EL TREN DE ANOMALIAS (PLATFORM 8 COMPLETO)

[00:03] a game where we have to escape from a train full of terrifying anomalies, from scary girls to headless men. Will we manage to survive? And it's all going to start with us arriving at the little train. Look,

[00:21] friends, what a beautiful carriage we have here. This guy here is called Ernesto, and Ernesto is going bald, huh? Watch out Ernesto, you're starting to go bald. Okay, friends, what's this little game about? Basically, we have

[00:37] to differentiate everything that changes in this train car because very scary things are going to start happening and we have to survive all of that. So let's slowly review what

[00:52] this little wagon is supposed to look like. And what does it say here? Please check the electric signs. Okay, we have here a picture of an anime girl, quite

[01:04] pretty girl, some lights. Paraamam. Javier Silva, thank you for the sub-quote, king, thank you very, very much, I send you a huge greeting. In this one, on the sign on the other side

[01:18] we have some little lights. What's that man doing over there? He's looking at his cell phone, but it's turned off. Sir, you're a fool. He's really starting to show his age. He's already schizophrenic. He's not looking at anything on his cell phone. Okay, we'll

[01:33] leave it at that. We have a little girl jumping on this poster. Another anime poster. Yes, we're in Japan. This is going to be completely pure anime. I think the sign here changes, doesn't it? Look, the sign here doesn't

[01:47] change and I can open the door. No, no, I ca n't close it again, okay. Well, n't close it again, okay. Well, we open the next door and you're here again, Ernesto, who doesn't look, there are two Ernestos. Ernesto is multiplying and I can't

[02:03] go back. Look, they closed the door on me. I've just been left stranded here. Well, we'll have to notice if anything has changed in the room, because look, the number here is going to keep changing. We're on L0

[02:20] and we have to keep progressing through all the different stations, but I don't see anything strange here. I'm going to move on to the next car. Let's go fast. Ernesto,

[02:32] wait for me. I have to go with you, Ernesto, again. How are you, Ernesto? This changed. Hey, no. Why am I still at zero? I can open this door and jump off the train. Can you imagine? And the one in the back is still locked, right? Yes, the

[02:46] back one is always locked. Ernesto, Ernesto, how can I sit down with Ernesto? Hi Ernesto, how are you? A pleasure. Oh, Ernesto is so handsome, isn't he? Mu, a little kiss for him. Okay, I'm tired now. Now I

[03:01] want to stop. Wow, that's crazy. They added this game where you can sit down, huh? Literally, this is officially a subway waiting simulator . Oh my god. Hey, that sign changed. Wait, wait. Was there a

[03:16] new sign here or is it my imagination? Look, look, look what this says. Do not go to the next car until the anomaly in this car disappears. As? Is there

[03:30] in this car disappears. As? Is there an anomaly here? Don't tell me what? At what point? Did anyone see anything strange? Perhaps the strange thing was that I could sit in the seats. There's supposed to be something bad happening here on the train, but I didn't

[03:45] see anything that would scare me. It might be one of those posters, but I have no idea. Okay, look, I'm going to take a chance. I believe the anomaly has already disappeared. Let's go to the next room. And if we did it right here, I think we didn't do it

[04:02] right, huh? This is still in L0. We're at Risen, yes, which is the first station. We have to go to Ichigasaki. Okay, well, now we're going to look at absolutely everything. I'm going to keep my eyes wide open. Let's see, signs, a little

[04:20] girl, and spotlights. I've already learned these too. How many seats are there? 1 2 3 4 too. How many seats are there? 1 2 3 4 5 6 7. There are eight seats in total. Flower poster. Flowers. Teacher. Teacher. Hey,

[04:37] Flowers. Teacher. Teacher. Hey, blonde anime girl. Blonde anime girl. Here's someone in a setup. Someone in a setup. This is a juice with a juice. And finally, the eye poster is here too. Oh my god.

[04:53] Oh, okay. Uh, I think that counts as an anomaly, right? Okay, okay, okay, I can go now. Yes, look, the sign here that said about the anomaly disappeared. Yes, we're moving on to the next station. That was what we had to

[05:07] see. That eye. Look, we're on L1 now. We arrived in Ichigasaki. we're on L1 now. We arrived in Ichigasaki. Let's go to Ninosuka now. Okay, perfect. Be very careful, make sure there are no abnormalities. Did you know? I've already learned

[05:22] which signs go up here , but I'm missing the posters. Girl , but I'm missing the posters. Girl with an eight. Anime. This is a baby octopus. A woman with a phone. Someone shaving their beard. What is this?

[05:36] A Japanese house. And on this side, little horses. Okay, I hope I remember all of this. It seems easy, but no, friends. The game is truly

[05:48] complicated because it has so many details, and you can't remember everything. And here's Ernesto, who's still using his cell phone even though it's turned off. Ernesto, I just don't understand you, my friend. I don't know why you use it turned off. Maybe I'll have to

[06:01] help you learn it. Don't know. Let's go to the next carriage. I didn't see anything strange here. Nothing shady, nothing that deserved to be examined. Oh, look, yes, we're still in

[06:13] L1 Ichigas. Hmm, there were no changes and we weren't taken back to the beginning. Hello. Can you imagine something appearing through my window? I cry, don't I? Imagine that, something peeking through the window and it's

[06:28] a monster. Nothing on the posters. Okay, let's go to the next room. Tuki tuki, open up, open up. Good. We're still on L1, right? Okay, we're still on L. This was always on the ground , right? This is new. What

[06:44] , right? This is new. What is this? 8 9 4 Right, left, is this? 8 9 4 Right, left, right. What is it? It's a code, my friend. Why a code? I'm going to remember these numbers. Okay, friends. 89 4.

[07:01] Okay, some codes that will be useful to us later. It's closed, [shout] huh? What do you mean this is closed? Where do I enter the password? Friend, there's no enter the password? Friend, there's no panel to set a password. Password.

[07:15] Password. I think I think they lied to me. Ernesto, it was you, wasn't it? Ernesto, you closed the door so I couldn't move forward, right? I think I have to go in this order, right? Eight right, nine left, four

[07:30] right. Should I go to the left? So, do I have to go back or do I have to make these moves? Right, left, right. And now I'm going to walk to the back door. I don't think it's going to open and

[07:46] we're stuck inside. Yes, we're locked down, Ernesto. It's just you and me here. Oh well, we'll just have to give each other a little kiss. Mu. Oh, oh, oh. Think, Chui,

[07:59] think. I still don't know what the symbol at the top is for. Or maybe the symbol at the top is for. Or maybe the number is from bottom to top. 498. Ja. It's because they are numbers, symbols, and then that square that is like a switch.

[08:15] Switch, switch. Hey Chu, you're a bituber. Use your IQ. You need to think about these moments. Think, think. Force solves everything. Look, we could hit the glass here, break it, and then we'd open

[08:31] this up. I can write numbers. I do n't know if Wali has to put the number. I n't know if Wali has to put the number. I 'm going to type it out, okay? 89 4. Let's see, I'm going 'm going to type it out, okay? 89 4. Let's see, I'm going to type here. 89 4

[08:45] right, left, right, left, right , left up, down, down, right, left, up, down. Open up, open up, please. I think I understand now. That little drawing has to be the door, no doubt about it, but I can't find any

[09:01] connection to the numbers. That's my big problem. I'm lost because I don't know what use the numbers can be to us. Or maybe I already think I understand it.

[09:14] I have to open the... Yeah, yeah, I get it now. I open that door over there on the right eight times. Then I come back, open this one nine times, and have to come back here to open it four times. No, I think so, I think so , I think so. Let's see. 1 2 3 4

[09:30] 5 6 7 8. Now I'm going back this way, which must be nine. 1 2 3 4 5 6 7 8 9. And now we go for the last side to finish the four we have left. 1 2 3

[09:45] finish the four we have left. 1 2 3 cu [suppressed scream] Ah, goodbye Ernesto. Ernesto from this train car, I will miss you. I spent a lot of time with you, but I have to meet the other Ernesto who is just three steps away from me. Hello, Ernestito. I'm fed up

[09:59] with being in this loop. You will never say a word. It would be cool if he suddenly talked to me, huh? It could be, we could be good friends, really. Okay, I didn't see any changes here. I'm going to the next room.

[10:13] Wait, we're changing stations. Come on, we're on L2. Let's go. We're moving up a level. Perfect. Let's go to the next station, brothers. Open sesame. And

[10:25] we're still in L2. Okay. Uh, there's a sign over there in the background about anomalies. Look, look, look, look. Here's a sign with anomalies. Do not proceed until the anomaly disappears. So we have to find her. What will the

[10:41] anomaly be? Don't know. It could be a sign up here, it could be a poster on this side. That's it, that's it, that's it. Look, look, look, look, look, look, look, look, look , look, look, look, look. The

[10:56] Okay, this anomaly has disappeared. We can go to the next car and we are at station number three. This station is called Ninosuka and now we have to move on to Sansa. What curious names, aren't they? Sansa. Okay.

[11:11] Sansa, Sansa, we have to get to that appointment. Ah, I don't know why, but I have a feeling that the scares and screamers are about to begin. the scares and screamers are about to begin. Oh, oh, what does it say?

[11:26] Oh, oh, what does it say? Don't move when it's on. I have to move around in the dark. Careful, eh, a girl. What's a little girl doing there? Little girl. Okay, I have to move around when it's dark. Don't move when it's

[11:41] light. Turn off, light. Good. Move forward, move forward, move forward, move forward, move forward. Oh my God, that just scared me. Oh, the worst part is that it wasn't even a screamer or anything, it was just that the girl stood right in front of you .

[11:56] Where do I begin? No no. What do you mean they sent me to the L cer? We're stupid. What do you mean they sent me back to the beginning? No, now I have to repeat everything. No.

[12:09] This has to change. Well, folks, I'll see you when I find an anomaly. Well, look, I'm going to move forward. Oh, what's that? [shout] Eh, eh, ah, I can't go back . Ah, leave me alone. [laughs] It's moving towards me. Ah, [shout]

[12:24] run. Look at her, look at her, look at her. Oh my god. He comes every time the lights go out. Open up, open up, open up and go away. Open up and leave. Open. Ah, okay. U. Ah, [snort] this game kept changing with all the anomalies, huh? We are at station

[12:39] two. We had lost at station number three. I just had a close call , huh? I thought everything would be the same, but it wasn't. This game surprised me. Different things are always going to happen on this little train.

[12:56] on this little train. Okay, I open the little door and say, "Hello, good day." Anything unusual here? I'm already scared, huh? Now I'm really getting goosebumps. Now I'm feeling scared, to be honest, very Oh, oh,

[13:13] oh, oh. What's happening with the train? Run up. I'm c Ah, I [shouted] Run up. I'm c Ah, I [shouted] fell. Ah, I can't go up. Oh, how? Oh, it went back to normal. It went back to normal. It's

[13:27] my moment. It's my time to run. Open up, open up. Ah, I don't know what happened there, but phew, we've arrived. Aldo, thanks for the sub-quote. Thank you so much for the prime. Ah, we're at station three, right? Yes. Oh, I thought I was going to

[13:42] die when I saw how long it had taken. I was already slipping. I said, "No, I'm going to have to repeat everything I already did." But I was lucky, I had faith, or rather I trusted and it turned out well. Okay,

[13:55] next room. Come on. We are at the station where we got lost at the beginning. I just hope that girl doesn't show up again. Everything's fine, that girl gave me quite a scare. Everything's calm

[14:08] here, there's no change. Let's go to the next carriage. Oh no, not you again. next carriage. Oh no, not you again. Why are you Why are you saying this to me? Do not look away. In other words, don't miss it

[14:23] . Because? What happens if I stop watching it? It's going to start moving. But, but I have to stop looking at her to open the door that's back here Okay. Yes, it moves, it moves. Look, we stopped seeing her and she started getting closer.

[14:37] stopped seeing her and she started getting closer. Open up, open up, open up. Uh, okay. Ah, it disappeared. It's not behind us anymore. Well, we should celebrate. We're at station number four, folks. Which one is it ? It's the Shiracagua station.

[14:52] We're halfway there, friends. We're missing half the anomalies and we'll manage to escape this train. Well, it seems so , it seems that that's going to , it seems that that's going to be the answer. Oh my God. I don't

[15:05] be the answer. Oh my God. I don't want any terrifying anomalies, please. My little heart won't... That door opened by itself. There is nothing behind me. Okay, there's nothing behind me. I trust the ghost who opened the door for me. I

[15:20] the ghost who opened the door for me. I think so. Okay. Ghost. Oh no think so. Okay. Ghost. Oh no , I was just

[15:33] How was I supposed to know that guy was there? Hey, I was invisible. I don't guy was there? Hey, I was invisible. I don't see invisible people. Ernesto, Ernesto, what are you doing outside? Ah, [shout] Ernesto, why are you going to [laughs]

[15:52] wanted to go into his place, [laughs] uh. Ah, this is just a typical normal day in Ah, this is just a typical normal day in Ohio, really. Okay, the Ohio train hasn't made any stops and it scares me. We're at station one, we

[16:05] had just lost at station 4. I was halfway through the game, huh? I was already quite far along today. Do not look back. Don't look back. Well, if the

[16:17] look back. Don't look back. Well, if the game tells me not to back down, I'm going to respect it. No, I'm not going. Oh, I can hear something breathing on me. Oh, oh, oh. Phew! Phew! I don't know what that thing was that was chasing me. Good. Station number two. Let's continue to listen

[16:34] to the macabre train. Ernestito, Ernestito, please tell me I'll get back to station number four. I have to get back super fast. Run, Chuisito. Open this. Open

[16:50] the other door again. And this is where it needs to change. Hm. There is nothing behind needs to change. Hm. There is nothing behind ayr ayr or brother. He's following me, he's following me with his

[17:04] eyes. I knew it, I swear. No. Hey, another eye here. I had a feeling that something was watching me, and yes, it was true, my friend. Many eyes out here were watching me, many bald people. Well, goodbye, friends. Hey,

[17:20] just watch me, don't even think about doing anything. Ernesto, Ernesto, you don't have to anything. Ernesto, Ernesto, you don't have to go there, Ernesto, don't move, Ernesto. I need to get closer to you, Ernesto. It has no head.

[17:37] Ernesto. It has no head. Ernesto is missing his head. That? Ernesto is missing his head. That? How am I going to get through? Oh, oh, oh, oh. I'm going to stay, look, just standing here. Ernesto, come in, come in. He's

[17:53] not coming for me, is he? Oh my God, things are looking pretty shady. Walk, walk, Ernesto. To your place, to your place, to your place, Ernesto. Walk more, walk more. Okay, now I'll take advantage and stop by here and that's it. Ernesto. Ah, it's flooding.

[18:10] but run, run, run, run, run, run , run, run. , run, run. U. Eh, he says, "Do not open." Don't open it. But why don't I open it? They're

[18:27] But why don't I open it? They're yelling at me. Can you hear it? Phew! What a fright! They're knocking on the door. But what do I do? What I do? I don't have to open it. This is the instruction. Don't

[18:42] open it. This is the instruction. Don't open it. What I do? Am I going backwards? I ca n't go back. Brother Ernesto, look it up on Wikipedia. What is being done at this time? I just don't want to go back to the beginning. Oh, it

[18:57] disappeared. Look, she's gone. Now I can open it. Ready. Okay. What season is it? By pure chance. We're at station number six, folks. The station whose name is

[19:11] Mugue. Uh, we're missing two stations, Nahuata and Hachiban. And we've reached the end. Oh my God, so many anomalies have occurred, huh? What a scare!

[19:23] This was a speedrun of anomalies. The thing is, I came very quickly, I got motivated, and anomalies kept appearing. Uh, now I do n't know why I have a feeling I jinxed her. I

[19:35] think my bad luck is going to start now because I'm trusting myself too much. Okay, little door. No no. Hey, no, no, no. Ernesto,

[19:48] Ernesto, you and I get along well. Ernesto. Oh, it says do not look. In other words, do n't look at it. Well, I don't see it, I don't see it, I don't see it, I don't see it. There are his

[20:01] see it, I don't see it, I don't see it. There are his feet. I walk past him and head for the door. Ready. Phew! Station number seven. We're missing one more, friends. We're almost at the last one. We arrived at Hachiban. I am

[20:16] also 100% sure that there are many anomalies that we haven't seen. This game is going to be full of monsters and terrifying things. Open, monsters and terrifying things. Open, open. We're still at station seven.

[20:30] Here, it seems nothing has changed. Everything is still in order. Everything is as it should still in order. Everything is as it should be. There is nothing in the windows. be. There is nothing in the windows. Next room.

[20:45] Oh my God, thank goodness I didn't look out that door. I would have landed a super punch with my hand that would have hurt. And look, look, now the hand is coming from way back there. The mischievous hand. The hand that wants to touch you, huh? The

[21:01] crazy hand. Out, man, out. I have to get to the last station. have to get to the last station. Come on, last stop. Good. Oh. Oh. That? Why are there humans? Why are there

[21:14] humans here? Hachiban Station. We're on eight. I'm not going to touch them. I'm going to on eight. I'm not going to touch them. I'm going to walk right past them without touching them, okay? Because they seem like a product of my schizophrenia, right?

[21:29] Go this way. Careful. We dodged. We dodge again. And Ernesto, oh, the dodge again. And Ernesto, oh, the light. Ernesto, we're reaching heaven. This is a miracle, Ernesto. You were God. And you were always looking out for me, that's why you

[21:44] stayed here next door in the train car. This schizophrenia we're getting ourselves into is pretty intense , isn't it? We arrived. Oh, what? This is the exit. I have to go this way

[21:57] because of the light. Can I keep opening the door? No, the door no longer opens. We cannot continue moving forward with Ernesto. Well, goodbye, Ernesto. You helped me a lot on my journey through anomalies. I have to go. Have a

[22:13] good day, Ernestito. I'm leaving through the door. I'm going to heaven. Oh, I'm going to heaven. Oh, and this is the end. We got off the and this is the end. We got off the train. Oh my God. We had a great time. But I

[22:29] want to see what other anomalies we're missing. I want them to keep scaring me. Look, look here, a piece of paper. If the eye is there, it means the game is repeated. If I turn around and there's an eye on the sign, the game repeats. Okay. No, this isn't it.

[22:44] Oh, I found it. Look, look, look. Oh, ma'am. Okay, okay. She was a headless lady who wanted to sneak onto the train. We definitely still have many anomalies to see. It was Ernesta. Oh,

[22:59] Ernestita. Let's move on to the next anomaly. Oh no. Girl, girl, it's you again . Find me. Find me. What do you mean,

[23:11] find me? Where are you, girl? Little girl. Oh, I found it. I found it. I found you, girl. Look, I found you. Oh, okay. The sign disappeared. Phew! I thought we were going to have to play with her again. Green light,

[23:25] red light, lights going out. Let's look at another anomaly. I need more anomalies and for them not to be repeated. Okay, there's nothing here. There must be some here, look, I can smell it. [snort] This smells. Ah, oh, Anomali 13. Did you see that,

[23:42] folks? We are no longer at any station. That now highlighted the anomalies. station. That now highlighted the anomalies. We have 13 anomalies. Oh, oh, oh, oh. Aid. The power went out. Ernesto, Ernesto, disappeared. Ernesto, give me your hand.

[23:58] Ernesto, I'm not alone. The back door is gone too, folks. There is back door is gone too, folks. There is nothing. Oh, if there's anyone. Okay, there's someone waiting for me outside. Me, I'd rather. Did you know? I'm better. I'm better.

[24:15] Oh, there are no doors. There is nowhere. I have to go this way. Hello. There's someone here, but I can get in . Okay, we're on another one. Hello. No, it's not this way. It's not this way because there's no door. Hey, he just

[24:30] spoke to me. It has to be one of the doors that opened, but it doesn't have to have. Here it is. This is it. They can see into the distance. Here it is. This door has to be opened. Come on, open up.

[24:44] open up. Oh, the lights are back on, Ernesto. The lights came back on. I think so. I think this counts. I don't know . It says 12 here. We were at 13. That means I still have 12 anomalies

[24:59] to see. Oh my God, I still have a lot to do, huh? Seriously, man. The game has basically turned into a Scary Me Simulator now, huh? Now it's basically you just moving forward on the train and letting things happen to you, that is, just

[25:14] survive. Oh no, the light again. Hey, what do you mean, the light? Hey, hey, what do you mean the power's failing again? Dude,

[25:27] watch out. Don't step on the glass. It's going to hurt. Your legs are going to hurt. Leave . Leave. Following. Anomaly. Yes, . Leave. Following. Anomaly. Yes, we still have 11 anomalies left. Oh, oh,

[25:41] oh. I'm listening to a breath. There's someone here. Here. This door is open. That was the guy who scared me once. Oh, the door closed. I passed it. I think so. That's what I should have

[25:56] done before. I didn't have to approach that guy. Okay, 10 more anomalies. Come on, move along on the little train. Chuchu. Ernestito, I love you very much. I've been telling you this all this time, but you're really

[26:10] the only one who's made me put up with this for so long. See you. Each train car gives me enough strength. Nothing will appear from the sides. No, insurance. Uh, I'm going through. Okay, nothing happened. Uh, I'm going through. No,

[26:25] it seems that no hands appear this time. The doors simply open . Okay. Hey, we need to tell the driver that there are some problems with this little train. Uh, that could be very dangerous for me or for Ernesto. We

[26:37] dangerous for me or for Ernesto. We might fall. Anomaly. Oh, what does it say? Do not get off. Don't get off. Do not get off. Don't get off. But that's just smoke and mirrors. There's smoke. Is it just me,

[26:53] or is there some smoke starting to build, folks? Sit down, take a seat. Careful, careful. There's a lot of smoke. He told me not to get station. No, well look, I'm not getting off. The game said, and the sign is

[27:09] saying, "Don't get off. I'm staying here." You have to pay attention to what the game says. If the game says you stay, you stay and accompany Ernesto. If the game says you have to marry Ernesto and have a

[27:21] family, it doesn't matter. You get married and have a family with Ernesto. I mean, I don't care. Ernesto, look, he didn't abandon us either. He stayed here with us. Let's go. Uh, the door is open, that's normal. Well, I suppose so

[27:35] , because we've already passed the anomaly. We have eight left, eight more anomalies. Good. That number keeps getting smaller and smaller, huh? Ah, we're missing the girl we need to get over. The girl with the green light, the red light.

[27:51] Okay, there's nothing here, everything's quiet. train car that it's been kept like this? Everything's calm, brother. It seems so. Everything's calm, brother. It seems so. Everything is chill, everything is very peaceful, everything is

[28:06] peaceful. There was no change. It has to be here. Look how I know. Ah, be here. Look how I know. Ah, Ernesto, Ernesto. These are not Ernestos. Ernesto became white and they multiplied him. There are so many Ernestos now. Just

[28:23] There are so many Ernestos now. Just mannequins. Uh, well, uh, it feels very backroom, doesn't it? I'm watching this. It's like, "Oh, how scary." Oh, oh, it's closed. What do you mean it's closed? As? [laughs]

[28:36] What? How is this going to be closed? No, wait, wait, wait. How closed. And what do they want me to do? Let it play. Oh, I have to sit down with them. Okay, I'm going to sit down, folks. Good. Hello, uh, nice to meet you. You will be

[28:51] called Gustavo and you will be called Alejandro. Okay, I guess I'll just keep sitting here until they disappear. Uh, this has definitely been my weirdest train journey. I don't think I'll ever come back on this train line. I'll

[29:07] take, I don't know, maybe an Uber up there . I'm stopping now, friends. I think I've spent enough time with you. I'm going to stop. Leave. Chao, chao. Oh, yes, the door opened. Good, good, good. We left. Phew! Oh no. The girl, the

[29:21] good. We left. Phew! Oh no. The girl, the girl. Don't move when it's daytime. Move still. Okay. This was the first anomaly that defeated me at the very beginning first anomaly that defeated me at the very beginning . Still. Okay. We're going to go really

[29:35] . Still. Okay. We're going to go really slowly, but surely. Still. Okay. This girl is not going to beat me. We are going to beat her. I'm getting closer, girl. Careful. I am very close to you. I'm going to pull your

[29:49] very close to you. I'm going to pull your hair. Come. This is my revenge. I'm missing nothing. I'm missing absolutely nothing. Just three steps and I'll be there. Careful. I 'm almost there. I'm three steps away. Who says three? It says about five. Okay, I've

[30:04] arrived. Girl, what do I do? It's your turn. I open the door. What I do? Turn off, light. I'm here . Oh, it disappeared. Well, we've completed the first girl. Perfect. I

[30:16] still have six anomalies left. How can so many remain? Oh my God [snort] , in my mind there were already super-small ones left. Well, there aren't many left. There are fewer and fewer of them. We're completing this as we go. Oh. Oh,

[30:30] red light. What do you mean, red light? Red light. About what? Why is this in red? Ernesto is happening to my eyes. This is burning me up. It's too red for me. Open the

[30:42] door. Following. Next room. That was the anomaly. Okay. Just one car in red. Uh, these are the anomalies I love, that something changes.

[30:55] disappears, okay? There's nothing on the signs here. Not in the windows either. Which one is it? This is it. This is it. This is it. Look, look, look. He is missing his eyes. That. Uh, he opened his mouth. Look, there it is.

[31:11] It was the Chinese monkey. That Chinese monkey was possessed. As? I know this possessed. As? I know this train well, you know? Four, four more anomalies. Come on, we're almost there, we're about to fulfill our dream of being the king of anomalies.

[31:25] Complete this cursed train, get to know all the monsters that appear here. Hey, Ernesto, hey, Ernesto, I know we get along very well. We've been on this train for a long time, but when you're going to record me you have to let me know.

[31:41] Okay. No, that's not fair. You look like a stalker. Ernesto, stay still. Ernesto, you're making me very uncomfortable. I don't know what you're going to do with that video. Maybe he realized I 'm a YouTuber and he's taking pictures of me. Could be. Okay,

[31:55] well, I'm leaving. Ernesto, goodbye. I'm famous. We can't be friends. I thought you loved me for who I am, not for my fame. Three more anomalies. Let's go. Run,

[32:07] move forward. I'm going to run there now. Let the No's surprise me. Oh. Whoa, those hands almost caught me, huh? Careful. I'm not going near these hands that are blood red. Hey, we have more hands here too.

[32:24] Okay, I'll go around them. More hands here, huh ? Look, there were no other hands involved here. Oh, yes. Okay. Ah, so many hands everywhere yes. Okay. Ah, so many hands everywhere , too many hands. Two

[32:39] , too many hands. Two more anomalies, just two. We've endured so much already. We're almost at the end here. Please don't scare me too much, those that remain. Oh, another one where you have to look in the little room. Perfect. What could have

[32:56] room. Perfect. What could have changed? Is this juice? Could this man be putting, I don't know, something on his face? Has Ernesto changed? I don't know what changed. Ernesto

[33:09] continues staring at his cell phone, which is empty. The Chinese monkey is still there, fine. Hm. Search, Chui, search. You need to look at this. Absolutely everywhere, even

[33:21] the windows upstairs. Hey, no, I can't find what upstairs. Hey, no, I can't find what changed, huh? This is it. No, I can't find it . Okay, I opened the door and found nothing wrong.

[33:35] Okay, I'm going to move on and OK, she didn't tell me for no reason, obviously I didn't know for no reason, obviously I didn't know who she was. Okay, so we still have that anomaly that I didn't know about and one more. Look, she appeared again. I don't believe it

[33:48] . [laughs] She wants me to catch her. But I don't know, I don't know what's changing. This is it. This is it. Look, I

[34:00] found it. I found it. It was that painting. Oh my God. It was in plain sight. Okay, one more anomaly, guys. And we did it. We escaped

[34:12] from the little train. Run, Chuy. Run to the next anomaly. Hello, here is the anomaly I'm missing. Hello, good afternoon. I need one more anomaly. One more. Just one. Just one. One more scare and we'll make it

[34:28] . Something that opened that door That door is opening, friends. Look, look, look. It opens and closes. So, I open it, do

[34:42] I dare to open it? Nothing bad is going to happen to me. Okay, I'm going to open it and in theory we'll get it , folks. We are in the anomalous zone.

[34:58] What will happen now in the game? Oh, we're arriving at a station. This is we're arriving at a station. This is another ending. It's the end of the end. Ah, it seems so, friends. Now, we have n't officially passed it yet. The

[35:12] door won't open. Ernesto, I'm leaving. Kiss on the forehead. Mua, my king. Bye bye. Leave. I escape. Now we've officially escaped the little train. We found

[35:24] all the anomalies and oh, look, can I move? No, the train. Ernesto, [shout] he's gone. We will never see him again. I want everyone to leave an F in the

[35:37] comments for our good friend Ernesto. He has been with us through thick and thin. He was with us every step of the way and made us strong. He believed in us when we didn't even believe in ourselves. Okay, I'm going

[35:53] upstairs. That? That? What's up, friend? Hello, good afternoon. [suppressed scream] No, wait, I know what place this is. This place looks like the other

[36:08] This place looks like the other Exit 8 game they have, right? No, don't tell me this is connected. Don't tell me this game, what? tell me this game, what? This game connects you to another, [scream]