Club Misterio Burns Orphanage, Faces New Foe — Full Breakdown

[00:02] Misterio video was that we burned down the orphanage. Let's move on to the next topic. Now the next clown who's in the beta game, who's next, is Minimi. the Backrooms, right? Perhaps it's a code name, like that.

[00:15] Those are blows. They are gluing the bunker. They're hitting. Someone wanted to get in through the bunker. That? No.

[00:28] a new video on my channel, guys. We're here at home. We are with Iván, with Óscar Boom and me. And in this video we have to talk about many things talk about a very particular issue that we saw on all social networks after

[00:41] guys, how are you? Hi Fed. Everything's fine. Guys, for all the people in Argentina watching this video, I'd like to remind you that the Club Misterio album is coming out tomorrow, March 31st, in Argentina. It will

[00:53] be available at newsstands in all provinces. So when you social media for us to see. How exciting, finally! Oh, and one question: have you liked the video yet? I 'm watching them. Guys, the last thing that

[01:06] happened in a Club Misterio video was that we burned down the orphanage. It was crazy, literally. It was one of the worst scares of the last year. I remember the gasoline. [music] touched my foot and that's why I went backwards and bumped

[01:19] recording me with. And friends, one of the topics we want to talk about, which is very important to us, is that. We saw from many sources that many people were angry because point, but something about it doesn't make much sense to me. We all know that 404 is not a

[01:34] good person. We agree on that, right? Let's not forget that 404 has been threatening us since the moment it appeared . I mean, and not only did he threaten us threatened us through the animatronics. How many times in the beta game

[01:48] did we appear dead, dude? He tortured Dind. We also don't know if he acts alongside Inferno, dude. Yeah, they have something against the old clowns, but they're not good, dude. Once you are threatened with death, you ca

[02:02] n't be a good person. Guys, uh, I feel exactly the same way, I mean, remember that this clown wanted to kill us. I understand that his life story is a bit sad, but that doesn't change the fact that he's a bit aggressive. And something

[02:16] in the video is that at the beginning he says, "Please don't do anything to me, don't burn anything." And in the end, he changes his personality completely and shows his true n't it? I think it's super important to mention that because in the end, I mean, there's

[02:31] a theater in the orphanage, we don't know if the guy is an actor, we don't know anything. So what happens when he smells all the gasoline? At that moment he tries to and I understand perfectly that you, as the audience watching,

[02:43] obviously felt the same as we did at that moment, but what happens is that he breaks that character, which is super important to mention, and that's when the guy goes back to being who he really is and threatens us and so on [music] and

[02:55] no, well, screw it." I mean, yes, we had already done it , we had already taken the risk to go down, so how could we not learn it, in the end? I think it's a victory for Club Misterio to have

[03:08] destroyed a part of the beta theme, dude, the clown theme. I mean, And I think it's also important to consider two things: that it's in favor of the situation and to understand that it's not simply against 404. The issue

[03:23] was also that our intention was to burn down the orphanage because it was also very animatronics. Animatronics are robots. For us, it was mainly dangerous for us to continue being threatened to take action on that

[03:36] side. On the other hand, 404, where did it come from? He had an escape route, that is, he out, somewhere to go. Our intention wasn't to burn him either; it was to sever the bridge between him and us so he couldn't

[03:51] return to us, because that's the problem: how do we seal off all these places? It's obvious that he's alive, I mean, it's obvious. There's no way he's because he couldn't have escaped through the green room since it was full of

[04:04] and he wasn't there. He wasn't hiding at all. It means seeing. Because, for example, which way did Carlitos go? In other words, where he was kidnapped. Yes, in the end there must be, in that place and throughout the entire building that

[04:17] is in the elevator, a lot of passageways and things that are only theirs and that only they know about. I mean, we 've always seen it here at your access points to your house we haven't seen yet. And we did see it, I mean, at the end

[04:31] when the fire started, the guy ran, I mean, he knew where to go, right? It's like he tried to go towards the exit from us. Oh, yes, right? And he said threatened us, dude. No, he said, like, he said the final sentence

[04:43] come back stronger, something like that. If she said she was going to return, it's because she take it for granted that he was going to die and he took his time. If you notice, he was there, he threatened us and then he left. Okay, guys, that topic has already been discussed so that

[04:57] everything is perfectly clear. Let's move on to the next topic. What happens now? Remember that we already bought at 404, we already knew the minus 3 floor. Now the next clown that's in the beta game, which is next, is Minimi.xe.

[05:10] When will we be able to meet Mini Mini? Where will Exe be? Because remember that we could never go down to floor -2 and the next floor, which is -4, is a simulation. So we're in a place where we don't know what we're going to

[05:23] do. I mean, I do feel that the -2 and -4 are important, but why were they skipped over like a... So, why don't we skip one? In other words, it makes no sense. It can't be that random. So, why don't we skip

[05:36] the backrooms? It's weird, like the beta game has a different order, because let's also remember that we saw Roxy at some point, you know? In other words, we didn't face Roxy, but we did see her at some

[05:48] 's not linear as such, but there must be a reason why, I feel, I sequence in those numbers that we do n't yet understand, I believe. backroom, right? So, they know what backrooms are,

[06:02] n't make sense for it to be the same, dude. Guys, I mean, in case you didn't know, the Backrooms is a very shady place. It's a place that seems infinite, where there is no escape. That's what the internet

[06:14] Yes, like infinite labyrinths, like, I mean, it's like, but it doesn't have a way of feels like fiction, like, like it goes beyond reality, like, it 's crazy. I mean, for me, backrooms were always fiction, but the fact that

[06:28] backrooms no longer exist in real life, which is a place I've always wanted to know because I think it's a very internet-like place, I mean, it's real life. We have to wait and see what's

[06:40] seen with backroom? Sure, maybe it's a code name. Sure, maybe it's a code name. but not here. What's that? It's in the garden.

[06:54] No, it is in the garden. It's outside. Bunker. Today. It's closed. Síene has a padlock. It has a padlock. I

[07:06] put a padlock on it the other day. No way, but he's going to open it, dude. No, but who? No, no, there's no way I'm opening it. There's no way. It

[07:19] gay? Is it 404, you bastard? It just can't be. It can't be 404, gay. He wants to open it, gay. He sticking to? Why does it sound like that, you bastard?

[07:47] n't [music] open it? I stop hitting him. I way. No, no, no, no, no. But if they tried to leave this way, they can leave

[08:02] they tried to leave this way, they can leave some other way, dude. Careful, idiot. They wanted to get into your house,

[08:16] ? For me, it's definitely 404. If not, who is? I n't hear anything anymore, huh ?

[08:28] ? Nothing can be heard anymore. It the hatch have a lock? No, no, no. I think I didn't put it on because I only have one song and I just put it there. Grab this camera right there, quick. I'm

[08:44] could be anyone, gay. Watch out, Someone wanted to get in through the bunker, dude. It doesn't feel like they wanted to

[08:58] not feel like they wanted to open? [gasp] A distraction? Do you think so, To pull us over here. No.

[09:10] Yes, yes, dude. I mean, dude, it has nothing. Nothing moved. I mean, they strange blows [music]. No, the door didn't move . It doesn't feel like it was vigilant. Let's go inside. No,

[09:23] we have to be careful, dude. Let's go inside. Let's go inside. move. Hey,

[09:36] what's going on here? That? How messed up? Hey, move it, move it. friend. What are you doing here with these boys? No How do you get out of there, gay? We're going backwards.

[09:57] What do you want? Oscar, talk to you. You ca Of course I can. No, you can't. You can't come in like that. No, you can't. You can't come in like that. Of course I can. I

[10:14] that with me, everything I say comes true sooner or later . [gasp] They put chains there on that door. They put chains there on that door. Because? You still don't understand. There is

[10:28] nothing, absolutely nothing that can prevent it from reaching you. To you, to you, to you. What did you come here for? What did you come here for,

[10:40] What did you come here for? What did you come here for, first of all, to congratulate them, Fede, to congratulate them. They finally did something I told them to finally did something I told them to do. destroy that damned,

[10:55] that damned weight with those things, with those deaths, with those memories and with those storms. That orphanage burned down

[11:08] burned down like Alfa's tent burned down, the tent I detonated. And now you [music] [music] you were my best switch.

[11:26] Yes. What do you want? You don't know how to stop. You always want to take the next step. Do you want to evolve? Did you see what I told you about there being an elevator and floors? You have witnessed it, you have

[11:43] seen them, you have felt them, you have felt the fear and panic of being down there. He's crazy, he's crazy. He's crazy, he's crazy. What do you want? What do you want? What did

[11:56] you come here for, gay? What happened to the mom, dude? Mom, 404's mom, what Damned. What did you do to him? What did you do to him? What did I do to him? What did she do to me?

[12:08] Why did I leave her? Because he is simply a despicable being who, along with me, fathers another despicable being. [ __ ], he's saying, gay. Carlos [music] 404 is one of my

[12:25] Carlos [music] 404 is one of my worst, but one of my worst creations. worst, but one of my worst creations. Blood of my blood, fire of my fire. Blood of my blood, fire of my fire. [music] They

[12:41] burned it. They burned down that damn orphanage. 404 is alive. Is he alive or dead? I wish he were dead. Why would I wish? So, what's the problem with him? Because it's

[12:56] problem with him? Because it's one of my biggest failures. He is an abominable being. Even as a child he showed that desire child he showed that desire to rebel, to not understand his place in

[13:11] to rebel, to not understand his place in this evolutionary chain. You [clears throat] bought it, you activated it. bought it, you activated it. Because? They

[13:30] You came here. You came here. What do you want? to tell you the next development. You have gone down You have gone down from one floor to another, but you still don't

[13:44] from one floor to another, but you still don't know everything that's down there. What what what what is on the floor? What's in the backrooms? Tell me. Do you know, do you know all this, what's in the back? Those backrooms, as you

[13:59] call them, I call them the floors of perdition, [snort] because that's the next level you'll be able to [music] access because nothing stops you,

[14:12] because you have a damn curiosity that you infect them with and put them all at risk. Oh, Oh, less than two. What's up? What's on the

[14:27] second floor below? Mini, mini dot ex. No, no, no. And that's not another one of my great ones. No, no, no, no.

[14:44] another one of my great ones. No, no, no, no. Friend, the biggest houses. mistakes. You have to help. You have to

[15:00] help me. You couldn't destroy it. You burned down the entire theater, but you couldn't destroy it. You have to help me and take him to that area of ​​perdition, as

[15:12] you called it, [music] backrooms. There, there you have to take 404 so that I can finally be free of those two torments, those two shames.

[15:32] to the point of ridicule, was given to him by a man who will constantly throw it in my face. The misfortune I was capable of creating, a child conceived, but also a

[15:44] deadly abomination that could kill us and end us all. end us all. Miries, the evolution. You like to evolve, don't you? You always want to take them with you. to understand and move

[15:57] forward. Mini mini puntoexe [music] is a Mini mini puntoexe [music] is a quadrupedal involution. Nothing to do with human nature.

[16:11] As? I don't understand. He's crazy, dude. [music] It is hanging by a thread. Do yourself? So, what is minimum point ex? As? I telling me? I'm tired, Fede, of protecting you. to

[16:26] help you along with them, dude. He's confusing us, dude. It 's confusing us. This is a lie. Why did we go down to the orphanage and not the orphanage minus three. Why don't we go down to the backrooms first?

[16:40] Because part of that [music] process you can't see, but you persist, you rebel, and you're ambitious enough [music] to want to come down.

[16:53] to want to come down. So, you're going to face that backroom, that floor, man2 [music], and you're going to take them to their most damned perdition.

[17:07] [gasp] They couldn't go down those floors. They are blocked because I wanted to protect you at all times. But you want to go down, you want to go down to those bathrooms, to those

[17:28] Okay, guys, you're going down . I will help them from my own experience. They won't regret it, and they won't call me a traitor again. You called me a traitor. Why are you

[17:42] a traitor? Who do you work for? Do you work [laughs] for Beta or for Oculus? You're a liar. You don't even know what you 're saying. You don't even know the world bigger than your own understanding. Do

[17:57] you want to get off Fujer? Forward. You're going down, but you're going to Forward. You're going down, but you're going to help me. I'm going to take 404 there, because there I'll finally be help me. I'm going to take 404 there, because there I'll finally be able to get rid of him and he'll

[18:12] finally stop being a threat to each of you. Do you think we're going to go down to the orphanage right now for him? Are you crazy, bastard. He always, always tries to manipulate us.

[18:29] I don't manipulate you. You are [snort] a victim of your own ignorance [clears throat] and manipulation. [music] Come on, let's stop. not going to the chains and demand they come down immediately. We're

[18:44] end. We're not going to do what you want. Oscar, it's not what I want, it's what you and they and Fede are you and they and Fede are

[18:58] The last time since the orphanage incident. He made a fool of us. It's confusing us. It's pure [ __ ] manipulation. You sent us beta soldiers to buy 404. Yes, precisely so that

[19:11] Yes, precisely so that you would understand once and for all that that was n't the " No, we're not going. Come. They are curious. They are not

[19:25] researchers. Don't come. We're not going, dude. not going, dude. [music] Do you want to come willingly? Then they're going to come by force.

[19:41] Then they're going to come by force. Fede, go turn around. Fede, where? What the [ __ ]. Hey, that's the

[19:56] where? What the [ __ ]. Hey, that's the mom, you bastard. Uh, it's the 404 mother. That's right, [music] are they doing? That? What are you

[20:08] Tell them to let her go. Tell them what you're doing. Damn it, dude. They're bastards. [music] What are you doing? Let her go. Let her go.

[20:23] What do we do? What do we do? What do we do? What are you doing? Why don't you bring it? What are you doing, gay? Leave her alone. Maria. This is what Carlos does. It's

[20:35] You had it. What the hell are you doing? What the hell are you doing? How could it be Carlos if you had it? Tell her, leave her, [shout] leave her.

[20:47] leave her, [shout] leave her. This [music] is a disgrace, what the hell We are surrounded. What do we do?

[21:00] Finally you're going to see Carlitos doing it again, gay. Careful, careful, careful. Careful, careful. Carlos,

[21:12] careful. Careful, careful. Carlos, here is your origin at last. Together. No, no, no, no. Stop, stop. Carlos, [music] you don't want to come, you don't want to appear. I'm getting a

[21:27] Yes, yes, yes. 404 is coming. He's bringing 404, [ __ ]. Careful, careful, F, careful. Leave her alone, leave her alone.

[21:41] dude. Are you listening to us? You're watching us. I dare you to come and get your mother. But why here? Why here?

[21:53] How so here? How are you going to bring it here? Here it is. That's what his mother wanted to see Here it is. That's what his mother wanted to see . To his father.

[22:07] to Carlos at 404. The worst mistake of my life, dude. You can't bring it here. No, no, no, no, no, no, no. He's coming.

[22:19] arrived, you bastard. Let's do it, he arrived, gay. He arrived, gay. What do we do?

[22:33] [music] No, no, no, no, no, no, no, no, no. No, where are they going? Where are they going? That? That? Stay with "it's okay, Stay with "it's okay, you're okay." Where did I have you?

[23:02] IV. [music] Juan. Lo, gay. Here he comes, here he comes, here he comes, here he comes, gay.