Battle of the Gullet: Naval Clash
36sHigh-energy action with dragons and ships grabs attention immediately.
▶ Play ClipIGN reviews the *House of the Dragon* Season 3 premiere, praising its spectacular naval battle, the Battle of the Gullet, as a return to form. The reviewer highlights the high-stakes action, character drama, and a major dragon death, while discussing the show's pacing and the challenge of adapting a historical chronicle.
The season opener features a major air and naval clash between Lord Corlys Velaryon's fleet and the Triarchy fleet led by Lohar. It includes pirate battles, flaming missiles, and hand-to-hand combat, surpassing expectations.
Lohar attacks Corlys' home to distract him, but Corlys lures her away, sinks two of her ships, and fights her hand-to-hand. The battle is practical-effects-driven, with massive ship sets at Leavesden Studios.
Prince Jace and Baela ride dragons to decimate the Triarchy fleet. However, Rhaena's half-feral dragon attacks friend and foe, leading to Vermax being harpooned and Jace killed by arrows after surfacing.
Rhaenyra is locked in her room by her son Jace for her protection. She is convinced by Alicent's offer to surrender King's Landing, but her team remains skeptical. Aemond and Aegon are absent from the capital, creating tension.
Alicent returns to King's Landing to find Aegon missing and Aemond in control, undercutting her deal with Rhaenyra. Aemond manipulates Alicent with a disturbing kiss to send Aegon to Harrenhal.
The episode is described as a 'feast' of action and drama, suggesting the show has finally matched and could outshine Game of Thrones' best episodes. The reviewer gives it a 10/10 score.
Helen O'Hara discusses her history with the franchise, the challenge of adapting a 'faux historical chronicle', and the pacing issues of season 2. She notes the death of Jace is impactful but not at the level of the Red Wedding.
The premiere is a thrilling, action-packed return that delivers on the promise of the *Dance of the Dragons*, with spectacular battles and high-stakes drama that could make the series challenge its predecessor's legacy.
"The title accurately reflects the video's content: a full spoiler review of the *House of the Dragon* Season 3 premiere, delivering exactly what is promised."
What is the name of the major naval battle in the House of the Dragon Season 3 premiere?
The Battle of the Gullet
0:22
Which dragon is killed in the premiere, and how?
Vermax is harpooned in the chest and drags Jace into the water, who is then killed by arrows.
3:08
What historical speech does Rhaenyra quote in the episode?
The speech 'I may appear to have the weak and feeble body of a woman, but I possess the heart and spirit of a king' by Elizabeth I.
3:57
What is Helen O'Hara's 'grand unified theory' about Game of Thrones?
The show stopped feeling like Game of Thrones when it tried to bring the story to an ending, because it relies on plans being disrupted by unforeseen events.
7:57
What does Aemond do to Alicent to send Aegon to Harrenhal?
He gives her a kiss that is described as something to 'turn the stomach'.
5:14
Battle of the Gullet is 'every bit as spectacular'
Sets the tone for the entire episode, indicating a significant escalation in action and production value.
0:08Vermax killed, Jace dies
A major character death that changes the political landscape and emotional stakes of the season.
3:08Show could 'outshine Game of Thrones'
A strong critical statement comparing the episode to the best of the original series, highlighting its potential.
5:38Grand Unified Theory of Game of Thrones
Provides a meta-commentary on storytelling challenges inherent to the franchise's narrative structure.
7:57[00:00] You've gone full Shaun Bean, man. Sorry,
[00:02] you're not coming back.
[00:03] >> Never go full Shaun Bean. I mean,
[00:04] especially in Westeros.
[00:08] >> The new season's opener finally brings
[00:10] us the action we've been waiting for
[00:12] with a naval clash for the ages. High
[00:15] stakes, high seas, high treason. This
[00:18] season's opener has everything. This is
[00:22] the Battle of the Gullet, and it is
[00:24] every bit as spectacular as we could
[00:26] have hoped. all pirate battles and
[00:28] flaming missiles and hand-to-hand
[00:30] combat. It's surrounded by the sort of
[00:33] scheming seduction confession and
[00:35] devastation that makes for good
[00:37] character drama, too. If the rest of the
[00:39] season is anything like this, this Game
[00:42] of Thrones spin-off might finally have a
[00:44] way to outfight its predecessor.
[00:54] We'll come back to the character stuff.
[00:57] The centerpiece of this episode is a
[00:59] hugely exciting air and navy clash
[01:01] between Lord Corus Valyrian's fleet and
[01:04] the Troshi fleet led by Shurako Lohar.
[01:07] For Lahar, it's a grudge match. For
[01:09] Corus, it's only part of his blockade of
[01:12] King's Landing on behalf of Rea and her
[01:14] blacks in the civil war called the dance
[01:16] of dragons against her cousins, the
[01:19] Greens. Lowhar is determined to hit the
[01:21] sea snake where it hurts, sending half
[01:23] her fleet to burn his home. Lord Corus'
[01:26] castle.
[01:28] >> We will require the full strength of
[01:30] your fleet if we avenge.
[01:31] >> My tie is a monument to the sea snake
[01:33] himself.
[01:36] >> Do you think his focus will hold when he
[01:38] sees his treasure room of flame?
[01:40] >> She's right. It's another devastating
[01:42] blow to a man who has already lost a
[01:44] wife and two children. Happily, he's
[01:46] also a badass. He lures Lohar away from
[01:49] the fleet, sinks two of her companion
[01:51] sheets thanks to some fancy pants
[01:53] sailing through a narrow channel, and
[01:54] then fights hand-to- hand against the
[01:56] ferocious Troshi captain. Abigail Thorne
[01:59] is great as Lowhar here, absolutely
[02:02] convincing as a leader of men and a
[02:03] serious threat to Corass. She's already
[02:06] come close to taking down a dragon
[02:08] before getting to this personal
[02:09] vendetta. Given that Corass begins the
[02:11] episode having a moving heart-to-heart
[02:13] with his formidable, illegitimate son
[02:15] Allen, and that he earns Allen's respect
[02:17] as a sailor and a captain during the
[02:19] battle, you have to wonder if he'll
[02:21] survive this fight. He's missing at the
[02:23] end of the episode. If this is how he
[02:25] goes out, fair play. It's an
[02:27] exceptionally wellshot, almost entirely
[02:30] practical battle. The ship tanks and
[02:32] sets were so massive at Leaveson Studios
[02:34] that they overshadowed the new Harry
[02:35] Potter's Private Drive. The battle in
[02:37] the air, however, goes less well. Yes,
[02:40] Prince Jiharis and Bala ride into the
[02:43] fight and decimate the Troshi fleet.
[02:45] Jace's dragon Vermax is almost taken
[02:47] down by Lowhar early on, and then Raina
[02:50] joins the battle to devastating effect.
[02:53] In this episode, we see that she's
[02:54] finally wooed a dragon of her own, but
[02:56] in one of those rabbit foot scenarios,
[02:59] her half feral beast refuses to obey her
[03:01] and attacks friends and foe alike in the
[03:03] heat of the moment. Her attempts to help
[03:05] contribute to the battle's biggest loss
[03:08] as Vermax is harpooned in the chest and
[03:10] drags Jace into the drink with him. It
[03:13] is a devastating finale.
[03:21] On the bright side, at least it saves
[03:23] Rea from having to confront her son's
[03:25] high treason. The reason she's not there
[03:28] on her own dragon is because he locked
[03:29] her in her room for her own protection.
[03:32] She's been on a high this episode,
[03:34] convinced by Allison's offer to
[03:36] surrender King's Landing and confident
[03:38] in her new dragon riders who are waiting
[03:40] grumpily near Harrenhal to ambush awful
[03:42] Aemon and his massive dragon Vagar. So
[03:45] oversized. What is he compensating for?
[03:47] Of course, this follows two seasons of
[03:49] dithering on Rea's part, so you can
[03:51] understand why her team aren't so
[03:53] convinced. It's a bit late for her to
[03:54] start quoting Elizabeth the First now.
[03:57] Rea's line,
[03:58] >> "I may appear to have the weak and
[03:59] feeble body of a woman, but I possess
[04:01] the heart and spirit of a king," is a
[04:04] historical lift from a speech that also
[04:06] preceded a major naval encounter.
[04:08] Anyway, she sends her husband, Damon,
[04:10] who's just destroyed a green aligned
[04:11] Lannister army at Redfork with the help
[04:13] of the Riverlords. And enjoying the
[04:15] blood splattered look, the late arriving
[04:18] Starks bring Damon ahead of Lord Jason
[04:20] Lannister while his fully armored twin,
[04:22] Thailand, tries to keep control of his
[04:24] Tyroi allies on the Gullet. So much for
[04:26] one green army, but the spoiled and
[04:29] rather prissy Orund High Tower has
[04:31] another on the way, including the Dragon
[04:33] Tarion. Oh, and Sir Christristen Cole is
[04:36] out there with his forces alongside Sir
[04:38] Gane High Tower, who's increasingly
[04:40] horrified by Cole's nihilism and his
[04:42] lack of control of his thuggish men.
[04:44] That is a lot of potential fighting men
[04:47] still on the board. Then there are the
[04:49] main members of the Green Royal family.
[04:51] Allison is horrified on her return to
[04:53] King's Landing to find Aegon missing and
[04:55] Amond all too present when she had
[04:58] promised Renea precisely the opposite.
[05:00] Aegon's run for it is interrupted by
[05:02] Rea's troops and Lord Laris' scheming
[05:05] unbeknownst to his mother, but it takes
[05:07] all of Allison's considerable powers of
[05:09] persuasion and a hint of something
[05:11] closer to seduction on Aean's part, ew,
[05:14] to send her son off to Harrenhal and
[05:16] clear the way for the deal she has made.
[05:18] As for that kiss he gives her, we needed
[05:21] something to really turn the stomach
[05:22] this episode, right? In summary, we've
[05:25] got dragons in action, ships burning and
[05:28] sinking and firing, armies clashing,
[05:30] Laris and Aemon and Aegon and Cole being
[05:32] awful, and Allan and Corus and Damon
[05:35] being badass. If the show were always
[05:38] like this, it wouldn't just match Game
[05:40] of Thrones. It would outshine all but a
[05:42] handful of episodes. Two years ago,
[05:44] rounding up season two, I speculated
[05:46] that showrunner Ryan Condell had held
[05:48] back on the action last season to build
[05:50] a war chest for this time. I thought I
[05:53] was joking, but this episode makes me
[05:55] wonder if this signals the path for
[05:58] season 3. It is going to be a feast.
[06:01] >> You'll all join me as I sit the
[06:02] Driftwood throne and dine on the sea
[06:05] snakes.
[06:11] Last season was talky to a fault, but
[06:14] this feels like the show we hoped to see
[06:16] all along. Thrillingly dramatic,
[06:18] action-packed, and full of Targaryians
[06:20] causing chaos in Westeros. Dragons fill
[06:23] the skies and ships fill the seas, and
[06:25] every one of them aims to cause maximum
[06:27] destruction to the other side. That's
[06:30] obviously very sad for the people
[06:31] involved. Sorry that happened or
[06:33] whatever, but it's bloody great as a
[06:35] viewer. Score 10 out of 10. Pirates,
[06:39] dragons ships fire betrayal chaos
[06:41] death, and destruction. It's honestly
[06:44] hard to imagine what more you could ask
[06:45] of a season opener.
[06:52] >> Hey everybody, that is IGN's review of
[06:54] House of the Dragons season 3 premiere.
[06:56] And joining me to talk about the 10 she
[06:59] just gave it, Helen O'Hara. How's it
[07:01] going Helen?
[07:02] >> I'm good. How are you?
[07:03] >> I'm good. I'm good. First of all, thank
[07:05] you for taking on House of the Dragon
[07:08] for us. This show is is is a real one,
[07:12] right? Like it's it's a rangy show that
[07:14] sort of requires, you know, knowing some
[07:16] of Game of Thrones, some of the books,
[07:17] but also it stands on its own pretty
[07:19] well. So, before we get too into the
[07:21] weeds with this episode and your review
[07:22] of it, um I guess to to just bluntly ask
[07:26] it, what kind of Game of Thrones fan are
[07:28] you?
[07:29] >> I'm uh I'm a an old school Game of
[07:32] Thrones fan, I guess. I think I read the
[07:34] first book in not quite very first
[07:36] publication. It was probably like 2003 I
[07:39] think but pretty early. Um certainly
[07:42] before the show. So I was there very
[07:44] excited when the show was being made.
[07:46] And I think like everyone else I thought
[07:47] the last two seasons were less good. But
[07:50] I I do feel like there is I this is my
[07:54] grand unified theory of Game of Thrones.
[07:56] Do you want to hear it?
[07:56] >> Yes, please.
[07:57] >> Okay. So, I think as soon as you start
[08:00] trying to bring that show to an ending,
[08:01] it stopped feeling like Game of Thrones.
[08:03] And I think even if they'd had more time
[08:05] to develop some of the stuff that they
[08:07] were trying to do, I don't know that
[08:09] they could have dealt with that because
[08:10] I think the whole show was about
[08:12] somebody making a plan and then
[08:14] something they didn't foresee would turn
[08:16] up and knock their plans for a loop. But
[08:18] you have to stop doing that if you're
[08:19] trying to get to a conclusion. And as
[08:21] soon as you stop doing that, it stops
[08:23] feeling like Game of Thrones. So, I
[08:25] think they were always going to have
[08:28] trouble. And I wonder I I have other
[08:30] issues with House of the Dragon, but I
[08:32] wonder if the fact that because this is
[08:34] a history because they can kind of
[08:35] choose their end point, maybe they can
[08:38] work around some of those issues. Maybe
[08:41] >> it puts me in mind of was it
[08:42] Littlefinger's quote from there is only
[08:44] the climb like the the idea that that
[08:47] you know it's it's just this non-stop
[08:49] thing and then to the idea of making
[08:52] that stop is sort of counter to what the
[08:54] whole show is about.
[08:55] >> There is a possibility that you know
[08:57] through several years of essentially
[08:59] low-grade civil war in the Game of
[09:01] Thrones timeline maybe everybody's
[09:03] exhausted and you do get one of those
[09:05] periods of relative peace for Bran's you
[09:07] know uh time as king. I don't know. But
[09:10] I think it's interesting seeing House of
[09:13] the Dragon because here we have had that
[09:15] peaceful period. We have had a king who
[09:17] was I mean he was a bit of a you know
[09:20] Egypt but but people liked him. He
[09:22] didn't do anything too terrible.
[09:23] Everybody kind of got on with their
[09:25] lives.
[09:25] >> Life expectancy started to creep up a
[09:27] little bit.
[09:28] >> Maybe too high for Westeros. So now
[09:30] we're bringing it down again. Yeah. One
[09:32] of the lines from your review I enjoyed
[09:34] hearing you say was, you know, if this
[09:36] was the whole series, if the whole
[09:38] series was as good as this episode, it
[09:41] would have outshined all but just a few
[09:43] episodes of Game of Thrones. So, I guess
[09:45] the first question is what do we think
[09:47] has been holding the show back from
[09:49] being this all the time?
[09:51] >> First of all, the fact that they are
[09:53] going from a history book, right? And
[09:55] it's the history of Westeros. book, if
[09:57] if anybody out there hasn't read it, uh
[09:59] the book that this one's based on or or
[10:00] it's based on part of the book is
[10:02] essentially a kind of faux historical
[10:05] chronicle of what's been happening for
[10:07] the several hundred years before Game of
[10:09] Thrones starts. Um from Aegon's conquest
[10:12] right up to it will, you know, he hasn't
[10:14] actually written the second volume yet
[10:15] because he's George RR Martin, but you
[10:18] know, um but the idea is that he's got a
[10:20] whole history of Westeros mapped out and
[10:22] that this is just part of that history.
[10:24] Um, and that does mean that they're not
[10:26] very free to completely deviate from
[10:29] cannon. There there have been things
[10:30] that they have changed for the show.
[10:32] They're not being slavish to the book.
[10:34] Um, there have been, as well as sort of
[10:37] adding things in that simply aren't
[10:38] discussed in the book, they're also, you
[10:40] know, finding ways to maybe change a
[10:42] certain things, to maybe combine
[10:45] characters to make it a little bit,
[10:46] believe it or not, the there are fewer
[10:48] characters than there could be in this
[10:50] show. It seems impossible.
[10:51] >> I believe it. But they, you know, they
[10:54] are changing a few things, but generally
[10:55] speaking, the sort of broad outline of
[10:57] the book they are kind of tied to
[10:58] because that is the story of Westeros.
[11:00] And because of things like A Night of
[11:02] the Seven Kingdoms and other spin-offs
[11:04] that they're discussing, they can't
[11:05] hugely deviate from what's supposed to
[11:08] kind of happen. So, um, so that's kind
[11:11] of an interesting thing here, but I
[11:14] think that the the sort of slowdown of
[11:16] season two, and it was slower. I think
[11:19] season one was a bit faster. It had some
[11:21] time jumps that that people struggled
[11:23] with, including myself. But uh but
[11:25] season two had stopped with the time
[11:27] jumps and still struggled with just
[11:29] telling this much story and and moving
[11:32] all of these pieces into the right
[11:33] place. And I'm hoping now that we can
[11:36] just get to the good stuff. I hope
[11:38] >> it's an interesting dilemma for for the
[11:40] show because so much of like you say the
[11:43] broadstrokes of this history are so
[11:45] dialed in in in the canon and and in the
[11:48] text but like within that you know you
[11:51] can you know who's who dies on which day
[11:54] and in which way and how emotionally
[11:56] resonant is that for the show like
[11:58] there's there's actually oddly a lot of
[11:59] freedom there um in some ways because I
[12:02] mean the history a history is so dry
[12:04] sort of by its nature that that you can
[12:06] kind of get away with a lot of that
[12:08] stuff.
[12:08] >> Exactly. And we're seeing that they're
[12:10] making some characters more sympathetic
[12:11] or less sympathetic as they go. And
[12:14] that's I hope that will pay off
[12:16] dramatically. I'm I'm slightly worried
[12:18] and I wrote a piece that people if
[12:19] they're not worried about spoilers,
[12:20] people can go back and read the piece I
[12:21] wrote at the end of season 2. But I do
[12:23] worry that some of that some of making
[12:26] certain people more sympathetic or less
[12:28] sympathetic will mitigate at the end.
[12:30] Again, that will be a problem for the
[12:32] history that they are kind of tied into.
[12:35] And I hope they have a way through that.
[12:36] I I they seem smart, you know. I'm
[12:38] hoping that they've got something
[12:39] figured out.
[12:40] >> Is there some degree of excitement
[12:42] around this particular episode uh that
[12:45] is sort of more typically reserved for a
[12:47] finale rather than a premiere?
[12:49] >> I'd love to know why this is the
[12:50] premiere and not the finale of last
[12:52] season, you know. Um I think last season
[12:54] was eight episodes, not the 10 episodes
[12:56] of season 1. So, you know, maybe we
[12:59] could have had nine and done this last
[13:01] time. I think that would have sent
[13:02] everybody away on a very very high kind
[13:04] of a a feeling. It's also just like I
[13:08] think physically the the amount of time
[13:10] and preparation physical set building
[13:12] that they put into this was I think off
[13:14] the chart. This this one episode took
[13:17] months and months of planning. So I
[13:20] guess that might have been a reason for
[13:21] it.
[13:21] >> And obviously you know talking about
[13:23] things that have to be immediately dealt
[13:25] with. Uh, this episode obviously
[13:27] features a pretty major death. Um, which
[13:29] is almost a requirement for a Game of
[13:32] Thrones show.
[13:34] >> Yeah.
[13:34] >> How does this one fair in terms of its
[13:36] placement right here in the premiere
[13:37] episode? Because sometimes these big
[13:38] deaths can can feel a little gratuitous,
[13:41] you know, and I think I think part of
[13:42] that is like the the sputtering out of
[13:45] the last two seasons of of Game of
[13:47] Thrones, you know, like it got to be a
[13:50] little bit like come on guys. Um, and so
[13:53] there is a certain amount, this is maybe
[13:55] just me, there's a certain amount of eye
[13:56] rolling that comes with with these big
[13:58] deaths in in Game of Thrones, but but
[14:00] how did this one land for you?
[14:02] >> I was really struck the second time I
[14:03] watched it by just the timing of the
[14:05] death. So, you know, yes, his dragon is
[14:08] taken down and you're sitting there
[14:09] thinking, "Oh my goodness, that's awful.
[14:11] He's lost his dragon." But, you know, he
[14:13] he manages to get the the clasp of his
[14:16] harness loose and he swims for the
[14:18] surface and you're like, "Okay, things
[14:19] are still bad, but he's got to the
[14:21] surface. He's not drowning. He must be
[14:22] very upset. Poor boy." And then boom,
[14:25] hit by an arrow. And then, just in case
[14:27] you were wondering, boom, boom, hit by
[14:29] two more arrows. Full Boramir style. I
[14:31] mean, they're not leaving anything to
[14:32] chance.
[14:33] >> You've gone full Shaun Bean, man. Sorry.
[14:35] You're not coming back.
[14:36] >> Never go full Shaun Bean. I mean,
[14:38] especially in Westeros. So, uh, so yeah,
[14:41] I I thought it was I thought it was
[14:43] really well well laid out, well played
[14:45] as a piece of drama. Um, per Jace
[14:48] though, I mean, he kind of never really
[14:50] got going.
[14:50] >> As impactful deaths go, this was maybe
[14:54] maybe a mid-tier.
[14:55] >> It wasn't the Red Wedding. Um, but but
[14:58] it did hit, I think, like it needed to.
[15:00] I think the the problem is that there
[15:01] are not that many characters yet in this
[15:04] show who would have that impact. I don't
[15:06] know if we've glombmed on to some of
[15:09] them in the same way because I think you
[15:10] do have a there is a difference
[15:12] fundamentally between the Targaryenss
[15:14] and the Starks. The Starks were
[15:16] immediately a likable loving semi-normal
[15:20] family. I mean, okay, yes, the first
[15:23] episode has their dad teaching them how
[15:24] to execute a guy, but he but he's
[15:27] talking about recognizable and moral
[15:30] code that we we somewhat respect. We may
[15:32] not understand it completely, but we
[15:33] kind of were with it. this royal family
[15:36] come from a completely different world
[15:39] and they are far more bizarre to us than
[15:43] I think the Starks were in episode one.
[15:45] >> Do you think this is the season where we
[15:46] finally start to care about some of
[15:48] these characters in in a sense that
[15:50] their deaths would would move us more
[15:52] than poor Jesus?
[15:53] >> There are certainly some characters here
[15:55] who I really care about in this episode.
[15:57] I'm really worried for Corass. Like he's
[16:00] just had a heartto-heart with his son.
[16:02] he might as well have shown him a
[16:04] picture of his sweetheart back home. Do
[16:05] you know what I mean?
[16:06] >> Yeah, it's the it's the dangerous thing
[16:08] to do.
[16:09] >> Yeah, it's a very dangerous thing to do
[16:10] right before a battle. So, that seemed
[16:12] like a really worrying thing to set up.
[16:14] And I do care about Corass and not just
[16:16] because I keep wanging on about how
[16:18] great his wig is. I just think he's he's
[16:20] an awesome character. Um I think there
[16:22] are people here who have, you know, who
[16:25] are clearly acting from a good place. I
[16:27] think Allison, for all her ambition and
[16:30] all of her manipulation, loves her kids
[16:33] and is trying to do her best to, you
[16:36] know, rescue at least some of her
[16:38] family. And she's quite cleareyed about
[16:40] the fact that some of her family are
[16:42] psychos. Um, and she is willing to
[16:44] sacrifice those ones if it will mean
[16:45] that she can, you know, hold on to the
[16:47] rest. I I think that's a really a really
[16:50] interesting place to be coming from and
[16:52] that's a character that you can sort of
[16:53] get behind a little bit more at this
[16:55] point. Maybe not in earlier seasons, but
[16:58] this Allison, I think, is someone who we
[17:00] can maybe recognize a little bit more.
[17:03] And then I think Rene almost to a fault
[17:05] is is acting from often quite a good
[17:08] place, but she also has her moments of
[17:11] arrogance and temper and intrigence and
[17:15] everything else. So, it's an she's an
[17:18] interesting one. I'm not sure how how
[17:20] things are going to go for her.
[17:21] >> Helen, again, thank you so much for
[17:23] tackling House of the Dragons season 3
[17:25] for us. Uh really enjoyed this review.
[17:27] Looking forward to to reading the rest
[17:28] of the reviews this season.
[17:29] >> I think it's shaping up to be a good
[17:30] one.
[17:31] >> And thank you for watching this review.
[17:32] Let us know what you think of it in the
[17:34] comments. And for more TV reviews,
[17:36] Dragon related and otherwise, you're
[17:37] already here. Be sure to subscribe to
[17:39] IGN wherever you like to watch.
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