---
title: 'The Broken Mind Behind Moon Knight | Story and Reflections'
source: 'https://youtube.com/watch?v=ZXuM-W2eK2E'
video_id: 'ZXuM-W2eK2E'
date: 2026-07-26
duration_sec: 3138
---

# The Broken Mind Behind Moon Knight | Story and Reflections

> Source: [The Broken Mind Behind Moon Knight | Story and Reflections](https://youtube.com/watch?v=ZXuM-W2eK2E)

## Summary

This video provides an in-depth psychological and philosophical analysis of Marvel's Moon Knight series, focusing on the accurate portrayal of dissociative identity disorder (DID). It explores the origins of Mark Spector's alters, the philosophical conflict between the gods Khonshu and Ammit, and the therapeutic journey toward integration. The creator draws parallels to real-world issues of surveillance and predictive justice.

### Key Points

- **Steven's Ordinary Life** [00:01] — Steven Grant lives a normal life in London, working at a museum gift shop, unaware of his alter identities. He experiences blackouts and believes he is sleepwalking.
- **What is Dissociative Identity Disorder?** [04:38] — DID is a mental health condition with two or more identities in the same person, causing memory gaps. It is usually caused by severe childhood trauma as a survival mechanism.
- **Roles of Alters** [06:37] — Alters emerge to fulfill specific roles like protector or comforter. Steven is an amnesic protective alter, unaware of Mark's trauma.
- **Khonshu vs Ammit: Philosophical Debate** [08:56] — Khonshu punishes past evil; Ammit judges and punishes future evil. This raises questions about free will, security vs freedom, and the ethics of preventive justice.
- **Parallels to Modern Surveillance** [12:53] — Predictive algorithms and social credit systems resemble Ammit's justice, judging people based on probable future actions.
- **The Duat: Therapeutic Journey** [24:59] — In the underworld, Taweret guides Mark and Steven to balance their hearts by sharing memories, symbolizing the therapeutic process of integration.
- **Origin of Mark's DID** [29:32] — At age 12, after his brother Randall's drowning, Mark's mother abused him. To escape, his mind created Steven, inspired by the fictional hero Dr. Steven Grant.
- **Steven's Function as Protector** [35:56] — Steven was designed to live in ignorance of the abuse, believing his mother was alive and loving, allowing Mark to carry the burden of trauma.
- **Functional Multiplicity Achieved** [44:30] — After the Duat, Mark and Steven achieve functional multiplicity: they cooperate, share awareness, and take turns controlling the body without fighting.
- **Jake Lockley Revealed** [47:52] — A third alter, Jake Lockley, is a violent, Spanish-speaking personality unknown to Mark and Steven, representing repressed anger and survival instincts.

### Conclusion

The video concludes that Moon Knight effectively portrays DID and its treatment, while also critiquing the moral ambiguity of gods and emphasizing the importance of facing trauma. The real superhero is the internal part that helps one survive.

## Transcript

London apartment.  She removes the ankle straps and the tape from the door before calling her mother and feeding her goldfish, Ghus, which only has one letter, greets a street vendor outside her door and says that it doesn't
bother her.  Afterwards, she heads to her job at the National Art Gallery, where she Egypt.  But Dona reminds him that he works in the gift shop, not as a tour guide.  Later, Dylan asks her if their date at the
steakhouse is still on.  Although Steven doesn't remember inviting her, he tells a street performer about his sleepwalking, his date the next day, and his concern that if he wants a
anklets on his bed.  At night, Steven tries to combat his sleepwalking ancient Egypt, but suddenly regains consciousness in Austria without
knowing how he got there.  A voice in his head demands that he return the body to Mark, while referring to Steven as the fool who is in control.  Shortly afterwards, an armed group attacks him and Steven flees until he encounters
Arthur Harrow, who preaches about the goddess Amid and judges her followers, causing the death of a woman.  Harrow discovers that Steven has Amid's beetle and demands that he hand it over.  Steven tries to do it, but loses control
of his body and when he regains consciousness he finds the attackers brutally murdered.  He then escapes in a cupcake van while road.  During the chase, Steven keeps fainting and waking up,
surrounded by corpses, while a voice in his head insists that he not hand over the beetle.  Later, Steven wakes up in his apartment and believes it was all a very realistic nightmare, which puts him at ease.  However, she notices
that Gus has two fins instead of one and goes to the pet store to find out what happened.  There the owner tells him that all her fish have two fins and that Steven had already been there the day before, although he doesn't remember any of that.
Steven then notices a clock hanging on the wall, remembers the time of his appointment and runs to the restaurant, but Dylan doesn't appear.  He tries to call her, but days ago and that he was the one who stood her up.  Steven doesn't understand what happened.
saying that the date went well. Trist returns to her apartment where she discovers something hidden behind a board, a key, and a cell phone used mainly to contact someone named
Laila.  When he's about to call her, she calls him first.  Laila tells him she's been looking for him for months and calls him Mark, but Steven, confused, asks, "Who is Mark?"  And she hangs up.  Then he hears the voice calling him.  Suddenly the
Steven, frightened, tries to escape when a mysterious figure approaches him in the elevator.  The figure suddenly appears behind him, but the next instant, Steven is already on the bus heading to the museum.  Har and his
disciples find him there and surround him.  Har tells him about Amit.  Steven calls her the first cuckoo, and he clarifies that he was only a cuckoo to the evil ones.  According to Harrow, Amid's justice judges a person's entire life, what they have done and what they will
do.  She asks him to imagine that if she had been free, Hid would have stopped Adolf and all the destruction he caused, but she was betrayed by the other gods.  Then Haru tries to judge Steven, but fails to balance him and
states that there is chaos inside him. Steven flees in terror as Haru orders his disciples not to follow him. At night in the museum, Steven is Harold demands that he hand over the beetle if he doesn't want to be torn
to pieces.  Steven flees and locks himself in a bathroom, but the creature follows him and tries to get in.  Then, his reflection in the mirror speaks to him and asks him to hand over control of his body or they will both die.  Scared and confused, Steven
agrees, allowing Moonnight to take control, kill the creature, and leave the wakes up confused.  Upon arriving at the gallery, JB tells him that strange events occurred the night before, so Steven checks the
security cameras.  In the videos, he appears to be fleeing in terror from an invisible entity, so JB believes it was all in his imagination.  Then they see a more serious Steven come out of the bathroom and stare intently at the camera, but Steven assures them that
wasn't him.  Moments later, Steven is fired.  Then he decides to track the deposit using the key he found in his apartment to prove he's not crazy.  Upon arrival, the manager recognizes him and allows him to enter.  Inside
he finds a military cot, boxes of supplies, a bag of weapons, money in different currencies, the golden scarab, and a US passport in the name of Mark Spector, who looks exactly like him.  Okay, I'm going to
things.  Up to this point it is more than clear that this subject has at least two identities that alternate in controlling his behavior.  In psychology in 2026 this is known as dissociative identity disorder or DID for
things about this disorder because, with this foundation, we'll understand the protagonist's behavior much better .  Let's define it first. DID is a mental health condition that manifests with the presence of two or
more identities in the same person, which alters their sense of who they are and leaves them with memory gaps for important events and personal information.  This [music] trauma.  It is a way for
painful memories and is almost always related to severe childhood traumas.  When a child faces extreme abuse or neglect and has no way to physically escape, their mind may dissociate as a
survival mechanism.  In early stages, the self is not yet fully integrated and dissociation allows the creation of alters [music] to manage emotions, memories, and traumatic situations. The more severe and prolonged the
trauma, the more disorders may form to cope with the various challenges. Later in the series, we will reveal exactly what Mark suffered and see how that marked the beginning of his fragmentation.  But let's take it one step at a time.
personality traits, behaviors, and even ways of speaking.  We see, for example, that Steven is English and Mark is American.  Steven is more polite, kind, empathetic, innocent, insecure, shy
, clumsy, and conflict-avoidant, as we saw from the beginning, that he was unable to tell the street vendor that he didn't like him standing in front of his door.  Marca, on the other hand, is the opposite.  He is colder, tougher, more aggressive,
confrontational, and more emotionally repressed.  And this contrast is not accidental; it has a function. Alters usually emerge to fulfill specific roles within the person.  That is why they are often called systems.
They work together, although not always in harmony, to help the individual cope with stress and trauma.  In other words, the alter Steven and his way of being fulfill a specific function within Mark's system.  Later
we will understand exactly which one. When he touches the beetle, it begins to float and points towards a mirror where Steven sees his reflection moving. Mark's reflection explains to him that they are both in danger and that he can save them.  He
reveals that he is the avatar of Ku, the Egyptian god of the moon, and that Steven is too .  Together they protect the vulnerable and deliver Consu justice.  Mark tells her that he made a deal with the deity and asks her to give him his body to
finish the mission, promising to disappear afterwards.  But Steven artifacts over to the authorities.  Steven runs away, but Conchu appears in front of him, making him flee the building.  Outside he is almost run over by
Laila, Mark's wife, even though they are in the process of getting a divorce.  Laila believes she is talking to Mark and, confused by Steven's behavior, asks him if it is another one of his false identities.  Steven asks her to take him to his
apartment and promises to explain everything. Laila didn't know that place and Steven tells her that it belongs to his mom.  Then he notices a book by Marceline the Sports Balmore. Steven says she's his favorite poet, but Lila replies that she's actually
hers.  Then Laila hands him the divorce papers to sign, since that's what Mark wanted.  But Steven insists he would never divorce her because he finds her adorable and calls Mark a fool.  Steven is about
storage room, but Mark appears in the reflection and warns him not to because it will put her in danger.  Steven stops, although it is already too late because Laila checks the bag and finds the beetle.  Surprised, she scolds
Steven for discovering the find of a lifetime without her.  Steven tries to explain to her that he is not Mark and that he doesn't remember anything about the life they shared.  He believes he is only one who can help him.  At that moment, some officers knock on the door,
beetle.  Before being discovered, officers search the place looking for a stolen item.  They find Mark's ID, deem it fake, and arrest Steven.  During the journey they investigate Mark and discover
records of a massacre at an Egyptian excavation, where several archaeologists were tied up and executed by mercenaries.  Shortly afterwards they reveal that they are part of Arthur Harrow's cult and bring Steven before him.
regain control of the body, but Steven, horrified by what happened in Egypt, refuses.  Carl tells Steven that it must be difficult to live with so many voices in his head.  He even suggests that Conchu chose him because her mind
was already broken.  Steven replies that he may need help, but he's not broken. used to have one of the highest crime rates in the city, but now people feel safe. She says that Steven highly values ​​doing the
right thing and that Conchu usually chooses people with a strong moral conscience.  Conchu gets furious and throws a shelf.  Steven says that he throws tantrums like a child and that no god respects him, perhaps that's why he was banished.
Then Harold reveals that he was Ku's first avatar and explains that [music] punishes those who have already done harm, but for him it comes too late.  Amid, on the other hand, eliminates evil before it occurs, and that is why they must
resurrect her.  Harmi will guide humanity down the right path, eliminating the possibility of choosing evil. However, Steven questions that logic.  If Amid judges someone before they do
innocent people.  A thought cannot be a crime.  Would I even kill a child for something that might happen in the future? Har responds that sometimes the cure requires part of the disease and that for the good of the organism,
insists that a child is not a diseased limb and that for him the limit is eliminating children.  Beyond the TID, the series presents us with one of the .  How much freedom are we willing to give up in exchange for
security, and where is the limit?  Amid and Shu represent two opposing responses. Amid believes that it is worth sacrificing freedom and there are no limits.  He judges and kills people for something they haven't done yet, regardless of whether they are
children.  His logic is like an extreme version of consequentialism, where the only thing that matters are the results. Konchu, in contrast, believes that only what has already happened can be punished, because human decision-making must remain
free.  Although it should be clarified that Conhu is not exactly a moral hero either.  His justice is also brutal and vengeful, and he also instrumentalizes his avatars.  I'll come back to that later, but anyway, what would some
thinkers say about this debate?  Thomas Hobbes in Leviathan said that the natural state of human beings is a constant war and that in order to escape chaos people give up part of their freedom to an absolute authority that guarantees
security.  Amid functions somewhat like that leviathan to which people voluntarily surrender their rights in order to live without fear.  But Kant would say that a person should never be treated merely as a means to an end.  Punishing someone
for an action they have not yet committed implies taking away what makes them morally responsible, which is the ability to choose.  It only makes sense to morally judge someone who actually had the power to decide.  Think of it this way.  If
a rock falls from a mountain and kills someone, we don't say that the rock committed murder because it didn't choose to do so. What morally distinguishes a person is precisely that they could have acted differently.  There's a classic principle
in moral philosophy that says, "Duty implies ability." You can only be morally required to do something that was within your power to do or not do. If you couldn't prevent something, you're not morally responsible for it. The contradiction
in Amid's case is that he punishes people as if they were responsible for their actions, but at the same time denies them the freedom to do so. He treats them as if their future is already written, as objects incapable of
changing, repenting, or deciding differently. Har tried to justify this by saying that sometimes the cure requires a part of the disease. The problem is that this nicely phrased logic is the same one that has been used to justify
history. There's a quote from Benjamin Franklin that fits quite well here: " essential liberty [music] to buy a little temporary security deserve neither liberty nor security." And look, this debate
seems extremely relevant to our time. Perhaps there isn't a god who judge you based on both, but technology is already behaving quite similarly. Jeremy Ventam, back in the late 19th century  In the 18th century, he designed the
panopticon, a circular prison where a single guard could observe all the prisoners without them knowing when they were being watched. The idea was that, faced with the constant possibility of being seen, the
prisoners would end up self-regulating. Michel Foucault took up this metaphor in the 20th century and argued that the panopticon was no longer a prison, but society itself. We live under surveillance, and this surveillance ends up shaping our
behavior and disciplining us even when no one is directly looking at us . And in 2026, this observation falls short. Your phone knows where you are, where you go, what interests you, what you consume, and even, to
some extent, what you think. Predictive algorithms are already used in police systems, insurance companies, and judicial models that calculate recidivism probabilities. There are even countries that assign social behavior scores
to their citizens. To varying degrees, machines are already making decisions about your life based on what you are likely to do. So, Amid's justice no longer sounds so fantastical. If a model predicts with a  With a
90% certainty that you're going to commit a crime, is intervention justified beforehand? crime, is intervention justified beforehand? And with a 70% or 50% certainty, who decides that threshold? Who trains the model? And what do we do with the small, or
not so small, percentage of innocent people that this system will inevitably flag? So, I ask you, and I leave the debate open: would you be willing to give up security? And if the answer is yes, to what extent? Does your moral intuition accept it
? A camera on every street? An algorithm deciding whether or not you deserve credit based on your digital history? A court sentence influenced by a predictive model? Preventive detention for something you haven't even
done yet? At what point do you stop being a citizen with rights and become a managed piece of data? Haro demands the scarab, which acts as a compass to Amito's grave , but Laila arrives just in time,
summon the suit and keep the scarab safe while they both...  They flee. Harrowo summons a jackal that only Steven can see. Although Steven resists using the suit, he is eventually forced to when he jumps out of a window
lands and discovers he is now wearing a much more elegant suit than Mark's, complete with jacket, vest, and tie. He is Mr. Knight. The jackal catches up to him and a relinquish control, Steven insists he can handle it. After several
clumsy movements, he manages to knock the jackal down briefly, but it strikes back with force. After causing several accidents and alarming people, Mark body to prevent anyone from getting hurt. Mark appears in the
Moonnight suit and impales the jackal on a needle. Meanwhile, Har finds the fight. Steven tries to regain explains that they used to be able to maintain a wall between them, but something changed.
Mark promises him that when he pays his debt, he will disappear from his life. He explains that without Conu, neither of them would be alive.  that servitude is the price he must pay. Steven questions this and accuses him of ruining lives, hurting
people, and abandoning his wife. Mark clarifies that he left because Conchu wants to make Laila her new Avatar, and he cannot allow it. The yells that he won't let him continue harming others or give him a moment's peace. Mark
loses his temper and punches the mirror until it shatters. Poncho appears and interfere. He also tells him that Mark was just a corpse when he found him and threatens to make Laila his next Avatar, forcing him to obey
to protect her. Mark then travels to Egypt to follow in Harrow's footsteps. discuss what the series portrays about dissociative identity disorder, what it represents well, and what needs clarification. We first saw Steven leading
a more or less normal life working in a gift shop. And this is a relatively realistic portrayal. Although DID is classified as a mental disorder, many people who live with it manage to lead
constantly in crisis nor necessarily incapacitated in their daily lives. Second, we saw how Steven spent a lot of time unaware of Mark, while Mark was aware of Steven's existence. This is also
consistent with reality. Awareness between alters is not always symmetrical. aware of others, while certain rest. Third, we also saw that Steven did n't remember what Mark was doing when
believing he was simply sleepwalking. And this makes a lot of sense, since memory gaps are one of the core features of DID. When one alter takes control, another may miss that time or only remember fragments of
current diagnostic criteria, recurrent amnesia is one of the pillars for seen how once Steven became aware of Mark, he began to be more present and have more influence within the system. And this is consistent with what
some systems experience in real life. This is known as co-awareness, that is , moments in which an alter can be aware of what is happening without having  Direct control of the body. It's worth mentioning that not all systems
experience co-awareness. Some have more rigid dissociative barriers between their alters, making internal communication much more difficult. It's important to clarify that it's not so common for identities to speak to each
other in such a clear and visual way as we see with Stephen Mark in the mirror. What many people with DID describe are internal dialogues, thoughts that feel alien, or mental conflicts between different parts of themselves,
but it's not usually experienced as two completely separate people conversing face to face. Using the scarab, Harrow finds Meanwhile, Laila visits Lagaro, a passport forger, before
returning to Egypt after 10 years to follow Mark. Laa grew up among archaeologist father and dedicated herself to recovering stolen relics to return them to their some to survive. Laila says that what happened in that desert was
buried in the sand, but Lagaro replies that it's difficult.  Unearthing the pain of the past makes it easy to get caught up in what didn't hurt. In Amit's disciples. Steven tries to stop him from killing anyone, but several still end up
dead. Both Mark and Steven claim they were n't responsible. Only one young disciple survives, and Conchu orders Mark to take him to the edge of a cliff to make him talk. Mark hesitates because he's just a boy, but
Conchu insists. When they arrive, the boy lets go and falls without a trace onto Amit's tomb. Conchu summons the judgment of the gods so that the Enad can the chamber of the gods inside the Great Pyramid of Guise. Konsu accuses
bring devastation to Earth, but Harold rejects the accusation and points to Konsu as an abusive god who takes advantage of a mentally unstable avatar. Mark becomes enraged and tries to hit him, but the gods stop him.
He admits he needs help but insists that Harrow is dangerous. The Enad Yatsil secretly reveals to Mark the existence of Senfo, who is tasked with recording the location of Amit's grave . If they find his sarcophagus being sold
on the black market, they can find the grave. Laila finds Mark and tells him that Anton Mogart possesses the sarcophagus, so she arranges a meeting with him. On the way, she confronts him about not telling her about Steven sooner, though Mark replies
that it's too late now. When they arrive with Mogart, he agrees to show them the coded, so Mark reluctantly asks Steven for help. However, Mogart's men discover that he is tampering with the code and
explain that they only want to save lives, but at that moment Haru appears, offering the scarab to Mogart. Haru tells Laila that walking away won't erase the wounds left by her father's murder and assures her that Mark is
hiding the truth from her because he knows that if she discovers it, she will see him as he sees himself: unworthy of love. Then Haru demonstrates her powers  Mark uses Amid's staff to destroy Senfu's sarcophagus . He transforms into Moon Knight and
while Laila steals the cardboard from the sarcophagus. Mogard tries to stop Laila, but Moon Knight saves her and defeats him. Now safe, Laila confronts Mark about what Harold said. Mark claims to know nothing. Upon reaching the
decipher the cardboard, so Mark gives control back to Steven so he can help them. Steven reconstructs the map and discovers that it points to Amid's tomb stars have shifted over thousands of years, so they
need to recreate the sky from that era. Conu reverses the night sky, though he warns that the Enad will punish him for doing so. With Steven's help manages to find the tomb's location . However, the Enad imprisons
Khu inside an Ushafti statue, causing Steven to lose his continue through the desert until they find the excavation site from which Har entered the tomb. Mark warns Steven that if he's going to continue with
and reminds him that he'll be there if he needs him. Steven replies that he's not alone, because he has Laila. As she prepares the harness, the scent reminds her of explains that Mark stepped back to protect her, since Conchu could have made her
his new avatar. Laila replies that she doesn't need protection, but honesty, something she finds in Steven. Then Steven kisses her. They both descend into the tomb where Steven solves the riddle of the Eye of Horus and
they find a path through the labyrinth. There, Jeeka priests appear, buried to protect the tomb. Steven and Laila separate. Steven manages to another that attacks her. Meanwhile, Steven investigates the tomb and discovers that it
belongs to Alexander the Great, who was the last avatar of Amit. He then finds the goddess's Ushafti hidden inside his throat. Mark, for  For her part, she accuses him of kissing Laila, though she's also surprised that he
told her the truth about why he pushed her away. At the same time, Haro speaks to Laila about her father, Abdala, saying he would be proud that she confirmed the existence of the gods, something he always believed in.
killed by a group of mercenaries, implying that Mark was among them. Laila confronts Mark, who reveals that her father was killed by his partner and that he tried to save him before being shot himself.
Mark should have died too, but Conchu saved him. He confesses that he wanted to tell her the truth ever since he met her, though Laila interprets this as him only approaching her out of his disciples enter the chamber. While Laila hides, Bark
confronts them to buy her time. Haru tells her that Conchu is now free, but Mark remains determined to prevent Amit's release, even without her god. During the fight, Haru shoots Mark, causing him to fall.  into the water as Laila
watches in horror. Park then wakes up in Putnam Psychiatric Hospital , where he, Laila, Dona, and Crawlie are patients, with Harrow as the lead therapist. While sedating him, Harrow discusses Mark's favorite movie,
Tomb Buster, starring Dr. Steven Grant. However, the Egyptian figures and Harrow's words trigger Mark's memory of being shot and his realization that the hospital isn't real. Trying to escape
with Steven. As they both attempt to flee, they are confronted by the goddess Taweret, a hippopotamus. Startled, Mark reappears in Haru's office inside the psychiatric hospital. Haru tries to convince him that his
fantasy created by his mind to escape being a psychiatric patient, constructs symbolic places to protect itself from traumatic memories. When Harrow mentions that Mark told him about a child before becoming agitated, Mark
panics, grabs a piece of glass, and is quickly sedated. Mark wakes up next to... who reveals that they are dead and in the Duat, the Egyptian underworld. As he guides them in a boat to the field of reeds, he places their
hearts on the scales of justice, but they don't balance, a sign that their hearts are incomplete. Shaweret explains that they must journey through their memories and show each other the whole truth, or their souls will be
Exploring the hospital, they find a room full of criminals killed by Mark on Conu's orders . When Mark admits that these deaths weighed heavily on him, the scales begin to balance. This journey through the Duat
strikes me as a beautiful metaphor for the inner therapeutic work in DID. But to understand why, I first need to explain a little about how the treatment works. The main goal of therapy is not to eliminate
parts or identities, but to help the different parts get to know each other, share the memories each holds, recognize one another, and achieve a more emotionally balanced relationship . From a
therapeutic perspective  In modern life, even though the person [musician] experiences different parts or separate identities, they are still a single person. What happens again is that certain memories, emotions, and traumatic experiences became so
fragmented that the mind ended up organizing itself into parts that function relatively independently. Therefore, one of the most important goals [musicians] to begin recognizing each other as legitimate aspects of
the same person. In therapy, talking about another personality or another further reinforce the feeling of fragmentation. What is recommended is that the therapist refer to them as parts of you or the part of you that,
since this promotes a more integrated identity. To help you understand this better, I want to share a very simple explanation that a therapist gave to a patient with Teide. They said, "It's not that you have more than
one personality, you actually have less than one."  Your mind, in its wisdom, created specialists to help you [music] face life.  A child comfort, a protector against
threats, and so on.  They are all parts of you, and you are the sum of them all.  Each one was designed as an expert in their field to help you complex and overwhelming.  Why did you do it ?  Because your mind knows rightly
that you have already carried too much pain and the time has come to share that aims to foster increased communication, cooperation, and awareness among the various parties. Often, as we have seen in Steven and
have memories, emotions, needs, and ways of seeing the world that are completely different and even opposite to each other. Some may be filled with fear, others with anger, others with protecting, and others with carrying the
traumatic pain.  The therapy attempts to help these parts stop seeing each other as enemies or strangers and begin to function in a more coordinated way. Ideally, the ultimate goal would be to achieve complete integration of
identity, that is, for the subjective separation between the parts to disappear and for the person to experience a more unified sense of self.  This is called final unification or merger.  However, this does not always happen, nor is it always
desired by the person themselves.  In fact, only between 16 and 33% of total integration.  There are multiple factors that contribute to this not being achieved.  Many people develop a strong emotional attachment to certain parts of themselves
or fear losing them, as those parts arose to protect them from suffering.  Some even feel that fully integrating them would be like killing a part of themselves.  Other contributing factors include
extreme stress, avoidance of painful memories, or a lack of resources to sustain long-term treatment.  Therefore, in many cases, a more realistic and functional goal is to achieve what is known as resolution or
functional multiplicity.  This means that even though the parts continue to exist in some way, they can cooperate with each other, share information, reduce memory gaps, and live with greater emotional stability and functionality in
daily life.  And that's practically what Taeret told them they had to do to balance their scales, to go through their memories and show each other the whole truth.  That's what they 've started to do by going through
each other's memories.  They have begun to symbolically engage in therapy.  And notice how the scales balance each time they both can see and accept the truth. But the question remains of how the TID Mark was developed.  We're about to
find out.  Steven then sees a small child and follows him.  Mark tries to memory.  The boy was young Mark, living happily with his mother Wendy, his father Elias, and his brother Randall,
whose existence surprises Steven. Afterwards, the brothers went to play in a cave, recreating a scene from Tombuster, but it started to rain.  Mark remembered that his mother had forbidden them from entering if that happened, but Randall
insisted.  The cave ended up flooding and Randall died.  drowned.  Steven then discovers that Wendy never got over the loss.  He started drinking and blaming told her that he was jealous of Randall, that's why he let him die and began to abuse
him physically and emotionally.  Steven is shocked, as he remembered his stop him because he doesn't want to relive those memories, but Steven enters another one , where Mark left the house while his father begged him to
stay, that this could still be fixed.  Mark replied that Elias was the one who should fix it and [music] asked him why he never did.  Before Steven can see any more, Mark stops the memory.  Mark and Steven then see
the memory of the assault on the excavation site filled with corpses.  Steven is after going on leave from the army without permission , he was discharged and ended up working for his former candidate, Raul Bushman.  The job was to loot
an Egyptian tomb, but Bushman changed the plan and decided to eliminate all the witnesses.  Mark tried to save them, including Laila's father, but he couldn't and Bushman ended up shooting him.  Then they see a dying Mark crawling
to the temple of Ku.  On the verge of self-destruction, the moon god offered him a new life in exchange for becoming his warrior and punishing the wicked.  Conchu sensed that Mark's mind was fractured, and that's why she
considered him a good candidate.  Mark accepted the offer and became Monday. Steven thinks Conu took advantage of Mark, but Mark believes he accepted because it was a way to continue being what he always was, a killer.  The balance
between the two is beginning to even out. Back on the ship, Taweret shows them judged prematurely because of Harrow.  Steven asks her to return them to the realm of the living, but she explains that their bodies are mortally
send a message to Laila to release Taweret agrees and takes the ship back to the gates of Osiris. hospital to balance their scales. Mark doesn't want to keep reliving
memories, but Steven warns him that if Harold succeeds and all those people die, including Laila, it will be his fault. Distraught, Mark begins to beat himself frantically and returns to Harrow's office .  Haro congratulates him for examining
who he is, but tells him that there is still something more to it and that to discover the truth he must be completely frank with Steven.  I really liked this recommendation .  As Mark and Steven have been honest with each other, they have been able to
move towards their equilibrium.  And I thought this part was very accurate because frankness is a necessary condition for therapeutic work in general, being willing to speak honestly about what you feel, what happened to you, or
what you think.  And that can only happen if one is honest with oneself first and foremost .  Sometimes we have barriers, we have defenses, we are afraid to touch on memories that are very painful, but many times it is necessary to do so precisely in order to
free ourselves from the ties that those memories impose, those ties present.  But of course, that movement towards the truth needs a container. Notice that Marg and Steven don't become frank just anywhere, but in the
Duat accompanied by Tawert who guides them.  Openness needs a safe space, whether it's a relationship or a therapist, someone to let go of without breaking down.  [music] That's why facing trauma or any painful experience
is neither easy nor automatic.  It requires time, effort, and often external support.  And it requires doing it at a pace that one can sustain.  But the path is being forged step by step with frankness.  And then another memory emerges, one with which we will
finally understand what we have been announcing, the origin of the dissociative identity disorder in Mark.  Mark hid in his room after Wendy blamed him for Randall's death, telling him that she was
always jealous of him and that's why he didn't save him.  Elias, as always, did not confront her, did not protect Mark, he simply froze.  And here we have the perfect breeding ground for the development of TID.  Severe,
repeated, and early trauma, perpetrated by a primary attachment figure, without an adult acting as a refuge.  Then, at age 12, locked in his room, while listening to his mother knocking on the door, Mark began to repeat himself.  This is
not my mom.  This is not my mom.  And it was at that moment that Steven appeared, inspired by the protagonist of his favorite movie, Dr. Steven Grant from Tombuster, whose poster on the wall read, "When danger is near,
Steven Grant is not afraid."  And this is key because one of the most documented patterns in the formation of childhood alter egos is precisely that they are often inspired by fictional characters, heroes or idealized figures,
real or imaginary.  The child's mind takes an image that represents safety, courage, or comfort and turns it into a functional part for survival.  Wendy managed to get inside and grabbed a belt to hit him, but Mark pulls
see that because that was the purpose of creating it, to hide from the pain and abuse of his mother.  Steven, furious to discover that he was created by Mark's mind, punches him.  Mark explains to him that Steven was able to live a
normal life, unaware of his suffering and Wendy's death.  He even came to believe alive.  Steven dismisses everything and appears startled in Harold's office , who tells him that it was he who took them to the hospital after
alive and that they spoke constantly, but when Harold offers to call her, he has no choice but to accept the truth.  Then he sees the memory of Wendy's Shiva.  His father invites Mark to come in, but he
becoming Steven.  There they both mother's death and during that Shiva two months ago when their lives began to intertwine.  Mark admits that he couldn't face his father again after
that all the horrible things his mother told him were lies.  It wasn't his fault at all, he was just a child.  Now we understand Steven's role and therefore much of his personality.  Steven wasn't created to fight, he wasn't created
to confront his mother, but to not know.  His role was to live as if nothing had happened, to believe that his mother loved him and that she was still alive.  We saw him at the beginning calling a mother who no longer existed, making up conversations for her.
the illusion of a normal life while Mark carries the burden of everything else.  Mark says he abuse of his mother.  That is amnesic protective alter is, a part of the mind that exists primarily to not
very well was to show the trigger of the crisis.  Mark and Steven seemed relatively stable for years, but everything changed when Wendy died.  At that point, collapsed.  Steven started [clearing his throat] to
take the lead and from there the whole plot began.  This also happens in real life.  A person's consciousness, memory, and identity can remain for years, but certain traumatic events or situations of
extreme stress can break that stability and trigger a dissociative crisis. His mother's death caused an enormous level of stress and reactivated a pain that Mark had been trying to contain for years.  And as a defense mechanism, Steven, who
had been created precisely to escape pain and abuse, began to I want to focus on Mark.  There have been several phrases that teach us a lot about him, and if we connect them with what we saw in his memories, we can understand
quite a bit more about him.  On one hand, I don't know if you remember that Haru suggested that Mark deep down seeing his past with his mother, that who openly despised him and a
father who never protected him.  With those two attachment figures, it's easy to understand how he could have developed the belief that he didn't deserve to be loved.  And perhaps that belief, coupled with the fear that Conhu would turn Laila into his new
avatar, was what ended up affecting their marriage.  To distance oneself from her was both to protect her and to confirm one's own unworthiness.  On the other hand, there's the they recalled the moment he accepted the deal with Conchu.  Mark said that perhaps
he accepted because it was a way of continuing to be what he always was: a killer.  And Randall's death from day one, we understand where that idea came from.  His mother inscribed the word murderer on his head when he was just a child, and that
word seems to have ended up organizing much of his life. Look at his career path.  He ended up in the Marines, then in the CIA, then as a mercenary and finally as a conju avatar, a whole life occupying places
where killing is part of the job, as if perhaps unconsciously he was still seeking to confirm what his mother made him believe he was.  However, there is an important detail.  Mark Man had certain limits.  There were acts he did not
dare to commit.  He made that clear at the excavation site when he tried to that both the Marines and the Cons are spaces where, although sometimes you have to kill, there is a justification. You're eliminating the bad guys.  Perhaps that's why he
gravitated towards those places.  They allowed him to embody the signifier of murderer that his mother imposed on him, but within a moral narrative that allowed him to carry it without destroying himself. But now that he has allowed himself to be honest,
support and validation from Steven, emotionally understanding that none of it was his fault, we see him beginning to free himself from those burdens.  They then return to the ship where Tawered reveals that their scales did not balance,
gates.  Their journey has ended and the unbalanced souls of the Duat will now unbalanced souls of the people Mark killed board the ship to claim his soul.  When they are about to succeed, Steven realizes that if he is Mark, he
can face them too.  Then he gathers the courage to fight and manages to save him.  However, one of the souls causes Steven to fall overboard and freeze in the sands of the duar.  Even so, his sacrifice manages to balance the
scales, allowing Mark to enter the jungle field.  Meanwhile, at the tomb of Alexander the Great, Haroge, the Usavti of Amit, takes Mark's body and proceeds to complete the ritual.  Laila disguises herself and follows Haru and her
Egyptian patrol stops them, but Haru uses his powers to judge the guards and eliminate those he considers unworthy.  Laila is about to attack, but Taweret stops her and relays Mark's message that they need
and his followers arrive at the great pyramid of Guise and enter the Chamber of the Gods, where the Council of the Enads tries to stop them.  Even so, Haru kills several avatars before breaking the Shafty and freeing Amit.  Amit tells
Har that his scales are not balanced by the fate that awaits him.  Although he accepts dying, Amid reveals to him that his destiny is to serve him as his new avatar, so he delays his death and chooses him to carry his power.
Meanwhile, Laila frees Ku, who asks her to become his new Avatar, but she refuses because she doesn't trust him. Khu then decides to face Reed Field, where Tawer explains that he is now whole and can
rest in peace.  However, Marx refuses to remain in paradise DUAT sand, so he leaves to search for him, even if it means he can never return.  I want to stop here because I feel there is a
theme that runs throughout the series: facing or not facing the pain of the past.  There was a line that hinted at it and almost went unnoticed in episode 3, when the passport forger told Laila, "It's hard
get stuck in what hurt us."  And if you look closely, that dilemma appears in almost all the main characters.  Laila, for example, had her father's death.  She came back for Mark,
yes, but also because, without fully realizing it, she needed to confront the place she and Steven, for their part, literally did that throughout the entire the counterexample.  He too was broken by Conchu, but instead of
into doctrine.  He said it to the Ku statuette.  The torment I lived through is what made me who I someone who got trapped in what hurt him and from there built a worldview that justifies continuing to hurt others.  And even further back
is Wendy, who was also trapped in her wound and from there hurt her son for years.  Unprocessed pain rarely stays still; it tends to be transmitted.  So, what the series seems to suggest is that the past does not
evaporate with time.  The past is an active thing, and there are two things we can do.  Facing it with all the costs that entails, or getting trapped in it and without realizing it ending up doing to others what was done to us.  That is the
is making throughout the story. And if we think about it, it's the same choice that almost all of us face at some point.  Mark finds Steven when he appeared, when they were children, he saved him.  He survived thanks to him because
hope.  Ark admits he failed to protect him, but acknowledges that Steven never abandoned him and he doesn't intend to do so now either.  Then he places his entire heart in Steven's hand, tells him that he was the only superhero he ever
had, and finally freezes.  At that moment, the gates of Osiris open and the light frees them both.  After embracing, they try to escape the Duat while a huge sandstorm chases them. Taweret appears to help them
stop her and they finally manage to return to the world of the living, causing Mark to wake up.  Meanwhile, Conchu is fighting Amit, but he is being outmatched. Sensing that Mark has returned, she appears before him and makes a new deal, healing his
body and restoring the power of Monight.  After their therapeutic journey through Douat, Mark and Steven achieved that resolution or functional multiplicity that I spoke of.  They are still two separate parties, but they no longer fight for
control, they no longer hide information from each other, and now they cooperate with each other, living with that they can take turns without resistance, Steven takes the opportunity to negotiate a condition.  When Amit is no longer a threat, Khu will have to release them both.
Conu has no choice but to accept. Meanwhile, Celim explains to Laila that the only way to stop Amid is to imprison her in a mortal body and that they need more avatars than they have left.  With no other options, Laila accepts
Tawered's offer and temporarily becomes his avatar, receiving ceremonial armor.  From the top of the pyramid, Harold unleashes his followers judge the people and send the souls of the unworthy to be
devoured by Amit, who grows with each soul consumed.  Moonnight arrives to face Haru, alternating control with Mr. Knight, while Khuchu fights offers to join her, but Conchu replies that he punishes those who choose
evil, while Hidrebata offers the possibility of choosing.  Laila joins Mark and Steven against Har and his disciples.  Steven proves his bravery Mark takes control to finish off even more.  During the fight we observed
rapid changes between Mark and Steven, as well as an almost at-will ability to alternate.  In real life, changes between alters are rarely so clean, quick, or controllable.  What is usually reported are more chaotic changes that
tend to occur in times of high stress when neither party feels capable of dealing with the situation.  These changes are not usually as precise or completely voluntary as we see them in the series.  Together with Laila they face
Haru, but end up being defeated while Conchu is defeated by Amit. When Harala stabs Mark in the chest with his staff, Mark faints and upon waking discovers he is holding a brutally beaten Harrow surrounded
by dead followers, realizing that neither he nor Steven did that.  Mark and Laila then take Harmara from the gods and perform a spell to seal Amit inside her body.  Conchu orders Mark to eliminate Hariminar the
stops him and reminds him that he has the freedom to choose.  KU says they can't risk Amit finding a way out or killing again. However, Mark realizes that Conus sounds just like Amid and refuses to kill
Harold.  Then, he demands that she honor the deal and release them.  Here we see what I suggested earlier, that Coné is moral.  In fact, in several comic book stories, such as the Age of Consu saga, the god decides that the only way
to save the world is to completely control it, and to achieve this he manipulates several Earth heroes until the Avengers finally manage to stop him.  It's interesting because it never quite becomes clear whether Conu
manipulator.  For some, he may be a god who punishes evil; for others, a humans as tools, as Harold described him, an abusive god mental problems to keep him eternally bound to him as his avatar.
In the end, however justified Ku's speech sounded, it ended up proving to be not so different from Hamit.  First he ordered Harold killed to eliminate the way out, a preventive logic very similar to the one he criticized
her for.  And then when Mark made the free choice not to do it, Conchu, choice, only pretended to respect it.  For a we will soon discover that this was not the case.  And with that it becomes clear that deep down he is not the
Defender of human freedom that he claims to be, but rather uses that discourse to manipulate people with a strong moral sense and make them act according to his will.  And with all that ambiguity surrounding Ku, I think what the
series asks of us is not to choose between y and y, but to distrust anyone who believes they have a monopoly on justice.  With Shu, he frees Mark and Steven, who reappear at Putnam Psychiatric Hospital alongside the Harrow of the Duat.  Har
denies that Conu Yamit are real, but Mark notices blood in their footprints and realizes that Harry doesn't know as much as he thinks.  Finally, Mark rejects Haru's diagnosis and chooses to save the world, waking up in
Steven's London apartment, where the fish tank now has two fish.  Har is admitted to a psychiatric hospital where a Spanish-speaking man bursts in.  He eliminates several employees and takes Harrow away in a limousine where Conchu is waiting for him.
hurt him or Amit.  Conchu replies that she never thought of making Laila her next avatar and that Mark has no idea how disturbed he really is.  Then he introduces her to Jley, another of Mark's alter egos with a
Spanish accent, who shoots Harrow before driving away in the limousine. regained control, found dead people around him, and denied
having done it, it was actually Jake who had been acting all along knowing.  Continuing with the topic of DID, it is common for people with this disorder not to have their dissociative system fully mapped.  There may
be hidden alterations unknown to the rest of the system or that only appear in very specific situations. In fact, discovering new parts throughout the therapeutic process is relatively common.  Now, regarding the
throughout the series that Jake took control precisely in situations that others could not handle and managed to save them by doing whatever was necessary, even committing entire massacres.  This speaks to an
aggressive identity, willing to cross any line in order to achieve its goal. There are times when he even seems to enjoy the violence, perhaps that's why he against Margie Steven's wishes .  If we understand that the alters
fulfill a function within the system, then the question arises as to why this identity could have appeared.  We don't know exactly when Jake emerged, but given his violent, aggressive, and ruthless nature, it's
possible that all the rage generated by Wendy's abuse and Elias's inability to protect Mark ended up being channeled into the creation of this emotions that were intolerable to him, perhaps anger towards both
parents, hatred, desires for revenge, and that all of that did not fit within the socially acceptable self of the child.  Then an alter ego appeared who concentrated a large part of those feelings, Jake, who discharges them by destroying any
helpless again.  Furthermore, as we saw, after the army, Mark ended up working as a mercenary.  That's why it's also plausible to think that Jake fulfilled the role of carrying out the acts that Mark didn't dare to do and that
Steven, due to his innocent and pacifist nature, would categorically oppose.  Two upheld innocence by keeping Mark away from pain and abuse.  Jake sustained the violence by distancing himself from anger, hatred, revenge, and the moral weight of
something very important immediately.  The vast majority of people with DID are not violent towards other people. Statistically, they are much more likely to be victims than perpetrators. The stereotype of the killer with multiple
identities that cinema has exploited so many times is one of the most damaging myths about this disorder.  Moonnight managed to portray DID with much more are used to seeing on screen, but it is worth mentioning
that in its final stretch it was dragged down a bit by that stereotype, and I think it is a mistaken idea of ​​DID in real life.  But well, perhaps the best way to close this is by thinking that what we saw in Mark can also
we too, without having a dissociative disorder, are made of parts. Some of our versions developed because we had experienced one thing or another.  There are voices that were formed
inside us because we had experienced something repeatedly.  Voices that that demand from us, or voices that comfort us.  And perhaps part of a lifetime's work is precisely learning to live with them, understanding what they are
trying to tell us, where they come from, being mutually frank, understanding when we can listen to them and when we cannot, in what situations we can resort to a certain part of ourselves and in what situations we need to ask for
space from another.  And above all, remember that none of those parties are our enemy.  Each one is there because at some point it was what allowed us to continue.  Although today we find it difficult to live with them, although sometimes they sabotage us,
although sometimes they seem excessive, they all stem from the attempt to survive and take care of ourselves.  The real superhero wasn't Conchu, it was Steven.  It was the part of him that, as a terrified child, found a way to continue believing that
same way, in moments of darkness, of great pain, of chaos or of crisis, perhaps we can find within ourselves some part to hold on to, a part that continues to believe that it is possible to face what is coming,
that it is possible to move forward.  Perhaps that part is small, perhaps it's hidden, perhaps we haven't heard it in a very long time , but it's there.  And sometimes all he , but it's there.  And sometimes all he needs is for us to
needs is for us to believe him again.