Green Screen Hack: Use Green Light!
46sThe unexpected visual of the whole room turning green is surprising and visually engaging, making viewers want to see the result.
▶ Play ClipThe video shows how to transform a cluttered garage into a convincing 'virtual YouTube studio' using a green screen and strategic lighting. The creator demonstrates a step-by-step setup: a paper green screen, an RGB panel to light it evenly, and small colored lights to match the virtual background's lighting. The result is a professional-looking composite that costs far less than building a real studio.
The creator's garage transformation is taking too long, so he uses a green screen to create a virtual studio as a temporary solution.
Paper green screen is recommended over fabric to avoid wrinkles that ruin the effect.
Using an RGB light set to green on the green screen for even illumination, instead of standard white lights.
The background image was found on Motion Array; the creator flipped it horizontally so the window light matches his key light position.
Small pocket RGB lights (orange and teal) are placed to match the colors in the background image, creating realistic lighting spill.
A small fluorescent tube light attached magnetically acts as a rim/hair light to separate the subject from the background.
Post-production includes blurring the background, applying a cinematic LUT over both layers, and creating a fake light wrap for realism.
"The title accurately describes the video's content—creating a fake studio using a green screen—so it delivers on its promise."
What type of green screen backdrop does the creator recommend?
Paper, because it doesn't get creases like fabric.
1:16
Why does the creator suggest lighting the green screen with green light from an RGB panel?
To make it easier to key out the background by lighting the screen evenly.
2:44
How does the creator match the lighting of the virtual background to his real scene?
By flipping the image so the window light matches the key light position, and adding small RGB lights in matching colors.
4:51
What additional light does the creator add to separate himself from the background?
A rim light (hair light) to separate the subject from the background.
5:50
What does the creator use to blend himself and the background together in post-production?
A cinematic LUT (Look Up Table) applied over both the subject and background layers.
6:40
What 'little extra spice' does the creator add to make the composite look more realistic?
A fake light wrap on the edges of the subject.
6:52
Flip Background Image to Match Real Light
A simple editing trick that aligns the virtual window light with the real key light for better realism.
4:51Use Rim Light for Depth
Adding a hair light separates the subject from the virtual background, creating a professional look.
5:50Apply a Single LUT to Both Layers
Using the same color grade on subject and background helps them blend seamlessly.
6:40Fake Light Wrap Effect
Simulating edge light from the background makes the composite look more natural without complex compositing.
6:52Match Virtual Environment Lighting
The creator emphasizes that adding RGB lights that match the background image is the key to professionalism.
7:10[00:00] in this video we are going from this to
[00:03] this it's very easy to do you can do
[00:06] this at home so stay tuned
[00:08] [Music]
[00:19] hey how's it going so this has been my
[00:23] backdrop for maybe a couple of months or
[00:27] a bit longer and I'm not very proud of
[00:29] it the thing is that I'm in my garage
[00:31] and I am in the process of rebuilding
[00:34] this garage into a full-blown YouTube
[00:37] Studio but it's just taking too long
[00:39] time it's taking longer than I expected
[00:41] I have a carpenter friend of mine who
[00:44] was supposed to help me out but he's
[00:45] very busy so in the meanwhile I was
[00:47] thinking instead of having this kind of
[00:49] sad backdrop I was thinking okay I've
[00:51] got this old green screen lying about so
[00:55] let's make it into a virtual YouTube
[00:58] Studio instead now you might have a
[01:00] similar situation that you have a spare
[01:02] bedroom or a garage like me but you
[01:06] don't really want to either spend the
[01:08] money on rebuilding it into a YouTube
[01:11] studio so get yourself a a green screen
[01:14] and you're good to go now I do recommend
[01:16] using a paper background instead of a
[01:20] like these kind of fabrics that you have
[01:23] because they get creases all the time
[01:25] and it's just not going to work as
[01:28] easily as paper before we put the green
[01:31] screen down we are using today a eye
[01:34] footage key light with a huge softbox
[01:37] attached to it also from I footage and
[01:39] I'm using a small pocket LED light from
[01:43] Scion M40 fibre as a kind of a fill
[01:48] light but let's start making this into a
[01:50] virtual set instance
[01:53] so these kind of backdrops you can get
[01:56] from all the kind of places that sells
[01:59] photography
[02:00] video equipment it's not very expensive
[02:04] I just attached it to my wall but you
[02:07] can get stands for it as well I think
[02:09] that you can get a stand for about a
[02:12] hundred dollars and the backdrop as well
[02:14] is going to set you back about hundred
[02:16] dollars as well but relatively speaking
[02:18] it is not too expensive now I have
[02:21] enlisted this um this green screen as
[02:23] obviously we need to do I tried some
[02:25] different kind of methods to light it as
[02:28] you would usually do like from the sides
[02:30] so that the green screen is evenly lit
[02:33] but I found that I've got this huge lead
[02:37] panel I mean this is a monster this is
[02:40] from gvm and it's an RGB light as well
[02:44] so instead of just putting it on a
[02:48] normal Daylights or possibly
[02:51] um well whatever lights as it's a RGB
[02:54] light you can also put green so I was
[02:57] thinking how is that going to look like
[03:00] check this out
[03:09] I mean my whole room looks like it's
[03:13] green oh I'm looking at myself on the
[03:15] monitor in case you're checking out the
[03:16] beer camera and you probably can also
[03:18] see this microphone that is what I
[03:20] usually use but as I'm walking around in
[03:22] this video I have attached a lab mic if
[03:25] you're interested all the equipment that
[03:27] I'm using I want to put links to in the
[03:28] description now we have set up this
[03:31] green nice background I mean you don't
[03:33] have to have a huge expensive LED panel
[03:37] like that one if you have a RGB light
[03:39] like the Saucony lights that I have
[03:42] reviewed you can use that one as well
[03:44] but remove the cone from it so that it
[03:47] doesn't become a spotlight but it lights
[03:50] the room more evenly let's have a look
[03:52] at where I actually found the image that
[03:55] I'm going to use in the backdrop for
[03:57] this video Cause and mouth
[04:01] public so the image I founded on motion
[04:05] array because they just added images and
[04:08] graphic files as well like for Photoshop
[04:11] and illustrator I believe so I was like
[04:13] okay I'm gonna check that out since this
[04:15] background is not going to be my final
[04:17] one I'm not gonna put like oh this is a
[04:19] nice background it looks like you're in
[04:21] the living room I'm gonna go all the way
[04:23] and it's gonna look over the top but I
[04:26] kind of like it I found this kind of
[04:28] futuristic looking living room and I
[04:31] thought uh that looks kind of cool so
[04:33] I'm gonna use that one let's put it
[04:35] behind me and see what happens
[04:38] so this is how you would maybe light it
[04:42] up if you're starting out and it looks
[04:45] okay but there are levels that you have
[04:49] to add to make it look even better I did
[04:51] flip the image around because I have my
[04:54] key light over here and that was kind of
[04:56] replicating the lights shining through
[04:59] that window in this image that I have
[05:01] used you can see that there's like a
[05:02] quite strong orange light coming from
[05:05] this side of the image I have set up
[05:08] here a couple of pocket RGB lights and
[05:12] you might see it over there in the big
[05:13] camera but if we switch on this orange
[05:16] light you can already see on my mouse
[05:20] and the desk here but I have some orange
[05:24] spill from the RGB that looks like it
[05:27] might come from that light in the image
[05:29] you can see his hair now you can also
[05:32] see up there there are some teal light
[05:35] let's do the same let's switch on
[05:37] another pocket RGB lights
[05:40] foreign
[05:42] [Music]
[05:45] replicates that light in the ceiling now
[05:50] to separately a little bit more from the
[05:52] background I found that I need to have a
[05:55] rim light or a hair light so I just
[05:58] attached This little light tube I have a
[06:02] fluorescent lights up there but of
[06:05] course that color is wrong so since this
[06:07] is magnetic I found that I can just
[06:09] click it on
[06:12] get one you touch it
[06:14] and you can now see that I have this
[06:18] shine that could replicate a little bit
[06:20] the light from the living room now the
[06:23] living room window but it also just
[06:26] looks a little bit more professional
[06:29] so this is the footage before it's color
[06:31] graded I have maybe changed the curves a
[06:33] bit I have blurred out the background a
[06:36] little bit so it looks a little bit more
[06:37] realistic and on top of both layers both
[06:40] myself and the background layer I have
[06:43] put one of my cinematic Luts so that I
[06:46] blend in a little bit better in that
[06:49] scene and to add the little extra spice
[06:52] on top of everything since I don't have
[06:55] time to use Fusion or after effects or
[06:57] stuff like that I just created this kind
[07:00] of fake light wrap you can see it on my
[07:03] shoulder over here maybe a little bit on
[07:05] this one as well it just makes it look a
[07:08] little bit more realistic so to finish
[07:10] up if you want to make your green screen
[07:13] your virtual sets look more realistic
[07:15] add a couple of RGB lights in your scene
[07:19] because that is going to separate you
[07:21] from the amateurs with the professionals
[07:23] just like I did with only those two
[07:25] lights over there it makes the whole
[07:28] difference in a green screen setup to
[07:31] remove the green screen that's a whole
[07:33] video for itself you can remove green
[07:35] screen or chroma in general using a
[07:38] Final Cut Pro Premiere Pro DaVinci as
[07:42] I'm using the process is very similar if
[07:45] you are not using green screen in your
[07:46] setup check out this video right here
[07:49] where I have multiple scenarios where
[07:52] you can light your YouTube videos in
[07:55] your living room or bedroom or wherever
[07:57] you are filming
[07:59] check it out
[08:01] peace
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