Yuji's Trauma & Confession to Higuruma
45sHigh emotional impact and character depth, showcasing Yuji's guilt and a pivotal moment.
▶ Play ClipThis video is a comprehensive review of Jujutsu Kaisen Season 3, covering episodes 1 through 12. The reviewer provides detailed analysis of key fights, character moments, and anime-original additions, praising the animation, music, and direction while critiquing minor pacing issues.
The season opens by highlighting Yuji's trauma from Shibuya, culminating in his confession to Higuruma, a standout moment.
JJK excels in music and atmosphere, with season 3 pushing these elements to a new level, especially in the opening sequence.
Many scenes, like the entire episode 1 opening, are 100% anime original, adding new content but sometimes causing continuity issues.
The anime expands a brief manga fight into a memorable sequence with godly color schemes and lighting.
The theater fight between UT and Yuji is accurately depicted as one-sided, with UT holding back to land a clean hit.
Episode 3 is one of the best-looking episodes, with inventive use of Tenkin's barrier and holographic projections to explain lore.
Episode 4 features Maki's awakening and massacre of the Zenin clan, with stunning selective color and choreography.
Episode 5 introduces Kinji Hakari with excellent character acting and direction, though some scenes may be rotoscoped.
Episode 6 focuses on Megumi's strategic fight against Kurara, with great sound design and tension-building music.
Episode 7 sets up the Culling Games with stunning background art and a sense of scale, as Yuji and Megumi enter the colony.
Episode 8 delves into Higuruma's backstory as a lawyer, with rotoscoped character acting and a single key animator.
Episode 9 features the best hand-to-hand fight in JJK, with perfect blend of writing, animation, and music.
Episode 10 showcases Megumi's strategic fight against Reggie, with Takaba providing comedic relief and time-saving techniques.
Episode 11 introduces the Sendai Colony deadlock, with stunning visuals and music setting up the upcoming fight.
Episode 12 adapts the Sendai Colony fight, with massive upscales for all characters and a perfect balance of one-to-one and creative freedom.
Jujutsu Kaisen Season 3 is a visual and narrative masterpiece, with Mappa elevating the source material through inventive animation, music, and direction. The season sets a new standard for anime adaptations.
"The title promises a fat review of JJK Season 3, and the video delivers exactly that—a detailed, episode-by-episode analysis."
What is the name of the cursed spirit that Yuji fights in the opening of season 3?
Ghost Freak (a cursed spirit).
00:25
Who is the director of JJK season 3?
Shoto Goshono.
11:17
What technique does Kurara use?
She marks cursed energy with a star from a specific constellation; to reach a marked location, you must pass through all other stars in order.
48:50
What is the name of Higuruma's domain expansion?
Judgment (the domain is a courtroom).
75:14
How many points does a player need to add a rule in the Culling Games?
100 points.
58:30
What is the name of the technique that allows Maki to become a Toji-level fighter?
Heavenly Restriction (fully awakened after Mai's death).
25:00
Who is the sole key animator for episode 8?
Koki Fujimoto.
69:48
What is the name of the song that plays during the beam struggle in Sendai Colony?
Isizo (the song with lyrics 'Love me, love me. Kill me, kill me. Hate me, hate me.').
114:40
What is Ryu Ishigori's cursed technique?
Granite Blast (allows him to fire and manipulate cursed energy).
126:10
What is the name of the four-way deadlock in Sendai Colony?
The four-way deadlock between UT, Ryu, Uro, and Kurushi.
101:03
Yuji's Trauma
Sets the emotional tone for the season, showing Yuji's guilt from Shibuya.
Yuji vs. Curse Spirits Animation
Exemplifies the season's superior animation and color design.
03:40Tenkin's Holographic Exposition
Inventive use of barrier to explain complex lore visually.
10:41Maki's Awakening
A turning point for the character, with stunning selective color and choreography.
19:47Yuji vs. Higuruma Hand-to-Hand
Considered the best hand-to-hand fight in the series, with perfect balance of animation and emotion.
75:44Sendai Colony Beam Struggle
A visually and musically peak moment, with the song Isizo perfectly syncing.
111:58[00:00] I love how the first scene of JJK season
[00:02] 3 was dedicated to immediately reminding
[00:05] you how deeply traumatized Yuji became
[00:08] following the events of the Shabuya
[00:09] incident. Especially since the
[00:11] culmination of Yugji's guilt led to one
[00:13] of the best moments in season 3 and
[00:15] possibly Yugji's best moment in the
[00:17] entire series, his confession to
[00:19] Higuruma. Now, it's hard to tell because
[00:21] of how strangely this episode is
[00:23] structured, but Yuji just stops to aura
[00:25] farm on a ghost freak looking cursed
[00:27] spirit in the middle of a genuine fight
[00:29] for his life here. And yes, I said
[00:31] cursed spirit. So, all of you noodle
[00:32] brain GGK fans who were yelling at me
[00:34] months and months ago that this is
[00:36] actually Ra can suck it, bro. Because
[00:38] last I checked, Ra has not got a hand
[00:40] sticking out of her [ __ ] Eugi runs
[00:42] and dives straight out of this
[00:43] skyscraper window. And then this
[00:45] absolutely like leg shaking ear
[00:47] orgasming chill ambiance ASMR type music
[00:50] kicks in to immediately immerse you in
[00:52] the post Shabuya setting. Now I think
[00:54] JJK has always excelled at music
[00:57] aesthetic and atmosphere in general, but
[01:00] season 3 pushes all of those things to a
[01:02] completely different level. Something
[01:04] else this season excels at though is
[01:05] anime only extensions. Actually
[01:08] extensions isn't even the right word. A
[01:10] lot of the moments, such as this entire
[01:12] episode 1 opening sequence, is simply a
[01:14] new scene. It's 100% anime original.
[01:16] Anyway, after stealing some random
[01:18] family's protein bars, Yugji gets
[01:20] manhandled by Ghost Freak and dragged
[01:22] all the way into the sky before some
[01:24] unseen present starts moving like Sukuna
[01:26] and severs its arm. We see that my
[01:28] glorious king UTU is the off-screen
[01:31] presence that handled Ghost Freak. And
[01:32] now he has Yuji pinned down in a
[01:34] theater. And like I said, this entire
[01:36] opening sequence is anime original,
[01:38] which is cool cuz new content, but the
[01:40] continuity doesn't really make any
[01:42] sense. It's basically one of those,
[01:44] >> you're probably wondering how I ended up
[01:46] in this situation.
[01:47] >> And the openings, except you never
[01:48] actually find out how you ended up in
[01:50] the situation. I mean, Yugji and Uta
[01:52] start their chase right next to each
[01:54] other, but somehow UT ends up in a
[01:56] skyscraper halfway across the city. But
[01:58] whatever it it's one of the very, very
[02:00] few critiques I have of the season, so
[02:01] who even cares? Eyeso. Eyeso genuinely,
[02:04] bro. I hit Io Isizo in my dreams. Even
[02:06] more so since watching that insane final
[02:08] episode. Anyway, now he is in it. In the
[02:10] manga, he's cool. He's all right. Bit
[02:12] weird. Definitely opinionated, but I
[02:14] forgot that Ma are Loki Goonas for men
[02:17] because they made this man a completely
[02:19] different creature. Imagine your anime
[02:21] debut being some [ __ ] about my cousin
[02:23] got hella boobies. Okay, I might be
[02:25] paraphrasing slightly, but that's the
[02:26] gist of it, right? They've even got a
[02:28] whole anime only scene where Mary's mom
[02:30] ties Na's laces which low-key got me
[02:32] thinking Mara might just straight up
[02:34] hate women. Now despite being the
[02:36] richest dudes around with the exception
[02:38] of Satar Gojo of course the Zenin
[02:40] brothers decide to hold their circle
[02:42] jerk meeting in a janitor's closet of
[02:44] all places but it is hella
[02:45] claustrophobic and does make the whole
[02:47] thing really tense which is pretty dope
[02:49] to be honest. Now this old dude who's
[02:51] lowkey built like a Mr. Whippy Ice Cream
[02:53] pulls up to tell Nia that he's the new
[02:55] Zening clan head.
[02:56] >> Psych. Yeah, that's definitely got a
[02:58] sting, bro. Like, imagine being
[02:59] remembered as the [ __ ] that got his
[03:01] [ __ ] stolen by potential man of all
[03:03] people. Obviously, now has to unleash
[03:05] his inner Toji and go murder some
[03:07] teenagers, specifically Yugji, so that
[03:09] he can learn Mega Meow and then handle
[03:11] him. When you really deep it, though,
[03:12] now you Loki would have died if UT
[03:14] didn't pull up to save him. Like, bro
[03:15] lost to just Choso. Without UT to save
[03:17] him from the Yugji Choso combo, it's 10
[03:20] billion% now over, bro. Anyway, we
[03:22] finally end up back on the bridge where
[03:24] season 2 ended. Now, in the manga, Yugji
[03:26] versus the Tokyo Curse Spirits is dope.
[03:29] It's only like three pages, and the
[03:30] second I move on, I forget it even
[03:32] happens, but it is dope all the same. In
[03:34] the anime, though, yeah, this Goshono
[03:36] guy took these three pages and dashed
[03:37] that [ __ ] out the window because this
[03:39] was a whole different thing entirely.
[03:40] Honestly, I still think it's one of my
[03:42] favorite sequences in the season. It's
[03:44] definitely one of the most memorable for
[03:46] sure. The color scheme and lighting is
[03:48] actually just godly. Like, the water is
[03:50] purple, sort of similar to cursed spirit
[03:52] blood, and there's this cold, almost
[03:53] dreamlike aesthetic. Anyway, Yugji falls
[03:56] down in a ridiculously dynamic shot
[03:58] before being grabbed by what looks like
[04:00] the foreskin curse spirit and dashed
[04:02] around the city in another
[04:03] breathtakingly well animated sequence.
[04:05] Yuji then lurs the hordes of freakazoids
[04:08] into a tunnel, but it's a trap because
[04:09] they get obliterated by piercing cinema.
[04:12] While Choso yaps away about war gods and
[04:14] such, Nia then hits us with an
[04:16] annoyingly cool entrance. Bro, listen,
[04:18] it's cool, okay? He is a cool character.
[04:21] Mappa gave him that BBL. All right, I'm
[04:23] not a misogynist. I promise. Big up
[04:24] women and all that, but I'm not going to
[04:26] sit here and blatantly lie. Now Zenin is
[04:28] cool as [ __ ] I mean, they got bro out
[04:30] here looking like he's playing Beat
[04:32] Saber on Choozo's face. Imagine having
[04:34] the audacity to turn your back on your
[04:35] opponent and flick your hair mid beat
[04:37] down. Now's aura only goes downhill from
[04:39] here, though, because what happens next
[04:41] really puts into perspective how dulu
[04:44] this dude is. Bro thinks he can stand
[04:45] with Toji and Gojo, but UT's aura alone
[04:48] is enough to put skid marks on his
[04:49] underwear and have him begging for his
[04:51] life. And speaking of UT, holy Aura,
[04:53] Utah's pink cursed energy overflowing
[04:55] the city still makes my butthole clench,
[04:57] bro. Imagine having Aura so intense that
[04:59] people be mistaking you for literal god
[05:01] because that's basically what Yugji did.
[05:03] Who knows why he was arching his back
[05:05] like that, though. I'm not even going to
[05:06] question it. Now, Choso switched up on
[05:08] his whole war god thing real quick
[05:10] because he tells Yugji to run or he'll
[05:11] die, which is exactly what Yugji does.
[05:14] Runs then dies. Or more accurately,
[05:16] Yugji runs. UT immediately catches up to
[05:19] him, but then Goshono's internet cut out
[05:21] or something because we end up right
[05:23] back in the theater scene from the
[05:24] opening. And dude, the logic ain't
[05:26] logicing. How did they go from being
[05:28] next to each other to in two different
[05:30] skyscrapers hundreds of meters away from
[05:32] each other and then also, how did they
[05:34] start running away from Choso and Noya,
[05:37] but then end up in a theater right next
[05:39] to where they started? It doesn't make
[05:41] any sense, bro. But whatever, it is what
[05:42] it is. I'm going to drop a truth bomb on
[05:44] you guys now though that a lot of you
[05:45] are not going to want to hear, but the
[05:47] fight between UT and Yuji in the theater
[05:49] is actually a really accurate depiction
[05:52] of how this fight should go down. I know
[05:53] it looks stiff and slow and there's no
[05:55] insane sucka cuts or moons exploding,
[05:58] but this fight was never really like
[06:00] that because it isn't actually a fight.
[06:02] At this point, UT is leagues above
[06:03] Yugji. If he wanted Yugji properly dead,
[06:06] his head would be rolling on the floor
[06:07] before he could even try to dodge.
[06:09] Sendai Colony is now proof of that. But
[06:11] UT needs to land a clean hit to the
[06:13] heart so he can do his healing thing and
[06:15] revive Yuji. Which is why I really like
[06:17] how this scene makes it look as if UT is
[06:19] having to match Yuji's pace. He's being
[06:21] delicate, you know, and it does look
[06:22] like it. I know you're going to call me
[06:24] a delusional agenda pushing Glazer, but
[06:26] that's something a delusional agenda
[06:28] pusher would say. So, [ __ ] you. I was
[06:29] very upset that they removed the car
[06:31] scene, though. I'm not going to lie.
[06:32] Anyway, the visual representation of the
[06:34] difference between their cursed energy
[06:36] was mental. And I know it was always
[06:37] going to be mental, but seeing it
[06:39] actually, you know, on the screen was
[06:41] crazy. I mean, UT's aura is so hefty
[06:43] they had to whip out the 3D model to
[06:44] show it. Bro, also w too cameo. I was
[06:47] not ready for that. Playtime is over for
[06:49] UT now, though. Bosch knee to the
[06:51] stomach. UT then reveals that he was
[06:53] secretly trained in the UK, so he slices
[06:55] Yugji's stomach wide open. Yuji fights
[06:57] back and snaps UT's katana, but it meant
[06:59] nothing because UT simply dips out and
[07:01] leaves the rest to RA. Rough. The second
[07:03] Yuji felt Ra's aura and knew he was
[07:05] dropping fat logs in his pants. Bro, he
[07:07] already knew it was raps. Like, I mean,
[07:08] Ra had him in a bear hug so tight he
[07:11] low-key forgot he was the main
[07:12] character, so all he could do was watch
[07:13] as UT slowly pushed the blade through
[07:15] his heart.
[07:18] Now, for some reason, Mappa decided
[07:20] seeing Sukuna's reaction to being
[07:22] murdered would be way more interesting
[07:23] from the back of his head than seeing
[07:25] his face. I mean, look at this man's
[07:27] genuinely shocked expression turn to
[07:29] delight in the manga when he discovers a
[07:31] sorcerer as exciting as UT Aotu. But
[07:33] nah, apparently we didn't need that.
[07:35] Anyway, time for peak fiction.
[07:36] Misogynist versus the HIV devil. Yeah,
[07:39] so Nia was definitely not doing all that
[07:41] in the three pages of manga that this
[07:43] fight got. But no, Mappa said, "Screw
[07:45] the source material, bro. We're going to
[07:47] make him hit Choso with a damn Jojo's
[07:49] move." And you know what? I love it.
[07:50] Now, I wasn't the biggest fan of how
[07:52] loose some of the fights in season 2
[07:53] got. But for me, this was oh, this was
[07:55] beautiful. Now, I'm no animation pro. I
[07:57] can't even try and explain why I feel
[07:59] this way. But even though Nia was
[08:01] low-key turning into a crayon smudge on
[08:03] my screen, I just thought it looked
[08:04] dope. Like, the drawings felt strong
[08:06] even when things got loose. I I don't
[08:08] know. It's really hard to explain. The
[08:10] lighting, the music, the lighting, the
[08:12] smooth ass animation aura, the lighting,
[08:15] the dope blue projection sorcery effect,
[08:18] Choo's blood, the lighting, and I guess
[08:20] the lighting too. Whatever. Choso then
[08:22] releases his fluids all over the tunnel
[08:24] and so Nia dashes away. Well, he tries
[08:27] dashing away. It's kind of embarrassing
[08:29] though because how is he narrowly
[08:30] outrunning a wave of blood way slower
[08:33] than piercing blood which is literally
[08:34] just Mark 1. Everything then gets
[08:36] incredibly wibbly wobbly. Like I'm
[08:38] surprised my furniture didn't start
[08:40] floating or some [ __ ] during this scene
[08:42] because it dead ass looked like some
[08:43] freaky exorcism [ __ ] I mean, now Beto
[08:45] was over here casually sideswiping a
[08:47] whole ass flood from Dargon while his
[08:49] bum ass son is just going high diff with
[08:51] a bucket of red paint. Generational
[08:52] fraud, bro. I'm telling you. And let's
[08:54] not even talk about how Choso magically
[08:56] teleports to where Noa is and absolutely
[08:58] fries him with a supernova. Now is
[09:00] honestly so lucky pulled up at this
[09:02] exact moment to save his ass. Bro pulled
[09:05] up like this a regular day at the office
[09:06] and had Choso [ __ ] his pants from
[09:08] his aura alone. I'm pretty sure Uta
[09:10] didn't even hit him here, bro. Choso
[09:11] just looked at him and collapsed
[09:13] spontaneously. Shall I heal you now? Oh,
[09:16] I know that felt good having your girl's
[09:17] number one hater on his knees like that.
[09:19] Bro lost so much aura you'd think he'd
[09:21] been hit by chapter 7 bankruptcy. If if
[09:23] you know, you know. Now, obviously Yugji
[09:25] isn't dead because he's the main
[09:26] character. Yugji and UT then have a
[09:28] little yap session around a campfire
[09:30] that I can't really be bothered to
[09:31] explain, but the TLDDR is that UT calls
[09:33] Gojo bitchless. Megumi admits that he's,
[09:36] you know, put on a few pounds since last
[09:37] we saw him. And then we see, oh, it's
[09:40] Ryu, Uro, Reggie, and Higuruma. Let's
[09:42] go. The goats of the whole season. Oh,
[09:44] and and that zappy dude is there as
[09:46] well, I guess. I suppose I should also
[09:47] mention how Yuji had a flashback to his
[09:49] mom being Kenjaku, which meant Kjaku was
[09:52] a woman taking back shots from his dad.
[09:54] Whatever. I'm sure you guys understand
[09:56] that. Charzo then logged back into the
[09:57] game and told them all to get their
[09:59] asses to Jujutsu High, where we see post
[10:01] cookage Mari. And damn, she looks cool
[10:03] as hell. Also, Yuki, respectfully, um,
[10:06] please sit on my face. Honestly, when I
[10:08] got to this point, I'd forgotten that
[10:10] nobody except Yugji actually has a clue
[10:11] who Choo is. [screaming]
[10:15] And it's even funnier when you watch
[10:17] this scene and realize nobody gives a
[10:19] [ __ ] Seriously though, like, why have
[10:21] we not cleaned up the mess that Toji
[10:23] made here 12 years ago, bro? How have we
[10:25] still got brains and blood on the floor?
[10:27] I mean, I get Tenken's got [ __ ] to do,
[10:28] but if you're not going to hire a
[10:29] jiu-jitsu janitor, then get off your
[10:31] lazy ass and just do it yourself, bro.
[10:33] It will take 5 minutes. Look at her
[10:34] standing there like she done something
[10:35] cool. We know what you are. Anyway, uh
[10:37] that's episode 2, I guess.
[10:41] JJK season 3, episode 3 is one of the
[10:44] most inventive, exciting, and visually
[10:46] impressive episodes that Mappa have ever
[10:48] created. I honestly do not think it
[10:50] would be crazy to say this is the best
[10:53] looking episode of Jiujitsu Kaisen to
[10:55] date. Sure, there's no fights or insane
[10:57] action, which to some might make it
[10:59] boring or lackluster. And it's
[11:01] definitely a big information dump that
[11:03] would have even manga readers a bit
[11:05] confused, which doesn't really say much
[11:07] because comprehension isn't exactly this
[11:09] fandom specialty, but you get what I
[11:10] mean. Despite being given two full
[11:12] chapters of pure dialogue and slightly
[11:14] mind-boggling exposition to work with
[11:16] though, Muppa and season 3 director
[11:18] Shotoshono managed to not only create an
[11:20] incredibly engaging episode of anime,
[11:23] but they also managed to make several
[11:24] huge improvements from the manga.
[11:26] Actually, that's just a blatant
[11:27] understatement. This is leagues better.
[11:29] Overall, my favorite thing about this
[11:31] episode is just how unbelievably
[11:33] stunning it is, which is something I'll
[11:35] properly break down in just a moment.
[11:37] But if I personally had to choose one
[11:40] specific moment that really made my jaw
[11:42] drop, even as a manga reader, it was
[11:44] this right here. This image is just way
[11:48] cooler than some of you realize. Because
[11:50] in the entirety of JJK's history,
[11:52] whether it be anime, manga, or even
[11:54] bonus material, we have never ever seen
[11:57] what a sick size user looks like beside
[12:00] Saturu Gojo. This image does not exist
[12:02] in the manga. Ten simply explains
[12:04] everything with words. So, imagine my
[12:06] surprise when they start talking about
[12:08] that time a six eyes user and a star
[12:10] plasma vessel appeared on the day of the
[12:12] merger and then we actually saw it in a
[12:14] visual. Sure, it's just the back of a
[12:16] guy's head in an incredibly lowquality
[12:18] and staticky shot, which reveals pretty
[12:20] much nothing, but there is just
[12:22] something really exciting about finally
[12:24] seeing a six eyes user that isn't Satur
[12:27] Gojo. Plus, I thought people would find
[12:29] it pretty interesting that he doesn't
[12:30] have white hair, because believe it or
[12:32] not, not all Gojo clan members have to
[12:33] have the same color hair. I'll get into
[12:35] the episode properly now, okay? But I
[12:37] just wanted to fanboy over that moment
[12:38] for a second because it really did take
[12:40] me by surprise. I hoped Smapper would
[12:42] make use of Tenkin space and create
[12:44] visual representations of what was being
[12:46] described, but I did not think they'd
[12:48] actually create a visual for a moment
[12:50] like that. And slight tangent real
[12:52] quick, but word on the street is if you
[12:53] like this video and subscribe to the
[12:55] channel, Ayuki Sukumo will come into
[12:56] your life and fix all your problems.
[12:58] Anyway, this episode adapts exactly two
[13:01] chapters of the manga, chapter 145 and
[13:03] 146. In the manga, the gang walk into
[13:05] Tenin's big white barrier and they talk.
[13:08] That's it. They literally just stand
[13:09] there and yap, which is fine for manga.
[13:11] To be honest, I feel like Mappa probably
[13:13] could have gotten away with a pretty
[13:14] one-to-one adaptation of this
[13:16] conversation. Sure, it wouldn't exactly
[13:18] break the internet, but it would just be
[13:19] considered a necessary setup for the
[13:22] absolute peak fiction to come. But this
[13:24] is Mappa and Goshono we're talking
[13:26] about. This is pretty much a passion
[13:28] project for the staff at this point,
[13:30] meaning mediocrity simply was not an
[13:32] option. The lack of fights and intense
[13:34] action meant they could be way more
[13:35] in-depth with the details and really
[13:37] focus on the art. In fact, there was
[13:39] practically no major character movement
[13:41] at all, at least not compared to your
[13:43] average episode. So, they could really
[13:44] go all out with how it looked. Every
[13:46] single character looks the absolute best
[13:48] they ever have in literally every single
[13:51] frame they are in, especially because of
[13:52] the red line art, which really makes
[13:54] them pop out of the plain background.
[13:56] And oh my god, Yuki, please just punch
[13:59] me right in the face, dude. You know
[14:01] what? [ __ ] it. Choso can have in on it
[14:02] too. Both. I want both of them. I love
[14:04] you to Mari, but Yuki and Choso are such
[14:07] a goated power couple and they look so
[14:08] amazing together in this episode that
[14:10] it's making me so excited to see. You
[14:12] know what? The whole thing is just super
[14:14] cinematic, but also super tense at
[14:16] times, too. For example, once they enter
[14:18] the barrier, the entrance starts very
[14:20] slowly moving away from us. At first, it
[14:22] was such a slow panning movement that I
[14:24] wondered if it was actually happening
[14:25] until Yugji turned around and noticed
[14:27] that the entrance was fading slowly out
[14:29] of view. Tenin then gets right to the
[14:31] point with their explanation of the
[14:32] culling game and Kjaku's plan to use it
[14:34] as a means of collecting the cursed
[14:36] energy required to force the collective
[14:38] evolution of humanity by merging them
[14:40] all with Ten, who he intends to acquire
[14:42] via cursed spirit manipulation. Now,
[14:44] reading all of these nitty-gritty and
[14:46] slightly plot convenient details of
[14:48] Kjaku's evil plan for the first time can
[14:50] just feel like you've been hit with an
[14:51] unlimited void. That [ __ ] would
[14:53] overwhelm anyone. But Mara made it way
[14:55] more viewer friendly by actually
[14:57] utilizing Tenin's barrier and creating
[14:59] this really cool holographic projector
[15:01] effect so that both the characters and
[15:03] the audience have a visual road map of
[15:05] how all the key events in JJK link
[15:07] together and what they all mean for the
[15:09] future. It's honestly such an inventive
[15:11] way of making the explanation easier to
[15:13] digest and also making the episode
[15:15] engaging because holy [ __ ] the whole
[15:17] thing was just so beautiful to look at.
[15:19] My favorite part was when the entire
[15:21] place turned black and red, leaving them
[15:23] in this digital simulation looking place
[15:25] that Tenin manipulates to create visuals
[15:27] of what we actually see in the manga.
[15:29] Tenkin summoning text cards to represent
[15:31] certain events or people and then slowly
[15:33] linking all of them together throughout
[15:34] the episode until you are left with this
[15:36] massive chronological mind map was also
[15:38] an awesome addition. Tenkin then just
[15:41] starts from the very beginning with an
[15:42] explanation of why they look the way
[15:44] that they look. And this was shown by
[15:45] Tenkin spawning a load of images of
[15:47] themsel to demonstrate how what people
[15:49] see is just their body. Tenken's soul
[15:52] has actually become the very world
[15:53] itself following the events of Hidden
[15:55] Inventory 12 years ago thanks to Toji
[15:57] Fushiguru killing Rico Omanite which I
[15:59] really didn't need to see again by the
[16:00] way. It was depressing enough the first
[16:02] time. You didn't need to do that to me
[16:03] mapper. It's just rude. Ten then goes on
[16:05] to explain how fate ties themsself the
[16:07] star plasma vessel and the six eyes all
[16:09] together in an amazing visual. They
[16:11] continue on to explain that because Toji
[16:13] escaped cursed energy, Toji and Toji
[16:16] alone was able to finally break the
[16:17] chains of fate that tied these three
[16:19] things together. And of course, we got
[16:21] another visual just showing the goat
[16:22] himself because Gagege loves any
[16:24] opportunity to make Toji relevant in the
[16:26] story. This image of Toji and the image
[16:28] of Ghetto, which follows immediately
[16:30] after, are actually just direct onetoone
[16:32] adaptations of the manga panels, though.
[16:34] The only difference is that in the
[16:35] manga, they weren't shown as physical
[16:37] holographic images. Pretty much every
[16:39] other visual we see besides the bird's
[16:41] eye view of Japan and the two cursed
[16:42] tools is an anime only edition though.
[16:44] So Tenken's shadow clones, the older six
[16:47] eyes user, the actual six eyes, the text
[16:49] cards, and the big panels that state
[16:51] each coloring game rule are completely
[16:52] anime only additions visible to both the
[16:54] audience and the characters, which again
[16:56] I think is just such an inventive and
[16:58] aesthetically pleasing way of using
[17:00] Tenkin's barrier. And it's in this next
[17:02] bit that Tangen changes their desktop
[17:03] wallpaper to the red and black theme and
[17:05] explains how Fate ties themsself, the
[17:07] star plasma vessel, and Six Eyes all
[17:09] together with that visual. It's great.
[17:10] Yeah, I'm not going to explain every
[17:12] single detail because I would just end
[17:13] up repeating myself about how incredible
[17:15] the art looks and how cool the whole
[17:17] holographic projection thing is, but I
[17:19] do want to touch on the part where the
[17:20] gang recap their goals for the season.
[17:22] Long story very short, there are
[17:24] basically just three main goals that the
[17:25] group has. One, to enter the game and
[17:28] collect as many points as possible to
[17:29] add a rule allowing Megumi sister to
[17:31] safely exit the game. Two, figure out a
[17:34] way to end the game if possible. And
[17:36] three, free Satar Gojo by having the Han
[17:38] era sorcerer called Angel use her
[17:40] extinguishment technique to open the
[17:42] back of the slightly plotconvenient
[17:43] prison realm and then have Gojo fix
[17:45] everything for them. If a player fails
[17:47] to enter the colony within 19 days of it
[17:49] starting, they have their technique
[17:50] forcibly removed, which Shoko says would
[17:52] mean death. And speaking of Shoko, holy
[17:55] [ __ ] And also, holy [ __ ] Shoko. I know
[17:58] you've had a really rough time of it,
[18:00] but Jesus Christ, it cannot possibly be
[18:02] that bad, bro. Somebody put this woman
[18:04] in rehab. [ __ ] Anyway, as of now, Uta
[18:07] is going to enter a colony all on his
[18:09] own. If you know, you know. Yugji and
[18:10] Megumi are going to recruit suspended
[18:12] thirdyear Kinji Hakari. And finally,
[18:14] Mari is going to collect cursed tools
[18:16] from the Zening clan, which we're going
[18:17] to see next week. Now, if we follow the
[18:19] manga, then the next episode should just
[18:21] be mostly Panda and Yaga stuff with the
[18:23] second half being about Mari. But based
[18:25] on the preview, it seems like we're
[18:26] going to be pushing the panda stuff back
[18:28] and focusing solely on Mari, which is so
[18:31] exciting because holy, we are in for
[18:33] such a treat if it's just a whole
[18:35] episode about Maki. If you know, you
[18:37] know. Genuinely, it might be a top three
[18:38] episode of the season or or maybe just
[18:40] of the anime. I'm not going to lie, it
[18:41] has some insane potential. The episode
[18:43] then ends with a brief introduction of
[18:45] Fumiko Takaba, a failing comedian who
[18:47] awakens a cursed technique and becomes a
[18:48] culling game player. And all I have to
[18:50] say about this is that damn, I I did not
[18:52] realize how sad and depressing his life
[18:54] actually was until I saw this moment
[18:56] animated. It's pretty hard to read his
[18:58] manga chapters without finding them kind
[18:59] of goofy, but this one really does hit
[19:01] hard. I'm not going to lie. I can't wait
[19:03] to see his stuff later on. And yes, this
[19:06] was just 23 minutes of straight yappage.
[19:08] But this episode walked so that the rest
[19:10] of the season could run. Trust me, from
[19:12] next week onwards, we're going to just
[19:13] be getting back to backto back peak
[19:15] fiction, especially episodes four and
[19:18] five. Oh my god. But yeah, the lack of
[19:20] action and movement in this episode
[19:21] really allowed the staff to focus on the
[19:23] art and visuals, which is why it's
[19:25] easily one of, if not the most beautiful
[19:27] looking episodes of the whole season so
[19:29] far. Actually, no, it's just one of the
[19:30] best looking episodes of the show. Let's
[19:32] be honest.
[19:47] >> [music]
[19:54] [screaming]
[19:54] >> What?
[19:56] >> Two seconds later.
[19:58] >> That episode was objectively
[20:03] mid.
[20:05] Four out of 10 ass. All right, look.
[20:08] When I loaded up social media after
[20:10] watching today's JJK episode, 70% of the
[20:13] responses I saw made me question if
[20:15] having eyes is like low-key overrated.
[20:18] Sure, most of it is either meaningless
[20:19] rage bait, burrito accounts seeking
[20:22] attention, or One Piece accounts being
[20:24] genuinely livid that Tolli isn't the
[20:26] only animation studio that exists. But
[20:28] this week, it somehow got to a point
[20:30] where some of the actual JJK fans
[20:32] sounded even dumber than the rage bait
[20:35] accounts. because for some reason that
[20:37] is far beyond my ability to comprehend.
[20:39] This episode didn't meet their
[20:40] expectations. Apparently, it was just
[20:43] never going to be enough for some people
[20:44] unless they could see Vincent Chanzard,
[20:46] Alan Bao, and God on that already loaded
[20:49] staff list. I mean, honestly, the only
[20:51] explanation is that I just watched a
[20:53] completely different version of the
[20:54] episode to these people because for me,
[20:56] this was a top five JGK episode.
[20:58] Actually, screw recency bias. It's one
[21:00] of my favorite episodes in anime, and it
[21:02] was certainly my favorite animated
[21:03] episode in the entire series. Yes,
[21:05] animation wise, I'd even put it above
[21:07] Sukuno vers Maharaga. Not the Blu-ray,
[21:09] though, cuz that's a whole different
[21:10] ball game, and that's also just my
[21:12] preference. I'm going to actually review
[21:13] and analyze the episode now, instead of
[21:15] ranting about how ungrateful this
[21:17] depressing poo stain of a fandom can be
[21:19] sometimes. Right, to stop myself from
[21:21] obsessively repeating this throughout
[21:22] the video, I'm just going to say it now.
[21:24] From beginning to end, this episode is
[21:26] absolutely incredible. There are so many
[21:28] different styles of art and animation in
[21:30] this episode, yet nothing really feels
[21:32] out of place. And I think it flowed
[21:34] incredibly well from beginning to end. I
[21:36] mean, the episode literally begins with
[21:38] a shot of Marquy walking towards the
[21:39] Zeninclan HQ, and it ends with the exact
[21:42] same shot, but it's her walking back out
[21:43] of it. I feel like this detail and a
[21:45] load of other things make the episode
[21:47] feel more complete because even though
[21:49] it has an extended runtime of 28
[21:51] minutes, fitting in around four and a
[21:53] half chapters worth of manga into a
[21:55] single episode could have easily made it
[21:57] feel rushed or disjointed, especially
[21:59] because there's such a sudden shift from
[22:01] the slow and emotional pace to the pure
[22:03] hype moments and aura. The other thing I
[22:05] wanted to quickly address early on is
[22:06] that even though I agree they did
[22:08] sometimes miss the mark, I respect the
[22:11] Mupper staff immensely for having the
[22:12] balls to get truly creative when
[22:14] adapting the source material instead of
[22:16] playing it safe and trying to make it a
[22:18] onetoone. So with Megumi's permission or
[22:20] the head of the Zenin clan, Mari pulls
[22:22] up to basically just raid the Zenin
[22:24] storehouse of cursed tools. Somehow
[22:26] after being embarrassed by Choso and
[22:28] Uta, NA still has the balls to belittle
[22:30] Marquy. And we even get this really dope
[22:32] shot where we actually pan from the
[22:34] present NA to the flashback of him
[22:36] bullying child Maki as if they were
[22:38] happening at the same time kind of. I
[22:40] feel like this is a good example of
[22:41] Mappa's inventiveness actually
[22:43] succeeding. It It's minor but very
[22:44] effective. The conversation where
[22:46] Janichi tells Noya that Oi is, you know,
[22:48] luring Marquy in to kill her is just
[22:50] pretty standard. And I would say the
[22:52] same for Mari walking past her mother in
[22:54] the tunnel, but damn. Damn, bro. Her
[22:56] voice actress had absolutely no reason
[22:59] to go that insanely hard. Anyway, Mari
[23:01] versus her dad round one. First of all,
[23:03] this shot reminded me of Moria from Lord
[23:05] of the Rings. Just wanted to throw that
[23:07] out there. Secondly, I much prefer the
[23:10] anime's adaptation of this fight to the
[23:11] mangas. The complete darkness with the
[23:13] only light being caused by the glow of
[23:15] Oi's cursed energy and the spark of
[23:17] their blades actually clashing is dope.
[23:19] But I also love that there is no music
[23:22] at all. The scene is very fast, but
[23:24] still incredibly tense. I mean, I know
[23:25] what's going to happen. I've read the
[23:27] manga and I still felt the tension. Oi
[23:29] just cooks Marquy Loiff before dragging
[23:31] both her and the severely injured Mai
[23:33] into the Zenin dungeon where they keep a
[23:35] load of cur spirits. Now, it's in this
[23:36] scene that we first get a taste for this
[23:38] episode's use of selective color, making
[23:41] practically everything black and white
[23:42] with the exception of the red blood.
[23:45] It's such a simple but very, very
[23:47] effective technique that they absolutely
[23:49] nail later on in the episode. Now, in
[23:51] the manga, Mai actually does kiss Mary,
[23:54] which I assume is because it's necessary
[23:56] for her to do that for what she's about
[23:58] to do. At least I hope. I I don't know,
[24:00] bro. Interpret it how you like. It's a
[24:01] bit weird either way. Their souls then
[24:03] resonate and they end up on a beach.
[24:05] Just like in the manga, they both wake
[24:07] up here without any shoes on because
[24:08] Gagegeay has a very suspicious habit of
[24:10] taking characters shoes off for
[24:12] literally no reason. In all seriousness
[24:14] though, this scene was adapted every bit
[24:16] as good as I had hoped. It didn't feel
[24:18] too rushed. The voice actors nailed the
[24:20] dialogue and the music low-key had me
[24:23] tearing up. Oh my days, it was peak. And
[24:25] dear god, Marina Inu's execution of the
[24:28] destroy everything line gave me actual
[24:31] chills. Even just the like subtle switch
[24:33] from Mary, you know, emotionally chasing
[24:35] after Mai and begging for her to wake up
[24:37] to the stoic and borderline emotionless
[24:40] looking monster that she becomes is is
[24:42] so well done. The character acting and
[24:44] animation in these moments has been so
[24:46] so good in season 3 so far and I really
[24:48] do hope it keeps up because there are so
[24:50] many more dialogue focused emotional
[24:53] moments to come. Also, for any anime
[24:55] onlyies that are confused about what
[24:57] happened in this scene, allow me to
[24:58] explain. Normal humans in JJK have a
[25:01] small amount of cursed energy. However,
[25:03] Toji had absolutely zero, which is what
[25:06] made him so stupidly strong and able to
[25:08] actually perceive curses with his eyes.
[25:10] Just like Toji, Mari has literally zero
[25:12] cursed energy for herself. But because
[25:14] Jiujutsu actually considers identical
[25:16] twins to be the same entity, her
[25:18] heavenly restriction has been massively
[25:20] held back because Mai still has cursed
[25:22] energy and Mai also lacked the will to
[25:24] get stronger. Mai's existence has
[25:26] literally held back's full potential,
[25:28] which is tragic but true. So when Mai
[25:30] dies, she takes all of that cursed
[25:32] energy with her, leading Mari to awaken
[25:34] her full strength by giving her life in
[25:36] a binding vow to massively increase her
[25:38] output. Ma uses her construction
[25:40] technique to create the weapon in
[25:42] Marquy's hand, which we're going to
[25:43] learn more about later, so I won't get
[25:44] into that now. She basically becomes the
[25:46] blade in a way, though, that's pretty
[25:48] much the gist of it. Yeah. Now, for the
[25:50] controversial part, Marquy versus Oi,
[25:52] round two. To an anime only, this scene
[25:54] would be absolute peak. Mary's newfound
[25:57] aura is dope. The way Oi immediately
[26:00] switches up and craps himself is dope.
[26:02] And the way he gets genuinely nodify is
[26:05] dope. But to a manga reader, I do
[26:07] understand the complaints to an extent.
[26:09] I think absolutely everything about this
[26:10] scene is literal perfection and a great
[26:13] adaptation of the source material. But
[26:15] the silhouette of Toji should have
[26:17] lasted literally 1 second longer because
[26:20] to a casual viewer, they're genuinely
[26:22] going to struggle to see who that was
[26:23] meant to be. Trust me, I watched this
[26:25] episode with three anime only casuals
[26:26] and they didn't even notice it
[26:28] happening. Maybe that's just because
[26:29] they're blithering idiots, but who
[26:31] knows? I'm sure they're not the only
[26:32] ones. So yeah, when compared to the
[26:33] manga panel, I mean, look at this thing.
[26:35] It's so cool. When compared to this, it
[26:37] does seem slightly underwhelming, but
[26:38] realistically, it's not that big of a
[26:40] deal. However, I do think they nailed
[26:42] the Toji moment that happens later on
[26:43] when Kid Na sees him as well, a kid. The
[26:46] way it goes from the bright and
[26:48] cartoon-like shot of Kid Nawa to the
[26:50] dark and unsettling shot of Toji makes
[26:53] for a pretty dope contrast. Now then,
[26:55] this is where the fun begins. The rest
[26:57] of the episode is really very simple.
[26:59] Mari locks in, channels her inner Toji,
[27:02] and literally annihilates her entire
[27:04] family. The anime absolutely clears the
[27:07] already goated manga adaptation of this
[27:09] event, though, because in the manga, the
[27:11] fights are entertaining, but much
[27:13] shorter and on a much smaller scale,
[27:15] which does mean that I feel it slightly
[27:17] fumbles when it comes to driving home
[27:19] the point that she just wiped out one of
[27:21] the three most powerful and dangerous
[27:22] jiu-jitsu clans alive with minimal
[27:24] difficulty at that while being heavily
[27:26] injured. To be fair, Gagegeay was sick
[27:28] when he was working on this fight in the
[27:29] manga, so it does make sense. But oh my
[27:32] days, the anime doesn't just fix the
[27:34] issue, but it low-key borders on
[27:35] overkill. You're telling me this Janichi
[27:38] guy is doing all that as a grade one
[27:40] sorcerer, cuz he is definitely not doing
[27:42] all that in the manga. He gets like one
[27:44] page. Look at this dude pull a deu on
[27:47] the whole estate and then compare him to
[27:49] Nanom. I'm sorry, but these Zenin grade
[27:51] ones are not like the rest because oh my
[27:54] days, this is some next level stuff. So
[27:56] yeah, when it comes to making the Zen
[27:58] clan look like they deserve the title of
[28:00] a top three clan, Mappa absolutely
[28:02] smashed it. In fact, the only thing they
[28:04] portrayed better than this was how
[28:06] insanely far above the rest of the
[28:07] jiu-jitsu world Marquy has actually
[28:09] risen. You know, because she like kills
[28:11] them all. Anyway, before the strong
[28:13] dudes arrive, Mari needs to warm up by
[28:15] slaughtering all of the Zenin NPCs,
[28:17] which is my favorite scene of the entire
[28:19] season so far and one of my favorite
[28:20] scenes in all of JJK. Not only does it
[28:22] have some incredible choreography as
[28:25] well as that same beautiful selective
[28:26] coloring, but is also a direct reference
[28:29] to Kill Bill, apparently. I wouldn't
[28:31] know. I've never seen it. Not only is
[28:32] she built like a brick [ __ ] house, but
[28:34] her completely stoic, nonchalant
[28:36] demeanor makes Marky's motions look so
[28:38] effortless, and it's just so cool. I
[28:40] especially like this cut of her standing
[28:42] dead still, just casually swatting away
[28:44] the NPCs because it felt like a homage
[28:47] to, you know, Toji doing this to Megumi
[28:49] in season 2. Oh, when she hit the knee
[28:51] slide, I screamed. And when she started
[28:53] ice skating on their blood before one
[28:55] inch punching this random dude, I was
[28:57] having a straight up aneurysm from just
[28:59] too much peak. Like I said, her fight
[29:01] against the hay was so dope and way more
[29:03] impactful than the manga, with even
[29:05] Rant's eye technique being made to seem
[29:07] way more busted than it was in the
[29:09] source material. And look, I'm a sucker
[29:11] for the Utaka Nakamura style orange and
[29:13] red heat effect to show a really
[29:15] hard-hitting move. So, this entire
[29:17] brightly colored sequence when Ranta and
[29:19] Janichi do their duo attack was just so
[29:21] cool to me. Like, it's it's so dope.
[29:23] Also, yes, this is definitely a Full
[29:25] Metal Alchemist reference. As expected
[29:27] though, Mari cleans these pulls up with
[29:30] very little difficulty. And it's at this
[29:32] point that the episode reaches its
[29:33] pinnacle. Now, Zenin versus awakened
[29:36] Mari. Wow. If you can't tell already, Na
[29:39] was massively holding back against Choso
[29:41] cuz this dude is an absolute menace when
[29:44] he actually reaches full speed. Like I
[29:46] said before, I'm a sucker for Utaka
[29:48] Nakamura's animation style. Grass is
[29:50] green, I know. And in the manga, Gage
[29:52] even drew this fight as a homage to the
[29:54] iconic Utapon Cube animation style that
[29:57] Utaka Nakamura has. So, when I saw names
[29:59] like Kohi Hiro on the staff list, I was
[30:02] certain this fight was in good hands.
[30:04] And oh my days, it did not disappoint.
[30:06] Mari basically just acts as a punching
[30:08] bag for the entire thing while she
[30:10] gradually adjusts to Nia's 24 fps
[30:12] rhythm. The depiction of Nia's insane
[30:14] speed with his blue projections, the
[30:16] insane destruction caused to the
[30:18] environment and the impacts of every
[30:20] blow is executed to perfection in this
[30:22] sequence. I don't even have that much to
[30:24] say about it to be honest beyond
[30:26] absolute cinema. The cherry on top and
[30:28] my favorite part of this fight though
[30:30] was the way Mary's first and final punch
[30:32] on Na was done. The scene actually
[30:34] freezes and we get a few different 360°
[30:37] shots of her throwing the punch right as
[30:39] Noi is running into it. And oh my days,
[30:42] the art and compositing here is just
[30:43] next level. I'm also a very big fan of
[30:46] the freeze frame shots of Maki actually
[30:48] landing the punch. I can definitely see
[30:49] why it wouldn't be everyone's cup of
[30:51] tea. But like I said in the beginning, I
[30:53] enjoy seeing ballsy creativity and this
[30:56] moment really worked for me. Especially
[30:57] the shot of Na's skull turning to dust.
[31:00] Oh. The episode rounds off with Marquy
[31:02] cutting down her own mother in an
[31:03] unexpectedly wellexecuted scene in which
[31:06] Marquy is exceptionally calm. And oh my
[31:09] days, bro. Like Nia's comment to Mary's
[31:11] mom in episode 1 of season 3 about how
[31:14] women who don't walk three steps behind
[31:15] men should be stabbed in the back and
[31:17] left to die aged absolutely horrifically
[31:20] because Mary's mom finds the strength to
[31:22] literally stab Noya in the back and
[31:24] leave him to die. This bum then arrives
[31:26] to cry over Mai's body. And we're told
[31:28] that over the next few days, Marky
[31:30] hunted down the rest of the clan that
[31:32] weren't present that day. And then the
[31:33] episode ends exactly how it begins. God
[31:36] knows how they were even allowed to get
[31:38] away with assembling the Avengers of
[31:40] animation and even releasing a 28minute
[31:43] cut for this episode, but I guess JJK
[31:45] just gets special treatment. Overall, it
[31:47] was truly peak and is comfortably in my
[31:49] top five favorite JJK episodes at the
[31:51] moment. If it genuinely wasn't your cup
[31:53] of tea, then that's fine. But at least
[31:55] give the animators credit where due.
[31:57] They definitely poured all of their
[31:58] heart and soul into making this and it
[32:00] paid off because it it just looked like
[32:02] absolute cinema.
[32:06] >> I'll never forget it. He's super tall,
[32:08] bro. And like it's super intimidating
[32:10] when he has so many bodyguards around.
[32:12] >> Who the [ __ ] is that guy?
[32:18] [screaming]
[32:24] >> No. Last week was Maky's time to shine.
[32:27] She was up in there being a complete
[32:29] goat for 28 minutes straight and it was
[32:31] peak cinema. But for episode 5 this
[32:33] week, we had a little cool down. Things
[32:34] are a bit slower and you know a little
[32:36] bit less massacre. Just like with the
[32:38] Tenken episode though, it is still
[32:40] gossoo cinema. The environments, the
[32:43] character acting, the unnecessarily
[32:45] incredible and dynamic direction of
[32:47] simple moments, the color palettes, and
[32:49] I I think you get the point. It's
[32:50] incredible. Oh, and I I nearly forgot to
[32:53] mention this episode is low-key making
[32:55] JJK history right now because it finally
[32:57] shows us the goat Kusa Kabi. Okay, I'm
[33:00] I'm kidding. I'm kidding. All right, it
[33:02] finally shows us the restless gambler
[33:04] himself in the flesh, Kenji Hkari, a
[33:07] suspended thirdyear who was teased by
[33:09] Gojo all the way back in season 1 as
[33:11] being a sorcerer in the same league as
[33:13] Uta Akotu, who will one day grow to be
[33:15] on par with Gojo himself. I don't know
[33:17] what Gojo was smoking that made him say
[33:19] that, but whatever. That's not
[33:20] important. I mean, you can tell Goshono
[33:22] knows how much hype there is around this
[33:24] dude simply by the fact that he was
[33:25] teasing that face reveal for the whole
[33:27] episode. I'm talking straight up edging.
[33:29] Like, Eugi, just move your elbow, bro. I
[33:31] want to see his face. Why Why are we
[33:32] doing all that? Just let me see him. Oh,
[33:34] okay. Definitely not the most badass
[33:35] angle, but but Cook, I guess. Yeah.
[33:37] Anyway, I'll get into my full review
[33:38] now. But wow. After seeing how great
[33:40] this episode looked, I I've just come to
[33:42] accept the fact that I I don't think
[33:44] there's going to be a single episode
[33:46] that I won't like or thinks looks worse
[33:47] than the others. JJK season 3 is just
[33:50] apparently what you get when your staff
[33:51] have an actual healthy schedule. I mean,
[33:53] who would have thought, right? So, the
[33:55] first 5 minutes of the episode is
[33:56] dedicated to this one single chapter of
[33:58] Yaga/Panda/Gakuganji/
[34:01] Timu Kakashi stuff that I think was
[34:03] adapted almost perfectly. Visually, it
[34:05] looks amazing. And, you know, it's
[34:07] pretty much a straight one:1 adaptation
[34:09] of the manga. You see, back in the day,
[34:10] Yaga was thrown in sorcerer jail because
[34:13] he managed to create Panda using his
[34:14] puppet technique. Normally, Yaga has to
[34:16] control his puppets himself, but he
[34:18] actually discovered a way to give
[34:20] puppets sentience and their own
[34:21] independent, self-preserving cursed
[34:23] energy supply, which may sound like a
[34:25] beautiful and wholesome thing, but as
[34:27] Yaga says, it's actually a curse. I
[34:29] mean, in the flashback, Yaga just
[34:30] outright denies that he can create these
[34:32] things deliberately and says Panda is an
[34:34] accident, which Loki saved his ass from
[34:36] either being executed or labeled as a
[34:38] special grade because those damn Tory
[34:40] make jiu-jitsu great again higher-ups
[34:42] were worried he would be able to create
[34:43] an army of pandas. God knows why anyone
[34:46] would be scared of an army of bums when
[34:47] people like Uta and Gojo walk the earth.
[34:49] But yeah, he was set free because of
[34:51] this lie. As of the end of the Shabuya
[34:53] incident, those same stinky jiu-jitsu
[34:55] Tories pinned Ghetto and Gojo's fuckups
[34:57] on Yaga and sentenced him to death.
[34:59] Which is why we see Gakuganji and this
[35:01] fake ass Kakashi pull up to jump him.
[35:03] Now low key, I do wish we actually saw
[35:05] this fight on screen because seeing more
[35:07] interactions and infighting between
[35:10] multiple experienced grade one sorcerers
[35:12] would have been completely dope. But
[35:13] this is how the manga is, so I'm not
[35:15] going to blame the anime for it. One
[35:16] thing I was very upset about, though, is
[35:18] that in the manga, Gakuganji is like
[35:20] really roughed up. But in the anime, his
[35:22] shiny bald head did not get a scratch on
[35:24] it. Like, can we put some respect to my
[35:26] goat Yaga's name, please? I I know bro
[35:28] put up a hell of a fight. Now, the
[35:29] context to Yaga's secret was executed
[35:31] really well in the anime, and I love the
[35:33] visual that they did for Panda's three
[35:35] souls moving around. Long story short,
[35:37] the absolute goat Kusakab, aka the
[35:40] strongest sorcerer available, actually
[35:42] has a sister who lost her son, Takaroo,
[35:44] and became, well, I mean, look at her.
[35:46] She clearly became prettying depressed
[35:48] over it. And so is Kusakab for good
[35:50] reason. I mean, it's her kid. So,
[35:51] Kusakab turned to Yaga for help. Yaga
[35:53] copied the information of her son's soul
[35:55] and placed it in a cursed corpse similar
[35:57] to Panda and basically let him live out
[36:00] the rest of his life happily in a forest
[36:01] that's protected by Tangen. Yeah. Yeah.
[36:03] It's all very sad and and you know, it's
[36:05] like literally never brought up again in
[36:07] the whole story, but still, I like it.
[36:09] Anyway, much to Gakuganji's surprise,
[36:11] when Yaga's on death store, he actually
[36:13] spills the secret behind creating things
[36:15] like Panda and says the knowledge is a
[36:17] curse. Now, at this point, Gakuganji's
[36:19] entire thing is about being, you know, a
[36:21] mega right-winged jiu-jitsu Tory who
[36:23] just follows orders and sucks off his
[36:25] bosses to no end. I mean, hell, he
[36:27] killed his colleague in cold blood
[36:28] because that's what he was told to do.
[36:30] The man has no agency. But Yaga
[36:32] revealing this cursed knowledge right at
[36:33] his death seemed to lead Gakuganji to
[36:35] realize what he was actually doing,
[36:37] which comes back around in a very nice
[36:39] way later on in the story. Panda then
[36:40] pulls up and mourns the death of his
[36:42] father. Because remember guys, even
[36:44] pandas cry.
[36:45] >> Who gives a [ __ ]
[36:46] >> To be honest, my only complaint about
[36:47] this whole scene is that I think I would
[36:49] have preferred to have some kind of sad
[36:51] music over this scene rather than like,
[36:52] you know, dead silence. But other than
[36:54] that, it is adapted to perfection as an
[36:56] exact one to one and it is Loki Peak.
[36:58] Anyway, on a slightly happier note,
[37:00] Yugji and Megumi pull up to Herkari's
[37:02] illegal fight club that he runs as a
[37:03] broki bookie that he runs as a bookie. I
[37:06] mean, dude, just look at this scene of
[37:07] Yugji moving under the camera with the
[37:09] barrier moving up past the screen. Go
[37:12] direction actually just needs to be
[37:13] properly studied because even in these
[37:15] tiny insignificant moments, they be
[37:17] doing the most to make it engaging and
[37:19] basically just as difficult for them as
[37:21] possible. And other than the fact that
[37:22] they made my goat Loki look like a can
[37:24] of [ __ ] Fanta, this entire part of
[37:27] the episode really does put into
[37:28] perspective how great season 3 looks
[37:30] compared to both one and two. At least
[37:32] in my opinion. Even just the road they
[37:34] are walking down is like some really
[37:35] Chainsaw Man season 1 level stuff. The
[37:38] character acting, the constant change in
[37:40] color palette, and even the mix of 2D
[37:42] and 3D environments make this, you know,
[37:44] conversation, which should just be
[37:45] boring, pretty engaging and interesting
[37:47] to watch. At least if you have the eye
[37:49] for that kind of stuff, it is. I don't
[37:50] know. My my anime only friends when they
[37:52] watch this, you know, they're kind of
[37:53] brain dead, so they couldn't tell the
[37:54] difference between this kind of stuff
[37:56] and One Punch Man season 3, but
[37:57] whatever. Long story short, Yugji will
[37:59] enter the fight club and well, fight.
[38:02] Meanwhile, Mega will do recon inside the
[38:05] spectators shadows. Oh my god, that
[38:07] looks so dope. Hell yeah, man. Screw the
[38:09] Shikagami. This use of the 10 shadows is
[38:11] so much cooler. I need more. Now, Hikari
[38:14] is basically just sus of everybody and
[38:16] doesn't want any contact with Jiu-Jitsu
[38:18] High for fear of being spied on, which
[38:20] kind of works in their favor since
[38:22] Megumi and Yuji are first years that
[38:23] Hkari has never seen before. Unlike
[38:25] Panda, who was a second year and happens
[38:27] to be Yuji's first opponent. Yeah, this
[38:29] moment here where Yuji like smiles after
[38:31] seeing Panda as his opponent. Loki just
[38:34] reminds me of that one scene from Thor
[38:35] Ragnarok.
[38:36] >> Yes,
[38:39] he's a friend from work. They put on an
[38:41] incredible fake fight that had
[38:43] absolutely and no reason to be as
[38:45] unbelievably well animated as it was.
[38:47] Especially since the manga is like two
[38:49] panels and then Hikari just sits there
[38:51] and watches it from the monitor room and
[38:53] oh my god, bro, he is like fully clamped
[38:55] onto that [ __ ] Godamn. Even Gojo's blue
[38:58] could not pull his hand off that. Oh my
[39:00] days, Akari, you absolute menace. Bro
[39:02] dropped out of school to grab ass, eat
[39:04] shitty snacks, drink booze, and rig
[39:07] illegal death matches. How can you not
[39:08] immediately love this guy? Also, wow,
[39:11] Hikari looks like absolutely incredible
[39:13] in the anime. Zoro's Japanese voice
[39:15] actor, too, by the way. Like, is that
[39:17] not crazy? I think that's crazy. Now,
[39:18] obviously, Hikari is immediately
[39:20] impressed with Yuji since he knows Panda
[39:22] is a beast compared to your average Joe.
[39:24] And he also likes how Yugji is
[39:26] deliberately putting on an interesting
[39:27] fight for the spectators. So, he calls
[39:29] him up to his office later on to give
[39:30] him a job offer in basically just
[39:32] scripted matches in exchange for big
[39:34] monies. And it lowkey makes me wish that
[39:36] we actually got an alternate timeline
[39:37] where Yuji does that because it kind of
[39:38] sounds dope. Yuji just keeps on winning
[39:41] and winning and what is he doing, bro?
[39:43] That stuff is not in the manga. Bro just
[39:45] beat up a pedestrian dressed as the
[39:47] [ __ ] Lorax and now he's out here
[39:49] emoting on their asses. But Bro was even
[39:51] like lightly knocking on the fourth wall
[39:53] there when he came up to the camera.
[39:54] Anyway, later on, Megumi and Panda have
[39:56] a little catchup session outside to
[39:58] discuss strategy. They basically just
[40:00] want to take control of the roof around
[40:01] the monitor room once Yuji is escorted
[40:03] inside, which means they're going to
[40:04] have to find a way around Kurara's
[40:06] technique, which seems to work in a
[40:08] similar way to Gojo's in that no matter
[40:09] how hard he tries, Panda cannot actually
[40:11] get any closer to the room. Megumi also
[40:14] then says Kurara was a guy, right? To
[40:16] which Panda responds, "Yes, a guy."
[40:18] Listen, yeah, I don't want to get too
[40:20] political on here cuz I know I'm not
[40:21] going to change anybody's mind by saying
[40:23] anything. Kurara's exact gender identity
[40:25] is just not confirmed in any way. And I
[40:28] do think it's supposed to be somewhat
[40:29] open to interpretation, but she is
[40:31] strongly suggested to be trans. I think
[40:33] at least that's my interpretation is
[40:35] that she's probably just a trans woman.
[40:37] >> Um, actually, um, Kurara is a dude, so I
[40:40] think you meant to say he.
[40:41] >> Shut up, brother. Why are you like 12 or
[40:43] something? Get off your mom's phone and
[40:45] go play Frisbee in the park. I don't
[40:46] know. I mean, first of all, Panda is
[40:48] like he's he's a panda.
[40:50] >> He's a panda. You're a panda.
[40:52] >> He doesn't have a concept of human
[40:54] gender identity, you know, cuz he's a
[40:55] he's a panda. I mean, hell, in this very
[40:58] episode, we see that a big part of Panda
[41:00] is that he is not a human and his mind
[41:02] doesn't work the way humans do. So,
[41:03] judging Kurara's entire gender identity
[41:06] of something a literal panda says is
[41:08] silly bro.
[41:11] My interpretation, you know, is that
[41:13] Kurara identifies as a woman, so I'm
[41:15] going to treat her as such. But what do
[41:17] I know? Like, you have absolutely no
[41:19] obligation to agree with my take. This
[41:20] is just what I think. I'm not trying to
[41:22] convince anyone of anything. Everyone is
[41:24] free to think what they like. Just
[41:25] please don't go and start demanding that
[41:28] everyone else share your exact
[41:29] interpretation because that's just
[41:31] unproductive and only causes conflict.
[41:33] Especially since I do believe it is left
[41:35] kind of, you know, open to
[41:36] interpretation because Ggeay wants it
[41:38] that way. But yeah, do your worst
[41:40] comments. I'm fully prepared. Like do do
[41:42] your worst. Go ahead. Anyway, Kurara
[41:43] shows Yugji into Hikari's monitor room
[41:45] for their meeting and then leads them to
[41:47] it. H I wonder what that suspicious
[41:50] looking grux symbol means. Huh? Anyway,
[41:52] the entire Hikari and Yugji conversation
[41:54] then plays out all at once in one shot
[41:57] from this side on angle, which is very
[41:59] different to the manga, but I really
[42:00] like it. The manga shows this
[42:02] conversation happening in real time,
[42:03] where we cut back and forth between this
[42:05] and the events of the next episode,
[42:07] which are happening outside of the
[42:08] monitor room as they speak. I actually
[42:10] really like that they condensed it into
[42:12] one scene, and even that they kept it as
[42:14] one static angle, because that combined
[42:16] with the dim lighting emitted from the
[42:18] TVs makes the scene so much more tense.
[42:21] The manga has a lot of different angles
[42:23] that I do wish we could have seen, like
[42:25] Kakari drinking and then firmly placing
[42:26] his glass down in response to Yuji's
[42:28] panicked face, but I think I like the
[42:30] suspenseful interpretation just as much,
[42:32] if not more. Especially since it allowed
[42:34] the animators to really go overboard
[42:36] with the character acting, which made it
[42:37] all feel supernatural. I mean, sure,
[42:39] Yuji being called out on not knowing
[42:41] Saturu Gojo was much less comedic than
[42:43] the manga made it seem, but I think it
[42:45] was worth it for the tension. Even just
[42:47] the way Hikari like nonchalantly threw
[42:49] the glass at Yuji, who was already
[42:51] backing up because he knew he messed up
[42:53] felt so natural. And oh my god, I love
[42:55] the way Hikari does the doors as well.
[42:56] It was great. Again, it does seem a lot
[42:58] more like dramatic and in-your-face in
[43:00] the manga, but I think I prefer this
[43:02] tense version to be honest. And and god,
[43:04] bro, Hikari looks so good, dude. I felt
[43:06] like Gage always kind of drew Hikari as
[43:08] this slightly, you know, stubby dude,
[43:10] but wow, he just looks incredible in the
[43:13] anime. Like look at the character and
[43:15] clothing animation when he swings for
[43:16] Yuji in this scene. It's so effortless
[43:18] and natural. In fact, the character
[43:20] animation being this good in these
[43:22] scenes, as well as certain ambiguous
[43:24] hints from staff members online has led
[43:26] a lot of people to believe that these
[43:27] scenes are rotoscoped, which I think
[43:29] could definitely be true. Uh, and I
[43:31] don't see the problem with that in the
[43:32] slightest. Whatever looks best in it,
[43:34] like whatever works. There's no
[43:35] confirmation of this though, not yet
[43:36] anyway. So, you know, take everything
[43:38] with a pinch of salt. The episode then
[43:39] comes to a halt right as Yuji is backing
[43:41] up from Herkari, meaning that next time
[43:43] we're going to be seeing what was going
[43:44] on outside that door. I cannot wait.
[43:47] Again, this episode was gosso cinema,
[43:49] and it was amazing seeing Hakkari in the
[43:51] flesh after so long.
[43:54] In this week's episode of Jiujitsu
[43:56] Kaizen, Panda launches a bunny rabbit,
[43:58] Megumi flexes his abs, Kurara commits
[44:01] several animal safety violations, and
[44:03] Hakari gets jump scared by a child. Oh,
[44:06] and we see this guy, too. Yay. I'm
[44:08] guessing this is probably going to be
[44:10] another controversial episode of JJK,
[44:12] but I wouldn't know because I've chosen
[44:14] to make this video before checking the
[44:16] negativity riddled cesspool that is the
[44:18] internet. I say this because like the
[44:20] Ten episode, episode 6 of JJK requires
[44:24] basic reading ability and an IQ above
[44:26] room temperature to actually understand.
[44:28] Actually, to be fair, that that's a bit
[44:29] harsh cuz I didn't even really
[44:31] understand Kurara's technique at first
[44:33] either. But then again, I've never
[44:34] claimed to have an IQ above room
[44:36] temperature, so suck it, I guess.
[44:37] Director Goshono and his incredibly
[44:39] talented team yet again took on some
[44:41] creative liberties when adapting this
[44:43] episode, which obviously are mostly for
[44:46] the best. I'll start breaking it down in
[44:47] a moment, but first, I just want to
[44:49] glaze the music and sound design in this
[44:51] episode specifically because holy hell,
[44:54] as if Yuji's cog speech to Hakari wasn't
[44:56] already amazing in the manga, the anime
[44:59] just pushed it up to a completely
[45:00] different level for me. Even the tension
[45:02] between Megumi and Kurara was like
[45:04] massively elevated to a totally new
[45:06] level simply because of a few simple but
[45:08] very impactful sound design and music
[45:10] choices, which I feel like is a
[45:12] recurring theme throughout the season so
[45:13] far that the music and sound design game
[45:15] has really stepped up. Anyway, sorry.
[45:17] I'm going to stop yapping about that
[45:18] now. Let's just get right into it. Oh my
[45:21] god, bro. The silent pan across to
[45:23] Megumi just a farming inside of a dude's
[45:25] shadow to start off an episode is
[45:27] actually crazy. The way his face lights
[45:29] up from the dude's lighter. Oh my god,
[45:31] it's so peak. But dude, that guy is just
[45:34] an NPC. Like, why why is Megumi looking
[45:36] at him like he's just mowed down an
[45:38] orphanage or something? I don't know,
[45:40] man. This jiu-jitsu clearly gets
[45:41] serious. Now, Megumi honestly thinks
[45:43] he's Sunjin Wu. And you know what? I'm
[45:45] not even going to hate on it because
[45:46] when was the last time you saw Sunjin Wu
[45:48] dive into a dude's shadow like that? Oh,
[45:50] it's so cool. Honestly, this just makes
[45:52] me want to call Megumi a fraud even more
[45:54] because I need him to be using this side
[45:56] of his technique in the rest of the
[45:57] series. Please. While he's busy aura
[46:00] farming though, Pandanda's out here
[46:01] pretending to be well, a panda.
[46:03] >> He's a panda. You're a panda.
[46:05] >> Once the fod were dealt with, Megumi and
[46:07] Panda make it onto the set of today's
[46:09] episode, a rooftop car park with Akari's
[46:11] monitor room placed in the corner.
[46:13] Kurara passes underneath them and they
[46:14] make eye contact, which means now they
[46:16] obviously have to fight. However,
[46:18] Megumi's divine dog totality gets flung
[46:20] right back at him once Kurara marks it
[46:23] with her cursed technique because that's
[46:24] kind of how that works. I'll explain it
[46:26] more in a second, maybe. But can we
[46:28] please just take a minute to appreciate
[46:30] how unbelievably cool Totality looks?
[46:32] Bro, that's not even a dog anymore. He's
[46:34] just standing upright like a whole ass
[46:36] dude looking like that one Ben alien.
[46:38] It's so cool. Before the fight properly
[46:40] gets started, Megumi tries reasoning
[46:42] with Kurara and telling her the
[46:43] situation. But obviously, she ain't
[46:45] buying it because the concept of Satur
[46:47] Gojo being sealed is just straight up
[46:49] incomprehensible. Like seriously, there
[46:51] was no doubt on Kurara's face. The
[46:53] possibility of that being true didn't
[46:55] even cross her mind because Gojo is
[46:57] really just that guy. So look, right,
[47:00] this is obviously just a simple
[47:01] conversation between Megumi and Kurara.
[47:03] The animators could have just had it be
[47:05] a normal face-to-face confrontation and
[47:07] no one would bat an eye, but director
[47:09] Goshono and his team are just not having
[47:12] it. They still chose to do the absolute
[47:13] most possible to make this dialogueheavy
[47:16] episode into a proper treat. There was
[47:18] no need for this dramatic slow-mo pan or
[47:20] for this completely amazing but totally
[47:22] unnecessary dynamic perspective of
[47:24] Kurara literally just standing still.
[47:27] But they chose to do it anyway, which is
[47:28] why JJK is so goated and why the
[47:31] adaptation gets so much praise. Now, I
[47:33] think this fight is really dope because
[47:34] it's not actually a fight. Like, no
[47:36] hands are really thrown. As it normally
[47:37] is for Megumi's best moments, it's a
[47:39] game of strategy and intelligence, which
[47:41] because it's Gay writing, it often means
[47:43] a lot of dialogue and overly complex
[47:45] explanations that I think Mapper
[47:47] actually did a pretty good job of
[47:49] adapting. I think the team genuinely
[47:50] handled this specific fight as well as
[47:53] they possibly could have by basically
[47:55] making the dialogue and explanationheavy
[47:57] moments much easier to understand with
[47:59] simple diagrams and then keeping the
[48:01] viewers engaged in between these moments
[48:03] by dialing up the animation to 11. The
[48:06] entire first half of this episode feels
[48:08] like it goes through this constant cycle
[48:09] of explanation and then wellan animated
[48:12] action and then more explanation and
[48:14] then more well-animated action. Like
[48:15] sure, they didn't need to be making
[48:17] these stupidly dynamic almost
[48:20] utaponesesque scenes for a fight like
[48:21] this one, but doing so is a really great
[48:24] way of keeping your attention because of
[48:26] how dialogueheavy the rest of it can
[48:27] get. Okay, maybe I haven't really
[48:29] explained this in the best possible way,
[48:30] but I can summarize by saying the
[48:32] episode was structured and storyboarded
[48:34] really well. so that we didn't get
[48:36] bored. That's basically the gist of it.
[48:38] We might have been confused with the
[48:39] information, sure, but not bored. At
[48:41] least I definitely wasn't. Anyway,
[48:43] Megumi tests out his hypothesis by using
[48:45] his rabbits and seeing what they can
[48:47] reach. He then comes to the conclusion
[48:48] that Kurara marks cursed energy with a
[48:51] star from a specific constellation. And
[48:53] then later on in the episode, he works
[48:54] out that in order to reach a location
[48:56] marked with a star, you need to first go
[48:58] past all of the other stars in the
[49:00] correct order. That's the bare bones
[49:01] basics of it. But don't ask me more than
[49:03] that because it just breaks my brain
[49:05] every time I put too much thought into
[49:06] it. I don't know. Like, go watch the
[49:08] episode. I'm not here to break down how
[49:09] the technique works. I want to glaze the
[49:11] animation. Now, from the moment this
[49:12] fight began in the anime, the OST just
[49:15] started absolutely cooking. Like, so far
[49:17] in season 3, the music has definitely
[49:19] been very bold. It's very brave choices,
[49:22] but I'm really appreciating it so far.
[49:24] It is working. And god, I love the
[49:26] tension built by that synthetic voom
[49:29] sound when Megumi tests Kurara's
[49:31] reaction to saying her technique
[49:32] resembles the southern cross. That this
[49:34] was definitely a highlight for me. That
[49:35] that little was just oh, it was it added
[49:38] such a nice little element that I didn't
[49:40] think that scene even really needed.
[49:41] Directly after this scene, we also get a
[49:43] really wholesome anime only visual of
[49:45] Megumi's sister, Sumaki, showing Megumi
[49:48] the Southern Cross when they were kids.
[49:49] And honestly, watching that one little
[49:51] it's it's genuinely like a second long,
[49:53] but watching that one little scene made
[49:55] me like feel really strange because it
[49:57] it looks so far removed from JJK. I hope
[50:00] they do more stuff like this because
[50:01] even Gage himself has acknowledged the
[50:03] slight lack of substance from Sumaki and
[50:05] Megumi's relationship. Also, I'm sorry,
[50:07] but what the is Panda doing, bro? Like,
[50:10] you you guys ask why I hate on Panda,
[50:12] but what did he actually contribute to
[50:13] this fight besides being a test dummy
[50:15] for Megumi? I mean, later on in the
[50:16] episode, once Kurara's technique is
[50:18] exposed, he still decides to try and
[50:20] throw a car that Kurara draws to him.
[50:22] Why? Because he's a [ __ ] idiot, bro.
[50:24] That's why. The scene of Panda actually
[50:25] throwing the car, though. Wow. I love
[50:27] that. I really love that scene. The
[50:29] camera movement in this episode and the
[50:31] way it tracks Megumi vaulting the
[50:32] handrail. Oh, it just looks so clean.
[50:35] Even just these simple visuals of Megum
[50:37] are beautiful. Anyway, Panda takes a
[50:39] trip into the sky and then wait coin
[50:41] coin. Look, Kura is doing a If you know,
[50:44] you know, man. If you know, you know.
[50:45] But look, that's coin. That's coin. I
[50:47] must sound like a crazy person to you
[50:48] guys. Read Kagurabachi, man. It's peak
[50:50] and and damn, like I know Kurara is
[50:52] cool, but what the hell are these mappa
[50:54] dudes thinking giving her aura like
[50:55] that? She's moving like Gojo with blue.
[50:57] I mean, that was beyond a speed blitz.
[50:58] That was just straight up ultra
[51:00] transmission or or something. I don't
[51:02] know, man. I've never watched Dragon
[51:03] Ball in it. Kurara then does some
[51:05] Magneto type shenanigans on the car to
[51:07] try and straight up murder Megumi. But
[51:09] the divine dog that has been lying in
[51:10] weight behind the wall is then launched
[51:12] towards Megumi with Kurara standing
[51:14] directly in the way exactly as he
[51:16] planned. Megumi dies out of the car,
[51:18] subdued Kurara, who canceled her
[51:20] technique, and then the car [ __ ]
[51:21] explodes for hype moments and aura
[51:23] reasons. Enough of all that though.
[51:25] Let's talk about the main event. Let's
[51:26] talk about Kinji Hikari and Yugjiadori.
[51:29] Bosch. Car blows up. Kurara finally
[51:32] agrees to help. And Yuji gets his [ __ ]
[51:34] absolutely rocked by this wife
[51:36] beaterawwearing behemoth of a man. I
[51:38] always thought Gagegeay draws Akari in a
[51:40] way that makes him look kind of small
[51:41] and stubby, but god damn, the anime
[51:44] makes this dude look like an absolute
[51:46] monster. Something else I really like
[51:48] compared to the manga, as Hakkari just
[51:49] wales on Yuji here, is that Hakkari's
[51:51] face is way more expressive than in the
[51:53] manga. He seems way more well, I mean,
[51:56] way more passionate, I guess. And the
[51:58] music and the lighting in this scene are
[52:00] just oh, they're so peak. Like, they
[52:02] create such a tense and emotional
[52:04] atmosphere. especially the music later
[52:06] on when we see Yugji get back up to give
[52:08] his cog speech. Just before Yuji gives
[52:10] his speech though, Hikari actually has
[52:11] his own little bit of very cool and
[52:13] underrated dialogue. He basically says
[52:15] Yugji is boring because being a cog that
[52:17] exercises curses simply because that's
[52:19] what he's been told to do isn't
[52:21] passionate at all and that principal
[52:22] Yaga was meant to weed out people like
[52:24] him from the school. It's in the manga,
[52:26] too. But I love this little throwaway
[52:27] comment from Hkari because he's right.
[52:29] Yaga did test Yuji way back in the
[52:31] beginning of the series to see if he had
[52:33] passion or if he was just becoming a
[52:34] sorcerer because that's what he was told
[52:36] to do. What takes Hikari probably by
[52:38] surprise though is that even with his
[52:40] sharp cursed energy and insane striking
[52:42] power, he cannot get this cog that is
[52:44] Yujiadori to stay down. Oh, and yeah,
[52:46] Hikari's got a cursed energy trait that
[52:48] makes his cursed energy feel sharp. I
[52:50] Loki thought his cursed energy would
[52:52] also be a different color, but it seems
[52:53] to just be blue. That might change later
[52:55] on in Jackpot, but who knows? Hkari
[52:57] absolutely decimates Yugji with a strong
[52:59] punch and then turns around to talk to
[53:01] Kiraara. But he clearly hasn't watched
[53:03] the show because if it's just pain, then
[53:06] Yujiadori will never quit. Ray Yuji
[53:09] pulls up behind Akari and straight up
[53:11] jump scares that man. I've never seen
[53:12] Hkari back away from anyone like that
[53:14] before. So, props to Yuji for being the
[53:16] first and the last person to do it. Yuji
[53:18] then delivers his incredible cog speech
[53:20] about how he's a cog, but he's a cog
[53:23] with a purpose, and he will not stray
[53:24] from that purpose until the day he dies.
[53:27] He must exercise curses no matter what.
[53:30] I don't know if any of you guys are
[53:31] reading JJK modulo, but uh wow, this
[53:34] this hits like 10 times harder now.
[53:36] Damn. His voice actor smashed it, and I
[53:38] love how dead pan Yuji's expression and
[53:40] voice are here. Like, there's no actual
[53:42] emotion behind it. He's just stating a
[53:44] fact. Kurara then chimes in to help
[53:46] Hikari realize that Yujiadori is
[53:48] actually a cog with passion. He is a cog
[53:50] with the fever. And for that reason,
[53:52] he's worth hearing out. The episode ends
[53:53] with Kugane pulling up to declare to
[53:56] Yuji Tadori specifically, who is already
[53:58] a player due to Sukuna that another
[53:59] player has added a rule allowing for
[54:01] player information to be shared, and
[54:03] I've just said player way too much. This
[54:05] rule was added by none other than the
[54:07] mythical Ado era farmer himself, Ahajime
[54:10] Kashimo. The only downside of this
[54:12] episode is that for whatever reason,
[54:14] Gosso decided to remove Kashimo's
[54:16] introduction panel where he's staring
[54:17] through some poor dude's donuted torso.
[54:20] Yeah, I really like that moment, but
[54:22] whatever. Instead, we just kind of see
[54:24] him in this weird crouching position
[54:25] under a bridge staring at the no-name
[54:27] droid that he seemingly just blasted.
[54:29] For anime onlyies, I'm not going to
[54:31] speak about this guy too much. Like,
[54:32] you're just going to have to wait and
[54:33] see. But for you manga readers, here's a
[54:35] cool little detail that you might have
[54:36] missed. You can actually see strands of
[54:38] gas or steam coming from the lake that
[54:40] he's sitting in due to the, you know,
[54:42] effect that his cursed energy trait has
[54:44] on the water, which is also probably
[54:46] what makes his stuff flare up as well.
[54:48] It's just another example of how much
[54:50] attention to detail Gosso and his team
[54:51] are putting into this series, man. But
[54:53] yeah, banger episode and the final prep
[54:55] episode before we finally jump into the
[54:57] actual culling games. And trust me, if
[54:59] you thought it was good now, oh my god,
[55:00] you have not seen anything yet.
[55:04] This week on Jujutsu Kaizen, Hikari
[55:07] breaks the fourth wall, Yuji hurts his
[55:09] hand, Megumi has a generational fumble,
[55:12] and Kjaku stalks children in their
[55:14] dreams. Actually, that that last one is
[55:15] like a bit mad out of context. I mean,
[55:17] even in context, it's a bit creepy and
[55:19] be real. Long story short, to explain
[55:21] Kaku's creepiness, non-scorers, such as
[55:23] Yugji's season 1 occult friends, get one
[55:26] chance to leave the colony and get
[55:27] themselves to safety. Kjaku gave special
[55:30] thanks to this one person in particular
[55:31] for being his son's friend, which has
[55:33] always made people wonder, does Kinjaku
[55:35] actually like care for Yugji as a child?
[55:38] Does he have like real maternal
[55:39] instincts? Like why has he gone out of
[55:41] his way to just thank this person for
[55:42] being Yugji's friend? I don't know. It's
[55:44] weird. It's interesting. As for how he
[55:45] invaded her dreams and leaded her out of
[55:47] the barrier in this weird world between
[55:49] worlds type of place, like God knows,
[55:52] bro. Like just don't think too hard
[55:54] about it. All right. Just just accept
[55:55] it, bro. Oh. Oh, wait, though. What?
[55:57] What's that in the background? Wait,
[55:58] that looks sick. I I I hope we come back
[56:00] to that for whatever reason, you know,
[56:02] later on cuz that that looks cool.
[56:04] Anyway, Isizo Isizo then blesses our
[56:06] ears again and we cut back to Hikari and
[56:08] the gang who are having a little yap
[56:10] session again. 99% of this is just a
[56:12] onetoone with the manga as Hkari shows
[56:14] disbelief that Gojo was sealed. Hand
[56:16] tells everybody about Yaga's death. And
[56:18] then Hikari explains his desire to well,
[56:21] long story short again, he just wants to
[56:23] expand his sorcerer fight club to all of
[56:25] Japan. The 1% of this that isn't
[56:27] faithful to the manga is um the
[56:30] hilarious moment where Hikari just hears
[56:32] Megumi say that he's the head of the Zen
[56:34] clan and can help him achieve his Fight
[56:35] Club goal and then basically just
[56:37] straight up break the fourth wall into
[56:39] little pieces in this little fang girl
[56:41] freakout moment. I was I was dying when
[56:43] he turned on his heels and made that
[56:44] cutesy face that he pulled in the manga.
[56:46] It's so funny. That bro is really doing
[56:48] tricks on it after beating up his friend
[56:50] right in front of him because he wants
[56:52] the fight club that badly. Bro has no
[56:54] shame. I lowkey respect it. Okay, then.
[56:56] Like, so, do these guys walk down the
[56:59] stairs in the manga? No. Did Mappa
[57:01] choose to include this sequence because
[57:03] they like flexing their artistic talent
[57:05] to every possible turn? Yes. And
[57:07] speaking of artistic talents, oh my
[57:10] days, the art in this episode is unreal.
[57:13] The aesthetic, the atmosphere, the
[57:15] insane sense of scale that Mapper
[57:17] achieved when showing the colonies and
[57:18] how desolate the streets are is, well,
[57:21] it's insane. And obviously the
[57:23] incredible OST only just helps elevate
[57:25] that feeling. Seriously, man, it looks
[57:27] so goddamn good. Like they're in broad
[57:29] daylight right now, but the tension is
[57:31] still incredibly high because of these
[57:33] very wide shots of the empty and
[57:35] desolate road that Fushiguru and Itidori
[57:37] are walking down. You see the huge scale
[57:39] of the city and the barriers. Yet, until
[57:41] they actually enter the colony itself,
[57:42] the place seems like a ghost town,
[57:44] almost as if Yuji and Megumi are the
[57:45] only people left in the world. So, yeah,
[57:47] I think the art and composition is
[57:49] definitely the highlight of this episode
[57:50] for me. You know, the whole thing had
[57:52] such a unique atmosphere and I really
[57:53] liked it. In fact, it was actually so
[57:56] good that my anime only friends who
[57:58] forever just complain about anytime
[58:00] Jiu-Jitsu Kaisen gets slightly
[58:01] dialogueheavy. Any yap sesh without a
[58:03] fight, they're complaining. Yeah,
[58:04] they're those kind of people. But they
[58:06] actually enjoyed this episode, which
[58:07] means yeah, it was it was that good, you
[58:09] know. Anyway, enough glazing for now.
[58:11] I'll continue to yap about the quality
[58:12] and other specific moments shortly. But
[58:15] first of all, a very brief TLDDR of the
[58:17] current situation because the culling
[58:18] game rules and objectives can be a bit
[58:20] complicated thanks to Gagege having just
[58:22] major overexplaining syndrome. To enjoy
[58:24] the culling games, you really don't need
[58:26] to memorize all of the rules. You get
[58:28] points for killing people. You can spend
[58:30] 100 points to add a rule within reason.
[58:32] If you refuse to participate or your
[58:34] points don't change for 19 days, you
[58:36] just spontaneously collapse and die of
[58:38] death. Very simple. This player called
[58:40] Kashimo spent 100 points to add a rule
[58:42] revealing player information to all
[58:44] players, which is good for us because as
[58:46] Megumi geniusly points out, they can now
[58:48] track down players with over 100 points
[58:50] that haven't yet created rules, beat
[58:52] them up, and then force them to make
[58:54] rules for us. There are a few rules that
[58:56] they need to make, but the most
[58:57] important one right now is allowing
[58:59] players to transfer points between each
[59:01] other because that way they don't have
[59:03] to kill anybody and Megumi can at least
[59:05] then transfer Sumaki a couple points to
[59:07] reset her 19-day countdown to death.
[59:09] Simple, right? Like it's simple. Load up
[59:11] the game, select battle royale, drop the
[59:13] battle bus, hunt down the top ranked
[59:15] players, victory royale. Easy. The
[59:18] calling game is literally as simple as
[59:19] Apex Legends or Fortnite, bro. Like, at
[59:21] least for now, it is. We can worry about
[59:23] the complex stuff much much later on. So
[59:25] yeah, the player that Megumi and Yuji
[59:27] actually choose to hunt down is called
[59:28] Higoruma sorry Higuruma Hiomi. He has
[59:32] 100 points and he has not yet created a
[59:34] rule. So he is the perfect candidate.
[59:35] Yugji and Megumi will track him down and
[59:37] Hkari decides that he will go and face
[59:39] Kashimo since that guy seems to be way
[59:41] too strong for Yuji or Megumi to
[59:43] currently deal with. Yeah, that is Loki
[59:45] Hkari aura. Not going to lie. The scene
[59:47] of them actually entering the barrier is
[59:48] really damn cool though. Especially the
[59:50] part where Megumi knocks on the barrier
[59:52] and it makes like this really nice
[59:54] metallic echoey sound which I feel like
[59:56] reinforces you know just how solid and
[59:59] and impenetrable these barriers actually
[1:00:01] are. I feel like sometimes they look a
[1:00:02] bit you know kind of just there but this
[1:00:04] really reinforces how how strong these
[1:00:06] things are. They are a barrier. The
[1:00:08] transition from Yugji walking into the
[1:00:09] barrier to him falling straight down was
[1:00:11] really well done. But damn, like imagine
[1:00:13] you were just a f sorcerer that had no
[1:00:15] way of surviving like a fall from this
[1:00:17] height. Everyone knows when you play
[1:00:18] these video games, bro, how embarrassing
[1:00:20] it is to die of full damage. You're
[1:00:21] telling me sorcerers have to deal with
[1:00:22] that off rip. Before he hits the ground
[1:00:24] though, Bosch jet hair lady slams him
[1:00:26] through a building in an awesomely
[1:00:28] animated shot which leads to a sick
[1:00:30] sequence where Yuji regains his balance
[1:00:32] and runs to the edge of the scaffolding.
[1:00:34] And damn, I have been watching Yuji
[1:00:36] getting slammed by this woman in
[1:00:37] ninjistic ninja's calling game MMV for
[1:00:39] literal years at this point. It It's so
[1:00:42] weird to finally see this, you know, be
[1:00:43] animated properly. And the anime really
[1:00:45] didn't hold back. like she looks strong.
[1:00:47] Oh no, never mind. Nope, she got taken
[1:00:49] out by a rock. Good job, Eugi. Jet
[1:00:51] lady's man then pulls up whose real name
[1:00:52] is Hubba, but we're going to call him
[1:00:54] helicopter man because that's exactly
[1:00:55] what he is. I mean, this dude really
[1:00:57] just pulled the short straw here. You've
[1:00:58] got techniques in the verse like the 10
[1:01:00] shadows, ratio, idol transfiguration,
[1:01:02] auspicious beast summon, but nah, this
[1:01:04] dude was born with an MHA background
[1:01:06] character's quirk. That's just unlucky.
[1:01:08] Still though, it does seem pretty
[1:01:09] deadly, especially when it comes racing
[1:01:11] towards Yugji as a life-sized blender. I
[1:01:13] mean, how the hell is Yugji going to
[1:01:14] survive? Oh. Oh, okay. No. Like, what
[1:01:17] the [ __ ] That was That was sick. It
[1:01:19] makes no sense at all. Like, how is Yuji
[1:01:20] fitting through that? I don't get it.
[1:01:22] But it's still sick. It's dope. It looks
[1:01:24] really cool. I mean, screw physics, bro.
[1:01:25] Like, this is anime. We don't really do
[1:01:26] that here. Just don't even question it,
[1:01:28] you know? Now, I really like this shot
[1:01:29] of Yuji being thrown out the back of the
[1:01:31] building. Uh, because I have a weird
[1:01:33] soft spot for like distorted close-up
[1:01:35] POVs like this. And also, this is the
[1:01:37] scene where I properly realize just how
[1:01:39] beautiful the background art really is.
[1:01:41] Like, just look at the sky and look at
[1:01:42] the cold purple bluish vibe they got
[1:01:44] going on. It's really nice to look at.
[1:01:46] To finally end the fight, Yugji figures
[1:01:47] that hitting helicopter man on the head
[1:01:49] with strong punch should definitely do
[1:01:51] the trick, which it did. Like low key,
[1:01:53] the manga almost kind of had you
[1:01:54] wondering if Yuji just straight up
[1:01:56] killed these guys because they are out
[1:01:57] cold. And all he got was some bloody
[1:01:59] knuckles. And I do really like the way
[1:02:00] that he tried to like, you know, shake
[1:02:02] off the pain. It looks really natural,
[1:02:03] which I guess I should just expect at
[1:02:05] this point because the character acting
[1:02:07] has been amazing so far. Now to fill in
[1:02:09] some gaps very quickly though. Ren
[1:02:10] Amayi. He's a dude who knows Itidori
[1:02:12] from back in the day and he is an
[1:02:14] awakened player that was working with
[1:02:15] the vehicle head people. It's honestly
[1:02:17] kind of messed up. They were just
[1:02:18] blatantly spawn camping people and
[1:02:20] attacking them as they fell on Amaya's
[1:02:22] signal. Now, Megumi actually landed safe
[1:02:23] and sound in the company of a very
[1:02:25] annoying but undeniably attractive
[1:02:27] scorpion tail-haired lady who claims to
[1:02:29] know where Higuruma is, but will only
[1:02:31] take Megumi there if he becomes her
[1:02:33] knight and shining armor. Yeah, this
[1:02:35] girl has clearly not read the source
[1:02:36] material because Megumi is not moved one
[1:02:39] millimeter by her seductive tactics. She
[1:02:41] tries getting all flirty with Megumi, to
[1:02:43] which Megumi's internal response is, "I
[1:02:46] ain't like Yugji, [ __ ] I'll [ __ ] kill
[1:02:48] you to get these points and he means
[1:02:49] it." The episode then ends on a
[1:02:51] cliffhanger where Amay tells Yugji that
[1:02:53] Higuruma is in Ikabukuro and Remy tells
[1:02:55] Megumi that Higuruma is in Shinjuku. As
[1:02:57] the split pathway imagery was alluding
[1:02:59] to for the entire episode until this
[1:03:01] moment, one of them is obviously lying
[1:03:03] and leading either Megumi or Yugji into
[1:03:05] a trap. Looking at these two though, I
[1:03:07] think anybody who thinks with their
[1:03:08] first head and not their second head can
[1:03:10] figure out who the yapper is. Anyway, W
[1:03:12] episode as expected. I just I loved the
[1:03:14] like sense of scale that was going on
[1:03:16] when we saw the barriers. And I also
[1:03:18] just love the crazy atmosphere that was
[1:03:20] built up in this episode. It was really
[1:03:21] damn good. Now, unfortunately, the anime
[1:03:23] is on break next week, but once it
[1:03:24] returns, it is going to be straight
[1:03:26] banger after banger for the rest of the
[1:03:28] season. I mean, and I know it kind of
[1:03:29] already is, but even more so than usual.
[1:03:31] So, yeah. As always, make sure to like,
[1:03:33] sub, thanks for watching, and I will see
[1:03:34] you in a bit. Okay, I lied. Video is not
[1:03:36] over cuz I realized as I finished
[1:03:38] recording that I have something very
[1:03:39] important to talk about. Hikari's dub.
[1:03:42] There was a lot of doubt online about
[1:03:43] Yuri being given the role of Akari
[1:03:45] because obviously, you know, we know him
[1:03:47] for voicing like Sasuke and Ben from
[1:03:49] Alien Force, which a lot of people heard
[1:03:51] those voices and were like, "Nah,
[1:03:52] there's no way that fits Akari." I think
[1:03:54] it sounds dope. He really captures like
[1:03:55] the nonchalant vibe, the way he's
[1:03:57] talking to Yugji. I think it does fit
[1:03:59] him. I think I look at him and I go,
[1:04:00] "Yeah, I believe he has that voice." He
[1:04:02] sounds like a teenage delinquent. That's
[1:04:04] what he sounds like. A young teenage
[1:04:05] delinquent. I know people are going to
[1:04:07] want him to sound like Zoro or Keachi or
[1:04:09] something, but like I don't know. I I I
[1:04:11] liked it. I thought it did fit and I'm
[1:04:12] really looking forward to his stuff. So
[1:04:14] yeah, don't judge a book by its cover,
[1:04:16] man. I really like it. It's nowhere near
[1:04:18] as out of place as people said it would
[1:04:19] be. It's dope. Sorry, I wanted to yap
[1:04:21] about that real quick cuz I think voice
[1:04:23] actors deserve way more respect than
[1:04:24] they get. And I honestly think he killed
[1:04:26] it. So Yuri, you're never going to see
[1:04:27] this video, but in case you do, you
[1:04:29] [ __ ] killed it, mate. All right, I
[1:04:30] like it.
[1:04:33] Oh my god, the bruh. Look at Yuji hook
[1:04:36] kick this man. I know it happens like
[1:04:38] halfway through the episode, but I'm too
[1:04:39] impatient to reach that part in my
[1:04:41] review. I need to talk about it right
[1:04:43] now. Look at how good this looks. What
[1:04:45] the hell, man? Nah, bro. The rotoscoped
[1:04:47] character acting in JK season 3 is
[1:04:49] actually ridiculous. It's added so much
[1:04:51] like source to this already sourced up
[1:04:54] anime. Sure, some crazy stuff happens in
[1:04:56] this episode, but this one little
[1:04:57] flashback scene of Yuji aura farming on
[1:04:59] some high school bullies, it's just
[1:05:01] living rentree in my head. Like, I
[1:05:03] actually just can't stop watching it.
[1:05:05] [clears throat] But anyway, I'll
[1:05:06] actually get into my review of the
[1:05:07] episode now before my retention starts
[1:05:09] declining steeper than Higuruma's knows.
[1:05:12] Today was a big day for Jiujutsu Kaizen.
[1:05:14] And to be honest, the more I think about
[1:05:16] it, the more the idea of an anime only
[1:05:18] who has never heard of the amazing
[1:05:20] lawyer/genius that is Heromi Higuruma.
[1:05:22] It's kind of hilarious to think about
[1:05:24] because like you must have been so
[1:05:25] confused when the opening shot of the
[1:05:27] episode was a grown ass man in a bathtub
[1:05:30] fully clothed on a theater stage with a
[1:05:32] note on a projector reading in Japan
[1:05:34] 99.9% of criminal trials end in a guilty
[1:05:37] verdict. Like that's so weird. That's
[1:05:39] such a weird way to open an episode. It
[1:05:41] must have had so many of you confused,
[1:05:42] bro. But to be fair, as funny as this
[1:05:44] seems at first, we soon learn that the
[1:05:47] context is really depressing. Not the
[1:05:49] like, "Oh my god, that's so sad. I'm
[1:05:51] going to cry kind of depressing. More so
[1:05:54] the oh oh my days man humanity is so
[1:05:57] screwed. How did it ever come to this?
[1:05:59] What is even the point anymore? It's
[1:06:00] that kind of depressing. His backstory
[1:06:02] starts with Hearuma being a normal 9 to5
[1:06:05] lawyer in Japan which had my anime only
[1:06:07] friends, you know, asking me if we were
[1:06:09] still watching JJK because yeah, this
[1:06:11] all feels way more grounded in reality
[1:06:14] than what we normally get from this
[1:06:15] show. Which I guess is kind of the
[1:06:17] point, right? It's a commentary on the
[1:06:18] exhausting injustice of, ironically, the
[1:06:21] Japanese judicial system. But to be
[1:06:23] honest, the message does kind of apply
[1:06:25] to a lot of countries, not just Japan.
[1:06:27] Now, I personally I I love I love this
[1:06:30] backstory because it begins with the
[1:06:32] case of this MPC who is found in
[1:06:34] possession of the murder weapon used in
[1:06:36] a recent killing. Basically, all of the
[1:06:38] evidence is like stacked against him,
[1:06:40] which would usually mean the case is
[1:06:41] relatively open and shut. Any normal
[1:06:43] defense lawyer would do what they could
[1:06:45] to get paid. But none of them would
[1:06:46] actually care enough about upholding
[1:06:48] justice to even consider the possibility
[1:06:50] that he was innocent because it seemed
[1:06:52] so, you know, implausible. Except
[1:06:54] Higuruma is no ordinary lawyer. Money
[1:06:57] does not drive him. He believes in
[1:06:59] justice and works himself to the bone,
[1:07:01] as I'm sure you can see from the way he
[1:07:02] looks, to ensure that all his clients
[1:07:04] get what they deserve, which is why he
[1:07:06] keeps looking into his client's story
[1:07:08] despite his assistant telling him that
[1:07:10] it's a waste of time. Now, when we hear
[1:07:12] the NPC's full account from Higaruma,
[1:07:14] suddenly him being innocent becomes a
[1:07:16] lot more believable. And what I I really
[1:07:18] love about this is that we never
[1:07:20] actually find out if that one guy was
[1:07:22] innocent or not because that isn't the
[1:07:24] point. The point is that Higuruma cared
[1:07:26] enough to look into the possibility that
[1:07:27] he was innocent because that's what it
[1:07:29] takes to achieve real justice. The next
[1:07:31] case that we see in the flashback kind
[1:07:33] of dives deeper into this idea because
[1:07:35] long story short, it exposes how the
[1:07:37] Japanese judicial system is basically
[1:07:39] pay to win. Despite all of the work to
[1:07:41] try and achieve true fair justice for
[1:07:43] the defendant, the outcome was decided
[1:07:45] from the very beginning and that made
[1:07:47] Higuruma mad as [ __ ] Around the same
[1:07:50] time as all of this going down though,
[1:07:52] you know, Kjaku conveniently started the
[1:07:54] culling games in Shabuya and caused
[1:07:56] people all across Japan to awaken cursed
[1:07:58] techniques. One of those people of
[1:08:00] course being Heromi Higaruma. So once
[1:08:02] his defendant had his initial, you know,
[1:08:04] ruling overturned and had been given a
[1:08:06] life [ __ ] sentence, Heromi Higaruma
[1:08:09] lost it. And oh my god, what a sequence.
[1:08:12] Look at this art, bro. This the kind of
[1:08:15] face that I'd see from my parents in the
[1:08:16] rear view mirror if I turn the roof
[1:08:18] light on in the car. You know, you get
[1:08:20] me? Yeah. You You get me? You get me?
[1:08:22] And then we just hear him start banging
[1:08:24] a gavvel on the desk, which was such a
[1:08:26] dope way to build like anticipation and
[1:08:28] tension for the reveal of his judgment
[1:08:31] shikami, which is somehow even creepier
[1:08:33] in the anime than in the manga.
[1:08:35] Especially later on when we see how it
[1:08:37] kind of like emerges from the tub that
[1:08:39] Higuruma is in. Like its face pops out
[1:08:41] of the water. Oh, that's so cool. But
[1:08:43] anyway, yeah, Higuruma locks in.
[1:08:45] Everyone come back. We're having a
[1:08:47] retrial. And then we cut to the
[1:08:49] announcement of Higuruma as an awakened
[1:08:51] culling game player for the halfway mark
[1:08:53] in the episode. Holy peak. Things then
[1:08:55] basically pick up where we left off last
[1:08:57] episode with Ren Amay telling Yuji that
[1:08:59] Higuruma is in Ikabukuro and that stupid
[1:09:02] bit that Remy chick telling Megumi that
[1:09:03] Higuruma is in Shinjjuku. And by the
[1:09:06] way, the point of this little flashback
[1:09:07] scene where you know the show suddenly
[1:09:09] becomes windbreaker is to show how Amay
[1:09:12] kind of like looks up to Yugji in a way
[1:09:14] because Yugji refuses to just be a
[1:09:15] bystander. Yuguji literally goes out of
[1:09:17] his way to help people, which is very
[1:09:19] relevant to what we saw from Higuruma
[1:09:20] earlier in the episode. Some food for
[1:09:22] thought. Anyway, time to glaze the
[1:09:24] production of this episode. Yeah, don't
[1:09:25] worry. I haven't forgotten because oh my
[1:09:27] god, this was this was actually mad. All
[1:09:29] right, again, I love the rotoscope
[1:09:31] character acting in season 3. The way
[1:09:32] Yuji is just like effortlessly dodging
[1:09:34] their attacks and the way he throws
[1:09:36] those kicks, it looks so dope. I love
[1:09:37] it. It really does look like a real
[1:09:39] person is doing them, which I guess is
[1:09:40] kind of the point of rotoscoping. But
[1:09:42] yeah, it really does make a huge
[1:09:43] difference. The most impressive thing
[1:09:45] about this episode by far though that a
[1:09:46] lot of you may not actually know is that
[1:09:48] the entire thing was animated by one
[1:09:51] person kind of Koki Fujimoto. He acted
[1:09:54] as the sole key animator for this
[1:09:56] masterclass of an episode which means he
[1:09:58] did the vast I mean I say vast majority
[1:10:01] pretty much all of the animating work
[1:10:02] for every single sequence. To kind of
[1:10:05] put that in perspective, the last
[1:10:06] episode and most other episodes have
[1:10:08] around 20 primary key animators working
[1:10:11] on it. This episode had one. Yeah, sure,
[1:10:14] there were still like around 30 second
[1:10:15] key animators to help finish up the
[1:10:17] work, but most of the workload fell to
[1:10:19] just him, which is insane. And if you
[1:10:21] have a key eye for this kind of stuff,
[1:10:22] then you might actually be able to tell
[1:10:24] by just watching it because the scenes
[1:10:25] with lots of movement are animated
[1:10:27] beautifully. But there are also just way
[1:10:29] more still shots and slow pans that are
[1:10:31] there to kind of reduce the workload and
[1:10:33] effectively cut corners so that the
[1:10:34] higher priority scenes can get more
[1:10:36] attention. That's why one minute you
[1:10:38] have, you know, a very long-lasting
[1:10:39] still shot of a building and then the
[1:10:41] next you have this unbelievable like
[1:10:43] firsterson POV shot of the uh the
[1:10:45] defendant looking at his handcuffs
[1:10:46] looking at the floor and we have even
[1:10:48] more 2D environments as we're moving
[1:10:50] forward for no reason other than like
[1:10:52] you know the artist flexing their
[1:10:54] artistry and maybe in like other anime
[1:10:56] like your average anime it would be more
[1:10:58] noticeable but JJK season 3's background
[1:11:01] art and composition is just so [ __ ]
[1:11:03] good that even when I look at you know a
[1:11:05] city or a building for more than 10
[1:11:07] seconds, it still feels engaging. It's
[1:11:09] just nice to look at. Oh, and the music
[1:11:10] in this episode incredible. Like the
[1:11:13] music in Higuruma's backstory, it kind
[1:11:14] of reminded me slightly of uh By the
[1:11:16] Pool from Chainsaw Man, you know? But
[1:11:18] yeah, just the whole thing, the
[1:11:19] background art, phenomenal. You know,
[1:11:20] the way we cut from the kind of
[1:11:21] desaturated, very normal, grounded in
[1:11:24] reality look of Higuruma's life to then
[1:11:26] the sort of like purple bluish, very
[1:11:28] very cold kind of aesthetic that we have
[1:11:31] in the barrier in present time in the
[1:11:33] culling games kind of separates the
[1:11:34] first part of the episode from the
[1:11:36] second, right? Like it's two completely
[1:11:37] different worlds that I feel like we're
[1:11:39] we're living in, which can kind of maybe
[1:11:40] represent the way that, you know, Ten
[1:11:42] said Kenjaku has moved Japan across to
[1:11:45] the other side. We've gone from reality
[1:11:47] into this this [ __ ] up jiu-jitsu world
[1:11:49] that Kjaku has created. Or maybe I'm
[1:11:51] just looking into that and they like the
[1:11:52] color blue. I don't know. But then yeah,
[1:11:54] we also have these like amazing shots
[1:11:56] of, you know, the defendant walking down
[1:11:57] the hallway with that 2D environment
[1:11:59] that we saw in the Hikari introduction
[1:12:01] episode for no real reason other than it
[1:12:03] looking dope. Again, the first person
[1:12:05] POV, the amazing art of Higuruma's eye.
[1:12:07] Even just that scene later on in the
[1:12:09] episode of Higuruma dramatically walking
[1:12:11] towards Yugji down the stairs is like
[1:12:13] it's just done so well that it makes up
[1:12:15] for the you know still shots throughout
[1:12:16] the episode. Anyway, the rest of the
[1:12:18] episode is basically a mix of Megumi and
[1:12:20] Yugji arriving at their destinations and
[1:12:22] finding out that they have either been
[1:12:23] tricked or that they have found their
[1:12:25] target. As expected, Megumi was the one
[1:12:27] who got tricked, but thank God he did
[1:12:29] because Megumi versus Jojo's side
[1:12:31] character 42 is actually a generational
[1:12:33] fight that is going to be hard to hate
[1:12:34] on no matter how strong your anti agenda
[1:12:37] is. That fight is going to have to wait
[1:12:39] for the moment though because first
[1:12:41] Yugji is confronting Higuruma who has,
[1:12:43] you know, been found lying in a bathtub
[1:12:45] fully clothed in a theater that he has
[1:12:47] made his base of operations for the
[1:12:49] culling game. And oh my god, bro, like
[1:12:51] Higuruma's voice actor was just cracking
[1:12:53] me up in this scene. Listen to his laugh
[1:12:56] after he tells this dad joke. Jokes
[1:12:58] aside though, the lighting and
[1:13:00] composition on this entire sequence is
[1:13:02] amazing. The way he's just like sat
[1:13:03] there playing with the water with wide
[1:13:05] eyes makes him look it makes him look
[1:13:07] deranged. Like he's he's a grownass man
[1:13:09] in a suit sat in a bathtub in a theater
[1:13:11] playing with water like he's four years
[1:13:12] old, bro. It's just it's crazy. He's out
[1:13:15] of his mind. And it's, you know, the
[1:13:17] whole scene is so desaturated. And it
[1:13:19] all just further reinforces how
[1:13:20] depressing and lost this character is.
[1:13:22] It's amazing. His reasoning for
[1:13:24] rejecting Yuji's proposal of using his
[1:13:26] points to create a rule to stop killing
[1:13:28] also interested me a lot when I read it
[1:13:30] in the manga because, you know, he's
[1:13:32] obviously unaware of Kjaku's true goal.
[1:13:34] But even when Yuji says that the game
[1:13:35] will eventually lead to everybody's
[1:13:37] death, his logic for like calling
[1:13:38] [ __ ] on that is completely sound.
[1:13:40] It's actually so sound that even Yugji
[1:13:42] questions himself. You see, the calling
[1:13:44] game is built to literally make sure
[1:13:46] that the game isn't forcefully ended
[1:13:48] even by Kjaku. So it starts begging the
[1:13:50] question, you know, what has Kjaku got
[1:13:52] planned to actually beat the rules of
[1:13:54] his own game? Higuruma's interest in the
[1:13:56] calling game and jiu-jitsu as a whole
[1:13:58] being, you know, a way to force an
[1:14:00] unbiased justice upon Japan is really
[1:14:02] interesting. And to be honest, I can
[1:14:04] definitely see where he's coming from
[1:14:05] with the concept of it. But the Colin
[1:14:07] Games itself is obviously just too
[1:14:09] brutal to actually work. Still, his
[1:14:10] interest in a system that delivers
[1:14:12] forceful, unbiased justice automatically
[1:14:15] is kind of valid, especially, you know,
[1:14:17] given what he's seen from the judicial
[1:14:19] system of humans. I'm getting sick of
[1:14:21] saying judicial. Like, it's just a
[1:14:22] difficult word to say in a script. Where
[1:14:24] I think Higurumi's character really
[1:14:26] shines, though, is when he's clashing
[1:14:27] with Yujiadori, the judgment versus the
[1:14:30] judged. It creates for an incredibly
[1:14:32] interesting dynamic that unfortunately
[1:14:33] we're not going to see until next
[1:14:34] episode. So, the anime only are going to
[1:14:36] have to, you know, wait for the payoff
[1:14:37] of this episode. But trust me, it's so
[1:14:39] going to be worth it. And then when
[1:14:40] Higuruma gets out of the tub in response
[1:14:42] to Yugji's threat, like the theater
[1:14:44] lights just change to to neon, red, and
[1:14:46] blue, which I guess can only be
[1:14:48] explained by saying it was divine
[1:14:51] intervention because of how much aura
[1:14:52] there currently is in this theater.
[1:14:54] Seriously though, the last time we got
[1:14:55] the red and blue neon lights in a fight
[1:14:57] was Yuji versus Choso. So, I am
[1:14:58] expecting some serious peak next
[1:15:00] episode. Hearuma walks ominously towards
[1:15:02] Yugji and then the OST just starts
[1:15:04] cooking. of I can't play it cuz you know
[1:15:06] copyright but just just imagine that I
[1:15:07] am yeah drums guitar absolute s wait is
[1:15:12] that [ __ ] domain expansion off rip
[1:15:14] bro what we even doing here yeah bro no
[1:15:16] no no wonder this dude tore through half
[1:15:18] the players in this colony already man
[1:15:19] is clearly a beast god the domain also
[1:15:21] just looks so dope like especially with
[1:15:24] him banging that hammer again bro it's
[1:15:26] it's so cool and and speaking of him
[1:15:28] looking dope listen when it comes to
[1:15:29] this character you know what the JGK
[1:15:31] fandom is like right I just know the
[1:15:33] gojo figure incident side of the fandom
[1:15:35] is gooning so hard to this bro. Hell,
[1:15:38] some of you are probably gooning to him
[1:15:39] while watching this video. Freaky ass
[1:15:40] [ __ ] But yeah, to be continued.
[1:15:44] Hey, this is editor Alons here just
[1:15:46] interrupting real quick. So, this next
[1:15:48] episode review basically features my
[1:15:50] face cam instead of the normal, you
[1:15:52] know, suka shaking image. Don't worry,
[1:15:54] it's literally just for this episode.
[1:15:56] The compilation will go back to normal
[1:15:58] after we're done with this one. I was
[1:16:00] just messing around, you know, to see
[1:16:01] whether it would make things easier for
[1:16:03] me, but it didn't, so I dropped it. And
[1:16:04] uh, yeah, that's why you will now see my
[1:16:06] face. Gay Akatami, the writer of
[1:16:08] Jiu-Jitsu Kaizen, basically just put two
[1:16:10] men in a room with a bathtub, gave it to
[1:16:13] Mappa, and said, "Make peak fiction."
[1:16:15] And there's actually an old Jiujitsu
[1:16:17] Kaizen saying that explains exactly how
[1:16:19] they were able to create such an amazing
[1:16:21] episode. It's a phrase of great power
[1:16:24] and wisdom. Go cinema, bro. Yeah, that
[1:16:27] intro line took me like 20 minutes to
[1:16:29] come up with. By the way, I I didn't
[1:16:30] even know how to start this video. Like,
[1:16:32] I've been sat here staring at a blank
[1:16:34] page for 20 minutes trying to think of
[1:16:37] something witty or even just find the
[1:16:39] words to describe what the actual f what
[1:16:41] in the actual world I've just watched.
[1:16:44] So, you know what? I'm just going to say
[1:16:46] this. I think Yuji versus Higuruma is
[1:16:49] the best fight in Jiu-Jitsu Kaisen's
[1:16:51] anime so far. Yeah, I said that. I'm not
[1:16:54] lying. And I won't Okay, never mind. It
[1:16:56] really doesn't hit the same when I say
[1:16:57] it. Oh, the recency bias is crazy, bro.
[1:16:59] Relax. It's not that serious. I don't
[1:17:01] care, bro. Eat a brick. Sure, Sukuna
[1:17:04] versus Maharaga is peak in terms of
[1:17:06] animation and hype, but this latest
[1:17:07] episode of season 3 just scratched an
[1:17:09] itch that the rest of the fights in the
[1:17:11] anime really just couldn't reach for me.
[1:17:13] Oh, and this is my face, by the way.
[1:17:15] Yeah, I kind of felt bad about shoveling
[1:17:17] Ryu's gifts down your throat for 10
[1:17:18] minutes every week, so I'm doing this in
[1:17:21] those moments now. You're welcome.
[1:17:23] Anyway, episode 9 of season 3 was as
[1:17:25] incredible as it was because it had the
[1:17:27] perfect blend of the only three
[1:17:29] ingredients that you ever really need to
[1:17:31] create actual peak fiction. Peak
[1:17:33] writing, peak animation, and peak music.
[1:17:36] Yes, I said music, even though it played
[1:17:38] a variant of the La song that everyone
[1:17:40] hated. And what? It was beautiful. [ __ ]
[1:17:42] had me looking like that one Kroo. Now,
[1:17:43] I'm not saying fights like Sukuna versus
[1:17:45] Maharaga and Chos versus Yuji don't have
[1:17:48] these three things, but it's all about
[1:17:49] balance. Let's start with just like the
[1:17:51] animation for example, right?
[1:17:53] Immediately as soon as the episode
[1:17:54] begins, it's on site. Domain expansion.
[1:17:57] Now, domains normally look awesome when
[1:17:59] they're expanded. Sure, they definitely
[1:18:01] don't cut corners, but in this case, we
[1:18:03] got like an entire 5-second shot of
[1:18:05] simply just the gravel floor unwinding.
[1:18:07] Why? Why? It looks so good. And then
[1:18:10] there's the art direction throughout
[1:18:11] this episode as well, which is like, you
[1:18:13] know, we do the first part, which is the
[1:18:15] whole pachinko parlor trial incident.
[1:18:17] The domain looks great. You've got this
[1:18:19] nice warm lighting, spotlights on each
[1:18:21] character, and you kind of just have fun
[1:18:23] with the moment, right? But then you cut
[1:18:25] straight back into that action sequence
[1:18:26] that follows and it's neon red with a
[1:18:29] blue spotlight that follows Yugji
[1:18:30] around. Very similar to how Yugji versus
[1:18:33] Choso did it in the bathroom, right?
[1:18:34] It's like the kind of neon red and blue
[1:18:36] contrast. And then later on when you
[1:18:38] know the episode takes a slightly dark
[1:18:40] and very depressing turn which I'll talk
[1:18:42] about in a moment. It goes back to this
[1:18:44] kind of melancholy like colder blue or
[1:18:47] greenish kind of vibe which is so sick
[1:18:50] the way that we literally change the
[1:18:51] lighting and the the colors throughout
[1:18:53] the episode depending on the tone. Now
[1:18:55] in the domain basically what happens is
[1:18:57] Yugji just figures out how it works.
[1:18:59] It's not a typical domain with a short
[1:19:01] hit. But then what's dope is in the
[1:19:02] manga we get this one panel of Yuji
[1:19:04] talking to Tangen where Ten explains,
[1:19:06] you know, what domains used to be like.
[1:19:08] This could have easily just been a
[1:19:09] silhouette saying it in like a single
[1:19:10] line, but no, it's Mappa, so he had to
[1:19:12] go overboard. All right. Yuji literally
[1:19:14] transitions from where he's standing and
[1:19:16] peels back into Tenin's domain into the
[1:19:18] flashback, right? And then the animation
[1:19:20] when Tenin like does this visual of a
[1:19:22] barrier expanding is just so good for no
[1:19:25] reason at all. And again, a very
[1:19:27] important thing about this episode, I
[1:19:28] won't get into the writing too much cuz
[1:19:30] I've already have a a massive like deep
[1:19:32] dive analysis video um on my channel of
[1:19:35] this fight. So, if you want like deep
[1:19:36] deep writing, then check that out. But
[1:19:38] what I love about this fight and that
[1:19:40] the anime absolutely nailed is the way
[1:19:42] that we set up the second half by
[1:19:44] basically making the first half kind of
[1:19:45] unserious, you know? Oh, Yugji, you've
[1:19:47] been accused of going to a pachinko
[1:19:49] parlor, which is basically a casino when
[1:19:51] you're underage. That's illegal. And
[1:19:52] Yugi's like, ah no, what should I do?
[1:19:54] and he's there shivering like a fence
[1:19:56] zombie who can't get his fix for like 3
[1:19:58] minutes, right? It's all kind of goofy.
[1:19:59] It's fun. I was laughing. My mate was
[1:20:01] laughing. It was a great time. He then
[1:20:02] comes up with his, you know, very very
[1:20:04] dumb idea where he goes, "Ah, I went in
[1:20:07] there to take a [ __ ] Didn't really pan
[1:20:08] out." He got his um cursed energy
[1:20:10] confiscated. Well, technically, no.
[1:20:12] Normally, it confiscates your technique,
[1:20:13] but then, you know, Yugji doesn't have a
[1:20:15] technique, so it kind of disabled his
[1:20:16] cursed energy instead. Obviously, at
[1:20:18] that point, Higarum would normally
[1:20:20] squash any enemy, but Yugji is built
[1:20:22] different even without cursed energy.
[1:20:24] So, he's the perfect matchup here. But
[1:20:25] yeah, that whole kind of thing happens
[1:20:27] and it's like very light-hearted and
[1:20:28] unserious and it's kind of meant to
[1:20:29] lower the viewers's guard so that later
[1:20:31] on, you know, when we get the moment, if
[1:20:34] you know, you know, it just hits like
[1:20:36] like like what? One minute you're
[1:20:38] laughing. It's like, "Oh, that's that's
[1:20:39] good." And then Eugi goes, "Yeah, I did
[1:20:40] that." And you're like, "Huh? What?
[1:20:42] Huh?" And then everything just gets like
[1:20:44] more depressing from there. That's
[1:20:45] something that the lighting actually
[1:20:46] does a really good job of portraying is
[1:20:48] the way the episode is split. You do the
[1:20:49] goofy bit and then the red action bit
[1:20:51] and then you go back to the bluer, you
[1:20:52] know, colder colors for, you know, the
[1:20:54] very sad, depressing stuff. And the
[1:20:56] music also matches as well. The way the
[1:20:57] domain turns off when Yuji gets accused.
[1:21:00] Oh my god, it just zip gone. And then
[1:21:02] Higuruma on smoke, bro. He's using that
[1:21:04] gavvel like Thor's hammer, throwing it
[1:21:05] back and forth, using the force to pull
[1:21:07] it back to him. Crazy things that never
[1:21:09] happen in the manga, bro. This fight was
[1:21:11] massively extended. And again, I'm I'm
[1:21:12] just going to say it. I think animation
[1:21:14] and choreography wise, like hand-to-hand
[1:21:16] fighting, this is the best we've got in
[1:21:17] JK. And it looks so good with that neon
[1:21:19] tint. But the the hand-to-h hand
[1:21:21] animation is ridiculous. It's so good.
[1:21:24] It's made by this entire 1 minute 30-ish
[1:21:26] cut, I think, is done by a guy called
[1:21:28] Nyion or Neon 41 who um animated that
[1:21:31] one fight everyone sees, you know, every
[1:21:33] other month on the internet from Super
[1:21:35] Cube because it's just that that good.
[1:21:37] Yeah, he cooked with this sequence, man.
[1:21:39] Oh my god, the choreography is insane,
[1:21:40] bro. Higaruma was doing things like,
[1:21:42] "Oh, Yuji blocks my hammer." Smashes it
[1:21:44] into his face. And then he's using it
[1:21:46] like a like a gum gum gatalin, bro. He's
[1:21:48] going like voom voom voom with the
[1:21:49] hammer. I'm never doing that again. But
[1:21:51] yeah, he's like doing things that Gay
[1:21:53] like didn't even dream of when writing
[1:21:55] the manga. And it's just it's amazing.
[1:21:56] He literally uses it to pull V onto the
[1:21:59] stage. Oh, it's so sick and just it's so
[1:22:01] dynamic. The way that like the fluid
[1:22:03] motion and the sucker moments are still
[1:22:05] like you can still follow them. You can
[1:22:07] still understand everything that's
[1:22:08] happening. It's incredibly fast, but not
[1:22:10] so fast that you, you know, you get lost
[1:22:12] in it. It's so good. It's ridiculous. I
[1:22:14] will say I think the Choso and Yuji
[1:22:17] fight was a bit more dynamic in terms of
[1:22:18] how they use their environment and like
[1:22:20] the POV shots and stuff, but in terms of
[1:22:22] like the actual hand-to-h hand and just
[1:22:24] the the quality of the overall animation
[1:22:26] is a different level to any. So,
[1:22:28] honestly, like honestly, it's like
[1:22:30] probably one of the best handtohand
[1:22:31] scenes I've seen in animation to be
[1:22:32] honest. And again, just like the
[1:22:33] lighting is great. We finally end up
[1:22:35] after that ridiculous sequence after
[1:22:38] Yugji slides under Higuruma's feet and
[1:22:40] kind of runs away for a bit, eventually
[1:22:42] gets him back onto the stage and then
[1:22:44] thinks of the retrial moment. So, as
[1:22:46] soon as he says retrial, bam, again,
[1:22:48] we're straight back in the domain, which
[1:22:50] I really like cuz it kind of backs the
[1:22:51] point that it's more of a rule than like
[1:22:53] a suggestion. You know, if you demand a
[1:22:55] retrial, you get a retrial whether
[1:22:56] hearuma wants to give you one or not.
[1:22:58] But then this is when the episode shifts
[1:22:59] and I was watching it with my anime
[1:23:01] anime only friend who was like, you
[1:23:02] know, we were having a good time. It was
[1:23:04] like, "Wow, that's funny." And then it
[1:23:05] was like, "Wo, that action's cool." And
[1:23:07] then Judgment says, "You've been accused
[1:23:09] of mass murder in Shabuya on October
[1:23:11] 31st." And then very simple, very
[1:23:14] onetoone panel of Eugi. Just just one
[1:23:16] frame. Yeah, I did that. I'm not lying
[1:23:18] and I won't deny it. And he's got this
[1:23:20] very matterof fact voice. It's not
[1:23:21] overly emotional. It's kind of dead.
[1:23:23] There's no music. It's completely
[1:23:24] silent, which just really makes you feel
[1:23:26] it. And obviously the evidence shows
[1:23:28] that actually it wasn't Yugji. But
[1:23:30] because he confessed, judgment
[1:23:32] immediately immediately handed out
[1:23:34] confiscation and death penalty. Hearuma
[1:23:36] had his executioner's blade pretty much
[1:23:38] instantly and was throwing hands with
[1:23:40] Yuji, but he in his mind he was confused
[1:23:42] cuz he's like, "You've said you're
[1:23:44] guilty, but the evidence says it's
[1:23:45] Sukuna, like it wasn't you." And this is
[1:23:48] amazing because not only is the like the
[1:23:51] visuals and the music in this following
[1:23:53] sequence ridiculous with that like I
[1:23:55] don't even know what to call it like
[1:23:56] beautiful kind of 360 looking shot of
[1:23:59] like Kigaruma literally flying down upon
[1:24:02] Yuji with the spotlight behind him like
[1:24:03] he's an angel coming in to strike the
[1:24:05] chairs flying around him that kind of
[1:24:07] green mist the music just like very soft
[1:24:10] very emotional a bit of the la music in
[1:24:12] there as well you know but it it looks
[1:24:14] incredible it really matches the tone
[1:24:16] but what I love about it is just the
[1:24:17] fact that Yugji is completely defying
[1:24:20] everything Higuruma stands for at the
[1:24:22] moment. You know, after being a lawyer
[1:24:23] for so long, he eventually reached the
[1:24:25] point where he snapped and decided all
[1:24:26] people are ugly and just the worst,
[1:24:29] right? Yugji really does whatever he can
[1:24:31] to help people cuz that's what his, you
[1:24:33] know, grandpa told him. He is a cog to
[1:24:35] exercise curses and to help people to
[1:24:37] save them. So, this is Yugji just being
[1:24:39] himself. And even just that is making
[1:24:42] Higuruma question everything that has
[1:24:44] led him to this point. And he's now
[1:24:45] having this moment of like, "Oh [ __ ] I
[1:24:47] killed those people." And he's
[1:24:48] realizing, "Was I was I in the wrong?"
[1:24:50] Because Yugji is disproving everything
[1:24:52] he currently believes. Obviously, there
[1:24:54] is a lot more to analyze from like I
[1:24:56] mean so much more to the point where I
[1:24:57] managed to bring Gojo into it and the
[1:24:59] future of JJK, but go watch the video
[1:25:00] for the full breakdown. But yeah, wow.
[1:25:03] the parallel between them cuz like Yugji
[1:25:05] after Shabuya so far in season 3 we
[1:25:07] haven't brought up what happened a lot
[1:25:08] and we know he feels guilty about it but
[1:25:10] it's kind of been gatekeep from us
[1:25:12] because we've been saving it for this
[1:25:13] moment where Yuji just gets his like you
[1:25:15] know judgment judges him you killed
[1:25:17] those people in Shabuya and he finally
[1:25:19] has to come to terms with that against
[1:25:20] the lawyer player in the culling games
[1:25:22] which is so so dope and I feel like
[1:25:24] Higuruma and Yuji in their own right
[1:25:26] stand apart but also they have a great
[1:25:28] dynamic and it it's just beautiful all
[1:25:30] around so yeah incredible scene the
[1:25:32] music just cooks. Hearuma's flying in
[1:25:34] like an angel. Eugi's shirtless. I I I
[1:25:37] can't remember why. I think he throws
[1:25:38] his shirt at Hearuma for distraction or
[1:25:40] something. I don't know, man. And then
[1:25:42] at the last second, Hearuma gets rid of
[1:25:44] the executioner's blade. And then Yuji
[1:25:47] realizes and decides to punch him in the
[1:25:48] gut anyway, which is a bit of a dick
[1:25:49] move, but whatever. We all end up happy.
[1:25:51] Well, not happy. It's actually very
[1:25:52] depressing. Hearuma realized he killed
[1:25:54] innocent people and then wants to turn
[1:25:56] himself in and just realize he's given
[1:25:57] up his life forever. But whatever, it's
[1:25:59] about redemption for him. It's great
[1:26:01] though cuz in the end he realizes, you
[1:26:02] know what, Yugji, I can't I can't
[1:26:04] actually fight you. I can't with good
[1:26:06] conscience kill you. You've turned me
[1:26:07] back into what I used to be before, you
[1:26:09] know, the uh the corruption of the
[1:26:10] justice system destroyed me. So, he's
[1:26:12] kind of helped Higuruma find who he who
[1:26:14] he was before being influenced by that,
[1:26:16] which is really nice. And yeah, so they
[1:26:18] get the transfer rule. Yuji then gets
[1:26:20] given a point, so he doesn't have to
[1:26:21] worry about the 19 days anymore. And
[1:26:22] Higuruma exits. And again, what is it
[1:26:24] with these like fights that are so peak?
[1:26:27] You know, all the best hand-to-h hand
[1:26:28] fights with the neon red and blue
[1:26:29] lighting end with an exit sign. Is that
[1:26:32] a little call back to Choso vers Yuguji?
[1:26:34] I don't know. How has it happened twice?
[1:26:35] It's weird. Anyway, I don't even know,
[1:26:37] man. The voice acting was incredible
[1:26:39] considering it was pretty much just
[1:26:40] three characters plus some flashback
[1:26:42] stuff. The art direction, and lighting
[1:26:44] was insane. It genuinely had what is
[1:26:46] probably my favorite animated
[1:26:47] hand-to-hand fight scene in JK or just
[1:26:50] fight. I think it's just one of like at
[1:26:51] least a top three cut in the whole in
[1:26:54] the whole show for me. The music and the
[1:26:56] way that we just go from, you know, that
[1:26:58] first part is very light-hearted and
[1:26:59] it's kind of unserious and then it goes
[1:27:01] to the red and the upbeat music and the
[1:27:03] action scene and it's the animation is
[1:27:05] ridiculous and it's fast but it's easy
[1:27:06] to follow and you can figure out what's
[1:27:08] going on. Bro, in the manga it's like
[1:27:09] two or three pages of, you know, it's
[1:27:11] cool, but it's pretty basic action
[1:27:12] stuff, right? But no, we've got Higaruma
[1:27:14] using his hammer like Thor's hammer
[1:27:16] bringing it back, right? He's like
[1:27:17] swinging that thing round. He's firing
[1:27:19] at Yuguji like non-stop to the point
[1:27:21] where you can't even follow it with your
[1:27:22] eyes. He's polevolting using the end of
[1:27:24] it and extending it outwards. There's
[1:27:26] that like amazing um shot of Higaruma
[1:27:28] kind of jumping up and through the bath
[1:27:30] water which looks like blood because of
[1:27:32] the lighting. It's so good. It genuinely
[1:27:35] is just like it's such an amazing
[1:27:36] sequence and I can't sit here and
[1:27:38] describe every single frame because I
[1:27:39] feel like this video would end up being
[1:27:41] an hour long. But yeah, it's the way he
[1:27:42] used the gavvel for me that I really
[1:27:44] liked. Also just the how the environment
[1:27:46] kind of crumbles and moves. Um, it does
[1:27:48] a really good job of showing how strong
[1:27:49] they are, showing the impact. I think
[1:27:51] that's something Gay maybe failed at
[1:27:52] when writing this is he kind of failed
[1:27:54] to show how insanely combat capable
[1:27:57] Higuruma is simply because of his
[1:27:59] natural genius, right? He puts his mind
[1:28:00] to something, he achieves it, bro. He
[1:28:02] wasn't fighting nobody. He was no like
[1:28:04] he was no daredevil. All right? He
[1:28:05] wasn't lawyer by day, Daredevil by
[1:28:06] night. No, but he awakened his
[1:28:08] technique. He was like, "Huh? All right.
[1:28:09] Domain expansion. Boom." And then he's
[1:28:12] just able to use his technique so
[1:28:13] dynamically and freely. and the just his
[1:28:16] uh combat ability and ability to figure
[1:28:18] out what was going on with Yuji and why
[1:28:20] he was so strong is like it really shows
[1:28:22] his genius. And I think being able to
[1:28:23] convey that mid fight is really
[1:28:25] difficult thing to do. But Gosso Cinema,
[1:28:27] they smashed it. I loved it. It was
[1:28:29] dope. Amazing episode. Probably a top
[1:28:31] three episode for me as a whole. I I'm
[1:28:34] split between this and the Marquee
[1:28:35] episode for this season. I don't know.
[1:28:37] But yeah, um it was amazing. I Oh. Oh my
[1:28:42] god, dude. Can you imagine Sendai
[1:28:44] Colony? What the [ __ ]
[1:28:47] No matter whether you're an anime only
[1:28:49] or a manga reader, I feel like you've
[1:28:51] all heard of the JJK character known as
[1:28:54] potential man. He also goes by the names
[1:28:56] of fraud or bum or sometimes Megumi.
[1:28:59] Now, I'm going to put my hands up and
[1:29:01] say yes, normally I am very much on that
[1:29:03] Megumi hate bandwagon. However, when
[1:29:05] season 3 started airing, I also put my
[1:29:08] hands up and said I'm going to have to
[1:29:10] admit that yeah, Megumi absolutely cooks
[1:29:12] in the Culling Games. Gagegeay was oh I
[1:29:15] don't know what he was smoking when he
[1:29:16] wrote Megumi's colony fight and godamn
[1:29:19] did storyboarder Shoto Goshono yes Gosso
[1:29:22] Cinema again this episode it's peak and
[1:29:23] also episode director Ichawa absolutely
[1:29:26] just elevated Gagegeay's vision for
[1:29:28] Megumi and wow they they made this
[1:29:31] episode unnecessarily beautiful but also
[1:29:34] Megumi isn't even really the highlight I
[1:29:36] was expecting to talk about that guy for
[1:29:38] ages when this episode came out but nah
[1:29:40] there's someone else there's someone
[1:29:42] else who just stole the whole show
[1:29:43] Takaba. Oh my god. I'm going to get on
[1:29:46] to that later. Actually, you know what?
[1:29:47] I'm going to I'm going to save it
[1:29:48] because I I feel like what I have to say
[1:29:50] about Takaba needs everybody's utmost
[1:29:52] attention, including my own. So, we'll
[1:29:54] let that sit. Anyway, this episode now,
[1:29:56] I'm going to just say this. I feel like
[1:29:58] it was a lower priority episode compared
[1:30:00] to the others. I don't think anything
[1:30:01] ridiculous happened, but obviously
[1:30:03] because it's JJK, the standard is
[1:30:05] already way higher than normal. So, the
[1:30:07] moments that look really good still look
[1:30:09] really good. and the overall, you know,
[1:30:11] general direction and art um throughout
[1:30:14] the episode is just it's so beautiful.
[1:30:16] So, the episode begins with Reggie and
[1:30:18] Megumi picking up their conversation
[1:30:19] from episode 8. I'm not going to kind of
[1:30:21] rehash what they talk about because, you
[1:30:23] know, watch the show, guys. You should
[1:30:24] know this by now. But a detail I really
[1:30:26] like in this conversation is that Megumi
[1:30:28] tells Reggie that a rule allowing the
[1:30:30] transfer of points will soon be added.
[1:30:32] Which basically means that Megumi has
[1:30:34] absolute unyielding faith that Yuji will
[1:30:36] add that rule. And sure enough, shortly
[1:30:38] later, the rule is added. And Megumi
[1:30:40] goes, "Huh, okay, cool. Yugji did it. As
[1:30:42] expected, I can lock in and just kill
[1:30:44] these guys now if I need to. No need to
[1:30:46] hold back." Which is great cuz it just
[1:30:48] shows how much Megumi has like
[1:30:49] unyielding faith in Yugji. Anyway, when
[1:30:51] Reggie realizes he's not going to get
[1:30:53] Megumi onto his team, which is done
[1:30:55] through a sequence of basically just
[1:30:56] still shots at the beginning of the
[1:30:58] episode, I feel like there was a lot of
[1:30:59] time saving, which is why I say it is
[1:31:01] possibly a lower priority episode. But
[1:31:03] then Chisuhari, who is this NPC, burger
[1:31:06] bot sorcerer, comes running at Megumi,
[1:31:08] but he is not on that guy's level, bro.
[1:31:10] Megumi dips into the shadows over the
[1:31:12] shoulder and dashes that man off the
[1:31:14] balcony. I'm talking he launches that
[1:31:16] dude, bro. Like in the manga, he kind
[1:31:18] of, you know, pushes him over the
[1:31:20] railing. But nah, in the anime, Gosso
[1:31:22] was like, "Nah, we're going to have him
[1:31:23] throw him to the next city, bro." Like,
[1:31:25] cool, I guess. I don't know how he
[1:31:26] survived that, but cool. And then Hazan
[1:31:28] Noki's eyeball drops and explodes in
[1:31:31] this weird kind of like Demon Slayer
[1:31:32] style 3D explosion, which at first I was
[1:31:35] like, that kind of looks weird. But it
[1:31:37] grew on me. I'm not going to lie. I like
[1:31:38] it. And I especially like that slow-mo
[1:31:40] shot of the explosion like creeping
[1:31:42] around the door frame. And then of
[1:31:44] course, Megum and Remy have their little
[1:31:45] talk. And oh my god, they made Remy look
[1:31:47] so disgusting graveling on the floor.
[1:31:49] She's preaching to the choir here, man,
[1:31:51] cuz this is Megum. He don't care. He
[1:31:52] just called her scum and trash and said
[1:31:54] she should, you know, piss off, which I
[1:31:56] kind of respect. But then that Chisaruh
[1:31:57] Hari guy came in and I watched what they
[1:31:59] did with this fight between Hari and
[1:32:01] Megumi and I just thought, "Yeah, Gosso
[1:32:02] has to be rage baiting us, bro." Like,
[1:32:04] what are we doing here? This has to be
[1:32:05] engagement bait cuz in the manga, all
[1:32:07] right, this is not close. Megumi just
[1:32:09] destroys that guy, you know, two or
[1:32:11] three panels, kicks him in the face,
[1:32:12] nonchalantly, doesn't even break a
[1:32:14] sweat, max elephant out the building,
[1:32:16] and then whams a sword right into his
[1:32:18] head. But no, no. In the anime, what
[1:32:20] what we're having is this again what I
[1:32:22] think is probably rotoscoped amazing
[1:32:24] shot of like Megumi kind of walking out
[1:32:26] to face Hari. He sizes him up with the
[1:32:29] sword, backs up into the room behind
[1:32:30] him, and then just looks like he gets a
[1:32:32] bit lazy, bro. Like, why are we making
[1:32:34] Megumi look like a fraud here? What are
[1:32:35] we doing? This is what I'm saying. It
[1:32:37] has to be rage bait, bro. Well, what do
[1:32:38] you mean? The guy who's supposedly
[1:32:40] really good in hand-to-h hand and
[1:32:41] weapons combat just got the sword
[1:32:43] immediately kicked out of his hand and
[1:32:44] then booted into a wall only to then
[1:32:47] fall back on using his shikami to save
[1:32:49] his ass and kick Harry out of the
[1:32:50] building. Listen, it all looks dope.
[1:32:52] Okay, it looks great and I appreciate
[1:32:54] fight extensions. I'm not complaining in
[1:32:55] that respect, but bro, this does nothing
[1:32:57] for the Megumi agenda, bro. All right,
[1:32:59] this guy gets slandered enough. Why are
[1:33:00] we having this random NPC put hands on
[1:33:02] him? Oh, it's just not a good look. It's
[1:33:04] not a good look. Gosh, why? Something I
[1:33:06] do really appreciate though from the
[1:33:08] animator team is that they did not
[1:33:10] censor this episode one bit. Bro, Megumi
[1:33:12] still walks up to Hari on the ground and
[1:33:14] just it's like a onetoone because I know
[1:33:16] you guys love your onetoone moments.
[1:33:17] Sword slices straight through his head
[1:33:19] like a watermelon. Beautiful. Reggie and
[1:33:21] Haninoi then do their little Mary
[1:33:23] Poppins thing down to the ground. The
[1:33:25] rule gets added. You know, Megumi is now
[1:33:27] like cool. I don't need to hold back. I
[1:33:28] can just fight these guys or run away.
[1:33:30] And then Haninoi spits a tooth in this
[1:33:32] really cool shot to be honest. spits a
[1:33:34] tooth at Megumi that gets intercepted by
[1:33:36] the [ __ ] goat. The absolute Oh, he's
[1:33:38] so good. Killed it in this episode and
[1:33:40] just it's I just Okay, right. I had to
[1:33:43] cut out a big section there because I
[1:33:45] started yapping. I was really worried
[1:33:46] that they were going to fumble the
[1:33:47] execution of Takabet because obviously
[1:33:49] comedy is a delicate thing, but no. They
[1:33:51] basically killed two birds with one
[1:33:53] stone. They made him unironically
[1:33:55] genuinely hilarious. But they also
[1:33:58] utilized this character as a time-saving
[1:34:00] technique to lower the workload of
[1:34:01] making the episode because when he
[1:34:03] dropped his zero damage bar, they let
[1:34:05] that moment play out in complete silence
[1:34:07] for 40 flipping sec. I counted it was 40
[1:34:10] seconds, bro. He just stands there and
[1:34:12] wastes a whole minute of the episode
[1:34:14] bleeding from his head smiling with
[1:34:16] Megum. Like I love the way he just
[1:34:18] shifts awkwardly in the background and
[1:34:20] even Reggie and Haninoi start like
[1:34:21] shifting awkwardly because it's it's
[1:34:23] uncomfortable, you know? He's just said
[1:34:25] this ridiculously unfunny thing and and
[1:34:27] just standing there like a dumbass. It's
[1:34:29] it's done so well, bro. I can't. And
[1:34:30] then of course the Wi-Fi bar. Oh my god,
[1:34:33] the Wi-Fi line was executed to
[1:34:34] perfection. He sounds so funny. In the
[1:34:37] manga, the joke is, you know, if you
[1:34:38] read TCB, it's actually none of your
[1:34:40] businesset like like bisnet, like
[1:34:42] business. But in the Japanese, it
[1:34:44] translates directly to Wi-Fi, which is
[1:34:45] why the joke might not land and it might
[1:34:47] just sound funny to you. I don't know
[1:34:49] why I'm explaining this. No one [ __ ]
[1:34:50] cares. And just like in the manga, they
[1:34:51] had to censor that shot of his ball
[1:34:53] falling out of his costume. But if you
[1:34:55] actually watch very carefully in the
[1:34:57] anime as he turns around after that
[1:34:59] shot, you can see his literally like
[1:35:01] shift in his underwear. It's so funny.
[1:35:02] And when he goes to drop kick Hazan
[1:35:04] Noki, there's these dumbass cartoon
[1:35:06] sound effects and they do it from like
[1:35:07] four different angles. It's so cliche
[1:35:09] and stupid. I love it. I feel like I'm
[1:35:11] watching Tom and Jerry, bro. It's great.
[1:35:13] Actually, just the whole episode has
[1:35:14] this really unserious, goofy, colorful,
[1:35:17] and vibrant, very cartoonish feel to it,
[1:35:20] which is something that I feel like
[1:35:21] couldn't be portrayed as well in the
[1:35:22] manga because obviously in the manga,
[1:35:24] you know, it's black and white. You
[1:35:25] don't have this kind of contrast. You
[1:35:27] don't have voice acting, you don't have
[1:35:28] music. But the anime episode really
[1:35:30] elevated what Gagege wrote by really
[1:35:32] drawing on the contrast of you have this
[1:35:34] dark and gloomy edgy teen like Megumi
[1:35:37] and the rest of the things going on
[1:35:38] around him. Whether it be the scenery,
[1:35:40] whether it be Reggie, whether it be
[1:35:41] Takoba are just all colorful and vibrant
[1:35:44] and flamboyant and goofy. I love it cuz
[1:35:46] realistically Takaba and Reggie are just
[1:35:48] both goofy as [ __ ] bro. Reggie's out
[1:35:50] here with his hobbit feet. He's built
[1:35:51] like a truck. He's wearing a dress of
[1:35:53] receipts. Man, the way he just pulls out
[1:35:55] that rinky dinky little scion blue moped
[1:35:58] later on is so dumb. It's like watching
[1:36:00] Dwayne the Rock Johnson, you know, get
[1:36:02] on a on a e- scooter. It's It's just It
[1:36:04] doesn't make sense, bro. It does.
[1:36:06] Nothing about this episode makes any
[1:36:07] sense other than Megum. He's like the
[1:36:09] most realistic part of the episode, but
[1:36:11] it's dope. It's such a good contrast,
[1:36:12] and I feel like they really go all in
[1:36:14] and bring it to life in this episode.
[1:36:16] I'm actually really struggling to put
[1:36:17] into words how I'm finding this. I don't
[1:36:19] know. The the Tupper thing is just
[1:36:21] hilarious. Like the way he does his own
[1:36:22] adlibs and the sound effects that he
[1:36:24] makes, like just the little noises. I
[1:36:26] don't know what Takaba's voice actor was
[1:36:27] smoking, bro. They gave him some crazy
[1:36:29] drugs, locked him in the recording
[1:36:31] booth, and just said, "Do your thing." I
[1:36:32] don't know. He was cooking. It was sick.
[1:36:34] And then, as if that isn't cool enough,
[1:36:35] we go back to the um, you know, Megumi
[1:36:37] and Reggie stuff where instead of just
[1:36:39] having the conversation about Reggie's
[1:36:41] curse technique on the street then and
[1:36:42] there like they do in the manga, there's
[1:36:44] this massive anime only uh chase scene
[1:36:46] where Reggie's like running down the
[1:36:48] scaffolding, dodging New A's lightning.
[1:36:50] And again, I just want to say it's
[1:36:51] rotoscoped even though it might not be
[1:36:53] because it looks that damn good. And
[1:36:55] then you had Reggie using his technique,
[1:36:56] which is great cuz I do feel like in the
[1:36:58] manga, he didn't really use it to full
[1:37:00] effect. And it's nice just to have this
[1:37:02] anime only sequence, you know,
[1:37:04] storyboarded by the goat himself where
[1:37:06] we get to see Reggie's technique used in
[1:37:08] a much more versatile way, where he was
[1:37:10] like summoning giant plushies to cushion
[1:37:11] his fall. He was doing this weird thing
[1:37:13] where he was putting like rock climbing
[1:37:14] things on the wall to help him run on
[1:37:16] the wall or something. And then later on
[1:37:18] he just drops a whole ass piano on
[1:37:20] Megumi in an alleyway. It's just dope.
[1:37:22] But the action sequence of them running
[1:37:24] around the city is just generally sick.
[1:37:26] Like Mega looks dope as well. Him
[1:37:27] summoning Max Elephant out of the
[1:37:29] building was really really cool.
[1:37:31] Actually, I really like that moment
[1:37:32] specifically because it kind of
[1:37:34] emphasizes the use of the shadows cuz
[1:37:36] that part of the building was in shadow.
[1:37:38] But then, you know, eventually after all
[1:37:39] of this peak fiction, they end up in the
[1:37:41] gymnasium where Megum dodges these uh
[1:37:44] these lorries that Reggie sends flying
[1:37:46] at him. or sorry, I should call them
[1:37:47] trucks cuz most my viewers are American.
[1:37:49] He summons these trucks and Megumi like
[1:37:51] dives under them and again the camera
[1:37:53] looks like it's handheld, bro. Like the
[1:37:55] cameraman lowkey is on acid or something
[1:37:57] like he's just wobbling all about the
[1:37:59] place which is really sick cuz okay
[1:38:01] cool. It was a well animated shot but
[1:38:02] having the the camera like violently
[1:38:04] move really kind of brought that moment
[1:38:06] to life for me. I thought it looked
[1:38:07] really sick. And after saving some more
[1:38:09] time by doing these uh slightly
[1:38:11] egregious slow-mo shots. Yes, I think my
[1:38:14] only real complaint of the episode is
[1:38:15] that the slow-mo was a little bit
[1:38:17] overdone in places. I mean, if you're
[1:38:18] going to have Takaba and those kind of
[1:38:20] moments be long and drawn out for the
[1:38:22] sake of saving time, don't don't also
[1:38:24] overload it with slow-mo. But that's a
[1:38:26] minor inconvenience. All right, it's not
[1:38:28] a real complaint. After all that gets
[1:38:30] packed up, though, it's time for the
[1:38:31] pinnacle of the episode. And somehow in
[1:38:33] the space of only three episodes, we're
[1:38:35] getting two with domain expansion
[1:38:37] cliffhers because Megumi starts talking
[1:38:39] about how his domain is incomplete,
[1:38:41] can't be contained by a barrier. And as
[1:38:43] soon as he starts talking about
[1:38:44] barriers, Reggie suddenly looks shook.
[1:38:46] Now, this is a moment that I think the
[1:38:47] anime did a really good job of
[1:38:49] portraying that Reggie is in genuine
[1:38:51] disbelief that Megumi was about to
[1:38:53] unleash a domain expansion because
[1:38:55] despite Reggie being very strong, it
[1:38:57] kind of emphasizes, you know, how much
[1:38:59] higher of a level of sorcery you have to
[1:39:01] be to have something like a domain
[1:39:03] expansion. And you can see that
[1:39:04] expressed very clearly on Reggie's face,
[1:39:06] which was dope. So, um, yeah, the music
[1:39:08] then kicks in. We're building the
[1:39:10] tension again. It kind of reminds me of
[1:39:11] when It kind of reminds me of when he
[1:39:13] says, "Oh, it's the Southern Cross to
[1:39:15] Kurara." And that kind of voom music
[1:39:17] starts playing again to build tension.
[1:39:19] And then we get this great zoom out shot
[1:39:21] of Megumi actually expanding the domain.
[1:39:23] Uh and then it's it just it's the best
[1:39:25] it's ever looked. Like it looks good in
[1:39:26] season 1. It looks okay in season 2 in
[1:39:28] Dargon's domain. But here you've just
[1:39:30] got like this weird neon blue lightning
[1:39:33] effect with the core of the domain
[1:39:35] hanging above him. Like it looks so
[1:39:37] sick. Whereas before you kind of just
[1:39:39] see the shadow spill out, right? But
[1:39:41] this is a different level. It's
[1:39:42] beautiful. I love it. So um yeah, that
[1:39:44] is the episode. But again, I think my
[1:39:45] only complaint is like the time-saving
[1:39:47] moments being used in the Takoba section
[1:39:49] for comedic effect is completely fine.
[1:39:51] If anything, it's peaked. It just made
[1:39:52] it funnier. And at the beginning of the
[1:39:54] episode, I don't care about seeing shots
[1:39:55] of the scenery because all of the art is
[1:39:57] so beautiful that I'll happily just, you
[1:39:59] know, sit there and watch it while
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