Doing Some Editing in DaVinci Resolve — Indie EN Vtuber

[01:01] editing live stream. Oh, I'm on the wrong window as it is often the case when we start. Give me a second to play with the OBS.

[01:13] Give me a second to play with the OBS. And we'll see if we can correct that. Oh, we changed the There we go. Right.

[01:30] There we go. Right. Oh.

[02:00] editing. And what picture are using? Oh, we're using me in a space suit. Let's we're using me in a space suit. Let's change that. Um That one's fine.

[02:59] >> [snorts] >> All right.

[03:24] Oh, it's talking image for a businessman lawyer. That's the That's the way I was lawyer. That's the That's the way I was using him.

[03:51] Oh, floor plan is a PDF, which I can't inherit directly. inherit directly. So, let's

[04:24] start in background a copy of Inkscape. Somewhere it looks like one of the MPC advice. Well, he looks

[04:39] really like a generic lawyer. It's he's just perfect that way.

[05:14] all I tend to use them for is converting from one file format to another. Aha. I've got Inkscape.

[05:53] Ah. Floor plan.

[06:12] You can't see this, but at the moment I am removing all the information that told tells you where I got this floor plan from.

[06:29] So, now it just looks like a generic floor plan. And at point all the cool graphic stuff is bonus to the file conversion. Yeah.

[07:05] Which started off as a proxy HTML allowed you to act as an SQL proxy.

[07:22] So, and then evolved into becoming

[07:34] conversion programs evolving the same way. Something starting off as a graphics conversion program and then progressively gaining features until it became a fully fledged

[07:56] All right. Now, we have the image that we want. we have the image that we want. Excellent.

[08:08] white background. >> found

[08:24] Let's do. Oops.

[08:36] And that needs to be

[08:58] What does it fill? Let's expand it till it fills entire size.

[09:15] Actually, we can probably rotate it.

[09:28] Did I type in 90 wrong? How did I type in 89 rather than 90?

[10:03] Ah, that's that thing. Right.

[10:24] presentation stand.

[10:42] office presentation.

[10:54] I'm going to use the same trick here.

[11:07] That's worrying. Oh.

[11:30] Ah. See? I'll have that join up there. Huh?

[12:06] Take it down a fill. Up. Not 90, minus 90.

[12:33] There it goes. Let's go back a frame.

[12:52] Step forward. Set blend to 100%. That's also a key frame. All right.

[13:17] sister's three cats. A single one who lives in a pa- A single one who lives in a pa- Say hi and up. Up. Up.

[13:31] woman who lived Okay, so actually Let's put that

[13:52] Actually go that's down that's down like that. Look. Look.

[14:08] All right. So

[14:26] is the mother of the main character in Fullmetal of the main character in Fullmetal Alchemist or the main main characters. But she's the mother of the Elric brothers

[14:39] who is dead. So I'm using her as a dead mother analogue. And because she's in an anime and she's a dead mother, you can see she's got the dead mother hairstyle.

[15:02] kids uh kids that I made up in

[15:15] uh Vroid to act as stand-ins for the kids in the movie. Why is your belly so pink?

[15:52] works a high demand job. Yeah. Her stomach looks like a prime cut of pork.

[16:21] How are we going to represent high demand job?

[16:42] what comes up.

[17:01] Uh we got Ooh, I know. Uh Japanese

[17:20] uh pixel art. Not pixel art. pixel art. Not pixel art. Um words? Could use the stone image. That's

[17:33] another one. Yeah. Uh

[18:12] Not stock photo. Okay. Freak that. There.

[18:39] Keep forgetting that. I should put it as a as a bookmark.

[19:13] Hey. I'm happy with that.

[19:26] this site means if I only use a couple of them, I don't have to worry of them, I don't have to worry about

[20:07] Oh. Graphic is tiny.

[20:24] Is that semi-transparent or No. Okay.

[20:41] frame. And go like that. And go like that. Let's see how that comes out. lives in an apartment works at a high-demand

[21:00] a works at a high-demand job and dedicates her

[21:18] the free time to partying I'm going to use a graphic that I made before.

[21:44] It goes. Uh huh. Where is that one? That's the background.

[22:33] Oh. No. Let's group all of these together.

[22:56] Let's see. Oops. No.

[23:17] Go back into here at the right spot. Uh, go away.

[23:32] It's already crashed? No, it hasn't. Good. audio has gone away. But first, let's do a

[23:48] But first, let's do a control V. control V. Oh, and it pastes. Excellent. Uh, this morning I did an update on DaVinci Resolve.

[24:06] if you did a copy and paste of nodes between bits of fusion, it would crash, but no longer, apparently.

[25:22] Fix one bug. Here it Oh, there it goes.

[26:13] the rest of And that's where it's free.

[26:27] That was being played should have been played back at full speed.

[26:54] Blend that way. Get back.

[27:10] Up. Up. dedicates the rest of her free time to partying is the one who inherits the three kids.

[27:28] three time And to party is the one who inherits party is the one who inherits the three kids. Not the other sib.

[27:45] Okay. Now, I think Hold on. If I go lets me do the playback without delay.

[27:58] >> woman who lives in apartment works a high-demand job and dedicates the rest of her free time to partying is the one who inherits the three kids. Not the other sibling.

[28:14] the other sibling. >> Okay. So, that point all of those extra graphics go away.

[29:03] change to a different visual. that we want to keep a regular a lot pace of differing visuals

[29:18] pace of differing visuals to keep up the key jangle to keep up the key jangle attention effect.

[29:35] and leaves in detached housing in the suburbs. Okay. That says he could

[29:47] and leaves in detached housing in the suburbs. detached housing in the suburbs. All right.

[30:03] do that.

[30:26] of our graphics of bro and sister-in-law.

[31:03] Yeah, I know there's no frames available. I'm going to give you frames.

[31:17] Let's see if we can get a generic picket fence-y type situation.

[31:40] Ooh, stretchy times. Yes, I will do my stretches. stretches. All right.

[32:20] great idea for the background for this bit.

[33:10] Wonder if there was paper. But there isn't. blacks in here. That's handy, but not what I want.

[33:38] down a bit, move it towards the cream slightly.

[34:08] No, I have not heard of that loop. Tell me about it.

[34:21] Don't Okay.

[35:11] And bizarrely blue clouds.

[36:25] that good. Supposed to look like a generic child a generic child drawing of a house.

[36:56] Ah. It's located in the past.

[37:23] train loops. The views of the loop are obstructed by the forest and tunnels save for the bit on none of the on none of the Ah.

[38:42] >> In this case my hand-eye coordination problems

[39:09] able to replicate good skills. multiple long heavy intermodal trains. Awesome.

[39:21] Awesome. So I guess it's very good spot for So I guess it's very good spot for train spotting and gunzaling.

[40:06] Wait, slight problem there.

[40:21] The name but don't count. Ah. and live video of the trains going around the path. Oh, trains going around the path. Oh, awesome.

[41:18] the three kids. And then it leaves it Huh? Oh, it's going to do that on me. Not the other sibling.

[41:34] 5-year-old would draw. That's exactly the aesthetic I'm going for.

[42:09] It don't No? I'm frame four. Okay, cool.

[42:22] The idea is that this is the draw drawing of their children's hat. The drawing of the house from the children's perspective. That's the idea. Not the other sibling who's in a stable

[42:36] Not the other sibling who's in a stable marriage and lives in detached housing in the suburbs. Okay, perhaps dead sis has a good reason for entrusting the protag with the kids. The other family in

[43:16] The reason I don't think At this point, I need to take a break from looking at a screen.

[43:30] we probably should leave the stream here probably should leave the stream here and I take an extended break and then come back to it

[43:45] come back to it offline and let's get that that button. No.

[44:00] Why can't I flip scenes?

[44:22] the technology seems to not want me wanting me to finish. The button that I pushed to stop the stream isn't working. That's That is delightful.

[44:54] Oh. Actually, my computer is Oh, there we go. Okay, things are catching up.

[45:22] Now, what screen are we on? Uh.

[45:37] today. As always, thank you very much for keeping me company as I did some editing. I just have to get away from a monitor for a while and let my eyes adjust.

[45:53] company, and tomorrow we'll be back playing some Space Program. So, I hope you can join me all for that. Always, thank you very much watching and I hope to see you later. Bye-bye.