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Hip Hop Production For Beginners (Step By Step Masterclass)

0h 21m video Transcribed Jun 30, 2026 E Ethan Davis
Beginner 12 min read For: Complete beginners to music production with no prior experience in hip-hop or Ableton Live.
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AI Summary

This video offers a step-by-step masterclass on producing a hip-hop song in Ableton Live, from creating drum patterns and 808s to adding melody and vocals. The presenter, a professional musician, demonstrates the core formula used by top artists like Kendrick Lamar and Drake, emphasizing a simple, repeatable structure.

[0:00]
Introduction and Formula

The video introduces a core formula for hip-hop production, claiming all top artists use it, and emphasizes building a foundation for any style of hip-hop music.

[1:00]
Setting Up Drums

Sets BPM to 150, selects kick drum from Ableton samples (kick bricks), and builds a simple kick pattern. Then adds an 808 clap using Ableton's clap samples.

[2:19]
Drum Pattern and Clap Variation

Refines the clap by shortening it and adding a saturator for warmth. Adds a clap pattern every four bars to spice up the beat. Suggests using a reference track to copy drums if struggling.

[3:00]
Adding High Hats with Midi

Uses a midi track with Simpler, selects an 808 closed hi-hat, and draws in a pattern on the piano roll, including a specific ending pattern (da da da da da).

[4:44]
Adding Percussion/Rim Shot

Searches for a rim shot or percussive element, ultimately using a 'blip' sound from percussion samples to add character.

[5:10]
Saving the Project

Covers how to save session and collect all files to keep everything in one project folder.

[5:37]
Creating the 808 Bass

Explains two methods: using pre-made 808 samples (with pitch shifting) or using Simpler/VST instruments. Emphasizes knowing music theory (key of 808) for cohesive song production.

[6:57]
Music Theory for 808s

Stresses the importance of music theory, noting that the 808 is in E minor and that all mid instruments should be built around that key for consistency.

[7:50]
Refining 808 with Sub-Bass

Chooses a sub-bass sound from Ableton, adjusts decay, lowers overall volume using faders, and sets the 808 pattern.

[8:22]
Adding Mids and Melody

Explores Ableton instruments for mid sounds (strings, leads), draws in chords and melody, uses hot swap to audition different sounds (including third-party 'Play' brass).

[11:05]
Grouping Mids and Adding Effects

Groups mid tracks (Command + G) and adds EQ8, Redux, vintage sampler effects, and OTT multiband compressor to the group for cohesion and width.

[13:40]
Side Chaining 808 with Kick

Demonstrates side chaining the 808 to the kick to avoid clipping. Uses compressor with sidechain input from the kick, adjusting threshold so the 808 ducks when the kick hits.

[14:50]
Finalizing the Drum/Mid Arrangement

Adds a final quiet melodic element and creates a pre-chorus section where the 808 and drums drop out, leaving just a clap to build anticipation for the main beat drop.

[15:37]
Song Writing and Structure

Takes time to write a song (verse & chorus) over the beat. Shows the final arrangement with additional mids (lower horns) and vocal layers (lead, double panned L/R, harmonies, rap).

[19:49]
Final Advice and Plugins

Emphasizes that the core structure (drums, bass, mids, vocals) is key. Mentions using effects (riser, crashes) as optional. Touches on vocal processing and mic used (Microtech Gefell).

The key to hip-hop production is a simple, repeatable formula: drums, bass, mids, and vocals. Focusing on making each element strong, understanding music theory, and applying the techniques are essential for creating professional-sounding tracks.

Clickbait Check

85% Legit

"The title is accurate; the video delivers a genuine beginner-friendly masterclass on hip-hop production in Ableton, covering the exact formula promised."

Mentioned in this Video

Tutorial Checklist

1 0:36 Open Ableton and set BPM to 150. Add a kick drum sample (e.g., 'kick bricks'). Copy and paste to create a simple kick pattern.
2 1:31 Add an 808 clap sample. Shorten it using Command+click and add a saturator for warmth. Create a clap pattern every 4 bars.
3 3:00 Create a new MIDI track for hi-hats. Add Simpler, load an 808 closed hi-hat, and draw in a pattern on the piano roll. Duplicate notes with Command+D.
4 5:32 Save the session and use 'Collect All and Save' to ensure all samples are in one project folder.
5 5:37 Add an 808 bass. Option 1: Drag in pre-made 808 samples and pitch them. Option 2: Use Simpler with an 808 sample and draw notes on the piano roll.
6 8:22 Add mid instruments (e.g., strings, leads). Draw a melody/chord progression on the piano roll. Use 'Hot Swap' button to audition different sounds.
7 11:05 Group the mid tracks (Command+G). Add effects like EQ8, Redux, and OTT to the group for cohesive sound.
8 13:43 Sidechain the 808 to the kick: drag a compressor onto the 808 track, enable sidechain, route to the kick, adjust threshold so the 808 ducks when the kick hits.
9 15:37 Write and record vocals (verse, chorus). Layer vocals: record the main vocal twice, pan them left and right for width, add harmonies, and rap verse.

Study Flashcards (10)

What is the first step in building a hip-hop beat according to the formula presented?

easy Click to reveal answer

Add some drums (kick, clap/snare, hi-hats).

0:37

What BPM does the presenter set for the hip-hop beat?

easy Click to reveal answer

150 BPM.

0:55

What are the three main drum elements usually needed for a hip-hop beat?

easy Click to reveal answer

Kick, clap or snare, and high hats.

3:00

How do you create a new MIDI track in Ableton?

medium Click to reveal answer

Press Command+Shift+T.

3:11

How do you open the piano roll for a MIDI clip in Ableton?

medium Click to reveal answer

Press Command+Shift+M.

3:16

Why is it important to know the key of your 808 sample?

medium Click to reveal answer

So you can build the mids (melodies) of the song in that same key for a cohesive sound.

7:00

What is the purpose of sidechaining the 808 to the kick?

hard Click to reveal answer

To make the 808 duck in volume when the kick hits, preventing clipping/distortion when both play simultaneously.

13:53

How do you group multiple tracks in Ableton?

medium Click to reveal answer

Hold Shift and click on the first and last tracks, then press Command+G.

11:17

What does the 'Collect All and Save' command do?

medium Click to reveal answer

It saves all samples and project files into one project folder so it can be easily shared or moved.

5:16

If you struggle coming up with a drum pattern, what does the presenter suggest?

hard Click to reveal answer

Drag in a reference track from iTunes, find its BPM on Google, warp it in Ableton, and copy its drum pattern.

2:34

💡 Key Takeaways

⚖️

Universal Hip-Hop Formula

The presenter claims all top hip-hop artists (Kendrick, Drake, etc.) use the same basic formula, making it a foundational insight for beginners.

💡

Music Theory for 808

Stresses that music theory is essential for professional hip-hop production, not optional.

7:17
🔧

Sidechain Technique

Explains the practical and technical reason for sidechaining the 808 to the kick (avoiding clipping), a crucial mixing technique.

13:40
⚖️

Structure Over Effects

The presenter emphasizes that focusing on the four core elements (drums, bass, mids, vocals) is more important than adding effects, a key principle for beginners.

15:37
💡

Songwriting Priority

Reminds viewers that lyrics, delivery, and a memorable hook are often more important than the beat itself.

19:49

✂️ Creator Tools: Viral Hooks

AI-generated clip ideas for Shorts based on the transcript

Produce beats like Kendrick Lamar?

45s

Aspirational hook with credibility from a pro with 100M streams.

▶ Play Clip

Make your claps hit harder in 60 seconds

45s

Quick sound design tip that transforms your drums instantly.

▶ Play Clip

Program hi-hats like a pro (Ableton tutorial)

59s

Essential skill for any hip-hop producer, easy to follow.

▶ Play Clip

The secret to amazing 808 bass patterns

60s

808s are the foundation of hip-hop, this clip gives a clear method.

▶ Play Clip

Sidechain compression explained in 60 seconds

60s

A common technique that many beginners struggle with, explained simply.

▶ Play Clip

[00:00] all right we're rocking and we're

[00:02] rolling if you're wanting if you're

[00:04] wanting to produce music like Kendrick

[00:05] Lamar Jack harlo Lil NS X Drake Kanye

[00:09] West or Tyler the Creator then you are

[00:11] in the right place my friend I'm going

[00:12] to show you exactly how to produce a

[00:14] hip-hop song it's going to be super

[00:15] simple for you to follow along because

[00:17] they basically all use the same formula

[00:18] I'm a professional I've toured the world

[00:20] as a musician as a DJ got over 100

[00:22] million streams on Spotify and I am

[00:24] qualified to teach you so all that to

[00:26] say buckle up and trust me you're not

[00:28] going to want to skip this because this

[00:29] is the foundation this is the building

[00:30] block for you to be able to produce any

[00:32] style of hip-hop music that you want and

[00:34] it's going to be so sick okay once you

[00:36] got able to open if you remember our

[00:37] formula the first thing we need to do is

[00:39] add some drums also some of you guys

[00:41] with your Keen Eye you may have noticed

[00:43] I'm in a new studio maybe I'll give you

[00:44] guys a little tour at the end of the

[00:45] video but it's kind of in the process of

[00:47] being built out right now so I might

[00:48] wait a couple videos to give you guys

[00:49] the tour but it is so sick it's

[00:51] definitely an upgrade first thing I want

[00:52] to do is I want to build out a drum

[00:54] pattern so I'm going to set the BPM up

[00:55] here to the left in Ableton till like

[00:57] 150 that's a good Tempo and all I did

[00:59] was just go to drums and click on Kick

[01:01] and filters and go down to kick bricks

[01:04] which I think is the best for hipop in

[01:05] terms of Ableton samples also I'm going

[01:08] to do my best to use all Ableton sounds

[01:10] so that way you guys can follow along so

[01:11] let's get a click

[01:13] going D do now I hear the pattern in my

[01:15] head and to bring it to life I can click

[01:17] on the sample and press command C to

[01:18] copy it and then click and press command

[01:20] V to paste it so here's the pattern I'm

[01:21] hearing for the

[01:22] [Music]

[01:24] kick and I'm just going to keep it

[01:26] simple and I'm going to duplicate this

[01:27] out a couple times and let's press

[01:29] command t and make a brand new track now

[01:31] I'm going to click on clap in filters

[01:33] find a good

[01:34] clap o 808 is pretty hard to beat let's

[01:37] drag the 808 clap in here now we got our

[01:39] drum

[01:40] [Music]

[01:41] beat okay so that's sounding decent I

[01:44] kind of want to spice these drums up

[01:45] just a little bit so what I'm going to

[01:46] do is shorten this clap just like this

[01:48] just holding command to get really

[01:50] precise with the shortening and then

[01:51] using the

[01:52] Fades I want to be shorter and then I

[01:55] also want to let's say add a little bit

[01:57] of saturator on it maybe make it a bit

[01:59] warmer

[02:01] and we'll bring it way down cuz it's

[02:02] super

[02:04] loud and then you know we can use Redux

[02:07] if we want we can try some

[02:09] dust it's just a way to make it kind of

[02:11] cool this is without those plugins this

[02:14] is with them sounds like it's basically

[02:16] just making them louder which it kind of

[02:18] is then I want to add a little pattern

[02:19] with a clap so it's

[02:20] [Music]

[02:26] like ah great so I want that to happen

[02:29] every four bars sick so we got a little

[02:31] drum pattern going if you're struggling

[02:33] coming up with your drum pattern I would

[02:34] just drag in a reference track and try

[02:36] and copy the drums from that reference

[02:37] track to do that all you do is just drag

[02:39] in a song Maybe from iTunes find the BPM

[02:42] on Google and then you want to click

[02:43] warp and you want to change the BPM here

[02:45] to the BPM of the song and that's going

[02:47] to tell Ableton what the BPM of the song

[02:49] is and then it will be lined up to the

[02:51] grid and you can turn it off and you can

[02:52] solo it and listen to it now I'm not

[02:54] going to listen to the song cuz I don't

[02:55] want a copyright strike but that's how

[02:56] you drag in a song and you line it up

[02:57] with a grid and then you can copy the

[02:58] drums for that if you want okay let's go

[03:00] ahead and get some high hats going

[03:01] usually for drums you have kick then you

[03:02] have clap or snare and then you have

[03:04] high hats so for high hats I'm going to

[03:05] do midi drums and all that means is I'm

[03:07] basically going to make a piano roll and

[03:09] play drums on the piano so to do that we

[03:11] press command shift T that's going to

[03:13] make a new midi track I'm going to go

[03:14] ahead and highlight a new section on

[03:15] that midi track and press command shift

[03:17] M and then let's go ahead and go to

[03:19] instruments and let's drag simpler right

[03:21] onto that track now we need to drag a

[03:22] high hat sound onto simpler so let's go

[03:24] to Drums let's select high hat and I

[03:26] think I'm going to go with probably 808

[03:28] I'm going to search for 808

[03:31] oh this classic closed data way is great

[03:33] so if we click on the record icon right

[03:35] here to the right and arm the track and

[03:36] then we click on this little piano thing

[03:38] right up here to the right we can use

[03:39] our computer

[03:40] keyboard as a media

[03:44] keyboard it's kind of challenging and if

[03:46] you have a midi keyboard you can

[03:47] actually use a midi keyboard as well so

[03:48] if you want you can click record up here

[03:50] at the top and try and play in a

[03:52] [Music]

[03:54] pattern or you can just highlight a

[03:56] section like I did before press command

[03:57] shift M and then you can draw in your p

[03:59] pattern here on the piano roll if you

[04:00] want to be able to hear the notes as you

[04:02] click them just click this little

[04:03] headphone icon right here you can also

[04:05] change the pitch which is sick let's try

[04:07] that I'm just pressing command D to

[04:09] duplicate these

[04:10] [Music]

[04:14] notes and at the end of this I want it

[04:16] to go da da da da da da so it's like

[04:19] [Music]

[04:20] this and then here I want it to go let

[04:23] me show you what I

[04:28] mean yeah

[04:31] [Music]

[04:35] yeah sick and I want to kind of mix up

[04:38] the pattern a little bit

[04:39] [Music]

[04:41] too sick all right last but not least a

[04:44] lot of hip-hop beats kind of have some

[04:45] sort of Rim shot or percussion element

[04:47] or even like a laser type sound let's

[04:49] see does this even have lasers that's

[04:51] lazy maybe like a blip let's look under

[04:53] percussion

[05:00] [Music]

[05:10] all right let's go ahead and save our

[05:11] session before we forget and lose

[05:13] everything on accident once you've saved

[05:14] it go ahead and hit file collect all and

[05:16] save and hit okay make sure all those

[05:18] are yellow and now everything's saved on

[05:19] one project folder so we can send that

[05:21] to other computers share it with friends

[05:23] all that kind of stuff what's also nice

[05:24] about simpler is we can adjust the

[05:26] length of this too the length of the

[05:27] high hat

[05:29] [Music]

[05:35] okay so we have our drums now what's

[05:38] next if you remember from our formula

[05:39] base so there are two ways that we can

[05:41] do 808s one is we can just drag in

[05:43] samples I have 808s from my sample pack

[05:45] for complete producer Pro which is my

[05:48] paid

[05:50] course so that's just the drag and drop

[05:53] method just like we did with the

[05:56] drums and that's cool you know we can

[05:58] create different patterns with with that

[05:59] as well just by pitching it up in

[06:01] Ableton do something like this 1 2 3 4 5

[06:03] 6 7 maybe a pattern

[06:05] [Music]

[06:10] like but another way to do that is we

[06:13] can either use simpler again and do

[06:15] exactly what we did with the high hats

[06:16] so we just press command shift T to make

[06:18] a new midi track we drag simpler onto it

[06:20] and then we drag an 808 onto simpler and

[06:22] then we can use our our piano roll to

[06:25] draw in notes or we can literally just

[06:28] go to Ableton and go to instrument and

[06:29] click base and just look through all

[06:31] these different

[06:34] instruments obviously you want to find

[06:36] something that sounds like an 808 I'm

[06:38] not sure if you guys have this base or

[06:39] not but it sounds pretty

[06:40] sick that one sounds pretty hard

[06:43] too okay I'm going to try going with

[06:45] this base but if you're having trouble

[06:46] finding 808s just Google free 808 sample

[06:49] pack or free subbase sample pack there's

[06:51] tons of free stuff out there no excuses

[06:53] that's what I had to do back in the day

[06:54] and it worked fine and there's more

[06:55] resources now than there have ever been

[06:57] and another thing that's really going to

[06:58] help us with this 808 is music theory so

[07:00] just make sure you know the key of your

[07:02] 808s so for example in my sample pack

[07:04] this Astro 808 right here if I drag it

[07:06] onto a new track you can see it says e m

[07:08] and that means it's an E minor so

[07:10] basically we want to build out the mids

[07:11] for the song in the key of the 808 which

[07:13] is going to be E minor I'm going to go

[07:15] ahead and draw in a pattern with our 808

[07:17] sound here on the piano roll and if you

[07:19] don't know music theory which you should

[07:20] it's going to change the game for you

[07:22] especially for all music production but

[07:24] especially in hip-hop like you just need

[07:25] to know music theory in order for your

[07:27] song to sound professional and all the

[07:28] elements to be cohesive I have a video

[07:30] on it if you want to check it out it's

[07:31] right up here just go ahead and click

[07:32] that and then you can come right back to

[07:33] this video and join us for our

[07:36] [Music]

[07:49] 808s you know that's that 808 sound is

[07:51] fine but I think I actually want to try

[07:53] bbas which I know that Ableton has so

[07:55] you guys can just copy this if you

[07:58] want I'm going to adjust the Decay here

[08:00] to get the length

[08:03] right I'm going to go ahead and turn our

[08:05] whole song down a little bit clicking on

[08:07] the top track scrolling down holding

[08:08] shift and clicking on our last track and

[08:10] then just using these Fades right here

[08:12] to the right the

[08:13] [Music]

[08:19] faders sweet so now we come to sort of

[08:23] the song part of hip-hop music this is

[08:25] when we get to mids now mids there's

[08:27] just such a big range of mids that we

[08:30] can use as far as instruments go in

[08:31] Ableton most of the instruments I

[08:33] believe are mid sounds and we can go

[08:35] through any of these sounds that we want

[08:36] we could even go to Strings we can click

[08:38] on lead and once we find a sound that we

[08:40] like we can just drag it onto a midi

[08:42] track and then we can start chipping

[08:43] away at some chords and a

[08:47] melody and once you have a melody and a

[08:49] progression that you like like

[08:54] [Music]

[08:56] this I really like the sound of those

[08:59] notes notes I just don't really like the

[09:01] sound itself but once you have that in

[09:02] Ableton it's super easy to audition

[09:04] different sounds so you can just click

[09:05] on this little hot swap button right

[09:07] here and audition different

[09:11] sounds some of them are insane

[09:14] [Music]

[09:20] obviously that's kind of hot

[09:24] [Music]

[09:30] and then I want to add one other sound

[09:32] with this maybe playing some chords so

[09:34] because I know music theory which you

[09:36] should watch the video if you don't to

[09:37] find some kind of uh I want to say piano

[09:41] and

[09:42] keys let's try that something it's

[09:44] [Music]

[09:47] like dude there's so much latency on

[09:50] this okay so now we have some cool

[09:51] chords

[09:55] [Music]

[10:03] now if we wanted this to sound a bit

[10:05] more like Jack harlo or Lil NX or

[10:07] something we could just use brass and we

[10:09] could Branch out of Ableton plugins and

[10:11] we could go for something third party

[10:13] what about play this might just crash

[10:16] let's see oh my gosh it actually worked

[10:19] pop brass

[10:21] [Music]

[10:41] they would probably do something like

[10:43] this I just used play East West which is

[10:45] like some good brass

[10:46] [Music]

[10:57] sounds and we can also add something

[10:59] like these strings right

[11:01] here

[11:02] [Music]

[11:06] gorgeous and what we do with mids for

[11:08] hip-hop is what I like to do at least I

[11:10] like to create almost like a separate

[11:12] song this is like its own kind of

[11:15] song and then I like to group all those

[11:17] tracks together by clicking on one and

[11:19] holding shift and clicking on the last

[11:20] and pressing command G and then we can

[11:22] mess with this whole kind of group and

[11:24] we can go to audio effects go to

[11:26] something like eq8 and we could put like

[11:28] e base vintage on it and play with

[11:31] [Music]

[11:32] [Applause]

[11:36] these we can even put stuff like Redux

[11:39] on it vintage sampler kind of play with

[11:41] that

[11:43] [Applause]

[11:49] [Music]

[11:59] and then another thing we can do is we

[12:01] can put Ott on this sample to really

[12:03] make it huge so got to multiband

[12:05] Dynamics drag Ott onto it and we'll drag

[12:07] these guys down and drag these guys

[12:10] [Music]

[12:15] up and I'm loving the sound of these

[12:18] strings like they're beautiful but the

[12:20] problem is that they're just taking up a

[12:21] bit too much space so I think what we're

[12:23] going to have to do is have them play a

[12:25] little pattern like this instead

[12:35] and we could probably find something a

[12:36] bit more

[12:40] Plucky it's kind of

[12:56] insane that's sick

[13:03] yes big yes just going to EQ this a

[13:05] little

[13:09] bit I'm going to put some chorus on this

[13:11] trumpet

[13:12] lead not too much

[13:17] but I just want it to be a little bit

[13:19] wider in the mix and if you're watching

[13:21] this and you're like H you know he's

[13:22] using all these sounds I don't have all

[13:24] these plugins like it doesn't matter

[13:25] just use Ableton plugins there's a ton

[13:27] of amazing sounds in Ableton if you're

[13:29] willing to dig and if you're willing to

[13:31] tweak some stuff I guarantee you can

[13:32] come up with something

[13:41] awesome now I want the 808 to be a

[13:43] little bit

[13:47] longer and you know there's one more

[13:49] little thing I want to do with this 808

[13:51] is I want to side chain it with a kick

[13:53] now you may be a little confused on side

[13:54] chaining but all it is is you just drag

[13:56] a compressor on and you click side chain

[13:58] click e Q so it's gray ratio all the way

[14:00] up attack all the way down click on this

[14:02] bent line bring the threshold down and

[14:03] then we route it to the kick and you're

[14:05] like great what was all that about now

[14:07] what this does is now when our 808 is

[14:09] playing and our kick is playing when the

[14:10] kick hits it's going to make the 808

[14:12] duck in volume so let me make it really

[14:13] extreme and I'll solo the 808 so you can

[14:15] hear

[14:16] it you can hear the 808 tucking

[14:22] volume that's because when the kick is

[14:24] playing it's causing the 808 to duck in

[14:25] volume the reason that we do this is cuz

[14:27] if we don't when that kick and that base

[14:29] are playing at the same time it's going

[14:31] to cause clipping and Distortion and

[14:32] it's just a mess in terms of sound

[14:34] design so we just want to play this

[14:35] threshold and we can solo the kick as

[14:37] well by holding command and pressing

[14:39] solo just making sure that those can

[14:42] live together in the same space really

[14:46] well

[14:47] [Music]

[14:49] yeah now we can also add one more little

[14:52] element one more little mid-range thing

[14:56] [Music]

[14:59] so like

[15:03] this and we'll have it pretty quiet in

[15:06] the

[15:06] [Music]

[15:10] background and the reason I'm doing that

[15:12] is cuz I want there to be a section kind

[15:14] of before the chorus comes in where

[15:16] there's no 808 maybe there's no drums

[15:18] either and it's just like a clap

[15:20] going something like this so that way we

[15:23] can have it come in when the drums come

[15:25] in and it could just be like a clap like

[15:26] this

[15:31] and then everything comes

[15:32] [Music]

[15:37] in okay so what I'm going to do now is

[15:39] I'm going to take some time I'm going to

[15:40] try to write a hip-hop song over this

[15:42] I'm going to try to come up with one

[15:43] verse and one chorus and then I'll show

[15:45] you guys what I did and we'll kind of

[15:46] wrap it all up it's going to sound super

[15:48] sick and if you're following along right

[15:49] now and you're making your own be just

[15:51] make sure that you have drums make sure

[15:52] that you have base and make sure that

[15:53] you have mids and then you should be

[15:55] pretty good in terms of having a beat

[15:56] and if you want to structure your beat

[15:58] out you just drag another their song in

[15:59] and copy their song structure but I'm

[16:01] going to go ahead and write something

[16:01] over this and we'll be right back real

[16:04] quick if you're enjoying this at all you

[16:05] feel like you're learning something I

[16:06] would really love if you would consider

[16:07] subscribing and giving me the chance to

[16:09] help you make the best music that you're

[16:10] capable of that's what I'm here to do

[16:12] and so yeah it's free for you and I'd

[16:13] really appreciate it let's get back to

[16:14] the video all right we are back I have

[16:16] officially written a song to this it's

[16:18] pretty sick actually I think some of you

[16:21] guys might find it pretty hot I think

[16:22] it's pretty hot let me show you real

[16:23] quick what I did in terms of production

[16:24] I did a little mixing as well but I just

[16:26] added some mids

[16:29] like some lower

[16:30] horns and

[16:32] this that's all them together and

[16:39] then and if you don't have a horn sound

[16:41] just look up horn samples you can find a

[16:43] horn sample like a one shot drag it into

[16:45] simpler like I showed you or just use

[16:47] other sounds from Ableton it's no big

[16:48] deal and other than that I just added

[16:50] some vocals and I'm tentatively calling

[16:52] the song Safari just for fun the lyrics

[16:55] are kind of silly so without further Ado

[16:57] I give you my hit hipop song tentatively

[17:00] titled

[17:01] Safari yeah tell them what it

[17:05] is complete producer

[17:10] Pro

[17:11] yeah I'm just looking for

[17:14] somebody to chop it up with me like

[17:17] karate like karate I only tell them if

[17:19] you really want me or we can keep it

[17:23] private like Safari Safari Saar go I

[17:27] said it once and I'll say it again and I

[17:29] got enemies saying they are friend just

[17:30] out the way they stay out the way unless

[17:32] you got something they trying to get 10

[17:34] years in I finally see through that b

[17:36] shooting this comedy how these wab bees

[17:37] want to be like me without working it

[17:39] without working it yeah I know what I'm

[17:40] doing just trust me there's no need to

[17:42] rush things I can get rough like rug be

[17:45] but let's take it slow cuz I'm Rusty

[17:46] when you're talk it out I got just a

[17:48] thing is called emphasis on recovery so

[17:49] just hug me and don't bug me I'm just

[17:51] looking for

[17:52] some to chop it up with me like karate

[17:56] like karate I only tell them if you

[17:58] really

[17:59] me we can keep it private like Safari

[18:02] like Safari yeah like

[18:06] Safari kind of sick right it's kind of

[18:08] like Jack Carlo Lil nosx kind of that

[18:11] territory if you want to sound more like

[18:13] Kendrick do the same thing for drums

[18:15] like get a sick beat going and then

[18:16] instead of doing these mids just pull

[18:18] another song into Ableton and just

[18:20] sample it so like pull a song in double

[18:22] click on the file on the song and then

[18:24] pitch it up or pitch it down using this

[18:26] where it says pitch right here and en

[18:28] Ableton you can double click and create

[18:29] warp markers and stretch it out and do

[18:31] all this kind of stuff to sample

[18:33] something but that's for another video

[18:35] this is if you want to create your own

[18:36] fully original hip-hop song vocal

[18:38] processing I have a whole video on how

[18:40] to process vocals using Ableton plugins

[18:42] and third party plugins so if you just

[18:44] want to use Ableton plugins or you want

[18:45] to see my vocal chain go ahead and click

[18:47] up here and you can see that video so if

[18:48] you want to see my vocal chain you know

[18:49] where to find it but structurally I just

[18:51] had a lead vocal and just looking for

[18:53] somebody and then I did a double so I

[18:55] recorded the main vocal again two more

[18:57] times and pan those left and right and

[18:59] this is those I'm just looking for some

[19:02] so that's super wide in the mix like in

[19:04] your ears this is them together I'm just

[19:06] looking for some and then I added some

[19:08] harmonies which is

[19:10] this which sounds so silly on its own

[19:12] but this is all of it

[19:14] together to chop it up with me like

[19:17] a I only tell them if you really want me

[19:22] or we can keep it private like Safari

[19:24] and then I got the rap vocal here yeah I

[19:27] said it once and I'll say it again again

[19:28] I got enemies saying they are friend

[19:30] just s the way they stay out the way

[19:32] unless you got something they trying to

[19:33] get pretty hot same vocal processing

[19:35] that I talk about in that video I

[19:37] believe and the mic I'm using cuz I know

[19:39] there's going to be people who ask is

[19:41] Microtech gell this is what it looks

[19:43] like gmbh can't remember which one it is

[19:46] but you saw what it looks like and it's

[19:48] great and it obviously sounds freaking

[19:50] sick so yeah with all this stuff the

[19:52] biggest thing is just going to be

[19:53] following that structure as long as you

[19:55] can check those things off the list I

[19:56] got drums I got bass I got mids I got

[19:58] vocals then you're going to be good to

[20:00] go I didn't talk about effects you can

[20:01] definitely add

[20:05] effects so you can add like a riser like

[20:07] this sound right

[20:09] here and just in context it sounds like

[20:14] this I'm just

[20:17] looking and you could even add the

[20:20] [Music]

[20:23] after and you know there's room to add

[20:25] effects that's kind of the usual

[20:27] production formula but really if you

[20:28] just stick to those first four and

[20:29] really focus on making each one of those

[20:31] as good as you possibly can then I think

[20:33] you'll be well on your way to making

[20:35] awesome hip-hop music and so much of it

[20:37] is about the song guys like so much of

[20:39] it is about the lyrics the delivery

[20:41] making sure the hook is memorable and

[20:43] catchy you know there's tons of hip-hop

[20:45] songs without singing hooks they're like

[20:46] wrapped so if you're somebody who can't

[20:48] sing or you struggle with singing on key

[20:50] but you can rap like don't let that stop

[20:51] you all that to say you're never going

[20:53] to improve or make great music unless

[20:55] you actually apply what I teach so go

[20:56] ahead and open up Ableton take some time

[20:58] try try to make a hip-hop beat you can

[20:59] make a beat in like 10 minutes so at

[21:01] least try to make a beat and you can

[21:03] watch some more videos and learn some

[21:04] more some of you guys love just chilling

[21:05] on Youtube Learning a few things going

[21:07] about your day there's going to be a few

[21:08] of you guys who want to go above and

[21:10] beyond and you really want to learn step

[21:11] by step how to make professional music

[21:13] how to produce like a pro and for you

[21:14] guys I have a course called complete

[21:16] producer Pro and that teaches you guys

[21:17] how to write and produce professional

[21:19] music all the way from the ground up

[21:20] beginning to end it's very comprehensive

[21:22] and it also comes with my new course on

[21:24] EDM production so complete producer Pro

[21:26] is all music with an emphasis kind of on

[21:28] Pop music and then I have a course on

[21:29] dance music there's also a mini course

[21:31] on drill style beats within complete

[21:33] producer Pro it's just a ton of

[21:35] information and I think for a few of you

[21:36] guys it's going to be an absolute Game

[21:38] Changer so if you want to learn more

[21:39] about the course just go to the link in

[21:40] the description of the video and you can

[21:42] check it out down there so all that to

[21:43] say might I remind you to stop making

[21:45] excuses and start making music

[21:49] cheers also if you have any comments or

[21:51] questions try to read the comments when

[21:53] I can and respond so go ahead and

[21:54] comment any questions or anything down

[21:55] below CIA Bella

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