【 head angles xyz rig + easy aug physics 】live2d step by step guide

[00:00] [Music]

[00:00] foreign

[00:11] last time we went over math forms and

[00:14] the mouth opening so if you want to

[00:16] check out that video before this one

[00:18] feel free to there are some tips there

[00:20] that I am gonna use in this video but

[00:22] that goes for all my other Ricky videos

[00:25] So today we're gonna work on head angles

[00:29] we're going to be doing angles X Y and Z

[00:31] and I will also be going over augmented

[00:34] physics now if you don't know what

[00:36] augmented physics are it's basically

[00:38] movement physics for your model that

[00:40] gives you a little more life there are

[00:42] different ways to add these physics in I

[00:45] do an easier way that I think looks

[00:47] cleaner but it does take away some of

[00:50] the rigging I will explain that later

[00:52] just follow along and we'll figure it

[00:55] out together so first of all just like

[00:58] the mouth rigging video we're gonna look

[01:00] up a guide I feel like the head angles

[01:02] for a model can really set apart a good

[01:04] rig from a bad rig maybe even more so

[01:07] than the mouth a good model that has

[01:10] good angles can really show the depth of

[01:12] the model and make it look more 3D

[01:14] rather than 2D if you're an experienced

[01:16] artist and you regularly draw head

[01:19] angles like three-fourths looking up

[01:21] looking down this will be a lot easier

[01:23] for you if not as I said we're gonna

[01:25] look up a guide so you can just go on

[01:27] Google and just Google up head angles

[01:29] but if you want to be more specific you

[01:32] can look up head angles live 2D I think

[01:34] a couple good guides will show up that

[01:36] you can use as reference I will say I

[01:38] think the hardest part about making head

[01:40] angles look really good are the corners

[01:43] and we'll be going over that hopefully

[01:45] it will make sense and then once you

[01:47] have your guide let's get into live TV

[01:49] okay as I mentioned in my first video I

[01:52] do have my angle separated differently

[01:54] as you can see here in my inputs

[01:56] parameter folder I have all the default

[01:59] angles that come with life today my

[02:01] angle X Y and Z and also body X Y and Z

[02:03] basically these are what you're

[02:05] inputting into your program when you

[02:08] move your head to the left and right

[02:10] that's angle X if you're moving your

[02:12] head up and down it puts it into angle y

[02:14] so that's why I put these into inputs

[02:16] and then over here in angles is where I

[02:19] have my head ankles so I named these

[02:21] angle X Y and Z physics but you can name

[02:24] these whatever you want whatever makes

[02:25] easier for you so you can just press new

[02:27] parameter make a new one this is my

[02:29] angle X physics parameter so my name is

[02:31] just Anglo X physics ID doesn't really

[02:33] matter and my ranges go from negative 30

[02:36] to 0 to maximum 30. and then once you're

[02:39] done with that do that for each of these

[02:41] angles so these parameters are going to

[02:43] be our physics parameters obviously so

[02:45] when we input angle X when you look to

[02:48] the left and right it's going to come

[02:49] out as these physics so we're going to

[02:52] start with the face so let's take away

[02:54] all of our hair over here in Parts

[02:56] you're probably going to have a ton of

[02:58] warps that you see in Parts if you go up

[03:00] to here you can actually hide it with

[03:02] the green button and the red button if

[03:04] you have any rotation warps so you can

[03:06] just see all the layers here

[03:08] just so we have our bald little face

[03:10] here hopefully your face is symmetrical

[03:12] and nice and shiny I know a lot of

[03:15] people like to have bald toggles so if

[03:17] you rig your head nice you won't look

[03:19] too weird when you take off all your

[03:21] hair so going over to my face I have all

[03:24] of my face are under one warp to make it

[03:27] easier for myself and we're gonna put in

[03:30] the mesh for our face so if you follow

[03:32] my guide you should have a face line and

[03:35] face skin we're going to add in mesh

[03:38] okay so I have my face line and my face

[03:40] skin here and usually I would manually

[03:42] mesh this but I want to focus on

[03:44] something else I'm just going to

[03:45] automatically mesh this these manually

[03:47] mesh this if you can I'm gonna start

[03:48] with the face kit I'm gonna deform it

[03:50] heavily so it's gonna look something

[03:51] like this and then for the face line if

[03:54] you do it with a heavy deformation it's

[03:56] gonna look like this which is not what

[03:58] we want because actually we're going to

[04:00] use glue to connect the face line to the

[04:03] face skin so we're gonna take the face

[04:04] skin and go into manually mesh and we're

[04:07] actually going to select all of the

[04:09] little vertices on the face control copy

[04:11] check out then we're going to switch

[04:13] over to the Face line manly mesh that

[04:14] we're going to select all of those

[04:16] vertices hit delete and then Ctrl V to

[04:19] paste it and this will put the same

[04:20] exact mesh that we put on the face skin

[04:22] onto the face line so now we can select

[04:24] both the face light and the face skin

[04:25] and then if we go into the manual mesh

[04:27] editor you see that these red lines are

[04:29] now green well they're usually red this

[04:32] is because the meshes are perfectly

[04:34] overlaying on top of each other so now

[04:36] if we select all the vertices here this

[04:38] selects both the face line and the face

[04:40] skin versus and then you can hit Ctrl G

[04:42] and this will put a green box around all

[04:44] these red boxes and this means that

[04:46] these vertices are glued together so the

[04:48] face line and face skin are completely

[04:50] glued together this is like a little

[04:52] intro to glue I will explain glue better

[04:54] in another video but I'm not the best at

[04:56] glue honestly so this basically just

[04:58] makes it so that the face line and the

[05:00] face skin whenever one of them moves the

[05:03] other will follow along with it for

[05:04] example if I take all the vertices here

[05:07] with a brush tool it will move both the

[05:09] face skin and the face line although I'm

[05:11] only selecting the face line right now

[05:12] so it just keeps it nice and neat when

[05:14] you're deforming them of course as I

[05:16] said if your face is just one layer you

[05:18] don't have to do this but there are a

[05:20] lot of benefits to separating your face

[05:21] line from the face skin okay this is my

[05:23] third time recording this section but

[05:26] hopefully the last time so let's get two

[05:30] minion warps and rigging the head so

[05:32] first of all I'm going to open up my

[05:36] face warp folder I'm gonna grab my face

[05:39] line my face Shadows my blush and my

[05:44] face skin and put that all under one

[05:46] angle X Y War now it's gonna

[05:49] automatically put a box around

[05:50] everything but you can actually edit

[05:52] this if you hold down control and then

[05:54] you can warp the green points or the red

[05:56] points holding that all to do both sides

[05:59] at the same time usually like to like

[06:01] usually I like to square in on the face

[06:04] this way just to make sure it's all good

[06:06] and well also you're gonna make sure the

[06:09] warp is in the middle of the face

[06:10] example here mine is not really in the

[06:14] middle it's over to the left a little so

[06:16] I'm gonna grab the right side and bring

[06:17] it out a little bit until it's right

[06:20] there next we're gonna put in three key

[06:23] forms on angle X and we're going to turn

[06:25] this all the way over to positive 30.

[06:28] the key form that's the rightmost side

[06:30] is going to be when your model looks to

[06:32] the right and then the one obviously all

[06:35] the way to the left your model is going

[06:36] to look to the left so going back to the

[06:39] right key form we're going to start

[06:40] deforming the head take away the red box

[06:42] now holding on shift I'm going to grab

[06:44] these green corners and drag them over

[06:46] to the side I'm working at and you'll

[06:48] notice that we're forming that face

[06:50] that's looking to the side make sure you

[06:52] have your reference picture on hand so

[06:53] you can copy shape of the face to what

[06:55] you want or just freehand it like I'm

[06:57] gonna do and then it's gonna look more

[06:59] and more like returning to the side now

[07:01] your face here is not going to move

[07:02] since we're not warping it so it's gonna

[07:04] look a little awkward when you're

[07:05] turning to the side and it's just

[07:07] staying there you can hide if you want I

[07:09] usually don't because I like to use as a

[07:11] guideline but I think it'll be easier to

[07:13] see if I just get rid of all these for

[07:15] you guys so let me just make those

[07:17] disappear okay so now I got this little

[07:19] mushy head over here and we're going to

[07:22] want to deform it a little more we want

[07:24] to edit it really well so it gives the

[07:26] illusion that the face is looking over

[07:27] to the side so we're gonna add more of

[07:30] these green Corners to edit by going

[07:32] into the bezier division number and

[07:34] changing the height usually I could

[07:35] change the height into five or six for

[07:37] the face this adds more green Corners

[07:39] vertically so we can edit these a little

[07:41] more now with the forehead jutting out

[07:44] the head will go back a little and your

[07:46] face sinks a little on your eyes goes

[07:49] back out on your nose and everything

[07:50] obviously it's gonna look a little wonky

[07:52] we need to add more of these gray Dots

[07:55] here to edit it at a more detailed level

[07:56] so we're gonna go to the number of

[07:58] conversion divisions by default it's

[08:00] five by five usually I could go up by 10

[08:02] for the face maybe less maybe more

[08:04] depending on what I'm editing but now I

[08:06] have more that we can edit it's a little

[08:08] awkward because all these gray dots are

[08:11] warp being not as smoothly as they

[08:13] should be especially for the face that's

[08:15] supposed to be something soon we need to

[08:17] go to bezier edit type and by default

[08:19] it's retain control structure but we're

[08:21] going to change it to smooth all so now

[08:23] if we click on these green Corners it's

[08:25] going to smooth out those gray dots into

[08:28] more curves and just make it a lot

[08:31] smoother now of course we only edited

[08:33] the middle of the face so I'm going to

[08:34] go ahead and edit the side over here

[08:36] because we really need that to pop out

[08:39] to show the dimensions of the face when

[08:41] turning

[08:42] I'm gonna add one more to my height

[08:46] [Music]

[08:48] and now it's looking a little more

[08:50] dimensional now this is just a base

[08:53] sketch rig of the face you could say we

[08:55] just want to get a general movement of

[08:57] the face for everything on here so I'm

[08:59] gonna reflect the motion over and now

[09:01] we're looking left and right

[09:04] next we're going to actually edit the

[09:06] face line and the face skin specifically

[09:08] so we can really get the right curves

[09:11] for the face so if you select both your

[09:13] face light and your face skin you can

[09:15] put a path to former around the edge I

[09:18] already have here because that is my

[09:21] third time recording this but if you

[09:23] want to follow me it's a little hard to

[09:24] see but as always you can start with

[09:27] less path deformers and add more when

[09:29] you need to add more details so after

[09:31] you have that finished we can actually

[09:33] with both Face line and face get

[09:35] selected put in angle X physics key

[09:37] forms turn over to the right now we can

[09:40] edit the face more usually I have to

[09:42] hover over Pat the former hide all my

[09:44] mesh and actually edit that way so it's

[09:46] a little easier to see everything

[09:47] [Music]

[09:49] foreign

[09:54] lumpy Parts like I do especially over

[09:57] here you can actually fix these pretty

[09:59] easily with Pat deformers just delete

[10:01] some at the area you want to fix and

[10:04] then you're gonna put Pat the former

[10:05] dots at the peaks of your awkward spots

[10:08] for example mine are here and here and

[10:11] then make sure you have little anchor

[10:12] points in between so since I have one at

[10:15] this peak here I need one here and one

[10:17] right in the middle here and the same

[10:19] for this one I need one in the middle

[10:20] here and one over here

[10:23] so after playing those path of formers

[10:25] in you can just edit those dots and

[10:27] smooth those out you might have to lower

[10:29] your path to form a distance depending

[10:32] on how crazy your Peak is

[10:36] [Music]

[10:38] and then once you have those smoothed

[10:40] out you can actually just get rid of

[10:42] those path of formers and put them all

[10:45] on a nice straight line again or a

[10:47] curved line I guess and then you just

[10:48] keep detail editing each little bit of

[10:50] the face until you have something you're

[10:52] satisfied with

[10:53] [Music]

[10:55] you can also just use the brush tool if

[10:58] there's larger areas you want to edit

[11:07] and then once you have something you're

[11:09] satisfied with just reflect it over

[11:10] horizontally and Bam you have it looking

[11:13] left

[11:14] all right

[11:15] now of course you can make this turn

[11:17] more extreme depending on how far you

[11:19] want your model to look when you're

[11:21] looking over to your left and right it's

[11:22] all up to personal preference

[11:25] now if you have blush or any Shadows on

[11:27] your face like me they're probably gonna

[11:29] look really whack because you're

[11:31] focusing on just the face skin for now

[11:33] honestly you can just hide those for now

[11:35] I do use my blush as a guideline for

[11:38] where I'm placing my eyes and my brows

[11:40] and everything so I'm gonna take

[11:42] everything under my blush I have my

[11:44] blush marks separated from my blush so

[11:46] I'm going to add a web deformer a little

[11:49] X Y on that and since this is a child

[11:52] deformer under our parent the former the

[11:55] original angle X Y warp deformer it's

[11:57] gonna have the same busier settings so

[12:00] if you want to edit those you can I

[12:02] would because I don't need this much

[12:04] editing for my blush I'm Going to center

[12:06] it on my blush and then add key forms

[12:09] and edit my blush into where I want it

[12:12] to look

[12:13] foreign

[12:19] let's actually start working on angle y

[12:23] some people like to do all their X

[12:24] angles first and then doing their y's

[12:27] and then do the corners personally I

[12:29] just like do x y and the corners of X Y

[12:32] all together so that's what we're doing

[12:35] in this tutorial so going back to our

[12:37] original X Y deformer on this entire

[12:40] face we're gonna add three key forms to

[12:43] angle Y and then positive angle Y is

[12:46] going to be when you're looking up and

[12:47] negative angle Y is when you're looking

[12:49] down it should be pretty easy to

[12:51] remember so going up to positive y we're

[12:54] going to make our face look up and it's

[12:56] going to be a little hard with all of

[12:58] these right down the middle with all of

[13:01] these green Corners right down the

[13:02] middle because we have to move each bit

[13:04] individually up and up so I just like to

[13:07] lower it down to like three and then

[13:10] start editing the face looking up from

[13:12] there foreign

[13:13] [Music]

[13:15] saying yours might look a little

[13:17] different from mine if you're

[13:18] freehanding it like me you should always

[13:20] think of the face as a ball someone

[13:23] looks up it's going to be curved upwards

[13:25] so it has that little Bend here same

[13:28] thing for when it goes down it's going

[13:29] to curve down

[13:32] now I always feel like looking up and

[13:34] down is pretty tricky for some riggers

[13:37] that aren't too used to how to make the

[13:39] illusion of looking up and down so it

[13:41] might be something you have to practice

[13:42] with but as I said using a reference

[13:45] really helps with how to make your model

[13:47] look like it's actually looking up and

[13:48] down

[13:51] okay now that we have that done I'm

[13:55] going to okay now that we have that done

[13:57] we're gonna work on the corners for the

[14:00] rig quote unquote sketch the face so

[14:02] there's a couple ways you can do this

[14:04] obviously since it moves like in a

[14:06] circle pattern you can link both and

[14:09] synthesize the corners but this will

[14:11] make it a little awkward because if we

[14:13] look up and to the side our head is

[14:16] going to be jutting out like crazy over

[14:19] here now if we look down it's still

[14:21] going to look kind of weird

[14:23] now this goes back into my little ball

[14:26] analogy if the ball is turning in this

[14:29] direction this part of the ball would

[14:32] disappear behind it that makes any sense

[14:35] so this head would actually be going in

[14:37] like that instead of joining out so I'll

[14:39] make solution that you're looking over

[14:41] to the side and up a little better

[14:43] obviously I'm just freehanding it if you

[14:45] have reference look at your reference

[14:47] and see how the head looks when it turns

[14:49] to the side at these angles same thing

[14:51] for this side it would be squished in a

[14:54] little and that side

[14:56] now you can do it that way you can also

[14:58] just take your angle x copy this form

[15:02] paste it on the corners and edit it from

[15:05] there it's all the personal choice on

[15:07] how you think you could rig yours the

[15:09] best but since this is a bit of a lazy

[15:12] easy tutorial synthesizing the corners

[15:14] and squeezing in the corners of the

[15:16] faces a little bit easier and then once

[15:18] you do the corners for one side you can

[15:20] just reflect it horizontally so once you

[15:23] have all those refracted over you can

[15:26] test your face and see if it looks

[15:27] alright

[15:28] obviously it's still gonna look a little

[15:30] rough you can edit the sketch more if

[15:32] you'd like I don't know why my head went

[15:33] back I must have control Z too much

[15:37] [Music]

[15:42] I don't think my head goes down my neck

[15:44] enough to really have that rotational

[15:47] effect so I'm gonna change that

[15:51] damn man it's looking a little better if

[15:53] you just did the same way I did and hit

[15:55] all the mesh and just use the brush tool

[15:57] you can go back in and shift the green

[16:01] Corners a little bit to smooth

[16:02] everything out

[16:03] foreign

[16:06] obviously since I deformed it a lot with

[16:08] the brush tool it's gonna have to smooth

[16:09] out a lot so it will change a lot from

[16:12] me and you if you copied me when you

[16:15] click on the green Corners so if you

[16:17] don't like how it looks after smoothing

[16:19] it out you can just go back and edit it

[16:20] or you can add more divisions here if

[16:23] you go change the width so that you can

[16:25] edit the sides here more

[16:28] and then once we have the little sketch

[16:30] done you can edit these Corners when you

[16:33] go into your face line and face skin

[16:35] just add the key forms to angle y you

[16:37] can edit the looking up and looking down

[16:39] [Music]

[16:41] looking at the corners

[16:45] [Music]

[16:52] [Music]

[16:57] and I'm going to reflect those over to

[17:00] the left and double check

[17:03] [Music]

[17:04] we have our face rotating on our X Y

[17:08] axis hopefully yours looks nicer than

[17:11] mine I'm probably gonna go and edit it

[17:13] more a little later but it's good enough

[17:15] for now now that we have the base of our

[17:17] face finished let's get into rigging the

[17:21] rest of the face onto angle X and Y so

[17:24] I'm gonna start putting my eyes on and

[17:29] going over to my eye warp I'm gonna put

[17:32] those under an angle X Y warp and then

[17:35] same thing as I did for the face make

[17:38] sure the warp is centered on the face it

[17:41] looks pretty center to me I think and

[17:43] then add angle X turn over to the right

[17:47] and just start wringing it in

[17:50] foreign

[17:54] [Music]

[18:03] mostly because of my blush placement so

[18:07] I'm probably going to move my blush a

[18:09] little later on

[18:10] [Music]

[18:28] all right it looks good enough to me

[18:31] I'm just gonna quickly edit my blush to

[18:33] match

[18:35] okay now I'm gonna go over and do my

[18:39] eyebrows

[18:40] [Music]

[18:49] something that really helps with giving

[18:51] the illusion of head turning is adding

[18:55] anything that makes it look more 3D for

[18:57] example where your eyebrows are I

[18:59] usually you have a little bump so I put

[19:02] my visual division width to four so I

[19:05] can have green corners on right in the

[19:08] middle of my eyebrows and this may look

[19:10] like it's jutting out a little bit if

[19:13] that makes any sense a lot of doing the

[19:15] angle X Y for the face is really trying

[19:17] to make all these little things add up

[19:20] until looking like the head is turning

[19:23] so put in a lot of detail and care when

[19:26] editing your face foreign

[19:31] [Music]

[19:45] next I'm gonna do my nose so the nose is

[19:49] another object on the face that if you

[19:52] rig it pretty well when it turns left

[19:54] and right it really adds more onto the

[19:58] illusion of looking left and right I'm

[20:00] sorry I keep saying that but it's all I

[20:02] can use right now depending on the kind

[20:04] of nose you make you might have to do a

[20:06] lot of effort into rigging it but since

[20:08] I'm just doing a basic anime girl with a

[20:11] little dot nose it's a lot easier I do

[20:13] have a little more layers for some more

[20:15] details in the future if you have like

[20:17] an Eco men face with like an actual

[20:19] defined longer nose I will try to do a

[20:22] tutorial about that in another another

[20:25] little series but for now simple little

[20:28] anime nose and take everything on my

[20:30] nose put it in its own ankle X Y web

[20:33] deformer and I'm gonna Center the award

[20:35] and like I did it for the rest put in

[20:37] key forms for angle X

[20:39] I'm gonna start raking it

[20:41] [Music]

[20:46] and I usually for anime characters

[20:48] facing forward they have a little dot

[20:50] for their nose most of the time but when

[20:53] they turn they're gonna have a little

[20:55] line

[20:57] that usually looks like this

[20:59] or something that looks a little better

[21:01] than that so usually as I just showed I

[21:05] would first manually put in my mesh for

[21:08] the nose I'm probably going to want to

[21:09] make it a lot nicer than this but that's

[21:11] what we're going with and we'll put two

[21:13] and we'll put three path to former dots

[21:15] right along the middle of it so when you

[21:18] turn it to the side don't put your key

[21:20] forms you can stretch out what little

[21:22] color there is on this layer to give

[21:25] more of a nose illusion again little

[21:27] detailed edits you can do after the base

[21:30] warp can really add more life into your

[21:33] rig I'm gonna go in and edit my angle X

[21:36] where I know shine since it's a little

[21:37] wonky on let's get trick

[21:41] and there we go we got the nose looking

[21:44] a little more dimensional I'm gonna do

[21:47] my angle line out

[21:49] [Music]

[21:59] okay I think I'm done nose

[22:02] [Music]

[22:13] okay I just edited some more parts of

[22:17] the face I was looking weird when I was

[22:19] looking around so it looks a little

[22:21] better now but anyway we're gonna go

[22:23] into the next part which are the ears

[22:26] sometimes I like to do the front hair

[22:28] before I do the ears depends depends but

[22:31] I think right now we'll do the ears

[22:32] first and we can edit it later now for

[22:34] the ears I'm gonna explain more about

[22:35] how to use clipping masks so for example

[22:39] on some rigs if you can even see their

[22:41] ears they turn to the side their ear

[22:43] might pop out right on top of their head

[22:45] some people use draw order to do this

[22:48] and I know when I was first learning

[22:50] live today there are a lot of tutorials

[22:52] out there that really emphasize draw

[22:54] order obviously if you've watched

[22:56] through all my tutorials I haven't

[22:58] touched on that yet but I almost never

[23:01] use it so you're not on the right

[23:03] channel if you want to learn how to use

[23:04] draw order but this is how I do that ear

[23:07] popping out technique for my models so

[23:09] first of all my ear art is under my face

[23:12] as you can see here I'm gonna put my

[23:14] ears over my face obviously it is gonna

[23:16] look really weird especially if you have

[23:19] a lot of your ear poking out onto your

[23:21] face so we can actually use clipping

[23:24] masks to hide the sides of the ears when

[23:27] we're facing forward I'm going to teach

[23:29] you guys how to use the invert mask

[23:31] option so with my ears on top of my face

[23:34] I'm actually going to go into my face

[23:36] and take my face skin actually copy

[23:38] paste that also make sure your face skin

[23:40] is actually under all your ears that'll

[23:41] be a little easier to understand and

[23:43] then when you copy paste your face skin

[23:45] it's going to be in the same folder

[23:46] where your original face skin is keep it

[23:49] there because we want it to work the

[23:51] same way as the face and then let's

[23:53] rename this into ear clip or whatever

[23:56] else it's easier for you to understand

[23:58] so first let me just organize my ears

[24:01] until left and right since I have a lot

[24:03] of accessories on them

[24:04] okay so taking the ear clip layer which

[24:08] is our face skin just copied we're going

[24:10] to take the ID copy that select

[24:13] everything on your ears paste it into

[24:15] your clipping ID and then click invert

[24:17] mask so this makes it so that the ears

[24:19] look like they're behind the skin this

[24:21] is because everything of the ears or

[24:23] everything we just clipped will show

[24:25] except for whatever touches the face

[24:27] skin and then if we take the ear clip

[24:29] layer and turn the opacity to zero we

[24:31] won't be able to see all the face skin

[24:33] on top but it will still clip onto the

[24:36] ears like this so we'll still hide the

[24:37] ear when we move it so I'm gonna hide so

[24:40] I'm gonna hide the ear clip layer just

[24:41] so I can see the ears on top first I'm

[24:43] going to take both ears and add an angle

[24:46] X Y to former and then we do the same

[24:48] process I did with the other things on

[24:50] the face and rig them on

[24:53] for this other ear here I'm going to

[24:55] tuck it behind the face obviously it

[24:57] doesn't look like I'm tucking it because

[24:59] you can still see the ears and

[25:01] everything and tuck it in there and

[25:02] double check that looks good enough I

[25:04] think I'm just gonna reflect it

[25:05] horizontally now I'm going to turn back

[25:07] on the ear clip our ears are behind

[25:09] everything and then turn it over to the

[25:12] right and I just realized we already

[25:15] have key forms on this because it copies

[25:17] the key forms of the face skin this is

[25:19] an issue because we only put the opacity

[25:21] zero on one key form so we would have to

[25:24] put opacity zero on all these key forms

[25:25] or else it will pop up again you can

[25:27] turn each little key Point into zero if

[25:30] you'd like I'm just gonna set another

[25:31] warp let's call this ear clip I'm going

[25:34] to set this warp deformer to opacity

[25:37] zero and that will make everything in

[25:38] that warp opacity zero I don't see it at

[25:41] all and I'm gonna go back into my ear

[25:43] clip layer and get to editing so I look

[25:46] to the right I want my ear to pop out so

[25:48] I'm going to grab my brush tool and push

[25:50] the ear clip over so I can reveal my ear

[25:52] it looks kind of weird on my blush but

[25:55] I'll have my hair covering that anyway

[25:56] they can play around with that and see

[25:58] what works for you and then since our

[26:00] ear clip is just copy of the face it's

[26:02] already perfect on this side and will

[26:04] hide this ear

[26:05] as you can see here and I'll just

[26:07] reflect that horizontally and then it'll

[26:09] be the same on this ear and then having

[26:12] the ear on top gives it a little more

[26:14] dimension for the face turns so I think

[26:17] it's a nice touch might move the ears

[26:18] back a little more though so I'm going

[26:20] to hide my ear clip again and just rig

[26:22] my angle X Y for my ears and all the

[26:25] corners and everything

[26:28] foreign

[26:32] [Music]

[26:34] once my ears are done I'm gonna pack the

[26:37] ear clip and I'm gonna do Each corner

[26:39] and everything for these

[26:41] [Music]

[26:46] and voila we've got ears moving back and

[26:50] in front of her head

[26:51] [Music]

[26:53] hello it's a new day for me so um I have

[26:57] no idea what I just did I think I just

[27:00] got finished rigging the ears so next

[27:02] we're gonna fill up our bald little head

[27:05] and usually I like to start with the

[27:06] front hair so I'm just going to turn on

[27:08] all the front hair and it's going to be

[27:10] mostly the same process as everything

[27:12] else we've ripped on the face just you

[27:14] know getting it to look right at each

[27:15] angle except hair is also one of the big

[27:20] factors in really making a rig look like

[27:23] they're actually looking to the left and

[27:25] right and down and up because the hair

[27:28] you know it encapsulates your head so

[27:30] when your head turns your hair is gonna

[27:33] turn pretty drastically too I'll explain

[27:35] it as I go but I have my front hair here

[27:39] and I've kind of separated my fringes

[27:42] into different sections okay so usually

[27:46] for hair I like to tackle each section

[27:48] section by section but I think an easier

[27:51] method is to group everything and then

[27:55] edit each one individually you can

[27:57] obviously do this for each part that

[27:59] you're rigging I probably already put

[28:01] notes in the video for this but for

[28:03] example if you wanted to put your eyes

[28:04] and your brows your nose and your mouth

[28:06] all in one General angle XY rig and then

[28:10] rig each of them individually to fit

[28:12] them into different spots or different

[28:14] angles that would be good for keeping

[28:16] everything pretty consistent and hair

[28:18] gets pretty tricky so I do like to do

[28:21] that with hair so I'm just going to

[28:23] select everything on my front hair and

[28:25] put it into an XY warp again make sure

[28:28] everything's meshed correctly for my

[28:31] hair I usually like to do an automatic

[28:32] mesh

[28:33] um for heavy deformation usually for my

[28:37] lazy self that's good enough but if it's

[28:39] a pretty particular piece of hair I will

[28:42] manually mesh it so it's up to your

[28:44] personal choice

[28:45] since the hair does get pretty warped up

[28:49] when we rig in the physics you might

[28:52] want to make it pretty detailed but

[28:55] we'll handle that when we get to hair

[28:57] physics and everything so having our

[28:59] warp selected I'm just going to do the

[29:01] same thing I did for the face and make

[29:03] it smaller with control and ALT

[29:07] so we're gonna start with ankle X turn

[29:09] this over to the side now to put on your

[29:12] hair now depending on your hair you

[29:14] might want to rig it differently it's

[29:15] all up to personal choice and of course

[29:17] how your hair works and how you want to

[29:19] work with it but as a general rule of

[29:21] thumb I like to actually just grab

[29:23] everything here and shift it over a

[29:25] little bit and then I will bump this out

[29:28] I'm gonna add more conversion divisions

[29:31] and bezier divisions

[29:33] just down the middle like I did for the

[29:36] face I'm gonna more fit like I said the

[29:39] face is kind of like a ball so I want my

[29:41] hair to Puff that a little over here and

[29:43] then I'm going to tuck the hair on the

[29:46] side in

[29:49] A good rule of thumb is to also note

[29:51] where the center of your head is or

[29:54] where your hair is sprouting from for

[29:56] example mine is pretty much on the

[29:58] center

[29:59] so I turn my head it's Gonna Keep onto

[30:02] the center here really helps with the

[30:04] illusion of turning left and right and

[30:06] I'm just going to reflect it

[30:07] horizontally

[30:08] now for me this is a pretty decent

[30:11] sketch rig so I'm just gonna go into the

[30:13] hair and do a more detailed edit on the

[30:17] angle X as I said earlier hair really

[30:19] helps with the illusion so what I want

[30:21] to do is I have a lot of mid hair here

[30:24] for example this Fringe here is like my

[30:26] front hair and these two over here like

[30:27] my mid hair so when I turn I want these

[30:29] to kind of jut out a little bit like

[30:32] this so it really shows more depth into

[30:35] my turn and send it symmetrical on both

[30:37] sides I'm just going to select each

[30:39] piece pair them together with their own

[30:41] warp on and then just break in the angle

[30:45] X

[30:46] [Music]

[30:53] foreign

[30:53] [Music]

[30:59] decent to me right now I'll probably do

[31:02] more detailed edits since I have a lot

[31:04] of separation for my hair example I have

[31:06] this here and I have little flicks here

[31:08] I'll probably do that later now that I

[31:10] have that done I'm now just gonna go

[31:12] back into all those angle X Y warps I

[31:15] just did and do angle Y and then do the

[31:18] corners

[31:20] foreign

[31:22] [Music]

[31:31] obviously I will go back and do some

[31:33] more detailed editing after I record but

[31:36] just some little tips or I mean you can

[31:39] take them if you like them but whenever

[31:41] I look down I do like to make the hair

[31:43] go over my face a little more it kind of

[31:47] gives the illusion that your hair is

[31:49] hanging over your face so gives more of

[31:52] that looking down look but maybe I have

[31:55] it too much I'm probably gonna squish it

[31:57] up a little bit but

[32:02] foreign

[32:07] with this for now next I'm gonna move on

[32:10] to my mid hair obviously we so this is

[32:14] my humid hair which is my hair tied back

[32:16] so it's basically the shape of my head

[32:19] so I'm gonna mesh all this is some crazy

[32:22] looking mesh but it'll work I guess I'm

[32:25] gonna select everything on my

[32:28] mid hair give it a warp I'm gonna Zone

[32:32] in on everything

[32:34] and then I'm just gonna do my sketch rig

[32:41] if your hair only has like two layers

[32:44] like the front and the back it's really

[32:46] too too dimensional you're going to want

[32:48] to add some sort of mid layer that will

[32:50] usually be hidden when you're just

[32:52] facing forward like this but it will

[32:54] reveal itself when you turn your head

[32:55] something to keep in mind for a better

[32:57] looking rig in my opinion at least

[33:09] okay ignore my wonky looking rig I'll

[33:12] probably show my finished product at the

[33:15] end of the tutorial we're just trying to

[33:17] get in um the general rig right now

[33:19] Wally Style just do it better than me

[33:22] okay I'm gonna rig in my little flicks

[33:25] here really quick

[33:30] okay this is decent enough now I'm gonna

[33:33] add the pigtails which are just pretty

[33:35] easy honestly

[33:40] another good thing to note when you're

[33:42] rigging hair or anything else for when

[33:45] you're looking up and down is how they

[33:47] move up and down respectively to your

[33:50] face imagine you have a ponytail on the

[33:52] back of your head just just imagine and

[33:54] then you look down it's gonna look up

[33:56] then when you look up it's gonna be

[33:58] pointing down something to keep in mind

[34:02] [Music]

[34:04] I'm sorry my Ray's getting sloppy and

[34:06] sloppy as we go I know this tutorial is

[34:09] going to be a bit longer too so I'm

[34:11] trying to speed things up I just want to

[34:12] teach you guys how to do it and then you

[34:15] guys can perfect it on your own there

[34:18] are some things here I do want to fix

[34:19] the face like for example in this corner

[34:22] I kind of want to smush these in more so

[34:24] I don't have too much of this showing

[34:26] here just some little things I gotta go

[34:28] back when I find back and forth back and

[34:31] forth anyway I'm gonna find this and

[34:33] then I'll be back for ankle Z see you in

[34:37] a second okay so I did a little bit of

[34:39] touch up I fixed the hair a bit it looks

[34:43] a little better obviously as I go

[34:45] through I'm gonna fix it more I fixed up

[34:47] my drop it I fixed this on my face a

[34:50] little bit

[34:51] um I especially fixed up my eyes here on

[34:54] the original angle X Y rig for the eyes

[34:57] they're pretty concave going this way so

[35:00] they they look pretty flat against the

[35:02] face so I just put another orb deformer

[35:06] on top of the eye that just pushes it

[35:08] out more when it looks to the side here

[35:09] as you can see here just to get more

[35:12] Dimension I especially did it on the

[35:14] pupils here so they look like they're

[35:16] rounded against a surface so just little

[35:19] things there you can obviously do as

[35:21] much as you want unless you're on the

[35:23] free version so touch up as much as

[35:26] needed I am gonna go more into how to

[35:29] use inversion masks to up your rig if

[35:33] you've been paying close attention to my

[35:35] layers you'll notice I already have a

[35:37] neck clip layer here turn that on it's

[35:40] invisible right now it's just this

[35:42] little purple circle it doesn't really

[35:43] matter what color since you know it's

[35:45] going to be invisible but I'm going to

[35:46] use this to fade my face line when I

[35:49] look up so it really gives more illusion

[35:52] of me looking up so that's why I like to

[35:54] separate my face line from my face skin

[35:56] there's also other benefits to doing

[35:58] that but this is one of my favorites of

[36:00] course if if you don't have a neck clip

[36:02] or anything to use you can take your

[36:05] pupil and just copy paste it and warp it

[36:07] into a shape you want to use or just use

[36:10] your face again just make it small in

[36:12] the beginning after I take all the key

[36:13] forms out there's plenty of ways to

[36:15] reuse stuff if you do copy and paste

[36:17] apart from your model it does save some

[36:20] space on your texture Atlas so just a

[36:21] heads up so to do with this I'm going to

[36:24] automatically mesh my little neck clip

[36:27] and I'm just going to bring it up to my

[36:30] face and parts and I'm going to grab the

[36:33] ID and then grab my face line and paste

[36:36] it into the clipping ID and then hit

[36:37] invert mask then I'm going to turn my

[36:40] net clip back to zero so can't see it

[36:43] I'm gonna hide the face line so first of

[36:45] all it's kind of awkward right here

[36:47] because this is just our default looking

[36:49] position and we don't really want our

[36:51] neck to fade here I mean you can if you

[36:53] want but I'm gonna move it here and

[36:55] since we have no key forms on it it's

[36:57] going to be its default position as well

[36:59] as with opacity zero all the key forms

[37:01] we make now will start at zero and this

[37:03] position I'm going to start with angle y

[37:05] since this is mostly just for looking up

[37:07] at three key forms I'm gonna look up now

[37:10] right now it's actually fine as you can

[37:13] see it's giving more of that illusion I

[37:15] am gonna have to extend my face more and

[37:17] do more editing to really make it look

[37:20] not awkward but all you gotta do is warp

[37:23] it a bit and get looking right

[37:27] once you have the angle lie up all

[37:30] rigged up you can add in your angle X

[37:32] physics so you can edit how it looks

[37:34] when you turn to the side while looking

[37:35] out behind my hair

[37:37] and voila it just gives a little more of

[37:40] that illusion you might want to fix the

[37:43] default position here if it looks

[37:45] awkward at certain angles example I turn

[37:48] here the side it's going to make my jaw

[37:51] disappear but if you like it you can

[37:53] keep it if you don't you can move it I'm

[37:55] going to move it just a little bit I

[37:57] actually like the little hidden part

[37:58] when looking to the side although I

[38:00] might change it later but yeah just

[38:02] something to use and keep in mind to um

[38:05] edit it to however you want it to look

[38:07] I'm going to just quickly fix my face

[38:09] from when I look up

[38:13] okay it's a little better when we look

[38:15] up your Chin's gonna be tilted up so you

[38:17] don't really see it facing forward so I

[38:20] tucked my chin in a bit I have a goofy

[38:22] looking up little face but yeah you can

[38:24] play around with that obviously you can

[38:26] use inverse clipping for a lot of other

[38:28] things so it's something to keep in mind

[38:29] when you're drawing your model and

[38:31] trying to figure out how you're going to

[38:32] read certain things all right next we're

[38:35] gonna finally do angle Z so angle Z is

[38:38] just when your head tilts from side to

[38:39] side so it's pretty easy honestly we're

[38:42] just gonna grab everything on our head

[38:44] and we're gonna use a rotation deformer

[38:48] which is the one next to the warp

[38:49] deformer here the one with the circle

[38:51] and the point if you've been following

[38:52] my tutorials only we have not used these

[38:55] yet another thing you'll see but these

[38:58] deformers are as it's labeled they're

[39:00] rotation points so ever is at the point

[39:03] it will rotate from that point so I'm

[39:06] going to hit Ctrl and shift to shift

[39:08] this down to the neck now depending on

[39:12] where you place it depends on you know

[39:14] where your head hinges from so just find

[39:16] a place you like that looks okay when

[39:18] your head turns I know some people like

[39:21] to put it directly on their chin I like

[39:23] to put like a little Bob really depends

[39:26] on how you like the look now we're just

[39:28] gonna add three key forms and you'll see

[39:30] and positive angle C is going to be over

[39:34] leaning to the right ah just pick a

[39:37] place you like honestly I kind of like

[39:38] it when there's a lot so I think I'm

[39:41] gonna go here is that too much I guess

[39:44] we'll see and then I'll just reflect the

[39:46] motion over and there we go and then you

[39:49] can also link angle X and Y and then as

[39:52] you're tilting your head you can see how

[39:54] it looks at that angle they're obviously

[39:56] gonna look a little funky because we

[39:57] haven't done anything to the neck here

[39:58] but now I kind of avoid using rotation

[40:02] deformers so you won't see me using them

[40:04] too much if you use the wrong

[40:06] combination of rotation and work

[40:08] deformers it will mess up your regular

[40:11] bit so I just for now if you don't

[40:14] really know how they work too much

[40:15] together just try to avoid using too

[40:18] many rotation deformers so now that we

[40:20] have the head done we can do the neck so

[40:23] go over to your neck I have mine and its

[40:25] own award folder here with a shadow I'm

[40:28] going to Auto mesh them and then I'm

[40:31] just going to grab both of them and put

[40:33] them into an angle Z the former put

[40:36] three key forms on that and now we're

[40:38] gonna go all the way positive angle C

[40:40] and morph the neck to suit the head now

[40:44] I know some people don't like to rig the

[40:46] neck for angle Z for whatever reason so

[40:49] if you like this look you can just keep

[40:51] it like that

[40:52] um you are gonna have to edit these

[40:54] though so what I like to do is with my

[40:57] pointer tool just actually click and

[41:00] drag to select some Dots here and I'll

[41:03] just rotate it here and then try to find

[41:05] a good spot on the neck and you can play

[41:07] around this now it looks pretty decent

[41:10] obviously looks like our neck is broken

[41:11] so I'm going to add more there's your

[41:15] divisions and smooth them out

[41:18] I also like to expand the top a little

[41:21] like this that's like sprouting out it's

[41:24] really up to you because I like it's a

[41:26] little thicker over here near the head

[41:28] just makes it look like it's more

[41:30] balanced and then don't forget to make

[41:32] sure your neck down here looks the same

[41:34] you can actually go to right here at the

[41:37] default select some of those gray dots

[41:40] and then you can hit Ctrl shift C and

[41:42] then go over here to control shift V and

[41:45] that will paste the form here in a

[41:47] second you can also do that obviously it

[41:49] looks a little weird with the shoulders

[41:51] here honestly I will edit the neck later

[41:54] when I get to the body so honestly this

[41:57] for now is fine gonna reflect the motion

[41:59] check the angles now for now the angle

[42:03] is all together look fine yours might be

[42:06] a little awkward and if it is you can

[42:09] actually adjust with angle X and Y

[42:11] always combined once you have your angle

[42:13] Z completed you can hit the add three

[42:15] key forms here and I'll add all key

[42:17] forms here the like just like precisely

[42:19] edit each Little Dot so like for example

[42:22] if yours look messed up here you can

[42:24] edit this a little and then switch over

[42:26] to the other side and edit that a little

[42:27] and then lean your head over and fix

[42:31] this a little and that's basically how I

[42:33] would do angle Z for the neck now

[42:35] obviously when you're using angle Z and

[42:37] your head's tilted to the side you're

[42:38] gonna want your hair to also fall over

[42:41] on that side I'll do one section just as

[42:44] an example and then I'll speed through

[42:46] me doing it to the rest of the hair but

[42:48] I'm going to take my little pigtail here

[42:51] and put these in their own warp deformer

[42:53] add three keyframes turn over to the

[42:56] side and then I'm gonna use this tool

[42:59] here that grabs multiple dots as a brush

[43:02] and I'm gonna rotate all these as if

[43:05] they're falling over to the side

[43:06] position knot now when we're leaning

[43:09] over to the side it's going to fall that

[43:10] way I'm gonna make it tilt this way for

[43:12] this side a little bit it's really up to

[43:14] you how much you want it built I'm just

[43:16] gonna copy that pigtail and paste on the

[43:18] other side now for angle Z you are going

[43:21] to want to reflect these parameters so

[43:23] keep that in mind and now my pigtails

[43:25] are falling to either side when I'm

[43:27] counting my head I'm just going to

[43:29] quickly do that for everything else on

[43:31] my head

[43:36] okay so I think that's all the hair I

[43:39] want to do that to I think it just makes

[43:41] it a lot cuter now we've basically got

[43:44] all the face angles done Yahoo and now

[43:47] we can test it out in the physics menu

[43:50] so going over to modeling you can open

[43:52] up your physics settings now this is the

[43:54] fun part I already have my presets in if

[43:57] you watch the first ranking video but

[43:59] I'm going to show you how to make your

[44:01] own for the easy augmented angles so

[44:04] you're just going to hit add and then

[44:05] you can name this the same name as

[44:08] whatever you named your new angle

[44:10] parameters as all of mine are named

[44:12] physic angle XYZ so I can just name it

[44:15] whatever you want and then just hit OK

[44:17] and then you should get links late I'll

[44:19] go through my physic angle excellent

[44:21] first and then you guys can just do the

[44:22] same for for Y and Z so on our input

[44:25] settings you're going to want to hit add

[44:27] and then find your angle X you're going

[44:29] to add that as an angle so the

[44:31] difference between position and angle is

[44:38] I don't know if I can explain this well

[44:39] but just follow along and then once you

[44:42] add your angle X angle you're going to

[44:45] want to put the effect to a hundred I'll

[44:47] explain how the effect changes how your

[44:51] physics look and then for output

[44:53] settings you're going to want to add

[44:54] your angle X physics parameter that you

[44:57] made that's not your angle X input and

[45:00] then once you have that in you're going

[45:02] to want to make your physics settings so

[45:04] this is mine duration 10 shaking point

[45:07] eight reaction one overall acceleration

[45:09] one and then once you have your input

[45:11] output and your physics done you should

[45:13] be able to just use your cursor and

[45:14] click and drag across your model or you

[45:17] can go over to the angle X slider and

[45:20] look left and right now you'll see the

[45:22] augmented physics here obviously when we

[45:24] look to the right there's a little

[45:25] bounce

[45:26] it adds a lot more life to your model

[45:28] trust me and you'll notice that it will

[45:32] follow your angle X physics here but not

[45:34] completely so if you go all the way over

[45:35] to your max of X your angle X physics is

[45:38] not actually going to reach the end of

[45:40] what you rate because it needs it to

[45:42] balance here so this is what the angle

[45:44] does if we change it to position you'll

[45:46] see here that it goes back to the

[45:48] default position after a bit also it's

[45:50] kind of awkward right now since we

[45:51] changed it but that's the difference

[45:52] between position angle you can play with

[45:54] that and then effect is how much turning

[45:57] to the right for angle X is going to

[46:00] affect our angle X physics so if we turn

[46:02] this down to 50 it's going to be more in

[46:05] the middle here so not as effective

[46:07] that's why we want this all the way up

[46:09] to 100

[46:12] so we get as most as we can out of this

[46:15] so we won't completely get the max we

[46:18] rigged here because we're doing my lazy

[46:21] augmented version of augmented physics

[46:23] but yeah so you just do that for angle X

[46:26] Y and Z they're all going to be the same

[46:27] thing

[46:28] I have the same physics settings for

[46:31] most of them

[46:32] you can change the shaking or the

[46:34] duration for some of them if you want to

[46:37] play around with how each thing works so

[46:39] once you have all those physics in you

[46:41] should be able to just play around with

[46:42] your model and everything should be

[46:44] moving for your angle X Y and Z physics

[46:46] and then if you want to test the

[46:48] clicking and dragging with angle Z you

[46:50] just go to preview settings of the

[46:52] cursor tracking and then find your angle

[46:55] Z input and then set that to whatever

[46:57] Mouse button you want and then once it

[46:59] happens

[47:00] you can click and drag and test it out I

[47:03] think I'm gonna change my angle C to 100

[47:05] and yeah we got the head all rigged in

[47:07] it looks okay I think I'm gonna hit some

[47:10] random poses obviously after playing

[47:11] around with it in the physics settings

[47:13] you might want to change some parts

[47:16] um I definitely am I know I've been

[47:18] saying it this entire time but I am

[47:19] always going back to edit stuff because

[47:21] I'm always messing up so don't be afraid

[47:24] to go back and edit your stuff guys but

[47:26] yeah we successfully completed the head

[47:28] with augmented physics that are pretty

[47:30] easy trust me you should keep them they

[47:33] make the models really nice and less

[47:35] stiff unless you like stiff models then

[47:37] that's but that's okay but I don't like

[47:40] stiff models I like bouncy models so I

[47:43] hope I was able to teach this okay I'm

[47:47] sorry I was like all over the place and

[47:50] I think the way I do it it's kind of

[47:51] complicated but hopefully you learned

[47:53] something I do try to incorporate new

[47:55] tools each time I do a tutorial like

[47:57] starting off really simple and then

[47:59] slowly building up the tools you guys

[48:02] know how to use I hope that helps a lot

[48:04] but you know I just want to make it more

[48:05] easy to digest as I've been saying doing

[48:08] the face angles is kind of tough for

[48:11] models if you want to make it look a

[48:13] certain way but the next video I will

[48:15] finally start doing hair physics and

[48:17] then we'll get to the body so I hope you

[48:19] guys are ready for that I just want to

[48:21] say again thank you guys for all the

[48:22] love and support recently even though

[48:24] I've been gone for like a month

[48:26] basically especially on Twitter I see

[48:28] you guys on there tagging me and stuff

[48:30] and I'm so happy you guys are actually

[48:33] learning stuff for my tutorials yeah

[48:35] that's about it I'll see you guys in the

[48:37] next video good bye

[48:39] [Music]