bwah.
Bwah. If you've never played the game, let me tell ya, it will f*** you at level 7 and make you question your sanity. It will leave you so paranoid that you'll be looking for anomalies in your own kitchen. But these wonky lights are not one of the ways it does that.
These are a gimmick, an easy anomaly to bring you up to speed. I can only assume him missing this sh** is the movie convincing us to hate him and endorse every mishap that befalls him. Mission accomplished. Also even if the lights were normal he not taking any amount of time to really check the posters I mean gee he walks right past the lockers trash and phone booth without so much as a glance at them and is then surprised when the level goes back to zero Taking pictures or a video
of everything is definitely a smart play here. Almost as smart as trying to send a message or make another phone call. Yes, the call to his girlfriend failed, but he doesn't even try to get a text out or call someone else. This loop started at 9.40 and his phone says
it's now 9.51, which is almost exactly the amount of time that has passed in real time. Worried it was in removal, if it didn't feel like I'd been in this corridor for an hour and a half already. How or why the photos don't survive into the next level isn't explained,
but it does suggest there's an intelligence at work that punishes intelligence. And that's dumb. Also, the lost man doesn't know how to escalate properly. You f*** with the pictures on my phone? Fine. Then I'm taking down all the posters and carrying them with, so I can physically compare the f***ing demon subway.
I'm David Johnson. I just died. I just died. I just want to know where you died. Ex-i-d-a-y-t-e-n. Also, he still isn't even looking at the walking man. He just gives him a passing glance,
without checking if he stays on the same path or does anything funky. This guy would suck at mist. It is unclear why the lost man falls down here. It's even less clear why he thinks cowering in a ball is better than getting back up and running.
If you've ever seen a single horror movie, then you know that no good can ever come from the mysterious sound of a baby crying. At worst, it's cursed and wants your soul for fuel. and at best are stuck with an annoying baby for the rest of the movie.
The only thing more confusing than adoring the crying and turning back is slamming the door shut after slightly opening it. Now you're just complicit in keeping a baby trapped in a locker. Kids, also some of these anomalies will seem very specific
to whatever mental trauma the lost man happened to be processing. Cool, but does everyone get screaming babies at some point? Or did he just get super unlucky that his anomaly has had the creepiest branding? He's used this inhaler three times in the last 15 minutes.
At this point, keeping it in his bag instead of on his person feels like a self-destructive and personal attack on my patience. Creating a goddamn award-worthy art form out of burying the lead,
while technically true, I'm still underground, is not how I'd be describing my situation. It would be something more like, Oh God, please get me out of here, the walls are bleeding and there are babies in lockers!
Deciding this is the best way to describe the Groundhog Day Backrooms mashup that's happening to you. you know, in a way that reflects literally everyone's standard subway experience. Also, I will admit, Backrooms Mashed Up with Groundhog Day sounds like a killer movie.
I just think the choice to mash up that combo with the backup plan might warrant some scrutiny. You'd think any break from the monotony of the same corridor would be enthusiastically welcome,
which is why it's impressive how quickly these will-he-won't-he-be-involved-with-his-baby scenes so quickly inspire a skit. I would argue that an awareness of your flaws demonstrates more self-reflection than most people.
It probably means you are at least somewhat equipped to start the unwinnable process of being a parent. I don't understand why no one signs up for my online therapy courses. I'm so good at verifying fictional people. Since I won't be needing this anymore. Also, just a reminder that he's been in here for about 25 minutes.
In that context, this feels more like a slight overreaction. Having so much nothing happening in your movie that you have to introduce a respiratory attack as the chief protagonist. Is this vomit now an anomaly? Is every corridor by definition an anomaly because it has been affected by the presence of an observer?
Whoa, sorry about that. Seems I get very philosophical when I'm bored to tears. In case you suddenly confuse this movie with Platform 8. Having a rough time getting to your inhaler? If only it was in your pocket!
A lost man fails to get to his inhaler and seemingly dies. Which is a paradox because he needs to be alive for the rest of the movie. A conundrum that the movie will masterfully solve by having him wake up and move on like it never happened. being stuck in an infinite loop that keeps resetting the environment and abandoning your only supplies.
I don't know what he's learning about himself, but I'm learning that he's a dumbass. Nope! This sin is for not immediately turning around and running away when any spooky situation presents you with a small child.
That child means you nothing but ill. Even if this resets my progress back to zero, I will face those consequences rather than whatever spooky shit that accompanies this sudden and cursed child in an empty corridor. Nope, I say!
What the hell? Oh. It's **** what now? The Lost Man eventually does the right thing here and turns back. His reward? Some gaslighting bull****. A lesson is he's supposed to learn from this. That kid, real or not, is the definition of an anomaly.
Cursed or not, he is not something that appears in all of the other corridors and is therefore categorically an anomalous manifestation. Magic corridor paranoia can eat my ass. Lost man. Oh, I'm sure he lives here, dumbass.
Whatever else is happening with this kid, nothing will be more distracting than the millennium falcon-shaped graze on his cheek. You're welcome for that impossible-to-unsee observation. I am a million-ganger. This wildly definitive statement about a being you have barely tried to interact with.
Also, this makes me realize that the lost man has accepted this situation as supernatural very quickly. I still think there's a chance this could still be a shifting maze and the walking man is a performer in an elaborate prank. Have you seen Japanese game shows?
This would be in track to top 100 weirdest premises. Who needs to think every NPC needs a backstory? Premature aid abrasion? There are some compelling arguments that the walking man is actually the lost man's long-lost father.
I, for one, am convinced, based on the fact that they both seem to be genetically capable of actually looking for anomalies. If you're desperately relying on a four or five-year-old to solve your game of curse, where's Waldo?
I'd make peace with the fact that this is just where you live now. Christmas and Warned Oak. Okay. Loopy confirms the power of boners being the only anomaly that is truly inescapable.
Also, who knows how long he's been doing this, but since he's on level four, it's been at least four times. So how is this his reaction to the now suddenly talking zombie woman who's been walking through each iteration of the subway? How does he not have so many questions for her?
Wait, how long have you been in here? Why are you suddenly not a zombie? Weird that you chose to walk right past me just now. Just now, the walking man will continue to check for anomalies, and honestly, there's no way he can lose. The only way the subway can possibly outsmart him now is if all the doors and posters suddenly start flirting with him.
He's not only asking if they're dead or in hell or purgatory, he kind of feels like someone behind the scenes is getting impatient. As if whoever is running this thing thought, wow, this dumbass really isn't getting it. Should he send in someone to spell it out for him?
And its efficiency is to gold. I think a return to the drawing board is in order. If there's one thing that should be crystal f***ing clear, it that this is not a normal underground passage At all And yet he will not question the clear anomaly that is telling him to effectively pay no attention to the man behind the curtain Thank God Thank God The insane irony that is
asking the anomaly if she's noticed an anomaly. Also, there's some debate as to who this woman is. Maybe it's the younger version of the lost man's pregnant ex-girlfriend. Maybe it's just some other stranger with regrets who got lost in here. Maybe the walking man had an affair and his
version of the subway is trying to trick him with temptation. All rational explanations that don't actually mean much in the grand scheme of things, since the movie is more interested in being limitally spooky than giving us anything like enough information to make a judgment.
No, your progress just resets to zero and you start all over again. You might, as a result, end up in here forever, but that would be down to how many anomalies you decide to flirt with instead of acknowledging them as anomalies. Also, this got me thinking about other ways to get out of here.
Since there are two options each time, proceed ahead or turn back, the odds of being right are 50-50. You have to be right eight times in a row, meaning there are 256 different permutations to get to the solution, which is a 0.39% chance of guessing and getting to the end regardless.
Sure, it's not likely, but given enough time, it would almost certainly happen. Let's say that you can just sprint through the corridor in 30 seconds, regardless of whether you go forward or turn back. That's 8 lots of 30 seconds to get to the exit, which is 4 minutes,
meaning after 17 hours, there's a pretty good chance that you stumble upon a combination that works. Honestly, all that might be nonsensical bulls**t, but at least it gave us all something to think about other than this f**king corridor. also also math.
Hey, let it light off. Assuming that the kid's natural way of manifesting fear is by staring at a door instead of assuming he's looking at an anomaly is an act of violence to my logic center. Once again, one of our characters is screwed by one of the most obvious anomalies
instead of one of the legitimately sneaky ones that the game has to offer. Also, we'll find out that the kid does eventually talk, so why doesn't he say something here? Stop! The world record for a speed run of Exit 8
is one minute and 11 seconds. I'm not saying that he can get to the end in that time, but it proves that being reset to zero isn't as disastrous as they keep making it seem. This might be a 30-minute inconvenience. I mean, they haven't even found the life-threatening anomalies to be upset about yet.
There are plenty of wild theories about this movie, but there's one that suggests the walking man is the lost man's father. And the reason they never met is because the walking man ended up trapped in hell. I'm not sure I love that idea, considering it means the subway is punishing the lost man and the boy
for the generational trauma that it, yes, it, caused. Yes, I'm drifting into sitting rent theories instead of the movie itself, but I don't know what the f*** you want from me. It's a 90-minute movie about a white subway tunnel with three corners. The original sins run as dry.
Instead of treating this as an easy level that guarantees his advancement to level one, The Walking Man decides that the game has clearly given up at this random point and has served him victory, as cursed subways are wont to do. Grown-ass adults who are overpowered by four-year-olds.
The walking man leaves the kid behind and is presumably punished for this with an eternity of walking through the subway as someone else's anomaly. Valuable lessons learned by all, I'm sure. If you go frame by frame here, the photo booth that usually appears in the final section is briefly visible,
which makes zero sense because the start of each level should be a short, empty corridor. I'd say it's a deliberate anomaly, except the anomaly-detecting kid completely ignores it and carries on into the next level. Now, this makes sense if we roll back to Boy's first arrival,
because from the lost man's point of view, the kid would have been coming from the corridor that would have the photo booth and lockers. And all this could have been solved if they just shifted the angle of the camera so it didn't show the photo booth, the kid shouldn't be walking past.
And by solved, I mean saved me watching the sequence 25 times just to line out this nitpick. So what counts as an anomaly for this kid? Shouldn't he still be seeing the walking rain from before? How the f*** is he supposed to know what's an anomaly and what isn't
if his standard corridor has fundamental changes like this? Once again, the kid notices it's the anomaly and says, Nothing, which I'm sure means something. I'd just like to know what that something is. No, bro. It is not, and I'm still mad that he isn't doing my
rip the poster off the wall and take it with you idea. Also, the lost man not realizing how on the nose this M.C. Escher reference is while he's navigating an impossible construct that holds in on itself is an infuriating level of cognitive dissonance.
I don't know about you, but after this many laps, I think I'd be f***ing with everything. I'd be taking down this sign, opening it up, f***ing with the walking man. Hell, I'd definitely be taking his phone and looking through it. He's got cards and ID and **** in there. What if he's from the past or the future?
Who has a clue about the past or future? Instead, the lost man just seems perfectly happy to passively interact with this non-consensual escapist. The lights go out and the lost man decides this is the perfect time to hang out and see what treasures the creepy sudden darkness might bring.
We're getting here next at 8 adaptation because creepy resident evil mutated rats get more eyeballs. Also, the fact that this kid isn't freaked the **** out by the bloody rats with ears and eyes on their bodies is suspicious as f***, totally further proof that he is the scariest creature in this scene.
The Lost Man should leave this kid behind with what are clearly his people. Whoever said, hey, let's save a few bucks on the most CG-intensive scene of the movie by just turning the f*** lights off and passing it off as suspense? Pretty sure that's the Lost Man's ex-girlfriend, which would make this his unborn son.
Great, the subway is now using time travel shenanigans to continue to f*** with our God. But why did the kid seem to be on his own journey with the Walking Man if this is all for the Lost Man's benefit? I guess this is as good a time as any to take a little break while your anomaly checker recharges.
Well, I thought I was in a checker. No, I set fire to her in an act of unbridled rage. I keep her charred remains in my back pocket as memento of what I've left behind in the hope that... Yes, I got separated from her, dumbass. Do you see her anywhere?
Also, the real question he should be asking in this moment is, Holy f***, kid, are you from the future? Prove it. What's your mom's name? What year is it? And for no particular reason at all, how are the cubbies doing? I just totally forgot. Since the kid is here on his own journey, that suggests he's being punished for being a little s*** after deliberately losing his mother in a subway.
Regardless, I really want to know who created this place and why they're targeting s*** five-year-olds for their moral and ethical development. Also kids. Apparently I'm not targeting him. His actions speak for themselves. Well, that's what. No, but to be fair, she isn't usually standing in a s***-up backroom subway holding her womb as she stares at me.
Oh, come on. F*** this anomaly in particular for no specific reason and definitely not because it's the reason I failed at level 7. Oh, how do I know what the anomaly was if I failed to find it? Because I did find it, but carried on anyway,
because there's no way I thought they'd be that f***ing nitpicky. Which is bold, coming from the guy who nitpicks for a living. Who am I even sitting? Game? The movie? Myself? Yes! They're all to get me! While it does give the impression of being seamless,
there are plenty of cuts in this movie. Meaning we absolutely do not need to see every minute of them turning back and retracing the steps we just saw them take. I like this movie, but sometimes it takes the idea of continuity and immersion and radicalizes it into a weapon of mass procrastination.
Nope! God damn it why are they approaching the door that just opened on its own It clearly an anomaly Just get the f out of there At this point I be wondering why the subway is being so heavy with me I get it I was a piece of s and should have stepped up to help that lady being yelled at
Heard. But the f*** are you trying to tell me with the bleeding walls, the rats with human ears, and spooky lights? Also, does the kid see the same thing if he looks through the door? Or would he see his poor, panicked mother running around the subway looking for him? The movie thinks that doesn't matter.
And I think it just didn't see that question coming. He continued, graceful pace befuddles me. The second I found a home run anomaly, I was sprinting back the way I came. I definitely wasn't walking with the urgency of a man headed towards a double colonoscopy vasectomy appointment.
Taking 1 hour, 12 minutes, and 28 seconds to present me with a relatable character motivation. Not realizing that the kid literally just gave you the perfect answer.
Guys, f***ing run! It's not often that an anomaly is accompanied by a siren. Anomalies aside, nothing has ever screamed, run away, more clearly than this siren. But once again, he'll hang around because the movie needs to make sure there's time to actually show off the anomaly.
The lost man finally reacts by grabbing the kid and waiting next to a wall? Why? Is it that there's anything that can happen now that would change the fact that you need to be running the other way? Whatever the anomaly ends up being, you're going to backtrack
because that's the f***ing game. It's like he keeps switching this game of spot the difference with his own branded game of curiosity killed the dumbass. Expecting the three-foot creature with 12-inch legs to run as fast as you instead of picking them up and end-zoning their haunted self.
I have died out, so this is the time to wake. Boonie didn't have the nerve or will to commit to having its entire runtime in the subway and cheat with this quick vacation to the beach from Inception.
Last we heard, judging by the age of the kid, he's been a dad for quite some time. Throw down gaming at its finest. He'll protect who?
Himself? The walking man? Me? From watching this movie? There's no need to be getting your shoes, socks, and pants wet. At this age, the kid won't remember it anyway, and he definitely won't mind you taking the time to not make the car ride home a disgustingly uncomfortable experience.
Considering the water has taken them to the exit, I'm not sure why he didn't just hold them above water while the current takes them around the corner. Also, when the flood came, they were already well past the exit A-stop, meaning he managed to swim both of them against the current of the flood,
past the sign so he could put him up on top of it from behind. Dude is a f***ing aquaman. Also, also, even if he could swim this strong lake, I don't know how he's staying in the same spot without the use of his arms.
Even if he could touch the floor, there's no way he'd be staying at a place like this. I declare this an anomaly. I demand that you start this CinemaSins video again. I'd love to know how the kid landed in this spot. If he dropped down after the water had passed, wouldn't he have a broken ankle or leg?
And why is he taking a little nap? and why would there be this convenient, clear space for him to land in anyway? That slug was clearly an anomaly, so why isn't the walking man standing here and staring at his phone like every other time they've had to backtrack?
This 30-second sequence of looking at this empty tunnel received a 47-minute standing ovation at the Cannes Film Festival. Also, do you know how long 30 seconds is? I've been talking about it for 10 seconds, and I'm playing this scene in real time.
We've still got 15 seconds to go. It's truly impressive. Well, an impressive waste of my time, to be honest. Anyway, how have you been? Drinking enough water? Lord knows I have. Been too busy looking at this goddamn corridor for 30 seconds.
Well done, sir. You've learned your lesson by sacrificing yourself for your kids. But I'm afraid you're still going to have to jump through a few more really sh** anomalies that aren't related to your character growth at all. I know if we'd planned ahead, we'd have made that waterfall level 7,
so it threw you straight into level 8, and then freedom. It would have been much more narratively satisfying, but we're just f***ed like that. Also, I have no idea why the lost man is coming through after the kid. Wouldn't he have been swept in here first?
Also, also, let's say time doesn't matter anymore. What if the boy had waited at the end of the corridor for warmth? Would this walking man have reappeared for the lost man to know there are no anomalies? Would the boy now think this corridor was an anomaly because it had two walking men?
Or is the movie saying f*** the rules because it's just as happy to be done with us as we are? Considering this is level 7, I would be spending so much time in here checking out every single possible anomaly. I'd be counting floor tiles, checking to find print on the posters.
I'd be stalking the walking man and seeing if he even smelled the same. I definitely wouldn't be attempting to speedrun that final level. True story, I got all the way through this game and made it to the stairs at level 8. Except when I saw the stairs, I assumed they were in an armory and turned back.
I was so pleased that I hadn't fallen for the final trick. So I got back to the sign and was greeted with level 0. I have a new PC on the way. Our man is coming to fix the drywall where my old PC now lives. Hurrah! The lost man escaped from the looping subway.
But the most important unanswered question still stands. Is his backpack just lost in there forever? I guess it doesn't matter, since it seemed to only be carrying an empty bottle of water and an inhaler that he miraculously doesn't need anymore. Also, plenty of internet people seem convinced that all that adventure was just a manifestation in his mind
while he processed becoming a father. But then, why is the backpack missing? Where did it go? That was all in his head. And why does he have the shell? And why were the walking man and the kid on their own trip through the corridor? I'd honestly be fine not knowing if I was confident the movie was confident
and it knew what was happening. I feel I'd be warning these people to not go the way he just came, lest they want to be subjected to the most tedious 90 minutes of their life. Pay for a bottle of water that you dramatically chug for a bit, and then throw away before finishing.
Can I tell you the first thing I'd do after getting out of that mess? I'd be headed for the nearest exit or exits of any kind. You wouldn't be catching my ass going down any unnecessary corridors or getting my ass back on any kind of train.
It's now 9.38, which is just a couple of minutes before this all started. The problem is he just got off the phone telling his ex-girlfriend that he will meet her at the hospital, which is based on information about her being pregnant that he hasn't received yet. And now he's getting onto the same subway train with the same shouting man at the beginning of the movie.
And if he stops that from happening, won't that prevent him from getting trapped in the subway so he can't make the phone call to his girlfriend about coming to see her? And when will we ever find out how long Bill Murray was trapped in Groundhog Day? The movie does not contain a transparent man emerging from tiles, a tidal wave of blood,
a million non-smoking signs, two spooky mafia men, a lady with a door crack, or any number of fun anomalies on the buffet table of suspense. 45 seconds of logos! Also, I can't believe it's taken us this long to send goodfellas.
I don't remember this being the title card, though. Oh, sorry, you're probably wondering why the video started again. Well, that should be obvious. You didn't learn your lesson the first time around, and now you're doomed to watch the whole thing again until you discover the anomaly. Or the true meaning of Christmas.
Or pie. Or until I get bored of this bit and do something really wild like... I love you, Sam.
I've seen you over a hundred times.