You're Sabotaging Your Progress: Fix This First
37sBeginners often ignore guitar setup, but this simple adjustment can dramatically improve learning speed and comfort.
▶ Play ClipA guitarist with 20 years of experience shares the most efficient path to getting good at guitar, focusing on what to prioritize and what to ignore. The video emphasizes practical skills like playing by ear, rhythm, improvisation, and essential music theory, while advising against wasting time on sheet music and modes early on.
Get your guitar set up to suit your playing style—either by a shop or by learning to do it yourself. This has a massive impact on improvement efficiency.
Ignore reading sheet music and modes initially. Most guitarists don't need sheet music, and modes can wait until you've mastered major, minor, and pentatonic scales.
Keep your guitar on a stand near your desk, pick it up at least twice a day, choose role models, and stick with 1-2 teachers that resonate with you.
Start by recognizing major vs. minor chords, then work up to finding the key and chords of songs by ear. This transforms you from a player to a musician.
Rhythm is the most universally important skill. Practice muted picking along to songs to build timing.
Start improvising early with basic scales over songs to train creative thinking. Example: use major or pentatonic scales over John Mayer's 'Slow Dancing in a Burning Room'.
Learn the major scale, how major/minor keys work, and how chords are made. These three concepts explain most of music's magic.
Use systems like octave centers, home base, and CAGED to navigate the fretboard comfortably in any key.
Jam with others as soon as you can play chords to a beat. Start with a simple chord progression and take turns improvising.
"The title accurately reflects the content: the speaker details a step-by-step plan for efficiently getting good at guitar, based on 20 years of experience."
What two things does the speaker recommend ignoring when starting guitar?
Reading sheet music and modes.
0:42
How often should you pick up your guitar according to the speaker?
At least twice a day.
1:36
What are the four main areas of focus for efficient guitar practice?
Playing by ear, developing rhythm, improvising early, and learning three basic music theory concepts.
2:13
What three music theory concepts does the speaker recommend learning?
The major scale, how major and minor keys work, and how chords are made.
5:50
Name three fretboard navigation systems mentioned by the speaker.
Octave centers, home base, and the horizontal and vertical CAGED system.
6:27
When are you ready to start jamming with others?
As soon as you can play some chords to a beat.
7:09
Play by Ear
Starts with simple major/minor chord recognition, building to finding keys and chords by ear—a skill that transforms a player into a musician.
2:17Rhythm is King
Emphasizes rhythm as the most universally important skill, often overlooked by lead players.
3:05Improvise Early
Encourages creative thinking by noodling with basic scales over songs, preventing rote playing.
3:58Essential Music Theory
Identifies three key theory concepts (major scale, keys, chord construction) that unlock most of music's magic.
5:45Fretboard Navigation Systems
Systems like octave centers and CAGED break the fretboard into manageable patterns for playing in any key.
6:15[00:00] I've been playing guitar for more than
[00:01] 20 years, and if I had to start over,
[00:03] this is exactly what I would do to get
[00:05] good at guitar as efficiently as
[00:07] possible. So, let's make sure we set
[00:08] ourselves up for success right off the
[00:10] bat. No matter where you're at with your
[00:12] guitar playing right now, if you haven't
[00:14] had your guitar properly set up to suit
[00:16] you and your playing style, you're going
[00:18] to need to get that done. It's going to
[00:20] have a massive impact on how efficiently
[00:22] you can improve. You can pay to have it
[00:24] done by a local shop or someone you
[00:26] know, or I'd really recommend learning
[00:28] to make some of those tweaks yourself.
[00:30] You'll find that every guitarist kind of
[00:32] likes something a little different. So,
[00:34] being able to make those quick
[00:35] adjustments to fit what you like can be
[00:37] a total game changer. Now, let's get
[00:39] into the things that I would just
[00:41] completely ignore. The first thing,
[00:43] reading sheet music. I played bass
[00:45] guitar in middle school band. So, I did
[00:47] learn how to do it back then, but for
[00:49] the majority of guitarists, it's just
[00:51] not necessary because since those days,
[00:53] I've never needed it, not even once.
[00:55] There are some very specific reasons you
[00:58] may want to learn to read sheet music,
[01:00] but for most of us, it's just not worth
[01:02] spending the time required on it. The
[01:04] other thing that you really shouldn't
[01:05] worry about at all, at least for a
[01:07] while, are modes. For most music styles,
[01:10] you're going to be sticking to the
[01:11] major, minor, and pentatonic scales.
[01:13] Once you master those, then you can
[01:15] start looking into Dorian or Mixelyian.
[01:17] But really, for now, don't even worry
[01:19] about it until you're really solid. Now,
[01:21] there are a few big rules that I would
[01:24] set for myself. The first would be that
[01:26] I'd set up my guitar right by my desk,
[01:28] out of the case, and on a stand, just so
[01:31] it's right in plain view, and easy to
[01:33] grab whenever I have a spare second.
[01:34] Another rule would be that I'd have to
[01:36] pick it up at least twice a day. It can
[01:39] be for 5 minutes or 5 hours, but a
[01:42] minimum of twice a day. Next, I choose a
[01:44] few specific players that I look up to
[01:46] as examples of how I want my playing to
[01:48] sound and develop. I realize I'll
[01:50] probably never quite get to that level,
[01:53] but it gives me some form of direction,
[01:55] something to aim at. Finally, I'd pick
[01:57] just a few good teachers to guide me.
[01:59] There are so many great teachers and
[02:01] resources to learn from out there, but I
[02:03] don't want to be learning the same thing
[02:05] a bunch of different ways. I'd pick one
[02:07] or two that really resonate with me and
[02:10] my learning style and stick with them.
[02:11] Okay, let's get into the good stuff. The
[02:13] things I would actually be focusing all
[02:15] of my time and efforts on. First thing,
[02:17] I'd start learning to play by ear, which
[02:20] is something you can begin to develop at
[02:21] literally any skill level. And I'd start
[02:23] very simple with just being able to
[02:25] recognize the difference between major
[02:27] and minor chords like this.
[02:46] and then work up to putting a massive
[02:48] focus on being able to find the key and
[02:51] chords of the song completely by ear.
[02:53] Those basic skills unlock a whole world
[02:56] of opportunities for your playing long
[02:58] term. And in my view, they are the
[03:00] things that bring you from just being a
[03:01] guitar player up to being a true
[03:03] musician. My next point of focus would
[03:05] be on developing my rhythm. Something
[03:07] that gets massively overlooked,
[03:09] especially when your goals revolve
[03:11] around soloing and being a lead player.
[03:13] Rhythm is the most universally important
[03:16] skill you can have. And that spans every
[03:19] genre and every style, too. So, every
[03:21] single time I'd sit down to practice,
[03:23] I'd be doing at least one thing that
[03:25] focuses on building my sense of rhythm
[03:27] and timing. My favorite and the most
[03:29] accessible rhythm exercise that I'd use
[03:32] is muted picking along to songs like
[03:34] this.
[03:58] Next thing I get into is improvisation
[04:00] as early as possible. My goal with this
[04:02] would be to start training my brain to
[04:04] think creatively about the instrument. I
[04:06] know that one of the biggest things that
[04:08] holds players back is being stuck just
[04:10] playing the same generic songs over and
[04:13] over. So to make sure that doesn't
[04:14] happen to me, I would take just the most
[04:16] basic scale ever, like a small major
[04:18] scale or pentatonic scale, and noodle
[04:20] around with it over some songs that I
[04:22] like. I'll give you the example that I
[04:24] used many years ago. If you pull up the
[04:26] song Slow Dancing in a Burning Room by
[04:28] John Mayer, you can use this major scale
[04:30] here
[04:36] or this pentatonic scale here
[04:46] or any combination of both of them over
[04:49] the song like this.
[05:40] One thing that resulted in me wasting
[05:42] literally years was refusing to learn
[05:45] any music theory whatsoever. Now, the
[05:47] truth is I'd probably still ignore most
[05:50] of it, but there are three key things
[05:52] that I would definitely learn as soon as
[05:54] possible. The major scale and why it's
[05:57] so important, how major and minor keys
[05:59] work, and how chords are made. With just
[06:02] those three things, you'll understand
[06:03] most of the magic behind music and what
[06:06] makes it sound good or less good. I have
[06:08] a great lesson that you can check out
[06:09] that covers all the truly essential
[06:11] music theory that I'll link down in the
[06:13] description for you. Next, I'd learn a
[06:15] few fretboard navigation systems. Now, I
[06:17] understand that different things work
[06:19] for different people, but we need some
[06:21] way to break the fretboard up into more
[06:23] than just a grid of notes. What I found
[06:25] really worked for me are many of the
[06:27] systems I teach here on my channel. So,
[06:29] things like octave centers, the home
[06:31] base, and the horizontal and vertical
[06:34] cage system. I put a good bit of time
[06:36] into building up my fretboard
[06:38] understanding by learning systems like
[06:40] these. And that's because they allow me
[06:41] to play comfortably in any key at all
[06:44] times, which is incredibly important. I
[06:47] actually have a free printable ebook
[06:48] called the Fretboard Navigation
[06:50] Guidebook where I have all of this stuff
[06:52] laid out for you. So, if you want it,
[06:53] I'll put a link right at the top of the
[06:55] description. Again, it's 100% free, so
[06:57] make sure you go grab it. I'm sure
[06:58] you'll find it super helpful. Now, my
[07:00] final big area of focus would be on
[07:02] jamming or playing with others. If you
[07:04] talk to literally any experienced
[07:06] player, they will all be in agreement on
[07:08] this one. As soon as you can play some
[07:10] chords to a beat, you're ready to team
[07:12] up with other musicians and start
[07:13] jamming. One of the easiest ways to kind
[07:16] of get your feet wet is to find another
[07:17] guitar player or piano player, choose a
[07:19] set of like four chords, pick a tempo,
[07:22] and start cycling through those chords
[07:24] together. Then once you're feeling good,
[07:26] take turns improvising a little bit with
[07:28] some simple scale. For example, C major,
[07:34] A minor,
[07:37] F major.
[07:46] Now, I'm just one player here, so I'm
[07:48] going to kind of play both parts. But
[07:49] the idea would be to use something like
[07:56] the A minor or C major pentatonic and
[07:58] just noodle around over those chords.
[08:19] If you're not lucky enough to know other
[08:21] musicians to play with, I'd recommend
[08:23] searching for some groups online because
[08:25] they are out there. So, to recap, I'd
[08:27] work on playing by ear. I'd spend time
[08:29] developing my sense of rhythm. I'd learn
[08:31] and practice improvising, even if it's
[08:34] just super simple. I'd make sure I know
[08:35] those three basic music theory concepts.
[08:38] solidify my knowledge of the fretboard
[08:40] using the systems that work best for me.
[08:42] And finally, I'd apply my skills to the
[08:44] real world by jamming with others.
[08:46] Something you might have noticed is that
[08:47] learning songs wasn't really on my list.
[08:50] I think most people would choose to
[08:52] include that, but for me, it wasn't as
[08:54] much of a differencemaker, especially
[08:55] since my focus is on creativity more so
[08:58] than being able to repeat what someone
[09:00] else has already played. But that's
[09:01] going to change based on your goals. So,
[09:03] I think it's still worth considering.
[09:05] From here, I'd recommend you check out
[09:06] this lesson up on the screen. Don't
[09:08] forget to grab that free fretboard
[09:09] navigation guide book linked at the top
[09:11] of the description. Thank you so much
[09:12] for watching and I'll see you in the
[09:14] next one.
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