AI Summary
This is a full playthrough of the horror game 'Fears to Fathom - Scratch Creek', where two players, Marcus and Evelyn, experience a terrifying road trip. Their car breaks down in a remote town, leading them to encounter a series of creepy locals and a sinister cult. The video showcases the game's co-op mechanics, atmospheric horror, and the couple's relationship dynamics under pressure.
Chapters
The game begins with a letter from a survivor recounting a terrifying experience, setting up the narrative.
The couple argues about the move, revealing underlying tension in their relationship.
The car overheats and they are forced to stop at a creepy gas station.
The mechanic, Harry, makes racist comments and is generally unsettling.
They are sent to Bill's house, where they encounter a Confederate flag and a hostile woman.
They are directed to a bed and breakfast run by Miss Julia, who is overly friendly but clearly hiding something.
Marcus goes to the basement of a church to get towels and gets locked in, finding a cow clicker game on his phone.
The couple is attacked in their room and must escape through a series of chase sequences.
They manage to escape in their car and call the police, but nothing is found at the town.
The players discuss the game's strengths and weaknesses, particularly the tedious chase sequences.
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Mentioned in this Video
Study Flashcards (7)
What was the initial diagnosis of the car problem at the gas station?
medium
Click to reveal answer
What was the initial diagnosis of the car problem at the gas station?
A coolant leak from the radiator hose.
31:55
What did Bill say was the likely problem with the car?
hard
Click to reveal answer
What did Bill say was the likely problem with the car?
A blown head gasket.
41:50
What 'tradition' did Miss Julia ask one of the couple to do?
easy
Click to reveal answer
What 'tradition' did Miss Julia ask one of the couple to do?
To sign the guest book.
62:50
Where did Miss Julia say the towels were kept?
medium
Click to reveal answer
Where did Miss Julia say the towels were kept?
In the basement of the temple/church out back.
68:04
What game did Marcus play on his phone while stuck in the basement?
easy
Click to reveal answer
What game did Marcus play on his phone while stuck in the basement?
A cow clicker game.
72:54
What did Miss Julia say about the door to the room?
hard
Click to reveal answer
What did Miss Julia say about the door to the room?
The door locks itself and a skeleton key is needed to unlock it.
62:14
What was the outcome of the story as told in the letter?
medium
Click to reveal answer
What was the outcome of the story as told in the letter?
The couple escaped and called the cops, but nothing incriminating was found.
106:40
💡 Key Takeaways
Game Design Critique
The players critique the trial-and-error chase sequences, suggesting they break tension rather than enhance it.
108:04Co-op Separation
The players highlight a moment where the game separates them, forcing one to hide while the other distracts, as a successful co-op mechanic.
109:01Technical Achievement
The players note the game's technical complexity with two-player perspectives and luggage physics, calling it impressive.
110:19Narrative Focus
The players argue that keeping the narrative focused and guiding the player is more effective for tension than trial-and-error.
108:24Full Transcript
[00:02] He's in the closet. He's in the closet.
[00:04] >> Jesus. We got to go. Go, go, go,
[00:06] >> go, go, go, go, GO.
[00:07] >> OH MY GOD. I WAS LIKE waiting for ages
[00:10] like I think Evelyn has to do something.
[00:12] Oh, he's coming. Go, go, go, go, go.
[00:20] >> Boobs.
[00:22] Ah, new game.
[00:25] >> Whoa.
[00:26] >> Cool.
[00:27] >> I'm Marcus.
[00:28] >> Ready up. Stinky gab
[00:31] ears to fathom together. Oh, episode
[00:35] one. Scratch crack. Oh, can she not hear
[00:38] me anymore?
[00:41] April 30th. Oh, maybe we have to find
[00:43] each other.
[00:45] To whoever is reading this, pardon my
[00:47] writing ability. My girlfriend Tess
[00:49] recently played your game. We couldn't
[00:50] help but notice the chilling
[00:51] similarities between one of the episodes
[00:52] and what happened to us. She persuaded
[00:54] me to write to you from my perspective
[00:56] as well as it would increase the chances
[00:58] of the dev noticing this story. I'll try
[01:00] to keep the information about our
[01:02] personal lives to a minimum. Back in our
[01:04] early days when we were living together,
[01:05] I had a job offer which I initially
[01:07] thought I would have to turn down since
[01:09] it required me to move to another state,
[01:10] but Tess was adamant that I accept the
[01:13] offer knowing how hard I had worked for
[01:15] it. She was ready to move out with me.
[01:17] We did not have much furniture, which
[01:20] meant it was a one-way drive with the
[01:22] trailer. Other survivor is still
[01:24] reading. I guess I'm pretty epic. Oh,
[01:32] where are you? Hold to spray. Whoa.
[01:34] What? Why is it stuck in my head? What
[01:37] the [ __ ]
[01:39] Spray my car. G to throw.
[01:43] Oh, well that's not connected.
[01:48] Okay. Makes your car a truck.
[01:51] makes our house a home. Wait, do I have
[01:54] to find Evelyn? Is that her?
[01:58] No, that's just a guy.
[02:01] Evelyn.
[02:04] She can probably hear me in real life
[02:06] more than she can hear me in the game.
[02:14] >> Hey.
[02:15] >> Oh, there you are.
[02:17] >> I heard someone.
[02:17] >> F to converse.
[02:20] >> All right. Car is done.
[02:22] >> [ __ ] finally looks like it's not from
[02:24] 03.
[02:26] >> Well, I know it sound like that.
[02:27] >> You ready to start loading?
[02:29] >> I didn't say that.
[02:30] >> Yeah,
[02:32] >> let's not
[02:34] couch, TV, big boxes in the hall so we
[02:37] can balance the weight in the trailer.
[02:39] We'll toss in the lighter stuff last.
[02:41] >> Okay.
[02:42] >> Damn, it's so smooth.
[02:43] >> We got two maybe 3 hours of good light
[02:46] left. Should be enough time if you move
[02:48] quick,
[02:49] >> Marus.
[02:51] Six.
[02:52] >> Yeah,
[02:54] >> we were supposed to leave this morning.
[02:55] >> We were supposed to leave this morning.
[02:57] >> I know. Washing the car took longer than
[02:59] I thought.
[03:00] >> We'll make up time on the road.
[03:03] >> I'm just going to text Dad and see if we
[03:05] can leave tomorrow morning.
[03:06] >> Tess, please don't do that. I
[03:08] >> I'm just saying it might be easier to
[03:11] >> Oh, we're already behind.
[03:12] >> You're such a smart.
[03:14] >> Tomorrow we lose the whole day.
[03:18] >> Okay.
[03:18] >> Okay. Yeah,
[03:20] >> ask him if that makes you feel better.
[03:21] But I know what he's going to say.
[03:24] >> I'm just going to point out
[03:27] >> in a game about us being the voices and
[03:30] having proximity chat, why not let us
[03:32] read it out?
[03:34] >> That's true. Oh. Oh, Jesus. I saw the
[03:37] inside of your head.
[03:38] >> Whoa. What's in there? Nothing. I got no
[03:40] ideas.
[03:41] >> Can I put the box down?
[03:43] >> G.
[03:44] >> If you hold right click, it highlights
[03:46] stuff.
[03:46] >> Press G.
[03:48] Uh, so me and dad are texting
[03:50] >> and I say, "I'm finally I'm going to
[03:52] finally do it when we're settled up
[03:54] there." That's all I get.
[03:56] >> Uh, it's a big step. I told you. This is
[03:58] Dad saying, "I told you I didn't expect
[04:00] you to be the one doing the asking."
[04:01] >> Oh, so I'm going to Oh, should I tell
[04:03] you this?
[04:05] >> Oh, I mean, yeah.
[04:09] >> I mean, I could keep it a secret.
[04:10] >> Does it Oh, that's clever. Is it saying
[04:13] [ __ ] about me? Does dad not like me?
[04:16] Do you not like me? Not not a lot, but
[04:20] it looks like I'm planning something for
[04:22] when we get there. But it's a secret.
[04:24] >> Oh, dad's like, "Why are you moving in
[04:26] with that bumbass bitch?"
[04:31] Whoa.
[04:33] >> Well, that's not a bad thing.
[04:34] >> It makes you nervous.
[04:35] >> Here, I have a table.
[04:38] >> You picked the whole table.
[04:39] >> I think we have to move them. I think we
[04:40] have to move our [ __ ]
[04:42] >> Feels like a fresh start. Like we're
[04:43] building something together.
[04:46] Do I? Oh, yeah.
[04:50] Howdy neighbor.
[04:52] My name's Marcus. What's your name?
[04:55] EVELYN, HELP. I'M BEING ATTACKED.
[05:00] >> NO, you're actually doing it.
[05:03] >> Yeah, had to happen sometime, bro.
[05:05] >> I've been busy.
[05:06] >> I thought you two were supposed to leave
[05:07] this morning, though.
[05:08] >> Shut the [ __ ] up, Nate.
[05:14] Little behind.
[05:15] >> Uh,
[05:16] >> how do I reply?
[05:17] >> Ran a little behind. He was washing the
[05:20] car.
[05:21] >> I clicked it in the air. I think
[05:23] >> you know how mornings go.
[05:25] >> Yeah, Nate. You know how mornings be.
[05:27] >> How much more you got?
[05:28] >> Almost done. Just started the loading.
[05:31] >> You guys good?
[05:35] >> Um,
[05:36] >> getting there.
[05:37] >> Yeah. Yeah. Ready to go.
[05:39] >> Just want to get moving at this. It's
[05:42] getting late.
[05:43] >> He said the painting crew is the first
[05:45] thing to modeling.
[05:46] >> We need to clear everything out.
[05:49] >> I figured he would shoot it down.
[05:53] >> I mean, yeah, if people coming to paint
[05:55] everything then
[05:56] >> let's start with the couch and bigger
[05:57] boxes and work our way to the back.
[06:00] >> Why are you just hanging out here?
[06:01] >> Last night was fun, man. We got to do
[06:04] that again.
[06:05] >> Um, if you haven't noticed, we're moving
[06:07] to a different state.
[06:09] He was just like, "Oh, you're finally
[06:10] moving. We got to do it again."
[06:13] >> Thanks, though.
[06:13] >> Yeah.
[06:14] >> Bye, Nate.
[06:15] >> See you. Bye.
[06:17] >> Okay. Couch.
[06:19] >> Oh, we both have to lift.
[06:20] >> Gears boxed up in the basement. Can't
[06:22] forget that.
[06:22] >> Grab.
[06:26] >> Oh.
[06:26] >> Oh my god.
[06:27] >> Wait.
[06:28] >> You're all like bent over.
[06:31] >> Yay. You're being super weird.
[06:34] >> Wait, how how do we fit it
[06:35] >> through here? You
[06:36] >> just got to turn. PIVOT.
[06:39] >> PIVOT.
[06:40] >> PIVOT.
[06:41] >> PIVOT.
[06:44] >> WAIT, what am I stuck on?
[06:45] >> Oh, we have to go out. We have to go out
[06:46] the front door.
[06:48] >> Oh, really?
[06:49] >> It's locked.
[06:53] >> I unlocked it.
[06:55] >> Okay, I'm ready to go.
[06:56] >> Okay, hold on.
[07:02] >> Okay, I'll back up and then you back up.
[07:05] >> Got it.
[07:06] >> Oh, yeah. and pivot.
[07:07] >> Oh, yeah.
[07:10] >> Okay, it's good. Start with the bulky
[07:12] things first.
[07:13] >> We've moved furniture before.
[07:16] I mean, that's what he said. Start with
[07:17] the couch and the bigger boxes.
[07:20] >> Oh, is that what he said?
[07:22] >> Yo, my guy just be talking. He's not me,
[07:24] though.
[07:26] >> What?
[07:27] >> He He keeps talking for me.
[07:30] >> Oh,
[07:30] >> I want some bodily autonomy.
[07:33] >> What y'all doing? What y'all doing?
[07:38] [ __ ]
[07:39] >> it just kind of like lets go every now
[07:41] and my back.
[07:42] >> You like how I put the table in there?
[07:47] >> So stupid looking.
[07:49] >> Oh, wait. Should I like get in the truck
[07:51] and then
[07:52] >> I GUESS WHO BEEPING? [ __ ] YOU. WE'RE
[07:54] MOVING. GO AROUND. THERE'S ROOM.
[08:00] >> What the [ __ ] Is it the table in the
[08:02] way? I'm
[08:02] >> going to [ __ ] kill him.
[08:04] Oh. Oh, yeah. Likely story, [ __ ]
[08:08] >> Okay, I'm ready.
[08:12] >> Here we go. Moving on up.
[08:15] >> Why are you bringing this couch? It's
[08:16] [ __ ] ugly.
[08:18] >> Yeah, maybe it's a family heirloom.
[08:21] Honestly, it's impressive that he
[08:22] programmed like the character models
[08:24] holding all of it.
[08:25] >> Yeah,
[08:26] >> it's a lot to take in. Converse, I don't
[08:28] want to talk to my girlfriend.
[08:30] I don't want to talk to my girlfriend.
[08:32] I'm busy talking to my girlfriend.
[08:35] Wait,
[08:37] >> wait, wait, wait. Let's try and talk.
[08:38] How do you do it?
[08:41] >> It doesn't say to me like
[08:43] >> let's keep it moving.
[08:45] >> Hey,
[08:45] >> so I think only you could have initiated
[08:47] that.
[08:47] >> Evelyn, let's keep it moving.
[08:51] >> That's what he sounded like.
[08:52] >> You sound sleepy when you do that.
[08:55] >> Hey, I'm sleepy.
[08:57] What's that do?
[09:00] Hey, what's up, neighbor? WHAT YOU
[09:02] DOING? HE'S GOT A GUN. HE'S GOT A GUN.
[09:07] >> OH, HEY.
[09:09] >> You're going to trip over the hose.
[09:12] >> Wait, pick up the hose. Does it do it
[09:14] for you? It's bugged.
[09:17] >> Is it bugged?
[09:18] >> Pick up the handle.
[09:19] >> What do you mean?
[09:23] >> Is it like up over your head?
[09:26] >> Really? Oh, I'm holding it normally for
[09:28] me.
[09:28] >> Well, the the hose part, the tube.
[09:32] OH.
[09:33] >> OH, WE HAVE SO MUCH [ __ ] to move.
[09:36] >> I know. Turns out this is the whole
[09:38] game. This is the horror part. We have
[09:40] to work.
[09:41] >> We have a creepy basement.
[09:42] >> Oh, basement. Do we have a flashlight?
[09:45] >> No.
[09:46] >> Is there like a light switch somewhere?
[09:48] >> There's a body down here.
[09:51] >> Why is it so creepy?
[09:55] >> This one we have to do. Both of us. Do
[09:57] not drop audio stuff. Marcus,
[09:59] >> what?
[10:01] >> I need you.
[10:02] >> Marcus, big box.
[10:04] >> What's up,
[10:05] >> Marcus? Baby.
[10:06] >> Uh, this one.
[10:08] >> Got to be careful with this one. Let's
[10:10] go. Whoa.
[10:12] >> Whoa. Whoa.
[10:16] >> Let's go. Interdimensional moving.
[10:18] >> You good over there? You good over
[10:20] there? No.
[10:21] >> It looks so funny.
[10:25] >> The way you're dancing with THAT BOX.
[10:28] HERE I GO.
[10:32] >> OH, what was that?
[10:33] >> Difficult to climb stairs. That was the
[10:35] static in my head.
[10:37] >> Yeah, sound of static.
[10:38] >> What's in this?
[10:39] >> You look He looks so funny.
[10:42] >> Why?
[10:44] >> You like vent over the box.
[10:46] >> Oh, it's audio stuff. Oh, we got some
[10:49] [ __ ] bombass speakers.
[10:52] >> Maybe we're going to like record things.
[10:54] >> We got some cool Oh, do we have a
[10:55] podcast?
[10:58] Oh cringe.
[11:01] I'm I mean cool.
[11:06] >> The way you're walking.
[11:07] >> Well, I had to look behind me.
[11:11] >> OKAY.
[11:11] >> WHOA. WHOA. I'M OUTSIDE.
[11:15] >> You went through the wall.
[11:18] >> We're terrible movers
[11:21] >> or interdimensional travelers.
[11:22] >> Yeah.
[11:24] Okay. Hey, there was one more box
[11:25] downstairs, I think.
[11:28] Yes.
[11:28] >> Oh, there more stuff in the kitchen.
[11:31] >> Yeah, we have so much [ __ ] to move. Why
[11:33] didn't we hire movers?
[11:37] >> Stuck in the hose.
[11:42] >> Just throw that [ __ ] in anywhere.
[11:45] >> How was it? Cabone.
[11:46] >> Cabbron.
[11:53] Whoever moves more boxes eats more
[11:55] tonight.
[11:58] >> Damn. Okay.
[12:00] >> Chicken parmesan for me
[12:04] >> and dirt for you.
[12:09] >> Well, how much dirt we talking?
[12:11] >> As much as you can eat. A Samsung
[12:13] fridge.
[12:15] >> It doesn't say 67 on it. It says 78.
[12:22] Oh, that didn't go that far.
[12:25] >> Damn, that [ __ ] look he handy.
[12:27] >> I'm a [ __ ] strong boy. Look at me.
[12:28] Look at my muscles.
[12:31] >> Where you going to put it?
[12:35] >> Right there. That looks good. Damn,
[12:37] girl. You ain't got no ass.
[12:40] >> Wow. Thanks.
[12:41] >> I'm sorry, but
[12:43] you don't. What? Poster. Whoa. Whoa. Fix
[12:47] itself. Whoa. Oh, cuz we're done.
[12:49] >> That's everything. That's nice.
[12:53] >> Okay.
[12:53] >> Is it though?
[12:55] >> Your character still acting like you're
[12:56] holding something. You're all bent over
[12:59] in the garage. I'll grab it and toss it
[13:00] in the trunk.
[13:01] >> Okay.
[13:02] >> OH MY GOD.
[13:04] >> OUR PASSPORTS and documents.
[13:06] >> Already in the trunk.
[13:10] >> You put it in.
[13:11] >> You're [ __ ] mutant.
[13:12] >> This morning.
[13:14] >> Okay. I'll get the suitcase.
[13:18] >> Oh, I'm sorry. I didn't pay attention to
[13:20] anything he just said.
[13:23] >> I mean, they're packing. It's not that
[13:24] hard.
[13:24] >> Is that the suitcase?
[13:27] >> Suitcase would have been safer in the
[13:28] trunk. Oh, trunk of the car.
[13:30] >> Oh, do I have to drive the car and put
[13:31] the trailer on?
[13:33] >> Oh,
[13:37] I put the suitcase in the trunk.
[13:38] >> You're good to go.
[13:43] >> Oh, yeah.
[13:44] >> I hate to say it, but I feel like I
[13:46] sound a little high maintenance.
[13:49] Then I'm fine.
[13:50] >> She's just worried.
[13:51] >> Been off. Don't tell me it's nothing.
[13:53] >> My god, you're driving.
[13:55] >> Why? I'm [ __ ] epic. Look at this. I
[13:57] lined it up perfectly.
[13:59] >> Test.
[14:00] >> No, I didn't.
[14:01] >> I said I'm fine, Marcus.
[14:03] >> Look, I already told you what I said.
[14:06] How did I not came out wrong?
[14:08] >> That's not how I meant it. I need you to
[14:09] talk to
[14:10] >> We good.
[14:11] >> There's nothing to talk about right now.
[14:13] >> Is it nice?
[14:14] >> Because if it is, Listen, you don't have
[14:16] to.
[14:17] >> [ __ ] you. It's my job. It's my thing. If
[14:19] you're not ready,
[14:20] >> stop.
[14:22] >> Couldn't have driven with the trailer
[14:23] door wide open. Close that door.
[14:25] >> Stop.
[14:27] >> It's closed.
[14:27] >> Then what is it?
[14:28] >> The door of the trailer.
[14:29] >> Can it just not be right now?
[14:31] >> Oh, hold on.
[14:33] >> Okay.
[14:34] >> I'm sorry everyone at home. I'm not
[14:36] paying attention to anything they're
[14:37] saying because I'm too busy having fun.
[14:43] >> Yeah, it's close now. I think having
[14:44] them speak vocally is not a smart
[14:48] decision cuz I just want to chat all the
[14:50] time.
[14:51] >> Your arms look so short when you're
[14:53] sitting like that.
[14:54] >> How dare you?
[14:54] >> You just have fun at the steering wheel.
[14:58] >> I don't know how to drive.
[15:03] >> It's not moving.
[15:04] >> You're checking all your egg. Is it on
[15:07] the Is there a handbrake?
[15:10] >> No, it moved earlier. Oh,
[15:13] hey, baby. I got some music.
[15:17] How do I What the [ __ ]
[15:20] >> You moved it earlier.
[15:22] >> Yeah. And I'm doing the same thing, but
[15:24] now not working.
[15:28] >> There we go.
[15:29] >> Oh, there you go.
[15:30] >> I just had to reset.
[15:31] >> Just had to get out and in.
[15:33] >> Where am I going? Left or right? Uh,
[15:35] make a decision.
[15:38] >> [ __ ] I'M DRAGGING THIS TRAILER
[15:39] EVERYWHERE.
[15:42] KILLED a family of five just now.
[15:50] >> Three days later. Oh, that was a [ __ ]
[15:52] drive.
[15:56] >> Whoa.
[15:58] This is impressive though.
[15:59] >> What if I just crashed and killed us?
[16:02] >> That would be a short game then.
[16:05] >> 4 hours.
[16:07] >> Whoa. You sounded so muffled. 4 hours
[16:11] somewhere.
[16:12] >> Stay on the 205 for two miles.
[16:15] >> I have I have set.
[16:16] >> Whoa. Whoa. Whoa.
[16:19] >> Is this the right way? I don't know.
[16:21] There was a turn off.
[16:24] >> No. No. It said stay on the 205. Should
[16:26] be good. I wasn't looking where the 205
[16:28] was.
[16:29] >> Me neither. Is this good? Um, you've sat
[16:31] nav. Are we dead?
[16:33] >> No. No. We're good. Yeah. Stay on this
[16:35] for another 1.5 miles.
[16:37] >> Okay. We're going to be in this [ __ ]
[16:39] car for 4 hours. We got to figure out
[16:41] something to do.
[16:42] >> See there? Left Warren 205. So, take the
[16:45] left lane.
[16:45] >> Text message from dad.
[16:48] >> How do I Oh, I can do it.
[16:50] >> For legal reasons, I did not indulge in
[16:52] texting and driving.
[16:55] >> Um,
[16:58] maybe I got a text from Ellie. Last
[16:59] night was Amaze Balls. Good luck with
[17:01] the move. Let me know if you need any
[17:03] help.
[17:03] >> Amaze Balls. Whoever says Amaze Balls
[17:05] can't be your friend. By the way, the
[17:08] new has a decent kitchen apparently.
[17:11] >> The guy
[17:12] >> That's a decent kitchen. You cook,
[17:13] right? You're a woman.
[17:14] >> That's good.
[17:15] >> Oh, take exit 5 in6.
[17:18] >> More counter space.
[17:19] >> Yeah, it looked nice.
[17:22] >> I thought we could use the second
[17:24] bedroom to make an office,
[17:26] >> you know, like a real one.
[17:27] >> We'll set up this I shouldn't have done
[17:30] this.
[17:31] >> I know it helps you when you're writing.
[17:32] >> Go, go, go.
[17:34] >> Okay. Yeah. Take take 12 to five.
[17:38] >> Oh, balls. So,
[17:39] >> oh Jesus.
[17:40] >> Looking at PCs.
[17:41] >> Oh my god. Go.
[17:42] >> I've killed us something decent.
[17:45] >> You were looking at PCs.
[17:46] >> It's two lanes though.
[17:47] >> Yeah. Nothing crazy.
[17:49] >> Nothing crazy for both of us.
[17:51] >> Maybe.
[17:51] >> Okay, now stay on the five for 40 miles.
[17:54] >> Why are you looking at PCs?
[17:56] >> Oh, you know, just here and there.
[17:58] >> This is so chaotic.
[17:59] >> I know. I'm I feel so bad for anyone
[18:01] watching. There's too much to take in.
[18:04] Oh,
[18:06] where the wind blows sweeping down a
[18:08] plane.
[18:13] >> Traffic's not too bad, honestly. The
[18:14] road's not that busy.
[18:15] >> This is why I couldn't drive in real
[18:16] life because I would just be looking out
[18:18] the window, get distracted, being like,
[18:20] "What's that car over there?" Whoa.
[18:21] What' you say?
[18:23] >> Well, you're a good driver.
[18:26] >> In real life,
[18:28] >> you would be. Oh, interstate congested.
[18:30] Heavy traffic ahead.
[18:33] We can reroute.
[18:34] >> We're going to reroute, baby.
[18:35] >> Reroute my ass.
[18:38] >> Take the exit to Cascade in 0.9 miles.
[18:41] >> I'm over here driving. You're playing
[18:42] [ __ ] Game Boy. Like, help.
[18:46] >> Yeah, I am helping. 0.9 miles. Take the
[18:49] exit.
[18:49] >> Stop fighting.
[18:55] >> Nice. Good job. Good job.
[19:01] It's the exit's probably coming up now.
[19:03] >> Says you're using your phone right now.
[19:05] Oh, now you're not.
[19:07] >> Cascade Highway. Yeah, that's it.
[19:09] >> What if I just
[19:13] >> Whoops.
[19:13] >> Do you Do you think all the cars would
[19:15] stop behind us? Yeah. Start honking.
[19:17] >> Ooh, creepy exit. Let's go.
[19:18] >> Is this where I'm going
[19:21] >> now? We're playing a horror game.
[19:22] >> Detour ahead. Yeah, I sure hope it does.
[19:27] >> Now this road will just follow for 22
[19:29] miles.
[19:30] cows.
[19:31] >> Oh, a cow crossing.
[19:33] >> Yes.
[19:34] >> Oh, I made it. I crashed everywhere and
[19:36] killed us both, but we made it.
[19:41] And I was thinking that tomorrow when I
[19:43] get up and I'm going to like eat steak
[19:45] for breakfast and it's going to be
[19:46] delicious and then I'm going to put it
[19:49] inside my ass. And
[19:52] what was the first thing you heard?
[19:58] I don't even know. It ended with inside
[20:00] my ass.
[20:01] >> Rock Mountain Trail. You want to get out
[20:03] and just
[20:03] >> We
[20:05] can We
[20:07] >> Oh, look. I'm dancing.
[20:10] We ain't moving.
[20:14] >> Was there Oh, yeah.
[20:16] >> I wonder if it'll let us.
[20:17] >> Mountain Trail. I think there's probably
[20:20] gonna be
[20:23] >> What?
[20:27] >> What' you say?
[20:28] >> Don't you think so?
[20:29] >> I can't see you.
[20:31] >> Did I think it's probably going to be
[20:33] like there's a road block up ahead and
[20:35] then it sends us back to this
[20:36] >> invisible wall.
[20:38] >> Oh, okay.
[20:39] >> Oh, man.
[20:43] >> It's dark out. Should I drive for a bit?
[20:45] >> Are you allowed?
[20:48] Uh, I know I'm a woman, but that was
[20:50] kind of insensitive.
[20:51] >> Are you sure you're able?
[20:54] Ah, passenger princess. Yay.
[20:57] Now I can talk to my dad.
[20:59] >> Now,
[21:00] >> my dad said, "Keep me updated, Marcus."
[21:02] Wow, he loves me.
[21:08] OH, DAD TAKES ME AGAIN. YOUR UNCLE still
[21:09] owes me $40, by the way. Your
[21:12] Sorry, pops. Interstate had a blockage,
[21:14] so we're taking a detour through
[21:15] Roseberg. let you know once we get back
[21:18] to the main road.
[21:20] >> Yes.
[21:21] >> Sorry, Dad. We're going to die in
[21:23] Roseberg.
[21:24] >> Stay on Old Cascade Highway for 1.8
[21:27] miles.
[21:29] >> Oh, look at these creepy houses.
[21:31] >> Where? Oh,
[21:33] >> on the side of the road.
[21:35] >> Texas Chainsaw.
[21:36] >> What does that
[21:38] >> said? Okay. What does that sign say?
[21:40] >> Dad said, "Okay, thumbs up."
[21:42] >> Okay, cool. Dad, thanks.
[21:45] So, do you not have a dad? Is that why
[21:47] you're texting my dad? Like,
[21:49] >> what?
[21:51] >> A [ __ ] Here we go again.
[21:54] >> F to you. Okay.
[21:55] >> Oh.
[21:57] >> Do you think we'll be able to lift it
[21:58] like furniture?
[21:59] >> I'm okay.
[22:00] >> All right.
[22:03] >> No, we wouldn't be.
[22:04] >> What do we do?
[22:05] >> Oh, there's a house on the left.
[22:08] >> We move it.
[22:10] >> Both of us.
[22:12] It's not that big. Between the two of
[22:14] us, we can shift.
[22:15] >> Oh my god. You're right. Okay.
[22:16] >> My god. My god. You don't even
[22:19] >> I'm strong.
[22:22] >> You don't even need me. Where do I grab
[22:24] it? The other end,
[22:27] >> guys. Leave her. Fulcrum. What if we
[22:29] both just lifted this end and turned?
[22:36] THIS IS RIDICULOUS.
[22:38] Where are we moving it? Back up.
[22:42] WE'RE SO FAR AWAY FROM EACH OTHER, YOU
[22:43] CAN'T EVEN HEAR US.
[22:46] >> That tree was so big, we couldn't hear
[22:47] each other.
[22:49] >> We're so [ __ ] strong. What the [ __ ]
[22:52] >> Why do I hear the ocean over here? What
[22:54] if I hid? She'll never find me.
[22:58] I'm hiding. You're never going to find
[23:00] me. Oh no. No. I'm scary.
[23:08] >> What are you doing?
[23:12] I'm being scary.
[23:13] >> It says our trailer door IS OPEN.
[23:15] >> SOMEONE GOT IN.
[23:18] >> I can't see though. It's pitch black.
[23:20] Oh, there it is. Yeah,
[23:22] >> I'm scared.
[23:23] >> Do we really not have a flashlight?
[23:25] >> Nope. We are stupid.
[23:27] >> So, I'm so blind.
[23:30] >> I'm so deaf to horror.
[23:35] >> Okay, so someone in the back. You can
[23:38] honk my horn.
[23:39] >> Oh, I can do more than that, baby. I'm
[23:41] your boyfriend. I can honk whatever I
[23:42] want. Squeeze squeezing your titties
[23:45] right now.
[23:46] >> Hong Kong, honk, honk, honk, honk, honk,
[23:48] honk honk honk honk.
[23:52] >> Ooh, a gas station.
[23:54] >> Oh,
[23:56] whiffy indie train.
[23:58] >> This is really cool.
[23:59] >> Yeah, this is so atmospheric.
[24:01] >> This must have been so much work.
[24:03] >> Crash. drive into
[24:06] >> Oh, maybe next time.
[24:07] >> We could have killed a family of four.
[24:09] That would have been epic.
[24:11] >> You know, I live my life a quarter mile
[24:14] at a time.
[24:16] Doesn't matter if you win by an inch or
[24:18] a mile. Losing is losing. Um, turn right
[24:22] on Roseberg Road in 0.1 mile.
[24:25] >> Roseberg Road. So, here.
[24:32] >> Okay.
[24:34] Stay on Roseberg for 2.5 miles.
[24:37] >> Thank you.
[24:37] >> Hey, no problem.
[24:42] >> How do I honk?
[24:43] >> Uhoh.
[24:44] >> Oh,
[24:44] >> what's that? What is that?
[24:45] >> Oh, check engine light
[24:47] >> on the dash came on.
[24:49] >> What?
[24:50] >> Uh-huh.
[24:50] >> Uh-oh.
[24:52] Uh-oh. The car is struggling.
[24:54] >> Oh, is our car? Yeah.
[24:56] >> I can feel the car struggling on the
[24:57] hill.
[24:58] >> Oh, I thought that tree was going to
[24:59] fall on us.
[25:02] Oh,
[25:03] >> [ __ ] off.
[25:04] >> He's going to drive us off the road.
[25:08] >> I wasn't the best at driving. I know. I
[25:10] should have let Marcus drive. No, I can
[25:13] drive.
[25:13] >> Don't doubt yourself.
[25:14] >> Me, dude.
[25:15] >> What is this guy doing?
[25:19] >> He's going to kill us.
[25:20] >> God, I would hate this is a nightmare.
[25:24] >> Go around, dumb nuts. Oh, there's a
[25:26] motel.
[25:27] >> Just go around, idiot.
[25:28] >> We can make it to the motel.
[25:30] Yeah. Honestly, if that happened to me,
[25:33] I would just stop and then wait for them
[25:34] to pass.
[25:35] >> Yeah, I think most people would.
[25:37] >> Holy.
[25:41] >> Oh,
[25:41] >> I can't.
[25:42] >> I think we hit like a invisible thing.
[25:45] >> Yeah.
[25:45] >> Go between the cones.
[25:48] >> Oh. Oh. Whoa.
[25:50] >> Jesus.
[25:51] >> Okay.
[25:52] >> What was the deal?
[25:52] >> What an [ __ ]
[25:53] >> For real.
[25:55] Like, relax, [ __ ] Damn.
[25:58] >> Damn. Relax, [ __ ] Damn.
[26:00] >> Okay. Um, the light. What do we do?
[26:04] >> It could just be the hill. The engine
[26:06] gets hot.
[26:07] >> So, it'll go away.
[26:09] >> Maybe once we're over the top and it
[26:10] levels out.
[26:11] >> Nope.
[26:12] Wait.
[26:15] Maybe it'll go away. Once we're over the
[26:17] top and it levels out. Maybe
[26:22] it didn't go away. Oh, no. She drove for
[26:24] a few more minutes before we accepted
[26:26] the car wasn't going to fix itself. I
[26:27] found the only shop in the area on GPS.
[26:31] Damn,
[26:33] >> it's GPS.
[26:36] >> So much faster reading than you are.
[26:42] >> Okay.
[26:45] >> Where the [ __ ] are we? This is bum [ __ ]
[26:47] nowhere.
[26:48] >> Oh, GPS.
[26:50] >> Yeah.
[26:50] >> No route selected. Cool.
[26:52] >> Oh, cuz it said that you looked up uh
[26:55] Oh, yeah. Using
[26:57] that you would look up a repair station.
[26:59] >> Ah, must be this place. Then pull in.
[27:01] Pull in on the left.
[27:05] >> Dad said your mother was asking where
[27:07] are you two at now? The damn car
[27:09] overheated. Not sure what we're going to
[27:11] do. We found a service station. Going to
[27:12] see about getting the car fixed.
[27:16] >> Nothing could prepare us for what came
[27:17] next is what my subtitles say.
[27:19] >> You're going to have a baby.
[27:23] >> Hello.
[27:24] >> Yeah. Hello.
[27:27] Don't trust locks in the light and
[27:29] stuff. That's cool. Cool details.
[27:32] >> Where? Oh. Oh,
[27:34] >> yeah.
[27:36] Oh.
[27:37] >> Whoa.
[27:38] >> What?
[27:40] >> Yeah.
[27:41] >> Hello.
[27:41] >> Good. Right. It's cool.
[27:44] >> Hello.
[27:45] >> Hello. Anyone?
[27:47] >> Hello?
[27:48] >> That's what I said.
[27:50] >> Employees only.
[27:52] >> Oh,
[27:54] >> no one.
[27:54] >> Oh. Anybody here?
[27:57] >> There's someone in the back there.
[27:59] >> This is like wrong turn or [ __ ] house
[28:01] of wax or something like that.
[28:03] >> Be around here.
[28:06] >> This place smells weird.
[28:09] >> I don't need a path. I make my own.
[28:13] >> Never mind.
[28:13] >> I can't go up there.
[28:18] >> Ah, [ __ ] Yeah, I made it.
[28:22] >> Hello.
[28:26] Where'd she go?
[28:30] Evelyn,
[28:33] where'd she go?
[28:38] >> What?
[28:38] >> I'm up here.
[28:39] >> Whoa.
[28:42] I see no god up HERE EXCEPT FOR ME.
[28:45] >> OH, JESUS.
[28:45] >> HOLY [ __ ]
[28:48] >> They made me take out my phone and I
[28:49] spelled was.
[28:52] Howdy do.
[28:54] >> Jesus Christ.
[28:57] >> Expect him to tinker in the morning
[28:58] though.
[29:00] >> [ __ ] you, bro.
[29:02] >> Man, we're good on the gas. Look, we
[29:04] were driving and a red light came on the
[29:06] car dash about 20 minutes back. We were
[29:08] hoping someone here could take a look.
[29:11] >> Temperature light,
[29:13] >> maybe. I honestly couldn't tell you.
[29:18] >> You folks ain't from around here, huh?
[29:22] Yeah,
[29:23] >> we were just passing through.
[29:29] >> Why'd you ask?
[29:33] >> Ah, no reason.
[29:34] >> He's looking at you.
[29:35] >> I can see a lot of of uh
[29:39] well, nothing. Scratch creeks a lot.
[29:42] >> Are you saying that cuz my character's
[29:44] black?
[29:44] >> Could have been headed.
[29:46] >> Oh,
[29:46] >> YOU A RACIST [ __ ] BOOK. I'll [ __ ]
[29:49] >> All righty.
[29:51] You a dick.
[29:54] >> Okay, follow me.
[29:55] >> Thank you so much. Cars in the front.
[29:58] This way.
[30:00] >> This way. I mean, he knows where cars
[30:03] come to a shop.
[30:08] >> Well, where's my manners? My name's
[30:10] Harold.
[30:11] >> Harold Sween. Call me Harry, though.
[30:14] >> Only mama calls me Harold.
[30:16] >> Marcus.
[30:17] >> Mama.
[30:18] >> This is my girlfriend, Tessa.
[30:21] Hey, what's up? My name Marcus. This is
[30:23] my girlfriend Tas.
[30:28] >> Interesting match.
[30:29] >> He is racist.
[30:30] >> Brave of you. Really?
[30:32] Don't see many girls within a
[30:34] >> Wait, what the [ __ ] was this here
[30:36] before?
[30:37] >> Oh,
[30:37] >> [ __ ] you, dude. What do you mean step
[30:39] outside our circle?
[30:41] >> I don't know where he went now. He just
[30:43] got here. That's his truck right there.
[30:47] >> Wait, who? What? What? By the way, just
[30:49] so you know, didn't mean to scare you
[30:51] back there. I was just doing some
[30:52] scraping work.
[30:54] >> You did scare me.
[30:57] >> He scared me so hard it opened the phone
[30:59] and I was I pressed W.
[31:01] >> So, tell me how two people
[31:05] different as you get together.
[31:07] >> Dude, I don't like this.
[31:09] >> What's that supposed to mean?
[31:13] I mean I I was just curious is all I
[31:16] think it's
[31:17] >> and ask us how we met like a normal
[31:18] person.
[31:19] >> Yeah. What do you mean people like you?
[31:24] >> I don't like you, bro. I'll shut this
[31:26] [ __ ] hood on your head.
[31:29] >> Think I found the problem.
[31:31] But just a second.
[31:33] >> Think I found the problem as well. It's
[31:35] racism.
[31:38] >> Do you think he heard me?
[31:40] That's what I figured.
[31:42] >> What? What is it?
[31:44] >> Harry, tell us.
[31:44] >> I can help you out.
[31:46] >> Can you find it?
[31:48] >> That's my man.
[31:50] >> So, what?
[31:51] >> Whoa. You're high.
[31:53] >> Looks like a coolant leak.
[31:55] >> You can see it puddling up under the
[31:57] car. I can see it dripping from the
[31:58] radiator hose.
[32:00] >> The clamp may
[32:01] >> Where the hose at?
[32:02] >> But could be the hose itself.
[32:05] >> Either of you notice anything before it
[32:06] died on you?
[32:08] Yeah, it started struggling on the hill.
[32:11] The temperature needle shot up out of
[32:12] nowhere.
[32:13] >> Yep, that lines up.
[32:15] >> All righty. I'll get you back on the
[32:17] roof.
[32:17] >> Harry,
[32:18] >> who the [ __ ] are you on up here?
[32:21] >> Yes.
[32:21] >> I really wish we had flashlights.
[32:24] >> Y'all stay right here.
[32:27] >> Why'd you say it that way? Creepy.
[32:28] Evelyn, they're going to kill us. Hey,
[32:32] >> I want to make sure the thing was still
[32:33] closed.
[32:33] >> We're going to [ __ ] die here.
[32:38] Who's texting?
[32:38] >> Oh, Dad texted me.
[32:42] >> You two left the garage door open. Oh,
[32:45] >> no, we didn't.
[32:46] >> Did we?
[32:46] >> Oh, yeah. We
[32:47] >> Oh, we did. We just drove off. Our car
[32:50] broke down, but we're okay. Mechanic's
[32:52] looking at it right now.
[32:54] >> Where'd they go?
[32:54] >> Oh, Ellie texted me as well.
[32:58] >> Oh, no.
[32:59] >> Hello.
[33:03] >> They probably went into the back, right?
[33:04] >> Oh, there he is.
[33:05] >> Yeah. Howdy.
[33:08] What y'all doing?
[33:12] I don't like their footsteps.
[33:15] >> Dad wants to come down.
[33:17] >> They're freaking me out.
[33:23] >> Oops.
[33:25] >> Yeah. So, um, I took another look
[33:29] >> and
[33:30] >> we can't fix the car.
[33:33] >> Dude has a little band-aid on his head.
[33:35] What? You said you could fix it?
[33:37] >> Yeah, the engine's in worse shape than I
[33:40] thought.
[33:41] >> It looks like the head gasket is about
[33:42] to go out.
[33:44] >> Whole thing's kind of messed up.
[33:46] >> Sure, buddy.
[33:48] >> Damn, man. What are we going to do in
[33:50] the middle of nowhere?
[33:52] >> It'll be all right, folks. Buck is going
[33:55] to call his old pal, Bill. He used to be
[33:56] a mechanic here,
[33:58] >> but retired a few years back.
[34:01] >> Fella still does some work at his house.
[34:08] his house. You got a tow truck or
[34:10] something? Take it any further.
[34:14] >> We should We should talk down here.
[34:16] >> Man's told you we can't help. Ariel will
[34:20] do a little patch job.
[34:21] >> A little patch job.
[34:23] >> That'll get you as far as Bill's house.
[34:27] But if you try to get back on the
[34:29] highway,
[34:31] >> you're looking at a catastrophic engine
[34:39] now.
[34:40] >> Gotcha, boss.
[34:42] >> I don't think that's boss related.
[34:43] >> I think that's dad.
[34:45] >> Yeah, I was going to say dad and son.
[34:48] >> It does hear your daddy. It says manager
[34:50] on his shirt, but I think it should say
[34:52] father.
[34:54] >> It's the cat food again. Minmo.
[34:56] A missing turtle named Squirtle.
[34:59] >> No.
[35:02] >> Oh, if you zoom in with right click, you
[35:05] see more.
[35:06] >> Oh, you put your hand above your eyes.
[35:09] >> Yeah.
[35:10] >> Wait, stand stand next to this guy. I
[35:12] need a thumbnail.
[35:15] >> Y'all need some?
[35:19] >> Okay.
[35:21] >> Or what about this?
[35:21] >> Got to hit the bathroom before bathrooms
[35:24] for customers. You ain't customers.
[35:30] >> Customers. We ain't the customers. I buy
[35:32] I buy something.
[35:34] >> Aren't you fixing our car? Is it doesn't
[35:36] to make us a
[35:36] >> customer
[35:38] head down the road to your first ride.
[35:40] [ __ ]
[35:41] >> Can't miss Bill. Now you all best get in
[35:44] the car and go. We're all done here.
[35:46] Looks like.
[35:48] >> Okay. Okay.
[35:50] >> Goodbye.
[35:50] >> Thanks.
[35:51] >> I'll drive.
[35:54] See you. See you later. What' you guys
[35:56] think of this?
[35:56] >> We're out of here.
[35:58] >> How do you honk?
[36:01] >> There you go. You're doing it
[36:02] >> just like that.
[36:04] >> Oh, you lean over to do it. Whoa.
[36:06] >> Oh, yeah.
[36:11] [ __ ] game rules.
[36:14] >> Okay. See you later.
[36:16] Natty B. Natty Bit.
[36:18] >> I thought that was also a Fierce Father.
[36:22] >> Father. Yeah, the lookout one, I think.
[36:25] You got savv.
[36:28] >> Um,
[36:30] no route selected cuz I think he said
[36:32] something about like
[36:34] >> go take a left blah blah and then it'll
[36:36] take you somewhere. Bill's house.
[36:38] >> Did I take the wrong road?
[36:40] >> That's fine. I think it'll auto correct
[36:42] probably.
[36:43] >> Dad text me, but for legal reasons I
[36:45] didn't text and drive.
[36:48] >> Yeah, dad's asking where we are.
[36:50] >> That's it. That's your dad, not my dad.
[36:53] Yeah, that's what I was thinking. Like,
[36:54] is it Are we texting the same dad?
[36:57] >> No.
[36:58] >> Dad, they're freaky. Send. No, I can't
[37:00] send it.
[37:05] >> God, the card is not going to fix it
[37:07] all, did it?
[37:07] >> No.
[37:10] Piece of [ __ ]
[37:14] >> You think the other guy has plans for
[37:16] us?
[37:17] >> There he goes.
[37:18] >> Oh,
[37:19] >> car couldn't take the clam anymore. or I
[37:21] had to reverse back to Bills. Oh, I knew
[37:22] it.
[37:23] >> Oh, so we so we passed bills probably.
[37:25] >> I was wondering if it was that red light
[37:27] area.
[37:29] What? [ __ ] you. Go around, dick.
[37:35] >> Where?
[37:37] >> Oh my god, it
[37:42] does. The characters not work anymore.
[37:44] >> Is [ __ ]
[37:48] >> My god. I'm like, is it
[37:50] >> where
[37:50] >> is it?
[37:53] >> Oh, there it goes.
[37:54] >> There's a light a red light here on the
[37:55] left. I was like, should I go down that
[37:57] way?
[37:59] >> Yeah. Yeah. Yeah.
[38:01] >> Oh, [ __ ]
[38:04] Jesus.
[38:05] >> Watch out.
[38:12] 420 blaze.
[38:16] Oh, sad music.
[38:22] Dad texted. Kiddo, don't leave me
[38:24] hanging. We found a mechanic shop. Get
[38:26] it looked at, but they sent us to some
[38:28] different mechanic. We're driving to him
[38:30] right now.
[38:30] >> Your dad should be texting you
[38:34] like he should be protecting you and
[38:35] telling you that you're a dumbass for
[38:36] doing this.
[38:40] >> Hey, what's up? Are you Bill?
[38:42] I got a car that needs affixions.
[38:45] Dad says, "Let me know what the mechanic
[38:47] says. Don't interact with people you
[38:49] don't have to."
[38:52] >> Hello.
[38:58] >> The music's all creepy.
[39:00] >> The music is very um insidious.
[39:03] >> Yeah.
[39:05] Tried to opening the door, but it was
[39:07] locked. Oh.
[39:08] >> Isn't it literally insidious?
[39:09] >> It sounds like insidious music. Yeah.
[39:16] Hello.
[39:17] >> Hello.
[39:18] >> Are you still hearing the other music as
[39:19] well?
[39:20] >> Yeah, I have like creepy violins and sad
[39:23] violins.
[39:25] >> Yeah.
[39:30] Oh, there's a Confederate flag outside.
[39:32] This is not good.
[39:40] Oh, the music stopped now, though.
[39:44] Can we some windows?
[39:51] >> I ain't interested. I hear another word
[39:56] of your nonsense.
[39:58] >> They're coming.
[39:58] >> Oh, hello.
[40:00] >> The morning star sees the lies you
[40:02] spread and his wrath will find you in
[40:05] the end. and I will be the instrument of
[40:09] his wrath myself if you don't get off my
[40:12] porch.
[40:13] >> Ma'am, we're not Jehovah's Witnesses or
[40:15] anything.
[40:15] >> Ma'am. Ma'am, I think you got the wrong
[40:18] idea.
[40:19] >> You're not from the New Temple.
[40:21] >> New temple?
[40:22] >> No.
[40:23] >> The guy from the gas station sent us
[40:25] here to talk to one of his friends.
[40:28] >> Whale then? What then?
[40:30] >> We won't build.
[40:32] >> Look, we were just passing through. Our
[40:34] car's got a problem.
[40:37] We were looking for a guy named Bill.
[40:42] >> He's eating human flesh in the other
[40:44] room.
[40:45] >> Someone's needing you at the door.
[40:48] >> At the door,
[40:50] >> can we get in? No.
[40:52] >> Oh, I can push her slightly. What's up,
[40:54] Margaret? [ __ ] you,
[40:55] >> Billy. Boy,
[40:58] >> heard you the first time, Charlotte. I'm
[41:00] coming. Charlotte.
[41:02] >> The the newspaper article says a new son
[41:05] is
[41:06] >> Buck warned me about.
[41:08] >> Hi.
[41:09] >> Yeah, he called. Sent some folks were
[41:11] stranded and heading my way.
[41:13] >> Hey, what's up? Hey, Bill. Can you fix
[41:15] my car, please?
[41:16] >> I'm guessing that' be you.
[41:18] >> Yes,
[41:19] >> Buck sent us your way. The man at the
[41:21] station told us it was probably a
[41:23] coolant leak right here and backed out
[41:24] and wouldn't fix it.
[41:25] >> You know, I'm going to up the brightness
[41:26] a little bit.
[41:27] >> Please take a look, sir.
[41:28] >> Smart.
[41:34] this a little better.
[41:35] >> No, he's right clicking.
[41:38] >> Do I have screen tearing? Oh, [ __ ]
[41:42] >> The damn thing ain't made to haul a
[41:44] trailer. Engine's hot as hell.
[41:47] >> If you're hot as hell coolant leak,
[41:50] >> if you ain't, it's a blown head gasket
[41:52] and your oil's turning into soup.
[41:54] >> Either way, nothing we can fix tonight.
[41:57] >> What? We don't have to stay at your
[41:59] house, do we? At least take a look
[42:01] first sir.
[42:02] >> I've been fixing engines longer than
[42:04] y'all been alive. I know what I'm
[42:06] looking at.
[42:06] >> Damn.
[42:07] >> I can take a look in the morning.
[42:10] >> Sir, we don't have anywhere to go. What
[42:12] do we do tonight?
[42:13] >> I ain't running a motel here.
[42:16] >> I would sleep in the car.
[42:18] >> You're welcome to sleep in your car out
[42:19] here.
[42:22] >> Yeah, I wouldn't trust to be in your
[42:23] house.
[42:24] >> They ain't sleeping in no car.
[42:27] >> I would feel safer sleeping in my car
[42:28] than with you guys. wouldn't have sent
[42:31] you here if we weren't meant to take
[42:33] care of you.
[42:35] >> And that is all I need to hear. I will
[42:36] be in the car.
[42:37] >> You ought to be.
[42:38] >> Right when you ought to be. Miss Julia's
[42:42] got rooms open at her bed and breakfast.
[42:44] She'll take you in.
[42:45] >> Who? What?
[42:48] >> Where is her place? Actually, I'm not
[42:51] sure if this car should even move
[42:52] anymore. Your friend Buck told us it'd
[42:54] be a catastrophic engine failure. Now,
[42:57] >> you won't be needing your car to get
[42:59] there. Take this little trail behind the
[43:01] house.
[43:04] It winds up the hill and leads straight
[43:06] to her parsonage. We'll let her know of
[43:09] your arrival.
[43:10] >> She'll be waiting with a warm room.
[43:14] >> She'd be waiting with a warm room and a
[43:16] [ __ ] pitchfork in her hand.
[43:18] >> You hear me? Don't step off it. Not even
[43:21] once. You won't like what happens if you
[43:23] do.
[43:24] >> Oh, Bill, stop scaring them.
[43:28] You'll be fine if you just follow the
[43:30] path. Miss Julius let folks walk it
[43:33] plenty of times.
[43:34] >> Do you guys have flashlights? I need a
[43:35] flashlight.
[43:36] >> Great shot. You'll know it when you
[43:37] reach there.
[43:38] >> Why don't you lend Miss Julia's guest a
[43:41] flashlight for
[43:42] >> Isn't that like the bad racist flag or
[43:44] like
[43:45] >> that's what I said? Confederate flag.
[43:47] >> Ah, hold on.
[43:51] >> If you see the Confederate flag, this is
[43:52] a bad time.
[43:55] What's up, Charlotte?
[43:58] You good, Charlotte?
[44:01] Your face looks like it's made out of a
[44:03] leather chair.
[44:07] >> She's not shy contact.
[44:10] >> Ah, yes. Do we both got one
[44:12] >> here? Battery's good. Don't drop it.
[44:17] >> All right, that's enough. Trail's back
[44:19] there. Goes right up the hill. Don't
[44:21] waste time. You're like holding it up by
[44:24] your [ __ ] head all awkward.
[44:26] >> Come on now, Charlotte. Missing our
[44:28] program, you folks.
[44:29] >> We're missing our stories.
[44:30] >> Do you want the flashlight? I could
[44:31] probably drop it.
[44:32] >> No, you go here.
[44:34] >> Wait, you should at least
[44:35] >> I do want to see you hold it.
[44:36] >> Where'd you put it?
[44:37] >> Oh, I threw it there. I can't. I'm
[44:40] stuck. Oh, I'm on a branch.
[44:44] >> Oh, that's not too awkward.
[44:46] >> Am I holding it up like next to my head?
[44:48] Kind of.
[44:49] >> Shoulder height? Yeah. No shoulder
[44:51] height.
[44:54] >> Okay, let's go.
[44:55] >> Yay, let's do it.
[44:57] >> Follow the trail. Follow the trail to
[45:00] our death.
[45:03] This is some Resident Evil 7 [ __ ]
[45:05] >> We're not going up there.
[45:07] >> What else are we,
[45:08] >> Marcus? Look at this place. Look at all
[45:10] of this.
[45:12] >> It's just a trail that leads to a bed
[45:13] and breakfast. Do you think it's like
[45:15] we've never heard of it?
[45:16] >> Oh, this would be a movie of spoiler,
[45:17] but like get out where I'm actually
[45:19] orchestrating the whole thing.
[45:21] >> Sleep in the car.
[45:23] >> That would be kind of cool.
[45:24] >> Maybe. Yeah, maybe that's better.
[45:27] >> Listen,
[45:28] >> cuz I was planning something with my
[45:29] dad.
[45:29] >> That lady. I don't know, Bill. I don't
[45:31] know that hairy suitcase.
[45:34] >> These people and neither do you.
[45:36] >> These people are [ __ ] weird.
[45:38] >> Don't you see it, Marcus?
[45:41] >> Oh, she running.
[45:42] >> Small town, boo. People are different.
[45:44] Small town, boo.
[45:46] >> You're seriously fine with this? Two
[45:49] strangers we just met pointing us down a
[45:51] dark trail, and you're just you're
[45:54] you're fine with that.
[45:55] >> I'm not fine with it. I just don't see
[45:58] another option right now.
[45:59] >> You're too trusting.
[46:00] >> There's always another option.
[46:03] >> You just never want to look for one.
[46:05] >> Damn. Ice cold.
[46:07] >> What is that supposed to mean? It means
[46:09] you just decide and expect everyone to
[46:12] follow. That's what you do.
[46:15] >> Damn.
[46:15] >> Everyone.
[46:17] Hold on. Is this about last night again?
[46:20] You've been carrying this all day.
[46:22] >> Like a suitcase.
[46:23] >> What did we do last night?
[46:24] >> I told Jake and everyone at the table
[46:26] about the new place, the job, the
[46:28] apartment, your studio.
[46:30] >> Hey, it's that dog.
[46:33] >> I I got this job. I found this place.
[46:36] I'm moving to Washington.
[46:40] >> Tessa,
[46:41] >> you talked about it like I wasn't even
[46:42] there. Like this was something you were
[46:44] doing and I just happen to be coming
[46:46] along.
[46:49] >> That's so I mean God.
[46:51] >> Yeah.
[46:52] >> I don't know. I don't want to feel like
[46:54] I'm along for the ride. That's all I'm
[46:57] asking.
[46:57] >> I didn't even realize that it was such a
[46:59] big deal. I thought everyone was
[47:01] laughing and so were you.
[47:03] >> Nope. On paper, things look pretty bleak
[47:05] for us.
[47:06] >> Pretty bleak for us.
[47:07] >> You're not along for the ride. And
[47:08] >> stop making decisions like I am.
[47:10] >> I hear you. Okay. Hey, it's that dog.
[47:13] But
[47:13] >> right now, right now, we need to make a
[47:16] decision together. So, I'm asking you,
[47:18] not telling you what do you want to do.
[47:23] >> She already told you, didn't she? She
[47:25] doesn't want to go here.
[47:27] >> Yeah.
[47:27] >> Get the suitcase. Oh.
[47:29] >> Oh, we're like way ahead of you, game.
[47:35] Okay. Well, awkward.
[47:38] >> Yeah. Like you guys are H.
[47:43] >> You sure you want to make a big move
[47:44] like this?
[47:45] >> Yeah.
[47:45] >> But that's like the stuff you get mad
[47:47] about.
[47:48] >> Scratch Creek.
[47:52] >> I'm sorry about last night. I didn't
[47:54] think about how that sounded.
[47:57] >> We were just talking about it.
[48:01] Your your arm is like stabilizing really
[48:04] weirdly.
[48:05] >> It's like a chicken head.
[48:06] >> Yeah.
[48:07] >> Oh, do you think we'll hear a loon?
[48:10] >> Oh, I hope so.
[48:16] >> Oh, what was that?
[48:17] >> Oh, that a freaking bear.
[48:20] Could fight a bear.
[48:20] >> Something weird.
[48:21] >> I'll fight a bear. I'll [ __ ] him up.
[48:24] >> Throw my
[48:25] >> Okay, it's a deer and I'm scared.
[48:28] >> Maybe I won't fight a bear. Throw my
[48:29] suitcase at it.
[48:32] >> Throw the suitcase and run.
[48:33] >> There's a bed and breakfast up here. I'm
[48:36] sorry. You should have listened to your
[48:37] girlfriend. This is [ __ ] stupid.
[48:40] >> Yeah, especially I don't know. They seem
[48:42] racist from the get-go. I wouldn't trust
[48:44] it.
[48:46] >> Oh, there we go.
[48:48] >> Yeah, this ain't looking good. This is
[48:50] looking pretty bad for us.
[48:53] 9:58 p.m.
[48:56] Now
[48:56] >> 10 p.m.
[48:57] >> Now is no time.
[49:02] >> Your character sounds an awful lot like
[49:03] a toilet flushing.
[49:06] >> Okay, let's go.
[49:08] >> Yeah, hold on.
[49:09] >> Oh,
[49:10] >> the way you're holding the suitcase.
[49:13] >> What if I do this?
[49:18] >> Honestly, it'll protect you.
[49:20] >> Heavy.
[49:22] My friend's making me carry this
[49:24] suitcase.
[49:25] >> Look, this flashlight's really
[49:26] difficult. The old house in the other
[49:28] side of the road.
[49:31] >> That was cool.
[49:33] >> Oh.
[49:34] >> OH, WATCH OUT.
[49:36] >> OH, IS that for you? Look bigger than we
[49:39] expected. The truck or the house?
[49:43] >> Stay with us.
[49:51] Oh [ __ ]
[49:53] Oh [ __ ]
[49:58] Oh no. I'm coming. I'M COMING BACK.
[50:03] I'M ON MY WAY.
[50:06] EMILY,
[50:08] I got taken away.
[50:12] Help.
[50:15] Oh god. But I can't go back.
[50:18] Oh, [ __ ] Um.
[50:26] Hi.
[50:28] Can you hear me?
[50:30] >> Down the road. No, I couldn't.
[50:32] >> Uh,
[50:33] I got stuck to the car and it dragged me
[50:35] off and now there's an invisible wall
[50:36] and I can't get back.
[50:38] >> Oh [ __ ] Okay, we could probably
[50:42] um h maybe try throwing the flashlight.
[50:47] >> Wait, if another car comes this way, I
[50:49] might be able to trick it.
[50:51] Oh, this [ __ ] sucks.
[50:53] >> Maybe throw the flashlight
[50:56] and then maybe like crouch and or is
[50:59] this Oh, yeah. I'm on the other side of
[51:00] the invisible wall. Oh, I see. No,
[51:02] you're not going to get through that.
[51:04] >> Oh, I broke it.
[51:06] Oh, this is what I get from messing
[51:08] around.
[51:10] >> Yeah, you probably can't jump it, can
[51:12] you?
[51:13] >> If I disconnect and just reconnect, will
[51:15] I be able to? I'll try.
[51:17] >> Yeah, try that. Try that first.
[51:21] >> Um,
[51:29] it kicked us out.
[51:32] >> Miss Julius, I guess it'll just start us
[51:34] there.
[51:35] Yeah, it should be okay.
[51:39] >> My bad.
[51:41] >> No, it's okay. That's probably funny.
[51:45] >> It was funny until it broke.
[52:02] Okay,
[52:03] >> cool.
[52:04] >> There we go.
[52:07] >> Okay. No, I just had a checkpoint, so
[52:09] that's fine.
[52:09] >> Whoopsy daisies.
[52:11] >> Didn't really miss anything.
[52:12] >> It's cuz I got stuck at the car and then
[52:15] when I jumped I tried to jump on top of
[52:17] it to be like, "Oh, look at me. Funny."
[52:19] And then it just took off with me.
[52:23] >> Yeah. I was standing here like, "Where'd
[52:24] he go?"
[52:26] >> Yeah. And I was screaming the whole
[52:28] time.
[52:29] >> Yeah. I couldn't hear you.
[52:30] >> You should hire me to bug test your
[52:32] games.
[52:34] >> Oh, cool house.
[52:36] >> Yeah, it's very cool. I like it.
[52:38] >> Do you think there's a bug lady named
[52:39] Margarite in there?
[52:41] >> After a long hike, I really had to pee.
[52:44] >> Bed and breakfast.
[52:46] >> Move, Max, Texas.
[52:47] >> Julius,
[52:49] what?
[52:49] >> We have to be there by 10:00 a.m.
[52:51] tomorrow. That's when you have to put
[52:52] back the trailer.
[53:03] >> Hey,
[53:04] >> such a sweet woman, isn't she?
[53:08] >> Yeah.
[53:09] >> You poor things.
[53:11] >> Car giving you trouble on a night like
[53:13] this.
[53:13] >> I hate her.
[53:14] >> Come in. Come in. You must be exhausted.
[53:17] Mercy now. Ah, nice living room. You
[53:21] look like you haven't eaten.
[53:23] >> Eating anything you make.
[53:25] >> Thank you.
[53:28] >> I'm Miss Julia, by the way. I don't
[53:31] think Charlotte mentioned. So, quick
[53:33] check. What's your opinion on black
[53:34] people?
[53:35] >> Yes.
[53:37] >> Tessa, what a lovely name. You're going
[53:40] to feel right at home here, my dear.
[53:46] >> Uh, this is beautiful. You must be a
[53:51] busy land lady. Oh, bless your heart.
[53:54] >> Why she keeps running away? Isn't she?
[53:56] Old homes like this.
[53:58] >> I think she's stuck behind. You should
[53:59] probably give her more space.
[54:00] >> Please, I'm an inkeeper. Dear land lady
[54:04] is just so crude.
[54:07] >> Okay.
[54:08] >> This used to be a parsonage for the
[54:11] pastor and his family who preached at
[54:13] the old scratch temple behind the house.
[54:15] After they congregation decided to turn
[54:18] it into a bed and breakfast to help the
[54:20] church coffers chosen
[54:23] a roof over my head and helps the old
[54:26] temple at the same time.
[54:29] >> You'll hear most of the locals talk
[54:31] about the temple, but mind you, there
[54:34] are two here in our little town. Some of
[54:36] the younger folks split away and started
[54:39] new scratch temple up the hill. But we
[54:42] don't worship the same as the youngans.
[54:45] Okay.
[54:46] >> They call it progress, but I call it
[54:48] >> You want to go up to the better ways?
[54:53] >> Oh, invisible wall here.
[54:54] >> Um, so what's the difference between old
[54:57] scratch temple and the new church?
[55:01] >> They worship to say
[55:04] >> the youngans are awfully impressionable
[55:06] and I think gossip and cruel tongues got
[55:08] into their minds. They let non-believers
[55:11] twist their minds away the true path. I
[55:13] don't know if she's broken or not.
[55:15] >> Younger folks started treating us.
[55:16] >> I think she's like
[55:18] >> like wherever I look, she walks into my
[55:20] view.
[55:21] >> Some of our more traditional beliefs
[55:23] thought they could start a better
[55:25] church.
[55:28] >> Do you run this place by yourself?
[55:31] >> Oh, heavens no.
[55:32] >> COULD YOU
[55:34] ALL ALONE? I've got a few hired hands.
[55:37] Folks from the church also check in.
[55:40] >> How much do we owe you for the room?
[55:43] Depends on how long you'll be staying at
[55:45] the suitcase.
[55:47] >> Your bill said he can fix this
[55:50] >> for the night. It's 95. Breakfast
[55:52] included, of course. But don't you worry
[55:54] about that now, sweetheart.
[55:56] >> $95 for bread and breakfast in the
[55:58] middle of [ __ ] nowhere.
[56:00] >> Sorry. Could we get to our room, please?
[56:04] >> We're both really tired.
[56:06] >> Oh, of course you are.
[56:07] >> I'm really scared.
[56:08] >> Must have been a long night. I forget
[56:10] myself sometimes, but I do love to chat.
[56:14] >> There better be a lock on that door.
[56:16] >> Okay, now have a seat, sweetheart. Make
[56:18] yourself comfortable. I'll go check on
[56:21] your room and be right back.
[56:23] >> Okay. Okay.
[56:24] >> Um, excuse me. Is there a restroom I
[56:27] could use?
[56:28] >> Yeah, it's in the back by the kitchen.
[56:30] >> I appreciate it.
[56:31] >> I'm going to piss. If I'm not back in 5
[56:33] minutes, just wait longer.
[56:36] >> Good luck.
[56:38] In the back by the kitchen. Oh, I hate
[56:40] this place. Oh, hell no.
[56:43] >> Wait, wait. I want to see. Oh, I
[56:46] >> Oh, you're you're not allowed cuz you
[56:47] don't have to piss. Pissers only.
[56:50] >> Damn.
[56:51] >> There's a statue of Mary and there's a
[56:52] statue of a lady over there and I don't
[56:54] like it.
[56:55] >> Oh, I want to see.
[56:58] >> Hey, what's up, Mary?
[57:00] Oh, now I'm playing my own game. Miss
[57:02] Julia told me the restroom was in the
[57:04] back. The [ __ ] is this? She's doing the
[57:07] like the Jesus pose.
[57:11] That's how Jesus be posing in pictures.
[57:13] He was like, "What's up? I have
[57:15] suffered."
[57:20] Oh god. Oh god. Oh god. This is creepy.
[57:30] Oh yeah.
[57:33] Woo!
[57:35] >> Oh, I needed that. Holy [ __ ] I was
[57:38] about to bust.
[57:46] >> What?
[57:51] Hi.
[57:54] It's like someone had taken their
[57:55] batteries out. What?
[57:58] What? Who the [ __ ] were they?
[58:03] Where's he going?
[58:05] >> I took a piss. THERE WAS TWO GUYS BACK
[58:07] THERE.
[58:08] >> OH,
[58:09] >> there was a dude who just ran off.
[58:12] >> Yeah, black guy.
[58:13] >> He was back there.
[58:15] >> No, no, this dude came from upstairs.
[58:17] There was a dude who was like,
[58:19] >> "Tell that [ __ ] upstairs. She's crazy.
[58:21] Whatever you guys are doing here, I'm
[58:23] out." And then he just ran off.
[58:25] >> Oh.
[58:28] So, should we leave?
[58:30] >> Uh, yeah. Okay, get your suitcase.
[58:34] >> I've got the flashlight. Let's go.
[58:36] >> Hey, Ken.
[58:37] >> Hi, Julia. It seems that you are running
[58:39] a bed and breakfast and racism.
[58:47] >> Okay,
[58:48] >> I think the room's ready.
[58:50] >> Sorry to keep you waiting, my dear. Your
[58:52] room's all ready now, and I think you're
[58:55] going to love it. I went ahead and put
[58:57] you in our majestic suite.
[59:00] But before I take you up, I'd love to
[59:03] show you the parsonage. The grand tour,
[59:05] if you will.
[59:06] >> I don't want your [ __ ] tour.
[59:08] >> Respect for this majestic. I can see
[59:10] this.
[59:11] >> Actually,
[59:14] >> okay.
[59:15] >> This person's study. Everything here
[59:18] belonged to someone who worked or prayed
[59:21] under our roof. These books collected
[59:24] over generations. Most of them are out
[59:27] of print.
[59:29] She hidden the Jesus pose.
[59:30] >> We got history older than anything, my
[59:33] dears. Feel free to browse the shelves
[59:35] if you'd like a good read. H
[59:38] >> I don't think they'll have the types of
[59:39] books that you like to read.
[59:41] >> No.
[59:44] >> What kind of horror you got?
[59:45] >> You got any bathroom?
[59:47] >> Yeah, I wasted in there.
[59:49] >> Oh,
[59:52] >> this place is played a little pipes.
[59:55] Best not to drink from the taps. The
[59:58] water cooler safe.
[1:00:01] >> I can get it to sit in her head. Watch.
[1:00:03] >> Well then, pardon me. It's time to get
[1:00:05] you two settled.
[1:00:08] >> This way. She moved.
[1:00:11] >> [ __ ] that would have been so sick.
[1:00:14] >> Oh, and this one stays closed.
[1:00:16] >> It's staff only down there.
[1:00:18] >> Locked from the inside.
[1:00:20] >> There's some dead people down there for
[1:00:22] sure.
[1:00:25] Maybe it's like uh like one of those
[1:00:26] they keep people hostage there chained
[1:00:29] up.
[1:00:30] >> We're going to wake up in there. We're
[1:00:31] going to go to bed and we're going to
[1:00:32] wake up in there.
[1:00:33] >> What if What if the food they serve is
[1:00:35] human meat?
[1:00:36] >> Yep.
[1:00:38] >> Warm meals.
[1:00:39] >> Yep.
[1:00:41] That's what I said at the other place. I
[1:00:42] was like, "Bill's in the other room
[1:00:43] eating human flesh."
[1:00:45] >> Some butt stew.
[1:00:48] Oh, careful now.
[1:00:54] Oh, who's this? Why are you in here?
[1:00:56] This is our majestic suite. I hope it's
[1:00:59] to your liking. The heat
[1:01:00] >> the [ __ ] is the eye on the wall?
[1:01:02] >> Comfortable temperature.
[1:01:03] >> Feel a chill tonight. The staff put in
[1:01:06] extra effort this evening to prepare for
[1:01:08] your arrival. So, I hope everything
[1:01:10] meets your expectation.
[1:01:12] >> Explain yourself.
[1:01:13] >> Oh, big bathroom.
[1:01:14] >> Oh, and if you need anything at all,
[1:01:16] press zero on the telephone. So, we ask
[1:01:19] Borders to reserve late night calls for
[1:01:22] emergencies only.
[1:01:24] >> Does look really nice.
[1:01:25] >> Sure. We'll call if we need anything.
[1:01:28] >> Well, then, my dears, I'll leave you two
[1:01:31] to it. Make yourselves at home.
[1:01:33] >> Thank you.
[1:01:35] >> Oh,
[1:01:35] >> ew.
[1:01:36] >> Hivirus.
[1:01:37] >> Get out of here.
[1:01:38] >> Oh, and let's behave ourselves tonight.
[1:01:41] All right.
[1:01:42] >> I'm going to [ __ ] my girlfriend louder
[1:01:44] than the [ __ ] horns and Gondor,
[1:01:46] [ __ ] for each of you. Folks at Old
[1:01:48] Scratch Temple like to make sure people
[1:01:51] keep themselves pure.
[1:01:53] >> Ew.
[1:01:54] >> I'm sure you understand.
[1:01:56] >> I do.
[1:01:57] >> Of course. What's all the rules?
[1:02:02] >> Oh, sorry. Do you mind if we get the
[1:02:04] room?
[1:02:05] >> Oh, sweetie.
[1:02:07] I'm afraid a house this old doesn't
[1:02:09] have.
[1:02:10] >> [ __ ] you.
[1:02:11] >> Just so you know, the door locks itself.
[1:02:14] But if we both get locked out, we'd need
[1:02:16] to come by with the skeleton key. We do
[1:02:19] charge $20 for the trip. Happens more
[1:02:22] than think.
[1:02:23] >> So figure in the charge.
[1:02:26] >> Extortion. Racism and extortion.
[1:02:29] >> The skeleton key then.
[1:02:30] >> My word. I can't give you the skeleton
[1:02:33] key. It unlocks every door in the house.
[1:02:35] >> Check out.
[1:02:36] >> I don't like this.
[1:02:37] >> Not that you two would go snooping, but
[1:02:39] you can never be too careful.
[1:02:41] >> Oh, I would so snoop. I mean, it's fine.
[1:02:44] Yeah, we're just crashing for a few
[1:02:46] hours.
[1:02:46] >> That reminds me, before you two turn in,
[1:02:50] would one of you be so kind to step
[1:02:52] downstairs and sign the guest book?
[1:02:54] Everyone has to. It's a tradition, you
[1:02:57] know. You kids don't seem like the kind
[1:02:59] who would break a fine old tradition.
[1:03:03] >> Oh,
[1:03:05] >> L to lock, L to unlock. Oh,
[1:03:09] >> we can look.
[1:03:09] >> I can hide under the bed. Wait, wait,
[1:03:11] wait. Look at this.
[1:03:14] >> Hide.
[1:03:14] >> Am I gone?
[1:03:16] >> Yeah. Where'd she go?
[1:03:17] >> From under the bed.
[1:03:19] >> I know. You're completely gone.
[1:03:21] >> Oh, but you can hear me, right?
[1:03:24] >> Yep. Oh,
[1:03:26] >> now you can. Are you under the bed?
[1:03:28] >> Yeah.
[1:03:29] >> Oh, yeah. I can see you.
[1:03:30] >> You're laying flat.
[1:03:32] >> Yeah.
[1:03:33] >> Oh, we're going to have to hide for
[1:03:35] sure.
[1:03:36] >> And be quiet. Oh, no. The biggest
[1:03:39] challenge.
[1:03:40] >> Okay, I'll go. Oh,
[1:03:41] >> we peek out the window, too.
[1:03:43] >> I had to go sign the book.
[1:03:45] >> Oh, it's a graveyard out back.
[1:03:48] >> Oh, [ __ ]
[1:03:51] >> I think I need a bath. I feel disgusting
[1:03:53] after.
[1:03:54] >> I need to sleep.
[1:03:55] >> Yeah.
[1:03:55] >> Where did I drop the flashlight?
[1:03:57] >> I'll go after you.
[1:03:58] >> It's over to the other side of the bed.
[1:04:01] >> Oh,
[1:04:01] >> I dropped it. What the Here.
[1:04:04] >> Look at the Wait, where is it?
[1:04:06] >> By the door.
[1:04:07] >> Look out the window. Crouch by the
[1:04:09] window.
[1:04:09] >> Oh, [ __ ]
[1:04:11] Right.
[1:04:12] >> In a church and a graveyard.
[1:04:14] >> I can't shoot past the the the
[1:04:17] roof.
[1:04:18] >> Hey, we going to [ __ ] die here.
[1:04:23] >> We going to [ __ ] [ __ ]
[1:04:25] >> You need a bath. Get your titties out.
[1:04:31] Get the titties out. Let the rubber
[1:04:33] ducky watch.
[1:04:34] >> Ran the hot water for a bath. ran a hot
[1:04:37] lucky
[1:04:38] >> body for a bath.
[1:04:40] >> Fell asleep, son. Sorry. Did you two get
[1:04:42] the car running? No dice on the car
[1:04:44] fixed tonight. Bill's wife set us up at
[1:04:45] the bed and breakfast. We just got here.
[1:04:48] >> I wanted to sit on the toilet, but it
[1:04:49] says I can't do it with him in there.
[1:04:52] Like, yeah, you can
[1:04:53] >> with me.
[1:04:55] >> Okay.
[1:04:56] >> Mark's getting things taken care of. We
[1:04:58] >> Are you pissing?
[1:05:01] >> WHAT DOES IT LOOK LIKE? WHAT COLOR IS
[1:05:03] IT?
[1:05:04] >> OH, I am on the bathroom, though. Oh my
[1:05:06] god. Oh,
[1:05:09] >> YOU GOT YOUR TITTIES OUT.
[1:05:11] >> I WANT TO SEE.
[1:05:13] >> I can hear it.
[1:05:19] >> Done.
[1:05:20] >> Oh,
[1:05:22] >> I didn't flush though.
[1:05:30] >> I washed my hands.
[1:05:34] >> What? You're doing like a pose that I
[1:05:37] would do in real life.
[1:05:39] >> Wait, do it.
[1:05:45] >> Just like full arms out.
[1:05:48] >> Yeah, like you're praising the water.
[1:05:51] >> Hey, out.
[1:05:53] >> What?
[1:05:53] >> Oh my god, you're a couple.
[1:05:56] >> I'm pretty sure this breaks like half of
[1:05:59] her rules already.
[1:06:00] >> I [ __ ] break rules for you.
[1:06:02] >> My girl's sinfree.
[1:06:05] What?
[1:06:07] >> Can't say the same about me, THOUGH.
[1:06:09] >> OH, BAD BOY.
[1:06:15] >> All right, I'm leaving. Hey, if I'm
[1:06:17] dead, just remember what I look like
[1:06:20] naked.
[1:06:21] >> I will.
[1:06:22] >> Are you nude?
[1:06:24] >> I'm bathing.
[1:06:26] >> She was in there. It says,
[1:06:29] "What the [ __ ] am I supposed to do?"
[1:06:31] Oh, a light went on on the tower in the
[1:06:34] distance.
[1:06:35] >> Oh, outside.
[1:06:37] >> Yeah, like there's a church in the
[1:06:38] background.
[1:06:39] >> Oh, I see. Oh, it's a red light. WE'RE
[1:06:41] SO [ __ ] DEAD.
[1:06:44] >> I can text you.
[1:06:47] >> Boo. No towels in here. Can you call
[1:06:49] Miss Julia? Ask if says Oh, [ __ ] Miss
[1:06:53] Julia,
[1:06:58] >> am I naked right now?
[1:07:03] I can't. She needed towels. Oh, I have
[1:07:05] to call on the phone.
[1:07:08] >> Zero. Yeah.
[1:07:09] >> Hey, Julia. She [ __ ] naked and she
[1:07:11] ain't got no towels.
[1:07:17] >> Hi. Um, sorry to bother you, ma'am. My
[1:07:20] uh girlfriend's in the bathroom and
[1:07:22] there doesn't seem to be any towels in
[1:07:23] there. So,
[1:07:25] >> I see.
[1:07:27] Bobby must have forgotten again.
[1:07:30] That boy.
[1:07:31] >> I was wondering if someone could bring
[1:07:32] some up.
[1:07:33] >> Oh,
[1:07:35] the staff's called it a night, I'm
[1:07:37] afraid.
[1:07:38] >> They've had a long night already, my
[1:07:40] dear. I'd hate to wake them for anything
[1:07:43] short of an emergency.
[1:07:45] >> Right. I understand. But
[1:07:47] >> and a missing towel wouldn't qualify,
[1:07:50] I'm afraid.
[1:07:51] >> But what do I do?
[1:07:52] >> I'm insisting.
[1:07:54] >> I understand, but my girlfriend's
[1:07:56] already in the bath. If it's something
[1:07:58] you need right now, you'll have to help
[1:08:01] yourself.
[1:08:01] >> Uh-oh.
[1:08:02] >> All the laundry for the parsonage and
[1:08:04] church is kept in the basement of the
[1:08:06] temple just out back.
[1:08:08] >> The church.
[1:08:09] >> Why the [ __ ] WOULD YOU HAVE TOWELS
[1:08:10] THERE?
[1:08:11] >> IF you head out through the back door to
[1:08:12] the church and go down to the basement,
[1:08:15] you'll find clean towels folded on the
[1:08:17] rack. That's where all the laundry is
[1:08:19] done.
[1:08:20] >> Sorry, babe. You're uh you're just going
[1:08:22] to have to be wet tonight.
[1:08:23] >> If you'll excuse me, it's getting late.
[1:08:27] I mean, there is a little hand towel
[1:08:28] here. I'll just use that.
[1:08:31] >> Dad was always such a drag.
[1:08:36] >> She needed towels. Well, I don't have a
[1:08:38] [ __ ] death wish. She's not even IN
[1:08:40] THE [ __ ] BATH ANYMORE.
[1:08:42] >> WHO?
[1:08:42] >> OH, I'm standing in.
[1:08:44] >> Yeah.
[1:08:46] >> I got to go downstairs to grab towels.
[1:08:48] I'll be right back.
[1:08:49] >> Right now?
[1:08:50] >> Yep. Right.
[1:08:51] >> She said everyone's asleep. It's the
[1:08:53] only option. Just
[1:08:56] don't worry about it. I'll air dry.
[1:08:58] >> It's fine. I got it. Just give me 2
[1:08:59] minutes.
[1:09:01] >> Please be safe.
[1:09:04] >> Oh,
[1:09:06] wait here then.
[1:09:06] >> Also, when you came close to the door, I
[1:09:09] could see your arm and you're wearing
[1:09:11] clothes.
[1:09:12] >> Oh,
[1:09:15] >> okay. Well, I got to go. That means
[1:09:16] you're not going to hear me for a while
[1:09:18] and you're just going to be bored in
[1:09:19] there.
[1:09:20] >> Yeah, go on. Get
[1:09:21] >> Oh, you might see me out the window.
[1:09:22] Okay. See you later. Bye. I'll go get
[1:09:24] out now.
[1:09:25] >> Okay, I'll look out THE WINDOW.
[1:09:28] >> AH, IT'S SCARY OUT HERE. AH,
[1:09:33] >> I hear someone like creeping around the
[1:09:35] apartment.
[1:09:36] >> Oh, now I'm locked out.
[1:09:42] >> So, I said not to drive out today. All
[1:09:43] right, get some rest. We'll do. Okay.
[1:09:45] Oh, [ __ ] Oh, I'm so [ __ ] dead.
[1:09:50] She could have air dried. Why did I
[1:09:52] decide to do this? This is stupid.
[1:09:56] Go back into the [ __ ] church.
[1:10:00] Thor's locked from inside.
[1:10:02] I'm inside.
[1:10:06] Go out this way. Oh god, this [ __ ]
[1:10:08] house is creepy.
[1:10:14] Oh no. Oh no. Oh no.
[1:10:22] Can you see me?
[1:10:27] Evelyn, can you hear me? Oh, my
[1:10:29] microphone doesn't work anymore cuz
[1:10:31] we're not in that. Oh, [ __ ]
[1:10:35] This is so stupid.
[1:10:40] Why the [ __ ] would I do this?
[1:10:45] Listen to the music, Marcus. LOOK AT THE
[1:10:47] LIGHT. IT'S RED. IT'S A CHURCH. THEY'RE
[1:10:50] RACIST. YOU'RE GOING TO [ __ ] DIE for
[1:10:53] towels.
[1:10:56] I guess people have died for less.
[1:11:02] Oh, my girlfriend's back there and she's
[1:11:04] naked.
[1:11:06] Could have been having so much fun. I
[1:11:08] should have brought the flashlight with
[1:11:09] me. [ __ ]
[1:11:13] Oh, I can't see anything. Oh, for the
[1:11:15] love of God. Oh, for the love of God.
[1:11:20] Oh, I literally can't see anything. This
[1:11:22] is stupid.
[1:11:24] Oh, this is stupid.
[1:11:27] I've always had a fear of basement since
[1:11:29] I WAS A KID. YOU'RE AFRAID OF BASEMENTS
[1:11:31] AND YOU'RE GOING INTO ONE TO GET TOWELS.
[1:11:36] For [ __ ] sake.
[1:11:44] Uh-oh.
[1:11:46] Uh-oh. Uh uh. Take the jackhammer.
[1:11:52] What? What? Who?
[1:11:55] Oh [ __ ]
[1:12:00] No. THAT'S HOW THEY ALWAYS GET YOU WITH
[1:12:02] THE TOWELS. THAT'S HOW THEY KILL YOU.
[1:12:10] OKAY. See more paranormal.
[1:12:16] What do I do? Jackhammer the door open.
[1:12:20] Okay, I can't go any further. Invisible
[1:12:22] wall. Do I have to flashlight the door
[1:12:24] open?
[1:12:26] The towels. The towels will open the
[1:12:28] door.
[1:12:32] I'm locked in the basement. What the
[1:12:33] [ __ ] What the [ __ ] Can you ask for
[1:12:36] help? No network. Oh, balls.
[1:12:40] Can you read this, bro?
[1:12:43] What's the cow?
[1:12:50] What? Oh, I can play Cookie Clicker.
[1:12:54] WOW.
[1:12:59] That's cool. I guess.
[1:13:07] Okay. Can I not auto click anymore?
[1:13:11] Does it autoclick? Oh, yeah, it does.
[1:13:16] Oh, hell yeah. Mr. Clicker times one.
[1:13:19] What is that one? I'm sorry, Tessa. Your
[1:13:21] towels are going to have to wait. I'm
[1:13:23] busy clicking cows.
[1:13:27] [ __ ] yes. Rules.
[1:13:29] Oh, why are clicker games so satisfying?
[1:13:35] Okay, I'm up to a thousand. I got to get
[1:13:36] all the auto clickers I can.
[1:13:40] Oh, that's so satisfying. Oh, that's so
[1:13:43] satisfying.
[1:13:50] Okay.
[1:13:52] Okay, that'll just keep clicking on its
[1:13:53] own. Okay, I need to figure out to get
[1:13:55] out.
[1:13:57] Oh, Tessa messaged me. I hear knocking.
[1:13:59] Creepy white guy at my door. We can
[1:14:00] manually text. Should I open the door?
[1:14:03] No.
[1:14:05] send you a manual text to the other
[1:14:07] survivor.
[1:14:27] Top of the morning to you ladies. My
[1:14:32] name is Jack Sept the Guy and welcome
[1:14:38] back to Happy Wheels.
[1:14:53] Oh, [ __ ] yeah. That rules.
[1:15:00] Wait.
[1:15:04] Uh, text Tessa.
[1:15:07] There's a cow clicker game on my phone.
[1:15:11] Might be not on hers.
[1:15:14] Is it on yours?
[1:15:17] Oh.
[1:15:22] What?
[1:15:25] Why wasn't that messaging?
[1:15:28] Okay,
[1:15:29] maybe she'll save me.
[1:15:32] She'll figure out a way to save me.
[1:15:34] That's actually kind of cool.
[1:15:39] Okay,
[1:15:41] check. All right, now I can go in here.
[1:15:45] Oh,
[1:15:47] [ __ ]
[1:15:58] [ __ ]
[1:16:00] Can I text her when I go back up here?
[1:16:04] Oh [ __ ] I'm so [ __ ] dead.
[1:16:10] Yeah.
[1:16:34] Oh [ __ ]
[1:16:36] Well, she's getting killed by some
[1:16:39] [ __ ] white dude up there.
[1:16:43] Oh, this is stupid. And I'm going to run
[1:16:46] into like Lisa Trevor down here.
[1:16:54] Bro, when I was in LA, I was staying at
[1:16:57] an Airbnb that had a door that opened
[1:17:00] into like the side of the ground. So, it
[1:17:04] was like the ground and then the house
[1:17:06] built on it. And the creepy door looked
[1:17:08] exactly like this underneath it. And
[1:17:10] that was right next to where the bedroom
[1:17:11] was. And I went to see Obsession on my
[1:17:13] own one night when I came out. And then
[1:17:15] I came home and I was like, I can't
[1:17:16] sleep in this bed. I had to go sleep
[1:17:18] somewhere else because it was scaring
[1:17:20] the [ __ ] out of me. Hello.
[1:17:25] Oh, hell no.
[1:17:32] THIS IS STUPID. MARCUS, YOU'RE STUPID.
[1:17:41] OH, my [ __ ] air conditioner is making
[1:17:43] noise behind me and it's scaring me.
[1:17:47] Marcus was never seen from again. His
[1:17:49] body was found in the mines, but at
[1:17:52] least he had towels on him.
[1:17:55] Maybe I can kill someone with a towel.
[1:17:57] Wait, does this open up back up into the
[1:17:59] house?
[1:18:01] Maybe that's the secret door.
[1:18:08] What the?
[1:18:10] >> Anybody there?
[1:18:13] Oh, [ __ ] no.
[1:18:22] Oh, [ __ ] no.
[1:18:26] Yes. Consaw
[1:18:30] can cut concrete with that.
[1:18:34] Evelyn, do I still have no network?
[1:18:42] Oh.
[1:18:46] Oh,
[1:18:52] I'm back. YES.
[1:18:56] [ __ ]
[1:18:59] What
[1:18:59] >> the hell were you doing down there? I
[1:19:01] >> [ __ ]
[1:19:03] >> doing down there. Maybe fix your doors
[1:19:05] before blaming me. I was stuck getting
[1:19:07] the towels. Had to make my way out.
[1:19:10] Okay.
[1:19:13] >> Tessa. Tessa.
[1:19:15] Tessa. Evelyn.
[1:19:18] Who's knocking?
[1:19:24] Mcroom says not not to tell Tessa
[1:19:27] everything. What?
[1:19:29] She would want us to get out of here
[1:19:30] immediately. We should. Evelyn,
[1:19:34] >> WHAT DOES THAT SOUND?
[1:19:35] >> EVELYN.
[1:19:36] >> OH. OH MY GOD.
[1:19:38] >> I'M BACK. THE CREEPY GUY IS LEAVING.
[1:19:40] >> OH, GOOD.
[1:19:41] >> Let me in.
[1:19:48] Lucky. Man, I I went into a creepy
[1:19:51] basement and went really deep and there
[1:19:52] was a bunch of it there was a mine down
[1:19:54] there and then there was a bunch of
[1:19:56] coffins and then I came back up to the
[1:19:57] secret door that said staff only at the
[1:19:59] other side of the house.
[1:20:01] >> Oh, cool. I literally didn't do
[1:20:03] anything. I was just waiting.
[1:20:05] >> Anyway, you want your towels? Are you
[1:20:06] dry?
[1:20:08] >> I guess I'm dry now.
[1:20:09] >> What the [ __ ] Scary.
[1:20:13] Figured a bath might help take the edge
[1:20:15] off. Am I taking a bath now? Oh, we have
[1:20:18] two flashlights now.
[1:20:19] >> Oh, you're sitting in the cook chair. Do
[1:20:22] you want to see You want to see your
[1:20:23] wife get [ __ ] in front of you?
[1:20:28] >> Wait, you
[1:20:29] >> get too far.
[1:20:29] >> Were you just hiding under the bed?
[1:20:32] >> Um, for a little while. Yeah. And I was
[1:20:34] under the bed playing the cow game.
[1:20:36] >> Wait, what's my cows up to? 421.
[1:20:41] >> But I was
[1:20:42] >> 19.
[1:20:43] >> I was I was clicking away. I have so
[1:20:46] many upgrades. under thing.
[1:20:50] >> Yeah, every click for me now is like 50.
[1:20:53] >> Yeah. Why?
[1:20:55] >> You texted me.
[1:20:57] >> Oh, yeah. Um, the signal down there is
[1:20:59] terrible.
[1:21:00] >> Yeah,
[1:21:00] >> I thought the door was jammed for a
[1:21:02] second. It opened with a little bit of
[1:21:03] effort. I mean, you do see these biceps.
[1:21:07] >> So, where
[1:21:08] >> did you find towels?
[1:21:11] >> Yeah, let me put them in the bathroom.
[1:21:13] Also, on my way back up.
[1:21:15] >> Dressed, aren't I? On my way back up, he
[1:21:17] was like, "Oh, my instincts told me not
[1:21:20] to tell Tessa anything. She would have
[1:21:21] wanted to leave immediately." And I was
[1:21:23] like, "You [ __ ] suck."
[1:21:26] >> What?
[1:21:27] Yeah, you should leave.
[1:21:29] >> Oh,
[1:21:32] whoops.
[1:21:32] >> What?
[1:21:34] >> I'm washing my hands.
[1:21:35] >> Oh, yeah. The towel rack is this thing.
[1:21:41] >> But I I'm already closed, aren't I? Yep.
[1:21:49] >> Well, now I'm dry, I guess.
[1:21:51] >> Huh.
[1:21:53] I almost died for that.
[1:21:57] >> A guy came up and gone.
[1:21:59] >> Boo.
[1:22:00] >> Who came up?
[1:22:01] >> You my boo.
[1:22:02] >> One of the workers or something.
[1:22:05] >> And he just
[1:22:09] >> he just
[1:22:10] >> Oh my god.
[1:22:11] >> Did you open the
[1:22:12] >> the inside of the face?
[1:22:13] >> What? Oh, okay.
[1:22:14] >> Of course not.
[1:22:15] >> Go inside your face.
[1:22:17] >> It was [ __ ] weird. Boo. Miss Julia
[1:22:20] said that everyone was asleep.
[1:22:23] >> Oh, man.
[1:22:24] >> What?
[1:22:25] >> There was two guys.
[1:22:26] >> I forgot to sign the guest book she
[1:22:28] asked for.
[1:22:28] >> I did see you um
[1:22:30] >> run to the church.
[1:22:31] >> Oh, really?
[1:22:31] >> Right.
[1:22:32] >> Yeah.
[1:22:32] >> Yeah. The microphone stopped working.
[1:22:34] >> Okay. Okay. I'll go real quick
[1:22:36] >> cuz I did hear people walking around,
[1:22:38] but that might have been you.
[1:22:39] >> Oh, now you have to leave.
[1:22:41] >> You catching a cold again? I can go get
[1:22:44] it.
[1:22:44] >> No, I'm It's okay. I just need some
[1:22:47] water.
[1:22:47] >> I'll go. You just got out of the bath.
[1:22:50] >> Please, just go freshen up.
[1:22:54] >> I'm
[1:22:55] >> Are you sure?
[1:22:57] >> I got it.
[1:22:58] >> Do I need to find the Oh, God. Okay.
[1:23:00] Bye.
[1:23:04] >> Okay. See you later. Oh, the microphone
[1:23:06] stopped working again immediately.
[1:23:09] Okay, finally she's gone. And I could I
[1:23:13] ran the hot water for a bath. The
[1:23:15] [ __ ] water was there. It might have
[1:23:18] been a little cold. You could have
[1:23:19] emptied some and topped it up with hot
[1:23:21] water. Why are we doing it again?
[1:23:25] This is stupid. Oh, the door was wide
[1:23:28] open. I got to I got to wash my little
[1:23:31] balls.
[1:23:34] Lulu, I got some apples. Lulu, you got
[1:23:36] some, too. Lulu.
[1:23:39] The devil's out there. The devil's out
[1:23:42] there and he's watching us. The devil's
[1:23:45] watching me take a bath.
[1:23:47] Oh, they say God is everywhere as well.
[1:23:49] So, technically, he's watching me take a
[1:23:50] bath too.
[1:23:53] Perverts. Perverts. The lot of them.
[1:23:55] Takes a while to take a bath.
[1:23:59] I got to pee in real life again. And
[1:24:01] this sound isn't helping.
[1:24:03] You know what? I should invent some sort
[1:24:05] of streamer piss system where it's like
[1:24:07] a catheter or something you just like
[1:24:09] hook onto your junk, whatever type of
[1:24:12] junk you got, and it just suctions
[1:24:14] there. And then while you're sitting
[1:24:15] here in your plane, you can just piss
[1:24:16] all you want and it goes down a tube
[1:24:18] like out into your bathroom.
[1:24:21] Or you just pee in a bottle, I guess.
[1:24:24] I don't have a bottle around. I do have
[1:24:25] an empty glass. Imagine I imagine I did
[1:24:28] that. I'm just sitting here playing a
[1:24:30] game and I piss into a glass and you
[1:24:32] guys don't even realize.
[1:24:35] I would never do that.
[1:24:38] I bathed.
[1:24:41] And now it can dry because of the scary
[1:24:43] ass towels that I got that time.
[1:24:51] Damn, we're like drying in real time.
[1:24:59] Hello.
[1:25:02] Hell no.
[1:25:04] Hell no.
[1:25:11] Now what do I do? Do I just jerk it
[1:25:12] until my girlfriend comes back?
[1:25:19] Hello.
[1:25:23] Okay.
[1:25:26] Scary.
[1:25:29] I really got to pee.
[1:25:32] Should I hide and go pee?
[1:25:36] I'm going to hide and pee. Something
[1:25:38] happens. Whoops.
[1:25:56] What happened?
[1:26:01] >> Hello.
[1:26:07] >> Oh [ __ ]
[1:26:08] >> On this episode of Kitchen Frights, we
[1:26:10] fly over to Cincinnati, Ohio, where an
[1:26:12] old couple has begun to notice that
[1:26:15] people are starting to complain about
[1:26:16] the quality of food.
[1:26:18] >> Okay, this kitchen has broken. every
[1:26:20] health code in the book.
[1:26:21] >> I don't say anything wrong with it.
[1:26:24] >> Ryan rat in this sandwich.
[1:26:28] >> No, there isn't.
[1:26:30] >> Yes. Yes, there is. It's right here.
[1:26:32] Clear as day. Is
[1:26:33] >> he supposed to be Gordon Ramsey?
[1:26:34] >> Does not know what you are talking
[1:26:36] about.
[1:26:37] >> You're feeding people rats. THIS IS
[1:26:39] CRAZY, MAN. YOU'RE INSANE.
[1:26:41] >> Sometimes I just think people don't know
[1:26:44] a good thing when they see it. You know,
[1:26:46] they just like to complain and complain
[1:26:49] and complain. Ain't that right, honey?
[1:26:51] >> Yes.
[1:26:54] >> Okay. There is sewage coming from these
[1:26:56] sinks. Have you checked your plumbing
[1:26:58] yet?
[1:26:59] >> Yes, I did. I fixed it myself.
[1:27:01] >> This looks like [ __ ] You can't be
[1:27:04] washing dishes here.
[1:27:05] >> Wait, am I Am I supposed to be doing
[1:27:08] something else?
[1:27:13] Oh, never mind. I'm drying again.
[1:27:17] Is Evelyn doing something else? What's
[1:27:19] she up to?
[1:27:26] Oh, I was done bathing. Can I pull out
[1:27:30] to stop her then?
[1:27:32] Wait, maybe I can text her.
[1:27:37] Oh, I heard her in the other room. She's
[1:27:39] getting scared by something.
[1:27:42] I got a new keyboard. So, it's all it's
[1:27:45] smaller than my old one, so I can't type
[1:27:46] on it.
[1:27:50] What are my cows up to?
[1:27:58] Oh yes.
[1:28:00] Look at all those [ __ ] cows.
[1:28:03] 13 cows per second.
[1:28:06] [ __ ] yeah.
[1:28:15] what's she up to? They scared [ __ ] out
[1:28:17] of me.
[1:28:19] Lauo
[1:28:22] old ladies
[1:28:25] be doing that.
[1:28:29] I'm playing cows.
[1:28:32] I can hear her phone
[1:28:36] when I text. I can hear downstairs.
[1:28:41] Oh, hell yeah. Oh, hell yeah.
[1:28:47] Oh [ __ ] I didn't realize it's both
[1:28:50] clicks. Mr. Clicker.
[1:28:52] Wait, 198. Oh, both. What is the Mr.
[1:28:56] Clicker times 38?
[1:28:59] Oh my god. I 50,000.
[1:29:04] >> Oh, hello.
[1:29:06] >> I'm back.
[1:29:07] >> Well done.
[1:29:08] >> She scared the [ __ ] out of me. Lock it.
[1:29:10] >> You were gone a while.
[1:29:12] >> I was reading the whole guest book.
[1:29:14] >> Oh, I was playing cows.
[1:29:17] >> She knew you went into the basement.
[1:29:19] Someone
[1:29:20] >> I have 60,000 cows.
[1:29:22] >> Whoa.
[1:29:24] >> Okay, that's all you have to say.
[1:29:26] >> Sorry, they're having a conversation.
[1:29:29] >> Yeah,
[1:29:29] >> I had a bath as well.
[1:29:30] >> What do you want me to say?
[1:29:31] >> Oh, nice.
[1:29:33] >> Just why?
[1:29:34] >> And I jerked it a couple of times. I
[1:29:35] >> stood there and covered for you. I don't
[1:29:37] even know what I'm covering for.
[1:29:40] You'll never find the sock.
[1:29:42] >> There was a tunnel. This one was
[1:29:45] connected to the church basement. I got
[1:29:47] locked in there.
[1:29:48] >> You got us towels. Why did I just use a
[1:29:49] towel?
[1:29:50] >> A tunnel?
[1:29:51] >> Cuz they get all crusty
[1:29:52] >> between the church and this
[1:29:54] >> the sock doesn't
[1:29:55] >> It wasn't my sock.
[1:29:56] >> Why?
[1:29:56] >> I don't know.
[1:29:57] >> Oh, okay then. It's fine.
[1:30:00] >> I'm playing cows.
[1:30:05] >> Sorry. Sorry. Sorry. The basement door
[1:30:07] just locked behind me on the way up. I
[1:30:09] didn't even hear it.
[1:30:10] >> That's [ __ ] weird. And what's also
[1:30:13] weird is you didn't think to tell me any
[1:30:15] of this.
[1:30:17] >> Okay. I just didn't want to freak you
[1:30:20] out for no reason. All right.
[1:30:21] >> You You keep doing that.
[1:30:24] >> What?
[1:30:25] >> Your your head is in the bag.
[1:30:27] >> Making decisions for the two of us.
[1:30:29] >> Are you serious?
[1:30:30] >> Wait, let me show you.
[1:30:31] >> What did you want me to do, Tess? come
[1:30:34] back up here and tell you about a
[1:30:35] >> Your head's in the pillow.
[1:30:36] >> Lose it with no car. You've already been
[1:30:39] on the edge for no reason this whole
[1:30:41] time. Maybe stop reading into things and
[1:30:43] just let me handle it tonight.
[1:30:45] >> Damn.
[1:30:45] >> I mean, the door's locked. We can just
[1:30:48] should be okay. Okay.
[1:30:50] >> Unless you bring the skeleton tea, I
[1:30:52] guess.
[1:30:52] >> Sure.
[1:30:53] >> You handle it.
[1:30:56] >> Hey, come on now.
[1:30:58] >> Elijah
[1:31:00] cuz I don't like that man. Holy [ __ ]
[1:31:02] >> Elijah is a loser. Wait,
[1:31:04] >> you click it.
[1:31:04] >> What kind of grown man walks?
[1:31:08] >> This man bought super
[1:31:10] >> though. You did like a twirl. I don't
[1:31:12] know how you did it. You got to face
[1:31:14] away.
[1:31:14] >> And today I'm going to prove it.
[1:31:17] >> How do you face away and click it at the
[1:31:18] same time?
[1:31:18] >> I want to see Elijah's whack ass and my
[1:31:20] mama's
[1:31:22] >> Oh, yeah. Yeah. Yeah. You did it. Oh my
[1:31:23] god. Okay. Wait, let me try.
[1:31:24] >> Go to the very edge of your screen.
[1:31:26] >> Superheroes are in right now. No, you
[1:31:29] got to click the very corner of the
[1:31:31] television.
[1:31:32] >> Yeah, they sure are.
[1:31:34] >> Oh, I see. Anyway, let's not
[1:31:36] >> this out.
[1:31:38] >> Yeah, you're not doing it.
[1:31:40] >> Oh, too bad.
[1:31:45] >> Jerry Jerry Jerry,
[1:31:47] >> shut up. Shut up. SMD,
[1:31:50] whatever.
[1:31:52] EJ, thanks for being here today.
[1:31:54] >> Two kids at the
[1:31:56] >> explanation.
[1:31:57] >> Okay, what do we do? on that for not
[1:31:59] want
[1:32:00] >> um
[1:32:02] I don't know. We fought a bit.
[1:32:05] >> I'm getting more cows.
[1:32:08] >> I I think we can both go that we can
[1:32:10] lock and unlock this window.
[1:32:12] >> Yep.
[1:32:15] >> I wonder if we can um escape through it
[1:32:18] later.
[1:32:24] Well, no one's at the church or going to
[1:32:26] it at least.
[1:32:31] Maybe if we go to sleep.
[1:32:34] >> I'm clicking cows.
[1:32:38] >> I have 500 500 cows per second now.
[1:32:42] >> Damn.
[1:32:44] >> So now if I just leave it, I'll come
[1:32:46] back to a billion.
[1:32:50] >> Okay. All right. There you go.
[1:32:54] >> I love you. Good night.
[1:32:58] Oh no.
[1:33:00] >> You okay?
[1:33:02] >> Mhm.
[1:33:07] >> I guess who [ __ ] cares, right?
[1:33:15] >> A
[1:33:16] >> Oh no. Oh. Oh, the world's blurry.
[1:33:19] >> We're in the same dream.
[1:33:21] >> Forget water.
[1:33:24] >> Can you hear me?
[1:33:25] flashlight.
[1:33:31] >> Evelyn,
[1:33:36] >> I Why can I hear her? She can't hear me.
[1:33:42] She got to get water. What am I doing?
[1:33:47] I can hear her. That's creepy.
[1:33:52] Come as you are,
[1:33:56] as you were, AS I WANT YOU to be.
[1:34:02] Whoa, that is creepy.
[1:34:06] There was something in the [ __ ] bath
[1:34:08] water.
[1:34:09] It's drawing me towards the church.
[1:34:18] Oh, this is creepy. This is like back
[1:34:19] rooms.
[1:34:20] with levels.
[1:34:23] I hate levels in back rooms.
[1:34:31] What the [ __ ] was that?
[1:34:36] Evelyn,
[1:34:42] why do I hear knocking?
[1:34:45] What the [ __ ]
[1:34:48] What the [ __ ]
[1:34:51] WHO DID
[1:35:01] SHE WAKE UP SOMEWHERE ELSE?
[1:35:05] Respawning without alerting the other
[1:35:07] survivor. Oh [ __ ]
[1:35:10] he broke in the window.
[1:35:14] Okay, well I got to get up and I got to
[1:35:15] hide.
[1:35:19] And I got to be very quiet. Got to be so
[1:35:22] loud. Got to sh
[1:36:46] Huh?
[1:36:50] Never mind. As soon as I left the bed,
[1:36:53] he got me.
[1:36:56] Maybe Evelyn has to come do something.
[1:37:01] Babe, open the door. Oh, I need to tell
[1:37:04] you something.
[1:37:06] >> Oh, that's not him, is it?
[1:37:13] This is not a lighter.
[1:37:20] He's in the [ __ ] closet. He's in the
[1:37:21] closet.
[1:37:22] >> Jesus.
[1:37:23] >> We got to [ __ ] go. Go, go, go,
[1:37:24] >> go, go, go, go, GO.
[1:37:25] >> OH MY GOD. I WAS LIKE waiting for ages.
[1:37:28] Like I think Evelyn has to do something.
[1:37:29] Oh, he's coming. Go, go, go, go, GO.
[1:37:36] [ __ ] WHAT?
[1:37:39] Jesus Christ.
[1:37:44] Holy [ __ ]
[1:37:46] >> Okay, so the front door is not an
[1:37:47] option.
[1:37:48] >> Okay,
[1:37:50] >> we need
[1:37:51] >> Let's get out of here.
[1:37:53] >> What?
[1:37:53] >> Get out. Go. Go.
[1:37:54] >> Should we just go straight for the
[1:37:55] coffins?
[1:37:57] >> Yes. I'll try and close the door behind
[1:37:59] us.
[1:38:01] >> Okay.
[1:38:07] Nice.
[1:38:09] >> Oh, sorry.
[1:38:17] other one.
[1:38:20] >> What?
[1:38:21] >> It's cuz you talked.
[1:38:26] >> Damn, that one. Oh,
[1:38:28] >> cuz you said other one and then it
[1:38:30] detected you.
[1:38:41] They came this way.
[1:38:44] Who's poking around down here?
[1:39:30] Okay. Now we can go.
[1:39:34] Oh, for [ __ ] sake.
[1:39:35] >> Oh, he's coming.
[1:39:36] >> Well, the chase is on again.
[1:39:39] >> Go, go, go.
[1:39:41] >> Out the front door. Out the front door.
[1:39:43] >> Yeah. Yeah. Yeah. To the car. That That
[1:39:45] doesn't work.
[1:39:48] >> I don't know where.
[1:39:50] >> Do we just run into the woods?
[1:39:51] >> Oh, for [ __ ] sake.
[1:39:54] >> WHERE DO WE GO? SO, SHOULD we go out the
[1:39:57] front door again?
[1:39:59] I don't know what to do. Yeah. Follow