Everything Great About Punch-Drunk Love!

[00:02] [Applause] No, you don't need to adjust your Anytime a director is given special treatment from a studio, you know you're film with this shot for almost 2 minutes is bold. Especially in 2002. Wait, I

[00:18] don't know that this movie's like it's like what 10 years old? 23? No, >> Okay, so just to clarify, I'm sorry. >> I think there are two types of people. are wrong. Your gut reaction might be, "Why is he apologizing?" And first, who

[00:32] puts the person you're talking to in a jobs to one degree or another, and that goes quadruple for those in the service industry 10fold for those in customer service at a call center. So, any minor

[00:44] them, deserves an apology. >> Do you realize that the monetary value potentially worth more than the purchases? >> Exactly. It was here that we all remembered, right? This is the Magnolia

[00:59] guy, so weird stuff happening is just like part of the whole thing. But since the harmonium becomes a pivotal part of Barry's coping strategy, none of it is random. Chaos, yes, but arbitrary, no. >> Okay, you have my home phone number,

[01:12] >> You see, kids, a home phone is what ET wanted to use, but his alien that to Elliot. This film starts with several warners, but this one is over 2 really helps us to start to see the world through his eyes.

[01:25] Whoa, whoa, whoa, whoa. A small but noticeable reaction that seems bizarre until you realize Barry gets disregulated by anything outside his norm. And maybe his actions are a little exaggerated, but dang, I do like to

[01:37] feeling uncomfortable. It's why drinking alcohol at parties where you don't know anyone is a recipe for a bad next morning. social anxiety, but it really kicked into high gear post 30. I know, right?

[01:50] What's that about? I think a lot of people feel seen by Barry's actions. Hi. >> Hi. To leave my key with you and give it could give it to them. >> Okay, sure.

[02:03] cute that makes me fall in love with them both right away. >> Yeah, >> maybe I'll see you later when I pick up my car. >> Okay.

[02:19] Lena is flirting with him once you know that she set this whole thing up. work even when you see them coming. The truck is literally right there mean it's

[02:31] done well. PT Anderson out here doing lens flares before they were cool, man. [Music] The first notes of John Bryan's score quiet it's been. And the warm light fading in on his face, adding to the

[02:46] fading in on his face, adding to the fairy tale feel of everything. fairy tale. >> Why are you wearing a suit?

[02:58] to get dressed for work. And I'm not exactly sure why. >> Dr. Richie, he gets it. The first of several beautiful transitions used in Jeremy Blake. >> So, uh, these babies are really flying

[03:11] >> with the aqua blast. >> We asked for the display to be at eye level for little children. >> Barry, let me just get that. Another one frantic. Barry's sisters being awful to him and John Brian's anxiety producing

[03:25] sound design just add to it >> inside chat. That's so phony chatty >> His sisters all suck, but it sets up one of my favorite moments. So, it's still a >> And uh we have a non-breakable handle finally. Um let me demonstrate for you.

[03:41] embarrassing. >> Absolute nightmare stuff right here. And yet we see Barry's nigh unbreakable salesman mask. Seriously, I will be all the things that some films like to use to convey that someone is socially

[03:55] they're actually very good in a crisis. Barry is. >> Uh, I'm just >> Yeah, but what are you doing? that Paul Thomas Anderson was hinting that maybe Barry's sisters were a bit

[04:07] literally abusive, and I wouldn't blame him if he went full no contact. [Music] And we all cope in our own way.

[04:27] feelings. >> Is her car going to be okay? >> It's fine. I actually wonder if it is actually fine because as Lena admits >> There's this girl, this friend of mine from work who I think is really cute and

[04:41] So, I was thinking about bringing her to the party tonight. What do you think? >> Yeah, I I don't want to do that. >> Incredible delivery of a perfect line. >> I would be a little tense and I don't think I'd act like myself.

[04:54] >> Who knew Gail the Snail could be this Lynn Rice Cub from her most important role, Pizza Delivery Girl in Weezer's The Good Life music video. I do not care for how relatable this is. That feeling

[05:06] of okay, I'm doing this and then entering and going, "Nope, never mind." and brutally depicted. Goodness, I love how the three husbands are just skin >> This is very food. Thank you. >> What's very food?

[05:20] >> You just said very food. >> Oh, I'm sorry. I meant to say very good. >> Oh, I'm sorry. I meant to say very good. Maybe you said food uh cuz you're hungry and eat. That makes sense. >> So, sure, he misspoke and didn't notice,

[05:33] but then very confidently yet casually corrected himself and played along. His perfectly. >> Come on, Gab. It's time to eat. is going, you can see the subtlety in Sandler's slowly building performance.

[05:54] >> And such an alarming moment in so many ways. Obviously frightening, I'm sure, literally nobody is worried about Barry. They just berate him. It's brutal scene. >> Can you help me? >> Barry, I'm a dentist. I What kind of

[06:08] your problems? >> I don't want my sisters to know. Okay, >> And good on Barry for trying to get help. It breaks my heart that Barry's trust gets betrayed by Walter. >> I sometimes cry a lot for no reason.

[06:26] It's so abrupt. It's maybe a little funny, but it's also so honest. Ah, look nice button at the end of the film. The stalker in the background in red is stopped and then almost walks away when he looks in her direction and then

[06:42] >> and your social security number. >> What for? the credit card company. >> Just for the record, no. Never give your phone, especially someone trying to sell you stuff. The verification line is BS.

[06:56] need it for would be a credit check, unless it's like an employer verifying what people can do once they have your social, Barry gets off light. >> 917. But even on the first watch, this moment feels like watching a slow motion

[07:09] >> Can I have a telephone number area code first on where we can call you back? will call you back. >> Okay. The I just was calling to speak how it worked. I'm 818. >> You might be thinking he's being a

[07:23] getting his skepticism out there, he immediately acquiesces to her request. Peopleleasing mask on. I mean, they're technically all peopleleasing masks, but outing myself right now. Do you want to know what I look like? It

[07:37] >> doesn't matter. Well, I have no way of finding out, so it doesn't matter. >> That doesn't matter. >> He's so honest. And I'm not here to diagnose fictional characters with real disorders, but Barry checks quite a few

[07:49] about the fantasy he's supposed to be taking part in is pretty telling. >> I wish I was making more, doing a little bit better, but I can't get over a certain hump. I will. I'll crack something very soon, I think, and really

[08:02] >> Also, that the primary thing he's willing to talk about are his business aspirations. And this is again two insanely long wonders back to back. The first is 3 minutes and 13 seconds long and the second is 3 minutes and 18

[08:15] seconds long. What's truly wild is how much dialogue Sandler and Ashley Clark each of their performances. Barry's nervousness and loneliness coming sexy, but also clearly feeling out Barry in part because he's obviously acting

[08:29] because she's trying to figure out if he's a good Mark. Also, the first werer is locked off. The camera just pans back and forth observing Barry. The second around changing the whole tone of the moment.

[08:41] To this day, unbeaten tech. >> Hey, what are you doing? How are you? >> He's such a pure soul. He doesn't clock emboldens them. >> I was wondering if maybe you could help

[08:54] >> Ah, there it is. Love how Barry is backing up as if he can escape the hearing the unnerving score with us. Lance is wearing a suit. See, he gets >> You going on a trip? >> No, I'm not.

[09:07] >> No, I'm not. >> That No, I'm not. that stresses me out, and it's definitely what Barry is dealing with.

[09:23] somebody. It already did hurt somebody. >> Pure realism. And also the second >> He's wearing that goddamn suit again. I don't know why he's wearing that suit. He doesn't usually dress like that. >> The smile on Lena's face, the way Emily

[09:36] >> Friend of mine from work. We were in the neighborhood and she had to pick up her we go in. So, did you want to go? We're going to go eat. Let's go. >> Barry clearly needs some help, but so does Khloe O'Brien. Well, really, all of

[09:48] struggling with mental health or being neurode divergent. But boy oh boy, if I clearly needs therapy put all the blame on someone else and said they needed therapy, I'd have many lots of nickels. I don't even know if you'd really want

[10:01] scared? >> I mean, there's clearly a strain in the family. I can't say I'd be breaking glass doors, but yikes. This is extra state of being. >> Did you ask Walter to get you a shrink?

[10:13] >> We all get that. This sucks, right? You're worried? Help Walter out. Find a to Barry. Perfect example of why Barry didn't want his sisters to know. kind of common for the time. >> What guy in Toledo are you talking

[10:26] about? talking about the guy. I'll come over to you. I'll tell you later. I'll just come over to you in in a second. >> Read the room, Lance. But yeah, people assume life is easy for everyone don't always get it.

[10:40] my sister? >> Perfect reaction. Not necessarily an plowing through really feels consistent for him. >> Are you guys hurt? Are you okay? >> Oh my god.

[10:53] gives me anxiety. And I am Lena, just slowly backing away from the chaos. >> Sure. >> Do you want to pick me up? number for you? >> Sure.

[11:07] worked at multiple places where the mechanics displayed topless lady cutouts on the walls, I'd think that this was over the top. It's not. It's accurate. >> Just made a war for yourself that you can't afford. While scams might be even

[11:21] more common now, this scam is very specific to the early as a quick Google the time, even though they'd still take the money he has. But in the year of our riding horses and writing with ink and quill by candlelight, so that would

[11:34] say I know where phone sex workers most commonly work, but that small office is a reminder that a job is a job. The styling of Philip Seymour Hoffman is incredible. It's so specific. That necklace, the hair, the jacket.

[11:47] >> Hit him at his house first. See what this little bad boy businessman >> I'm not sure anyone did it better. The way he carries himself, we'll never get peace, King. >> I saw your picture and I really wanted

[11:59] >> Absolutely love the implication that she tried to say this earlier. >> But might have chickened out. >> I came to drop my car off on purpose to try and meet you. >> Very nice of you to say. Terrific.

[12:14] And I think it would be cute coming from any gender to any gender. But I also think that most guys are just going to melt and immediately fall hopelessly in someone as attractive and sweet as Emily freaking Watson.

[12:27] >> This DJ Justice, this morning DJ that I really like. And hate it, but it's perfect. He's getting comfortable, so he's sharing something her in the eyes while talking. It's so

[12:40] just to make sure she's still with him. In contrast, while Lena is talking, he much more eye contact with her because he can just enjoy what she's saying, and thinks of him in that moment. It's so well done.

[12:53] >> If you were to spend $3,000, that would get you a million freaking flyer miles, the rest of your life. >> Fun fact, this is based on a true story. PT Anderson read a Time magazine article about a guy named David Phillips who did

[13:05] about a guy named David Phillips who did basically the same thing. the immediate cut to quiet. >> Can I just stay?

[13:17] Get out of here. >> I never expect those words from this >> I never expect those words from this guy, but they're really perfect.

[13:30] like truck air break release sounds as instruments, and these two take what even though it isn't, I'm noticing how stark her red outfit is compared to that Barry is Superman. And after thinking I was such a genius for

[13:44] taking credit. >> The harmonium that has ended up in your office. Did you steal that from the street? You did, didn't you? >> He lies about so many things when he feels caught or backed into a corner.

[14:00] >> Take a left just up here. >> Okay, I'm going to go. >> This is such a funny choice. While my assumption is that they probably filmed a conversation and decided it was superfluous, cutting from the car to him

[14:13] leaving is so abrupt. >> And bye-bye. And bye-bye. And bye-bye. >> And bye-bye. And bye-bye. And bye-bye. You and bye-bye, you stupid mother. punishing yourself for them isn't a sign of anything. And I'm totally normal for

[14:27] >> This is Barry. >> It's me. It's Lena. wouldn't put it past Georgia to have found him at Lena's. [Music] epic. So sch smultzy in the best way

[14:42] with this like classic romantic film music, but also somehow still very John Bryan and the fact that she was already waiting at the door. Love. I'll see you later. It's also so cute that he came all the way back for the

[14:54] didn't. So we're just going to take this >> I honestly totally forgot that's why he uses that phrase with Philip Sumer Hoffman. >> Ow. Ouch. Ouch. the ouch before he gets

[15:07] >> Ow. Ouch. Ouch. the ouch before he gets in. weren't going to get any classic Sandler noises. Look at you. So silly. live. >> Fair. I love that he takes it to heart

[15:21] >> Okay. And I have to get more pudding for this trip to Hawaii. As I just said that >> Masking up. He knows when things sound weird, and he so calmly explains that before. >> That that that money right I just gave

[15:36] you is actually a lot of money to me. 99 cents. [Music] >> It all falls apart. But this moment of great, even while the score is still keeping us on edge.

[15:55] involuntary hand movements when he's upset that I'd never noticed before. Ha, the cuts spell love. pudding. Oh, get there, but oh, wait. I'm an adult. I can't run. I don't care. I need to go.

[16:10] can't run. I don't care. I need to go. Nope. That feels weird. Duval as he slow-mo almost disappears into the glare again. He starts to run

[16:22] maybe a little embarrassed, then just says screw it and runs again. Dude is >> I'm sick of this. >> Stoping treating me this way. Give me your number. I'lling kill you. >> This is the number one, maybe tied for

[16:35] number one funny moment to me. Does he go a little too far? Yeah, but other >> Tell me why you like >> There's no reason for you to treat me >> You're killing me. You're killing me with the way you me.

[16:48] already empowered just by how much he likes Lena, which really sets up the tire iron later. >> Hello. A the little ding as she says hello and the phone booth lights up.

[17:02] [Applause] [Music] voice. Let's all greet our loved ones with disenthusiasm from now on. It just makes your heart sore. Her little arm swings. Could this get any cuter?

[17:15] Perfect shot, perfect scene. Makes sense why it's the cover/ poster. 30 seconds anyone walking by them. It really is like that sometimes. And him trying to shake her hand is so on brand for his character. And that little he lets out

[17:27] rules. >> Really looks like Hawaii here. >> One of those silly lines where you also know exactly what he means. Goodness Watson and her subtle looks and expressions? You got to love an iris

[17:41] oldtimey because you rarely see this anymore, but then following their adorable. >> I want to bite your cheek and ch it so cute. I just want to smash you with a sledgehammer and squeeze it. You're so

[17:57] >> Again, two types of people. Those who totally get this and think it's darling >> This is funny. >> Yeah, your freak. >> I don't have any business here. I came

[18:11] because he feels safe with her. And I know I just said like 3 minutes ago that is cute when the person is attractive and you're into them, but dang, that one would be a bridge too far for some. Fortunately, Lena really gets Barry.

[18:25] >> Otherwise, I'm pretty sure that uh the police can be contacted and and I could do that. Confidence is growing. Great shot. That whole film has been setting us up with long contemplative wonders and then this one just goes haywire

[18:42] both of them. The immediate change of expression when he sees she's bleeding. knocked Barry to the ground in the first encounter. Second, he gives the tire

[18:56] best thing is that Barry is fully in control. He honestly might be the calmst could have been Barry beating these men to death, but he is cool, calm, and collected and just mollywops them. >> Hello, sir. My name is Barry Egan. I

[19:10] >> Shut the up. >> This conversation is a masterclass in >> All right, go yourself. That has >> And this might not sound like a compliment, but Philip Seymour Hoffman

[19:23] was the king of saying go f yourself. >> Shut up. Shut up. Shut shut up. other quite a lot. >> Did you just say go myself?

[19:37] >> And a very on the-nose depiction of a typical bully. Dishes it out but can't mention but that Barry doesn't even take the time to hang up the phone. It just >> She was discharged. >> She was discharged. Okay.

[19:50] Sandler makes it clear with just his stance and expression that he knows he screwed up. city and state, please. >> Somewhere in Utah. Can I have the listing for DND mattress man? >> And see, this is where his, let's say,

[20:04] happened so fast, you might have even wondered to yourself how he knew these >> It appears on your credit card as DND mattress man, superpower with this transition, which is definitely more of a Batman thing,

[20:17] holding the phone is definitely the scariest part of this film. Barry. Another killer wer. The light being blocked by Barry is such a great

[20:31] him look way more imposing than normal. >> Think you can be a pervert and not pay tightening. >> I'm a nice man. I mind my own business. So you tell me that's that before I beat the hell from you.

[20:46] scarier than beat the hell out of you. It being not quite right, but said with such fervor would be my sign to bow out. >> I have so much strength in me. You have no idea. I have a love in my life. It makes me stronger than anything you can

[21:00] >> Correct. Superman. His yellow sun and ll >> You came all the way from LA to tell me this. >> Echart Auto Body where Barry's office is is just about 10 hours from Provo, Utah.

[21:14] Barry clearly means business. He's not even asking for the $500 back. I also mattress man. >> I would say that's that mattress man. >> I would say that's that mattress man. >> All right.

[21:27] like he wasn't sure if he was about to get hit and then all the tension is let >> Now get the out of here, pervert. Didn't I warn you? That's that. moment of the film. Most bullies absolutely fold the second you push

[21:42] expertly with that white chocolate flare. Finish the task. doesn't need the and forth. One last piece of evidence for Barry being Superman. Dude just distance without breaking a sweat. And >> then I had to leave again because I

[21:57] again. >> And of all the reasons to abandon her one. And I truly believe that Lena would understand that it was the only thing she gets him. And I love that he tells her everything now. He's not hiding who

[22:10] >> You left me at the hospital. >> I'm sorry. >> Okay. But she still calls him on it so he can learn. That's a huge mistake and he can learn. That's a huge mistake and she's being real nice about it.

[22:26] metaphor becoming Barry's red cape. Also hugging. It's just adorable. Part of this movie is that I had no real idea what to expect. Even if love is in the the cutest little love story of all time. But PT Anderson always sneaks some

[22:41] have been surprised. And I'm never going to scoff at the message love conquers all because it makes me feel warm and fuzzy and I enjoy that. Maybe it doesn't the confidence and strength to start sticking up for himself. And I touched

[22:54] idea that Barry is Superman. And there are plenty of things as evidence that I he'd never flown before, but is spending a lot of time focused on being able to fly. And I talked about his strength, but we also see him break those sliding

[23:07] when he smashes the funger handle, he says it's an older model, but maybe he's brother cowering in the back is the best evidence. He knows he can't mess with typical role for Adam Sandler, and I realize that he's not alone in proving

[23:21] that he was more than just a funny man. And I made an entire exclusive video Love, Goodwill Hunting, Stranger Than Fiction, Drive, and Eternal Sunshine of keep getting away with this. Funny people need to stay in their lane, JK. I

[23:34] comedic actors are so great in more dramatic roles, and Nebula was the want to watch it, you can get 40% off an annual plan by signing up with my link. exclusive videos on Nebula, as well as every single one of my other videos, ad

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[24:03] new short, The Dinner Plan, and so much more. But start with my newest exclusive Expectation Subversion, which might turn into a whole series because I had fun making this one and talking and thinking about these actors. You You get it? Act

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[24:45] can still get it for 40% off at $300. Thanks for listening. Sign up. >> That's that. >> That's that. That's that. That's that.

[24:59] >> That's that. That's that. And >> that's that. That's >> that's that. That's that.