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Deep Web Clown Encounter — Full Breakdown & Transcript

0h 33m video Published Mar 19, 2026 Transcribed Aug 12, 2026 F Fede Vigevani
Beginner 5 min read For: Fans of horror gaming and YouTube entertainment, familiar with the creator's series.
AI Trust Score 70/100
⚠️ Average / Some Fluff

"The title promises a deep web clown purchase, and the video delivers exactly that scenario, albeit with exaggerated reactions and scripted horror elements."

AI Summary

In this video, the creator and his friends await the arrival of 404, a clown purchased from the deep web, at their house. After a tense wait, 404 appears, confronts them, and forces them into a deadly game, leading to a chaotic chase and escape attempt.

[00:00:02]
Anticipation and Like Goal

The group waits for 404 to arrive, with the creator asking for 600,000 likes to make the video 'insane'.

[00:01:54]
404's Arrival

404 arrives at the house, and the group debates whether to open the door, fearing the animatronics.

[00:05:14]
Identity and Powers

404 introduces himself as the 'clown of the deep web' and demonstrates his control over the environment, including electricity and lights.

[00:07:51]
The Choice

404 offers two choices: go to the orphanage or face the Betas outside. The group chooses to run.

[00:11:26]
The Deadly Game

404 initiates a game where the group must run to an elevator when the lights are on, but moving when they are off results in death.

[00:18:59]
Motive for Revenge

404 reveals he wants revenge because the group bought him from the Clowns' Hotel, and someone must pay for what was done to him.

[00:23:57]
Escape Through the Bunker

The group finds a hidden door in the bunker and escapes into a prison-like area, eventually reaching street level.

[00:32:21]
Final Escape

After a series of chases, the group ends up in a mansion and finally finds an exit, running to safety.

Mentioned in this Video

Study Flashcards (7)

Who did the group meet at the beginning of the video?

easy Click to reveal answer

The mother of 404

00:00:29

What like goal did the creator set for the video?

easy Click to reveal answer

600,000 likes

00:00:58

Who is 404?

easy Click to reveal answer

The clown of the deep web

00:05:14

What two options did 404 give the group?

medium Click to reveal answer

To go to the orphanage with him or run out the door into the Betas

00:07:51

What were the rules of 404's game?

medium Click to reveal answer

When the lights are on, they can run to the elevator; if they move while the lights are off, his friends will kill them

00:11:26

Why did 404 want to kill the group?

medium Click to reveal answer

Because they bought him from the Clowns' Hotel

00:18:59

How did the group escape the locked room?

hard Click to reveal answer

Through a hidden door in the bunker

00:23:57

💡 Key Takeaways

📊

Meeting the mother of 404

Introduces a new character and sets the stage for the encounter.

00:00:29
📊

404 reveals his identity

Confirms the antagonist's role as the deep web clown.

00:05:14
📊

The choice: orphanage or Betas

Presents the central conflict and forces the group to make a decision.

00:07:51
📊

The game begins

Introduces the rules that drive the tension and gameplay.

00:11:26
📊

Motive revealed

Explains why 404 is targeting the group, adding depth to the story.

00:18:59
📊

Hidden door discovery

Provides a turning point for the escape attempt.

00:23:57

[00:02] Friends, the day has arrived. Today is the day that 404 is supposedly going to arrive at my house.

[00:29] Friends, the day has arrived. Today is the day that 404 is supposedly going to arrive at my house. very important things happened. Number one, we met the mother 404. And number two, we met the mother 404. And number two, the betas forced us to buy 404.

[00:43] a message appeared that said, "Tomorrow, that is, today, 404 is going to arrive at my house." Guys, the five of us are here at home, literally waiting for something to happen. We do going to appear through the front door,

[00:58] through the roof or through the bunker. Guys, please, I'm asking you one thing, get this video to 600,000 likes, because [music] if 404 error hits my house, this video is going to be insane.

[01:12] Friends, a couple of hours have passed, it's literally early morning, we haven't heard anything, we haven't heard a sound. There's a good chance it won't I don't think so, [music] dude. I mean, I think he's definitely coming.

[01:24] tomorrow, dude"? Know? Know? I think he probably wants to tire us out, and I feel that having us wait for him all way, preventing us from penetrating [the music] even more intensely. The truth is that he

[01:37] observes everything, that is, he is watching us at this moment and is waiting for just that. Okay, folks, [music] I'm going to cut it and if we happen to hear any noise or anything if we happen to hear any noise or anything , I'll start recording. Okay.

[01:54] No way. 404, gay. No way, gay. He arrived, you bastard, you gay man. What are you doing? No, my friend, it arrived. It's crazy, gay music.

[02:09] here. Obviously, he knows we're here. I was watching. What's up, gay? What do we do, dude? Guys, 404 arrived at my house. Arrive. What do we do?

[02:23] No need to think, dude. We have to open it right away, you bastard. And confront him. Confront him. He's already with the animatronics, dude. No, no, no. He is alone. It seems he's coming alone, gay.

[02:37] And if it comes with the animatronics, it makes us gay. We ca n't open it, gay. I say one way, you bastard. You're outside. He is alone. He's out. Alone in the garden. The garden. The bunker.

[03:04] Which one. We'll close everything and everyone else will come in , you bastard. What are we going to do? We have to open the door. We need to open it. Obviously, we have to open it. Anyway, he's going to come in with the animatronics and we'll open the door for him.

[03:17] get in. But how are we going to open? Go in, you bastard. No way. No, no, no, no, no, no. It's here. No, no, no. It's here. No, no, no, geey. We need to be prepared, dude. In

[03:32] other words, we praise him no matter what, gay. If I was at the doorbell, you bastard. ? Gey, I think I see something. . to get in through your room, dude. What are we going to do, dude? He's already

[03:47] I can enter from anywhere. Weigh them, gay. Up. Weigh them, gay. Up. No,

[04:04] no. Hi guys.

[04:20] watch out, watch out, watch out. Don't come near me , dude, don't come near me. Don't come near. How did he do that? He's coming, he's coming, he's coming.

[04:36] [laughs] She looks prettier with people. It was always empty when I came. I even came before you

[04:48] arrived, but I remember it differently. Ah. Ah. Ah. [laughs]

[05:02] How beautifully they decorate. But I like it more muted. [laughs] No, gay, he did, gay. What do you want? Hey, what do you want? [laughs]

[05:14] Are you scared? You know who I am, right? Who am I? Uh, [laughs] I'm the clown of the deep web. You brought me

[05:30] here. What gay? Move, move. Do n't be afraid, Ivan. That? But you're not bad. Who says I'm not bad? Your mom said you're not bad.

[05:44] Don't mention my mom. You are not allowed to do that.

[06:11] [suppressed scream] What did you do, you bastard? How did he do that? It doesn't make sense, gay. What the [ __ ]. Could be. It just can't be. It ca gay. It doesn't make sense. Nothing makes sense , you bastard. We're done, you bastard.

[06:25] What are we going to do? He has access to everything, dude. If you have think. We need to think. We can go out the window. We need to think. It's the option. Could be. He

[06:39] left, gay. I do n't know how he's gone now, gay. No, I don't think he's gone. He's crazy. He 's crazy. He is mentally ill. She's a 's crazy. He is mentally ill. She's a

[06:53] he's another level of clown, gay. What did he do at the door? Step through was like electricity. There was a sound of electricity, but what was it, dude? What do you mean, was a sound of electricity, but what was it, dude? What do you mean, the cables, dude? Those are like

[07:06] control everything like a remote control or something, dude. It's How he screams and the light is going to move, dude. It's another level, dude. It is connected to day one, from the moment the lights went out, when we were recording videos it was him.

[07:21] do with that kind of power, dude? Damn it, and they've been chasing us for years. Damn it, and they've been chasing us for years. Hey, that day, go. Let's go, let's go, let's go, let's go , let's go.

[07:36] Oh, what the hell? what the hell? [laughter] Have they

[07:51] They have two options. The first is to come with me to the orphanage and have some fun. Or they can go out that door and run into Beta.

[08:08] You're crazy? Ah, yes. And why haven't we discovered it? Do you want me to open the door? Do you want me to open the door? We're

[08:22] way behind. Run, run, run. Run together. Run, run, run. Run together. All together. get down. Don't be afraid. My friends are already waiting for them.

[08:38] No, no, no, no, no, no, no. Fede, no, no. Run, run. He's coming, he's coming, run. He's coming, he's coming. Come on, come on, come on, come on, let's go quickly.

[08:54] Open the door. Ale, open the door. Open up, guys. We're going to have fun. We wait. [laughs] There you come, move, move fast. Move.

[09:10] move, move fast. Move. Come on, get out of the doorway. I'm going to knock this door down if you don't remove it. You endure, you endure, you endure. Open up now. Hold it, gay.

[09:28] Rido, fast, fast. You go, you go, you go. Don't be afraid [music]. Come running. Corr, [music] pass it on. V, you go, you go, you go, more, v. Here it comes, here it comes. So much for the bunker. Here they

[09:42] Wait for me. [music] Ah, I'm coming for you, boys. Let's go, coming for you, boys. Let's go, let's go.

[10:12] no need to run from one. We're green door is out there somewhere, dude. We have to run. It can't be , it can't be, it can't be, it can't be.

[10:38] let's go, let's go. Run. There. Vien. Where are we going? Where are we going? What do we do? Hey, run, run. Wait. Where? Run, run, run. Run. Let's go,

[10:54] Run, run, run. Run. Let's go, let's go, let's go. Quickly, quickly. let's go, let's go. Quickly, quickly. [shout] Surprise. No, no, no, no. [laughs]

[11:13] One question: Do you want a chance to leave my orphanage? Don't listen to them. Yes, yes. [laughs] Very good, very good. Let's play a

[11:26] game. Yes. When the lights are on, you can run out in the elevator. But if I turn off the lights and elevator. But if I turn off the lights and you move even 1 cm, my

[11:40] friends are going to kill you. And that's no longer a game. [scream] [laughter] The game starts at three.

[11:52] Two. No, don't No, don't run. [shout]

[12:32] Curran, no.

[13:12] Run, run, run. Let's go. Let's go. No. Let's go. No. [music]

[13:53] no Ah! Ah!

[14:18] quiet. They truly believed they were going to be able to leave my orphanage. [laughter] No, gentlemen, you [music] came here to die, do you understand? Alright

[14:34] . I'm going to turn on the light one more time just so they'll I'm going to turn on the light one more time just so they'll hide. [laughs]

[14:49] Ah. [laughs] run, run. The green door remains, the green door. Green door now. Where are we going? Where are we going? We have to

[15:04] hide. We have to hide. Like the peace you're looking for, you have to the peace you're looking for, you have to come and come. Let's go, let's go.

[15:17] Oscar, car, no, friend.

[15:44] The door won't open. The door won't open .

[16:08] guys, listen, did listen, did you hear that?

[17:08] Boys, boys, boys.

[17:23] [music] Crate

[18:44] No, Fede, it seems you haven't understood who makes the rules. What do you want? What do you want? What you always wanted, Fed. Who

[18:59] bought the clowns? [music] Who went to the Clowns' Hotel? Who bought me? Was it you or not?

[19:14] [laughs] The moment has finally arrived. The moment has finally arrived. I can taste your death. [laughs] We did n't do anything. We didn't do anything to you. They do

[19:26] n't have to do anything to me. But they bought me. Why did you want to buy me? Hey, what did you think was going to happen? Because? Why do you want to kill them? Hey, because someone has to pay for what they did to me. Because you are

[19:40] But I have nothing to do with it. So what? You came into my orphanage. You're bothering me. You are the perfect kid with millions of followers. Someone has to suffer. No, I'm not going

[19:54] Someone has to suffer. No, I'm not going to do it anymore. Carlos, you were never the anthem of the orphanage, much less of "I Have Your

[20:06] orphanage, much less of "I Have Your Father Here". If you don't want me to die, come and get me. Damned, I'm

[20:41] What? [music]

[21:19] Where are they? Where are you guys? Did Fede hear you? Fede was heard, Fede, Fede, where is Fede? Open,

[21:35] open, open, open. Where is? Where are the rich? They are there. No, there are two there. There are two of them there. Up, up . The 204 went towards the school.

[22:01] side. Where are they? They're on the other side. Where are the animals? I've seen 404. Let me tell you. We have to leave now. In other words, when the thing happened,

[22:13] go after the boys. We have to go after the boys. Let's go there. The door was closed. They opened.

[22:44] run, run, run. Come on, come on, come on. come on. [music] Run, run, run. Get in, get in, get in.

[23:01] [music] Close the door, the door, the door.

[23:13] no, no, no gay, don't open it gay. Stop them, We are going to die. What do we do, gay? That's it, you bastard. We're locked in, dude. It's over, it's over, gay. It's over. No,

[23:28] no, no, no. There's an exit this way. There's There's an exit this way. There's no way around it. Hey, we need to think of something fast, dude. He's going to open the door. I help. They ca

[23:43] ? Quick, gay. We need to think of something, dude. He's going to open the door. something. But where? Where? We be, my friend. Perhaps we can get out through the top.

[23:57] Hey, what's this? I see. Uh, it's a door. Hey, there's a door. There's a door here. Guys, there's a door. Come on, run, run, run. Come here,

[24:10] quickly, quickly. It's open, it's open, it's open. Come in, open, it's open, it's open. Come in, come in, come in. Let's go,

[24:27] What is this? It 's here. Dude, what is this? [music] A mystery. I'm going to kill them one by one.

[24:42] No, moms. Here he comes, dude. Here it comes, here it comes. Come on, come on, gay. Put me in, get in. Come on, come on. Guys, what do we do? What is this, exit, gay. What's here, you bastard? What is this?

[24:56] What is this? Quick, quick, quick. Prisons, Quick, quick, quick. Prisons, their prisons. Mother, that life.

[25:49] . He went away. Yes, he left. We have to leave. We have to leave. Craziness. What floor are we on? We're at one more time. We need to go higher. Yes, let's find a way out. There are

[26:02] gay? Why don't we come back here? This is gay? Why don't we come back here? This is cancer. But what is this doing here? thought. [music] This is where I feel like

[26:15] everyone could have had their Indonesia, dude. There are many cells.

[26:45] The animatronics are there. They're outside. It's there, it's there There it is. This. Look for them .

[27:15] Listen fast, fast.

[27:28] take advantage of it. It's time, it's time. Hey, we have to run. up. We get to street level, dude, and we're going to hell. But if there's

[27:42] to the orphanage. We ca n't go to the orphanage. There has to be a way out, no matter what. [music] Come on, come on, come on, come on.

[28:27] [laughter] Run, run, run. Run, run, run. Cor, cor, cor, corr, cor.

[28:44] Come on, come on, come on. They're going to lock us up, gay. Fast. This is it. What is this? What is this? One way out. One way out. One way out.

[28:59] There are windows. It 's upstairs. 's upstairs. We are here to help. We're already at ground level. I do n't think they're coming. I don't think they're coming.

[29:17] n't think they're coming. I don't think they're coming. [panting]

[29:49] Come on, how? What do we do? What do we do? What do we do? Where are we going?

[30:19] [gasp] I swear he's gone. It's about taking advantage of

[30:44] to silence. Let's go silently to look for a way out. Yes, yes, my friend. So, why don't we try going out there? There must be a way out. There must be a way out. Break that window, gay.

[32:21] Come in, come in. Run, run, run, run, run, run, fast. That? Quick, quick, quick, quick. What's up? That? Let's go. gay? That? Where are we? Let's go. Let's go. What is this, friend? We

[32:34] need to find a way out. We have to find one. No, no. What is this? What is this, friend? No, no, no, no, no, no, gey. They already saw the mansion. It's the gay mansion. That?

[32:46] gay mansion. That? How do we get out of here? No, mansion? Where was Luly? No, it can't be, it can't be, it can't be

[32:58] , no, no, no. Let's get out of here, dude. It ca n't be, gay. Let's get out of here, gay. Exit. Exit, [music] friend. What are we doing here? What do you mean we ended up here? Ah, right, it was down there. Fere,

[33:11] there's the exit. I do n't know, but let's go. Let's go. No Let's go, let's go, let's go, let's go, friend. What's going on? It's open. friend. What's going on? It's open. That? It doesn't make sense. It does

[33:24] n't make sense. What just happened? Let's go. No, my friend. Run, run, run, run.

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