---
title: 'The Pirates Trilogy Is Pure Bliss'
source: 'https://youtube.com/watch?v=YtEYWMuw5c8'
video_id: 'YtEYWMuw5c8'
date: 2026-07-10
channel: 'Just Write'
---

# The Pirates Trilogy Is Pure Bliss

> Source: [The Pirates Trilogy Is Pure Bliss](https://youtube.com/watch?v=YtEYWMuw5c8)

## Summary

This video essay re-evaluates the first three Pirates of the Caribbean films directed by Gore Verbinski, arguing that they are masterpieces of action-comedy and visual storytelling that have been unfairly maligned. The creator contrasts them with modern blockbusters, highlighting their superior integration of comedy into action scenes, their use of color and practical effects, and their nuanced treatment of romance and sexuality. The essay also touches on the decline of mid-budget films and the exploitation of VFX artists, using the trilogy as a case study for broader industry trends.

### Key Points

- **Re-evaluating the Pirates Trilogy** [00:00] — The creator re-watches the first three Pirates films to see if they hold up, noting that while the first is universally loved, the sequels are often derided. He argues that in today's media landscape, they would be celebrated for their ambition and craft.
- **Character Motivations: Simple vs. Complex** [01:24] — In the first film, each character has a simple, clear goal (e.g., Will wants to save Elizabeth). In the sequels, motivations become tangled and change frequently, making the story harder to follow but also richer.
- **The Death of Comedy Films** [04:06] — Comedy movies have declined due to the death of mid-budget films, the rise of streaming, and the dominance of action-comedy mashups like Marvel, which incorporate humor but rarely create genuinely comedic action scenes.
- **Action Comedy vs. Comedic Action** [06:25] — Modern blockbusters often have characters making jokes during action, but the action itself isn't funny. The Pirates films excel at 'action comedy' where the premise, framing, and editing of the action are inherently comedic.
- **Visual Techniques for Comedy** [08:04] — Verbinski uses specific framing techniques—like background gags, flat shots, and unexpected entrances/exits—to make action scenes funny. Examples include the rolling wheel fight and characters falling from a cage.
- **Music and Editing Sync** [10:57] — The Pirates trilogy's music is edited to the beat of the action, enhancing the comedic and energetic tone. Later films in the franchise fail to match this integration, using music without care for its original meaning.
- **Sex and Sexuality in Blockbusters** [13:15] — Modern blockbusters have become sterile regarding sex, partly due to the death of mid-budget dramas and a backlash against sex scenes. The Pirates trilogy, however, uses sexual tension and awakening as a central narrative driver, particularly for Elizabeth Swann.
- **Elizabeth Swann: A Genre-Defining Character** [15:29] — Elizabeth transcends typical female roles in swashbucklers: she is not a damsel, not a femme fatale, and she actively saves herself and others. Her sexual awakening is integral to the plot, and the trilogy ends with a rare focus on her pleasure.
- **Visual Excellence and VFX Industry Impact** [18:17] — The trilogy is visually stunning, with vibrant colors, practical locations, and groundbreaking CGI (e.g., Davy Jones). However, the VFX work was achieved through exploitative labor practices that set a harmful precedent for the industry.
- **Industry Trends and Unionization** [22:37] — The creator notes the ongoing strikes and unionization efforts in Hollywood, urging viewers to blame studios rather than underpaid workers for delays or poor effects. The Pirates trilogy serves as a flashpoint for VFX industry issues.

### Conclusion

The Pirates of the Caribbean trilogy, particularly the sequels, are ambitious, visually stunning films that excel in action-comedy, romance, and character development. While they were criticized at the time, they now stand as a testament to a bygone era of blockbuster filmmaking, though their production also highlights the exploitative practices that plague the VFX industry today.

## Transcript

one of my favorite things to do in film
criticism is to re-watch an old movie
that I used to have very strong opinions
about one way or another to see if I
still feel the same way I've been
meaning to do this with the Pirates of
the Caribbean Trilogy the first three
movies directed by Gore verbinski for a
while now because those movies seem to
have reputations that are set in stone
everybody loves the first movie because
it's a lean little action adventure
movie with zero fat on it a perfect
movie that doesn't require any work from
the audience to enjoy it's got romance
it's got action it's got comedy it's the
ultimate throw it on when you're tired
movie and you will be teleported two
hours into the future completely
refreshed and then there's the two
sequels which are really one long movie
that you need to set aside an entire
evening to enjoy and which require you
to bust out a notepad to keep track of
all the characters but you know what I
think we were spoiled in the 2000s in
the 2000s we were getting big
blockbuster movies directed by weird
otour filmmakers that came out of
nowhere literally every year movies that
were wildly tonally different well made
and memorable now I don't want to
romanticize the past as if all the
movies back then were great they weren't
but when looking back at these two
movies movies that have been widely
derided for two decades watching them in
the context of today's media landscape
is a very different experience and
actually I think if they had come out
today they would be some of the most
celebrated Blockbusters of the year I
think the best way to address why people
didn't connect with these movies as much
as they did with the first one is by
answering the question what do each of
the main characters want in the first
movie that question is really easy to
answer will wants to save Elizabeth
because he loves her what's his name
also wants to save Elizabeth Elizabeth
is just trying to survive but then wants
to save will Barbosa wants to collect
the Aztec gold so that he can eat an
apple again and Jack Wants Revenge on
Barbosa for initiating a mutiny against
him pretty simple stuff okay now what do
the characters want in the two sequels
well Cutler Beckett wants will to steal
Jack Sparrow's Compass so that he can
use it to find Davy Jones's heart so he
can use that to control Davey Jones
himself which will give the East India
Company total control of the seeds Jack
Sparrow wants to escape the bargain he
made with Davey Jones but fails to do it
dies comes back to life and then wants
to get Davey Jones's heart so that he
can replace Jones as the captain of the
Flying Dutchman and live forever we'll
turn her again just wants to save
Elizabeth at the start but then also
wants to free his father from Davey
Jones's crew which leads to him scheming
to take control of the Black Pearl
because it's the only ship faster than
the Dutchman but when Matt fails he
schemes with the bad guys to settle the
Pirates on the promise of securing
Elizabeth and his father's safety
Elizabeth wants to save will at first
but then she wants to get revenge on
Cutler Beckett for killing her father
leading her to push the Brethren Court
of pirates to war with the East India
Company what's his name wants to regain
his position in the British Navy and
does so by giving Beckett the heart but
then regrets having done this and tries
to redeem himself by helping Elizabeth
Escape resulting in his death Davey
Jones wants to maintain control over the
chest that contains his heart because he
dies if anybody stabs it and he also
wants to get back his ex-girlfriend the
literal personification of the ocean
Calypso Calypso also known as tiodama
wants to get herself freed by the
Brethren Court which cast Magic on her
that found her to a human form so she
needs the Brethren Court to get together
declare war and then burn all the little
items that they use to bind her so that
she can be free again when she learns
that Davey Jones was the one behind her
imprisonment She Wants Revenge on him
creating a Maelstrom that eventually
consumes him Barbosa has been returned
from the dead and kinda has to do what
Calypso says so his goals are
essentially just an extension of hers
so you've got a pair of extremely
hyperactive movies that have twice as
many significant characters and almost
all of them have their Central
motivations and loyalties change
completely over the course of the story
which is just a lot for an audience to
keep track of but in the context of
today's media landscape where we have 20
movies existing in the same universe
where multiple monocultural franchises
require audiences to be familiar with
literally hundreds of characters the
pirate sequels are damn near basic oh
they're too long how dare you say that
after your 13-hour stranger things binge
foreign
foreign
Trends in the film industry over the
last 10 years or so is the death of
comedy films you know once upon a time a
bunch of comedians would get together
and make comedies or romantic comedies
and they would be some of the most
successful movies of the year do you
remember that there's a lot of reasons
for this decline though generally
comedies are mid-budget and mid-budget
movies as a whole have declined the last
time a pure comedy movie cracked the top
10 highest grossing movies of the Year
domestically was 2009 with the hangover
yeah it's been more than a decade since
a regular old comedy movie has been able
to compete with the big noise action
genre mashup roller coasters so most
movies are now either made for five
dollars in a dream or cost more than the
GDP of some countries mid-budget movies
on the other hand often made a lot of
the revenue on DVD or Blu-ray sales
which have dried up as a result of the
rise of streaming at the same time the
only companies that seem interested in
pumping out comedy movies are those very
same streaming services that killed them
in the first place but to quote Quentin
Tarantino on this Ryan Reynolds has made
50 million on this movie and 50 million
dollars on that movie and 50 million
dollars on the next movie for them I
don't know what any of those movies are
I've never seen them have you those
movies don't exist in the Zeitgeist it's
almost like they don't even exist but
it's not just all of the factors I've
listed out so far that's caused this
it's that big noise movies are usually
comedies too at least ostensibly
Americans only go to the theaters a few
times a year so I can't really fault
them for choosing the movies where they
get both jokes and explosions instead of
just jokes the dominant player here is
of course Marvel and I think the mcu's
specific kind of humor is also partially
responsible for killing even the lowest
of low budget comedies parody movies in
the 2000s we used to have this whole
little industry of films that mocked
whatever was popular at the box office
they weren't that good but at least they
existed like how could you ever make one
today when the thing that is the most
popular at the box office is the Marvel
Cinematic Universe how could David
Zucker ever make fun of this when it
already looks like a David Zucker movie
the point is every year while comedy
movies don't make the the top 10 earning
movies of the Year action comedies
always do because when you break it down
the biggest movies of the year are genre
mashups but they usually only wear the
clothes of other genres so to speak and
this is why I want to get to the Pirates
movies because while modern films have
action scenes and they have comedy
scenes they don't often have action
comedy scenes what do I mean by that I
mean scenes where the premise of the
action is comedic where the comedy
escalates over the course of the action
scene where the comedy isn't just coming
from characters making quippy one-liners
over one another but where the visual
presentation of the action is inherently
funny itself so for the sake of this
video I endured the two hour runtime of
Ant-Man quantumania in one of the scenes
you have two people with technology that
can shrink or expand things fighting
against Bill Murray at an alien bar and
to get away they make a weird octopus
turn really big and it eats Bill Murray
this should be the funniest scene in the
movie this should be the funniest scene
of the year but the images are somehow
so black land that they pass without
leaving any impression whatsoever it
just sort of happens and then they move
on to the next thing the camera doesn't
frame the action in a way that's comedic
the scene doesn't mind the premise for
every possible joke it could it's just
there but the pattern this movie falls
into that almost all of the Marvel
movies not directed by James Gunn fall
into is having the characters make jokes
then have a beat of action then the
characters make jokes about the action
but the action isn't funny itself but
the Pirates movies Peak action comedy
[Applause]
now despite the fact that the first
movie is the one that pretty much
everyone agrees is the best of the
franchise going back and watching it now
made me realize that the extremely
kinetic action that the franchise is
often remembered for didn't really
originate in that movie it's Dead Man's
Chest in at World's End where the
Pirates films hit their action comedy
Apex so let's establish a few things
that good action comedy does the way the
images are framed by the camera is the
most essential part of this there are
some kinds of shots that are just
reliably funny I don't want to say
inherently funny because comedy is
subjective but if you have watched
enough movies you will recognize them as
moments where the filmmakers are trying
to make you laugh for instance have
something in the background of a shot
undermine what is happening in the
foreground gorbinski does this
constantly in his movies in this shot in
the Mexican for instance people steal
Brad Pitt's car in the background while
he is on the phone in the foreground in
The Lone Ranger an intense fight in the
foreground is undermined by Tonto
climbing a ladder in the background in
Dead Man's Chest Jack pulls himself out
of an open grave in the foreground while
a giant wheel rolls toward him in the
background this is basically about
putting the setup and the payoff of a
joke in the same image and creating
anticipation in the audience for it
here's another instance of it in the
same sequence while Elizabeth is in
danger in the foreground the silly
three-way fight on the big wheel Rolls
by in the background which is another
point about framing whenever things
unexpectedly or quickly enter or leave
the frame the audience interprets it as
a joke this actually happens twice in
that Elizabeth's scene first with the
big wheel and then with the
here's another example of it in another
Gore verbinsky movie Rango
[Music]
oh no Elizabeth is in trouble again
these kinds of jokes are enhanced by a
particular kind of shot that often has
very little camera movement and where
the camera is held level to the ground
this creates a kind of play-like look
where things are able to come on or off
stage comedy shots also often pull back
to make the protagonists look small and
when things are small our brains seem to
think that that's funny like when will
and what's his face are fighting here
and the camera is pointing up at them
they look awesome when it's a flat shot
and they're far away it looks funny
I often think about this shot from Dead
Man's Chest where six men fall to their
deaths you could film that scene in a
hundred different ways to a hundred
different effects like imagine if the
camera showed us the POV of the people
inside the cage in their final moments
that would be horrifying but because we
have an overhead shot it reads as a joke
because look at them get small suckers
all of these techniques and more are on
constant display during both the major
action comedy scenes of the sequels the
rolling ball scene and the rolling wheel
scene is there something just inherently
funny about things rolling I mean I
don't need to do any analysis to say
that this shot is awesome another big
part of this is the union between music
and editing the Pirates movies have one
of the liveliest soundtracks out there
[Music]
but it isn't just that the music is good
it's that the music is used with a
purpose and the movie is edited to the
beat here Jack Sparrow swings up to the
sails of a ship and the horns come in
right when his feet touch the wood
foreign
[Applause]
I know that this sounds like the most
basic thing in the world but I actually
think it is a hugely underrated reason
for why people did not connect with the
later Pirates movies that weren't helmed
by verbinski the music in those movies
does not as reliably capture the tone of
the action and will often repurpose old
themes without much care for what that
music originally meant
like the fourth movie opens with what
should be a fanciful little Escape scene
but the music has an unearned intensity
to it
but the original trilogy is Flawless on
this note I can't describe it any other
way than that when the music plays and
I'm watching people swing swords I want
to be swinging a sword too
[Music]
everything that I've described in this
section though takes a lot of time
planning and coordination to pull off
and these are things that a lot of
modern Productions struggle with for
instance it's no surprise the action and
The Comedy of a Marvel movie don't feel
like they overlap because from a
production perspective they pretty much
never did Marvel often has second unit
directors who handle the action while
the credited directors work on the rest
of the movie there's still many great
examples of modern action comedy though
particularly in animated features and
last year's Best Picture Winner
everything everywhere all at once was
masterful at marrying action in comedy
but I do think it's something that we're
seeing less of in the Pirates Trilogy
particularly Dead Man's Chest did it in
ways that are still memorable and unique
whatever qualms I have about the writing
of these two movies are usually silenced
when I'm watching three dudes fight on a
giant wheel
foreign
[Music]
that has permeated major Hollywood
Blockbusters is an aversion to sex and
sex appeal apart from the obligatory
topless shot they put in the trailers
that tricks women into thinking every
action movie will somehow feel like
Magic Mike big Blockbusters have become
pretty sterile on this front this trend
exists alongside an audience backlash
against any depiction of sex in this
kind of entertainment if you've glanced
at Twitter in the last year or two
you've almost certainly seen one viral
tweet or another to crying the need for
sex scenes in any movies whatsoever the
typical reason given for this is that
sex scenes are indulgent and they don't
push the plot forward but I think those
are overly General claims yes sex scenes
can be indulgent but so can literally
any other kind of scene we don't need to
see John Wick kill every single henchman
in every single John Wick movie but
isn't that why you came if all that
mattered to an audience was moving the
plot forward then reading a Wikipedia
summary of a movie would be the same as
watching it and while sex scenes may not
always push the plot forward it's
obviously possible to write them in ways
that do in ways that show us more about
the characters sex is a fundamental part
of our humanity and denying it a place
in our stories makes them less authentic
experiences but what's funniest to me
about all this howling against sex
scenes is that again it's happening at a
time when those kinds of scenes are
already largely absent according to a
2019 report in Playboy using IMDb data
sex and Cinema in the 2010s was at its
lowest point since the 1960s while sex
scenes are more common in TV series
they've disappeared from bigger
Hollywood movies for a few reasons one
of which is the same reason why there
are fewer comedies now the death of the
mid-budget movie mid-budget dramas were
typically where this kind of scene lived
and those have been dried out of the
industry since tentpole films are made
for all audiences all ages and all
International markets sex and sex appeal
have often been the first things that
are tamped down on in order to broaden
that appeal and then there's the Pirates
movies so horny they need to be locked
in a labyrinth what
service
this may I know yeah
though this isn't without its drawbacks
the one moment I genuinely despise from
these movies is when Elizabeth gets
upskirted at the start of the third film
a throwaway joke that undermines her
otherwise strong characterization I
don't think I'm overstating things to
say that Elizabeth Swann is a genre
defining character what all action
adventure heroines aspire to be just to
give you an idea of how significant she
is on the Wikipedia page for
swashbucklers they give a list of 76
examples of the archetype and while this
is by no means a definitive list only
six of the examples are women characters
like Elizabeth are rare and when they
are attempted they are rarely as well
drawn as her she transcends all of the
negative tropes typically associated
with women in swashbucklers she might
begin as the traditional Noble lady who
the hero aspires to court but that is
far from her only purpose in the story
and while she can scheme just as well as
the other Pirates she's not a lying
Femme Fatale Elizabeth could also just
have been a damsel in distress but
instead she always gets herself out of
trouble and then saves the men who are
there to rescue her but in a way where
the anti-woke Brigade never
even realized it was subverting that
Trend in the first place she enters the
world of piracy in the most vulnerable
of positions captured and made to wear
flimsy dresses but then she gets free
put some pants on and becomes the pirate
king what an arc and sex is an essential
part of her development and why her
character resonated with audiences the
question of Elizabeth's sexual Awakening
is actually Central to the entire plot
of the trilogy remember these movies
start when Elizabeth falls off a cliff
into the sea and the Aztec coin sends a
message to Barbosa that leads to the
sack of Port Royal and everything to
follow but why does Elizabeth fall off a
cliff well because she was feeling faint
when Admiral Lutz's face proposed to her
and because she was wearing a corset
that was too tight the demands of
femininity and Womanhood are literally
strangling her and so it's at Sea that
Elizabeth finds identity and agency the
second movie starts with her wedding
being interrupted by Will's arrest so
the question of how Elizabeth will grow
up into a woman is constantly at the
center of the narrative the real Stakes
of the films there isn't an explicit sex
scene in the Pirates trilogy but sex
permeates all three films in ways that
movies of this budget simply don't
anymore there are three movies of build
up to Elizabeth having sex but when she
finally does have sex it's her pleasure
that is the focus at World's End is the
only Disney movie that ends with the
implication that the main character is
getting head how can you hate these
movies on top of all that I am genuinely
in awe of how seriously the Pirates
movies take the romance in this Trilogy
like sure they can be fun and silly
genre trash in other places but when
will and Elizabeth are looking at each
other Han Zimmer scores it like he's
making War and Peace
years since at World's M came out and I
don't know if there's another
Blockbuster film that achieves the kind
of breathless yearning like these movies
did
the Pirates Trilogy are some of the best
looking Blockbuster films of all time
they are right up there with the Lord of
the Rings at the top of the mountain the
fight choreography is great the stunts
are great the locations are eye-popping
and just look at the color saturation in
these images the movies have greens that
are greener than the money I get to
explain this stuff to you and blues that
are Bluer Than the other money I get
paid to explain this stuff to you I'm
Canadian my money is all different
colors I know this might be a weird
thing to comment on since even an
episode of Survivor can point a camera
at an island and crank the color
saturation up but the point is that most
big movies don't do this and constantly
go for this desaturated gray blue look
watch 10 movies that came out in the
last year and then watch a scene from
the Pirates movies and it will feel like
the freshest breath of air your eyeball
lungs have ever breathed on top of that
let's talk about the CGI and motion
capture in this movie to date I still
think Davey Jones is the most convincing
computer generated character ever put to
screen every part of him is believable
he's intimidating and slimy and fully
realized more than that he's you used
appropriately within the environment
that the CGI is enhanced rather than
being distracting most Davey Jones
scenes take place at night so it always
looks like the strange lovecraftian
elements of his design are coming out of
the darkness but even during the day he
looks great because the inspiration
behind his design and the design of his
crew that they are people made out of
sea creatures and plants fits within the
context of the scene they don't look out
of place on the deck of a boat or in a
storm or anything by the ocean and even
when the film puts him in an environment
that he should look weird in they
managed to make it all look like it
coheres with Stark lighting choices like
Davey Jones should look really out of
place at fancy British tea time but he
doesn't because the Stark yellow
lighting makes him and the human
characters all blend into a single image
the thing is though there was a cost to
these movies looking this good in the
past year or so there have been a number
of reports about the poor working
conditions for most of the people in the
VFX industry stories which came out
alongside widespread criticisms of the
quality of the CGI in a number of
different movies and TV shows such as
Marvel's She-Hulk there are a bunch of
factors that have created these
conditions first the consolidation of
Hollywood Studios means that each
individual Studio has a lot more
bargaining power when it comes to making
demands of VFX artists most VFX artists
work on a freelance basis with the
studios and so they are in constant fear
of alienating a client and losing out on
all of their work this means that movie
studios like Marvel can make outrageous
demands of VFX artists expecting them to
work on unrealistic schedules and to
make enormous changes late into the
process something they are notorious for
the VFX studios are also in competition
with one another to secure contracts
with the movie studios so they have to
under bid one another meaning that the
margins are very thin or non-existent
the majority of VFX workers are thus
both underpaid and overworked when you
multiply this all by the fact that the
number of projects that need major VFX
work has exploded over the past decade
you've got an industry that has had a
Breaking Point to give you a picture of
just how bad it is almost every Studio
has some sort of cry room where people
would just go into and cry for 10
minutes and then come back out and do
their job that quote is from an io9
article that includes Anonymous
interviews with a number of VFX workers
on the issue one of the artists
specifically identified Pirates of the
Caribbean at World's End as a Flashpoint
for the industry Disney made
increasingly huge demands on the VFX
Studios who managed to pull off the
project despite the massive time crunch
a lot of us in the industry saw that as
a really bad thing because we recognized
that we were never going to get more
than this amount of money and this
amount of resources because they
finished the Pirates of the Caribbean
and that's exactly what happened so look
I hope my love for these movies is
coming through but obviously it's also
hard to know that something I'm attached
to was also objectively bad for a
generation of VFX artists the movie
looks incredible but I take a worse
looking Blockbuster movie about silly
Pirates if it meant an industry that had
healthy working conditions for the
people involved right now though we've
got both an in industry with unhealthy
working conditions and a tsunami of
movies and TV shows with subpar effects
it's the worst of Both Worlds and to be
totally clear it's not the case that the
people working on the shows that come
out today are somehow less talented than
the ones that came out years prior it's
that they're not given the proper time
to do their best work and that's the
worst case scenario for everyone
involved except for the big studios as
I'm writing this both the actors Union
and the writers Union are on strike
while VFX artists at Marvel in Disney
have voted to unionize I hope they
succeed and if you do too then well
there's not much you can do but the
least you can do is not take to social
media to blame underpaid workers when
your favorite thing gets delayed by a
couple of months blame the studios
instead taking a look back at the
Pirates Trilogy today is a wild
experience it feels like those movies
came out at a focal point for a lot of
different trends that have robbed the
industry of a lot of the life that it
once had there were movies that were
Everything at Once action comedy horror
romance Adventures but it really was
just those three First movies there is
no chance of me doing a re-analysis of
the fourth or fifth films because the
main reason those movies don't work is
simple they weren't directed by Gore
verbinski Gore verbinsky is a pretty
interesting director and in doing the
research for this video I dived into his
entire filmography a filmography which
hasn't had a new entry in seven years so
I've actually made a whole second video
about his movies it's called whatever
happened to gore verbinsky this is a
full 30 minute long video essay that I'm
really proud of and if you've enjoyed
this video I think you'll get a lot out
of that one and you can watch it right
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supporting me on patreon keep writing
everyone
thank you
[Music]
[Music]
[Music]